To fully grasp capitalism, it helps to understand the system it replaced – and the most meaningful differences between feudalism and capitalism. We visit the British Isles of the Middle Ages.  By John Biewen, with co-host Ellen McGirt. Interviews with Karen Dempsey, Ben Jervis, and Eleanor Janega. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. Art by Gergo Varga and Harper Biewen. “Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

As we get ready to launch our Season 7, a bonus episode from another podcast we think our listeners will want to hear: Long Shadow. Episode 1 of its newest season, In Guns We Trust, with host Garrett Graff.Mass shootings have plagued the U.S. for generations. But in 1999, when shots rang out in a suburban Denver school, it was different. What changed? Everything.

Scene on Radio is on an extended hiatus, but is on its way back. Host and producer John Biewen explains that the show has found a new home: the Kenan Institute for Ethics at Duke University.

In the summer of 1787, fifty-five men got together in Philadelphia to write a new Constitution for the United States, replacing the new nation’s original blueprint, the Articles of Confederation. But why, exactly? What problems were the framers trying to solve? Was the Constitution designed to advance democracy, or to rein it in? And how can the answers to those questions inform our crises of democracy today? By producer/host John Biewen with series collaborator Chenjerai Kumanyika. Interviews with Woody Holton, Dan Bullen, and Price Thomas. The series editor is Loretta Williams.

When it comes to U.S. government programs and support designed to benefit particular racial groups, history is clear. White folks have received most of the handouts. Part of our summer mini-season of rebroadcasts. By John Biewen, with Deena Hayes-Greene of the Racial Equity Institute and Season 2 series collaborator Chenjerai Kumanyika.

The next in our summer mini-season of rebroadcasts: For Eddie Wise, owning a hog farm was a lifelong dream. In middle age, he and his wife, Dorothy, finally got a farm of their own. But they say that over the next twenty-five years, the U.S. government discriminated against them because they were Black, and finally drove them off the land. Their story, by John Biewen, was produced in collaboration with Reveal, the podcast and radio show from the Center for Investigative Reporting.

In this bonus episode we share a recent installment from Hot Take, the climate podcast co-hosted by Amy Westervelt (co-host/reporter for our Season 5 series on climate, The Repair) and writer Mary Annaïse Heglar. They talk with their guest, author and New York Times writer David Wallace-Wells, about the lessons we can learn from Covid-19, the parallels between pandemic response and climate response, and how Russia’s war in Ukraine sits at the intersection of the two.

Several years after Janey was sexually assaulted by her former boyfriend, Mathew, she told some of her closest friends, and her mother, what Mathew had done. Janey was so troubled by her loved ones’ responses that she went back to them years later to record conversations about it all. In this episode: Janey’s story, and philosopher Kate Manne, who coined the term “himpathy” in her 2017 book, “Down Girl: The Logic of Misogyny.” With co-hosts John Biewen and Celeste Headlee. Part of our summer mini-season of rebroadcasts. To hear more of Janey Williams’ story and the conversations she had with friends, check out her podcast, "This Happened", available on most podcast apps and at thishappenedpodcast.com.

A refugee from war in Eastern Europe. An NYC-born survivor who grew up poor, Black, Muslim, and gay. And how one, and her music, saved the other. By Aleks Basic, featuring Laila Nur. Part of our summer mini-season of rebroadcasts. Editing by Shea Shackelford and host John Biewen.

How to grieve when the deaths come so quickly? How, as a Black mother in America, to protect your child’s innocence and hope? An audio essay by Stacia Brown. The first in a summer mini-season of rebroadcasts. Editing by Shea Shackelford and host John Biewen. Music by Prince, Eme Dm, One World One Nation, Blu & Exile, Otwin, and goodnight Lucas.

The word “Hiroshima” may bring to mind a black-and-white image of a mushroom cloud. It’s easy to forget that it’s an actual city with a million people and a popular baseball team. In 1995, John Biewen visited the city to speak with survivors and to ask: What did the world’s first atomic bombing mean in the place where it happened?  Hearing Hiroshima is a production of Minnesota Public Radio, from American Public Media. Photo: Selections from the 1995 tapes. Photo by John Biewen.

A father turns on a recorder while tucking in his 7-year-old, having no idea he’s about to capture a poignant growing-up moment in his son’s life. (Advisory: This episode is not suitable for some young children.)

For Eddie Wise, owning a hog farm was a lifelong dream. In middle age, he and his wife, Dorothy, finally got a farm of their own. But they say that over the next twenty-five years, the U.S. government discriminated against them because of their race, and finally drove them off the land. Their story, by John Biewen, was produced in collaboration with Reveal.

There’s a long and painful history in the U.S. of white men killing black men and boys without punishment. In this episode, we listen in on “Dar He,” the one-man play by Mike Wiley that brings to life the story of Emmett Till.