We are going back to the vaults to dig up our 200th-episode spectacular, anchored by Christopher McQuarrie and Erik Jendresen and including Tom Cruise, Nick Offerman, Eddie Hamilton, Glen Powell, Greg Tarzan Davis and Mark Gatiss. What more do you need to know? Just listen! This episode was originally released in August 2022. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We loved our conversation with "Top Gun: Maverick" editor Eddie Hamilton so much, we just had to bring it back. Join us as we discuss how editing “Top Gun: Maverick” was like climbing a mountain, the process of approximating the look of Tony Scott’s original “Top Gun” and just how tricky the introductory bar scene in “Top Gun: Maverick” was to get right. Plus what Edgar Wright contributed to the movie and Tom Cruise’s very best note. You don't want to miss this! This episode was originally released in June 2022. "Top Gun: Maverick" is available to buy on digital and on 4K Ultra HD Disc, Blu-ray and DVD. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We’re talking to "Top Gun: Maverick" director Joseph Kosinski about what he brought to the long-simmering sequel (he pitched Tom Cruise on the set of “Mission: Impossible – Fallout”), working with Val Kilmer, the emotional core of the movie, and, of course, Tom Cruise’s hair. This episode was originally released May 2022. "Top Gun: Maverick" is available to buy on digital and on 4K Ultra HD Disc, Blu-ray and DVD. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on “The Directors” we are speaking with Richard Linklater, who directed the classic Paramount film “School of Rock” and also made “The Bad News Bears” and “Everybody Wants Some!!” for the studio. Learn about his unique approach to the material, how making “School of Rock” differed from his more indie films and more. Also: we talk about his sexy new comedic thriller “Hit Man.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are joined by Sean S. Cunningham for this very special, very spooky episode of “The Directors.” “Friday the 13th” director Cunningham tells us about the origins of the film, how they actually produced the movie and what it was like to kill Kevin Bacon with an arrow. Grab your popcorn, turn out the lights and listen up! Learn more about your ad choices. Visit megaphone.fm/adchoices

Let’s go back to (almost) the beginning with our very in-depth conversation with filmmaker Christopher McQuarrie. In this episode, McQuarrie talks about his involvement in “Mission: Impossible – Ghost Protocol,” how that wound up with him directing “Mission: Impossible – Rogue Nation” and finally about the just-released (at the time) “Mission: Impossible – Fallout.” It’s a wonderful chat with one of our favorite people. This episode was originally released in December 2018. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are so thrilled to be joined by Dan Trachtenberg, the filmmaker behind “10 Cloverfield Lane,” on this week’s episode of “The Directors.” We discuss working within the Bad Robot framework, how the movie was supposed to look and what J.J. Abrams contributed. Plus, get updates on Trachtenberg’s “Prey” sequel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining us on this episode of “The Directors” is Dan Trachtenberg, the director of new Paramount classic “10 Cloverfield Lane.” In this episode, learn about Trachtenberg’s origin story, how he got on board the project and how a spec script called “The Cellar” became “10 Cloverfield Lane.” Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we are revisiting our conversation with Oscar®-winning cinematographer Robert Elswit, who shot both “Mission: Impossible – Ghost Protocol” and “Mission: Impossible – Rogue Nation.” It was a huge thrill getting to chat with this legend, who shares details about the making of both films, including what it was like to shoot the Burj, how his background in visual effects aided in the underwater sequence and what went into the opera sequence. It's a doozy! This episode was originally released in February 2019. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexander Payne joins us on “The Directors,” where we touch on his other Paramount gems – the road trip movie “Nebraska” and the underrated “Downsizing.” Learn how he got the studio to agree to black-and-white for “Nebraska” and why he thinks “Downsizing” should have been a television series instead. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of “The Directors” we are joined by Alexander Payne, who takes us through the inception and making of his early Paramount classic “Election.” Payne discusses the challenges with multiple voiceovers, working with MTV and his playful sense of continuity. If you love “Election” as much as we do (and even if you don’t), this is a very fun conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Giacchino is a world-famous composer who did both “Mission: Impossible III” and “Mission: Impossible – Ghost Protocol.” He is also a very cool guy. We talked to him about how he got involved with the franchise, working with filmmakers J.J. Abrams and Brad Bird, and his debut solo album. And yes, we also talk about the amazing track names on the score albums. This episode was originally released in November 2020. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Jonathan Lynn, who made the cult comedy classic “Clue,” this time talking about the film’s release and some of his other projects, notably “The Distinguished Gentleman,” “The Whole Nine Yards” and the Oscar-winning “My Cousin Vinny.” It’s a good one. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Jonathan Lynn, the filmmaker behind the immortal based-on-a-board-game comedic mystery “Clue.” Learn how he joined the project, the decision to engage with the multiple endings idea and how there was a fourth ending that was ultimately cut. It doesn’t take a detective to see that this is a super-entertaining chat! Learn more about your ad choices. Visit megaphone.fm/adchoices

John Knoll is one of the most legendary visual effects artists in history. He also served as the visual effects supervisor for both the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” He talks about the shot he did on the first film to get his name in the opening credits, working with “Mission: Impossible – Ghost Protocol” director Brad Bird on the unmade earthquake epic “1906” and we get his Tom Cruise hair rankings. This episode was originally released in February 2020. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re joined by Howard Deutch, the filmmaker behind “Pretty in Pink.” Learn what advice Deutch was given by “Mission: Impossible” director Brian De Palma, go behind the scenes of “Some Kind of Wonderful,” hear about how much John Candy hated making “The Great Outdoors," and so much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

On “The Directors,” we are so thrilled to be chatting with filmmaker Howard Deutch, who directed “Pretty in Pink” and “Some Kind of Wonderful.” This week we get into his collaborative relationship with John Hughes, how Duckie was a controversial figure, and his unmade Hughes project “Oil and Vinegar” – plus much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Time to look your best because we are joined by Michael Kaplan, the genius costume designer for “Mission: Impossible – Ghost Protocol” and one of the most talented people currently living (just look up his résumé). We discuss Tom Cruise’s quick-change outfit, the gecko gloves and – of course! – the snow ensembles that he created but were never used. This is an amazing conversation, down to the last stitch. This episode was originally released in April 2020. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Jim Abrahams, David Zucker, and Jerry Zucker, better known as the ZAZ team. And while we continue our deep dive into the making of “Airplane!,” we also discuss “Top Secret!,” “Police Squad,” “The Naked Gun” and – of course! – “Ghost,” which was directed by Jerry and became a phenomenon. You’ll laugh, you’ll cry, you’ll question every decision you’ve ever made! Learn more about your ad choices. Visit megaphone.fm/adchoices

We are really joined by The Directors this week – directors Jim Abrahams, David Zucker, and Jerry Zucker, otherwise known as ZAZ. This week we dive deep into the making of their immortal comedy classic “Airplane!.” Learn about the movie’s connection to “Mission: Impossible” and so much more. It’s a gas! Learn more about your ad choices. Visit megaphone.fm/adchoices

Lorne Balfe’s score for “Mission: Impossible – Fallout” is an all-time classic, so you can imagine how thrilled we were to talk to the composer about how it all came together. Learn his inspiration for unforgettable cues and how composing the music was its own (almost) impossible mission. This episode was originally released in October 2018. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Wayne’s World” director Penelope Spheeris shares the secret to making a movie based on a “Saturday Night Live" sketch, discusses whether it's true Dana Carvey wanted to quit before filming started, and reveals whether or not the headbanging was improvised. Plus, get bonus stories about Alice Cooper and the late, great Chris Farley. It rocks. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the first installment of our miniseries, The Directors, we chat with director Penelope Spheeris, director of “Wayne’s World.” We discuss how she boarded the project, how her background making music documentaries informed her directorial choices, and get great stories about Mike Myers and Dana Carvey. Party on! Learn more about your ad choices. Visit megaphone.fm/adchoices

In our very first miniseries, “The Directors,” we talk to filmmakers who have made truly iconic Paramount movies to find out what that process was like, getting all of the details and juicy tidbits that only we can. From Penelope Spheeris to Alexander Payne, it’s an unforgettable trip through cinema history. Starting March 12th, new episodes every Tuesday! Learn more about your ad choices. Visit megaphone.fm/adchoices

They said it couldn’t be done, but we proved the doubters wrong. This is our 100th episode spectacular. And if that’s confusing, well, that’s okay, because this was from the original version of the show. All you need to know is that we are joined by Christopher McQuarrie, Simon Pegg, Hayley Atwell and Lorne Balfe. Also: it’s totally unpredictable and so much fun. Join us, won’t you? This episode was originally released in May 2020. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Hirsch is one of the most legendary editors of all time, and this week he joins us to talk about the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” Included in this chat: details about Brian De Palma filming his wedding, how Brad Bird’s approach to editing changed him, and a description of a gory “Ghost Protocol” deleted scene. This really has it all! This episode was originally released in June 2019. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we’re taking it back to our very first interview with Eddie Hamilton, the editor of “Mission: Impossible – Rogue Nation” and “Mission: Impossible – Fallout.” Learn about the collaborative process between Hamilton, writer/director Christopher McQuarrie and star Tom Cruise, the making of both films and what Hamilton’s rankings currently are. This episode was originally released in December 2018. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brad Bird never recorded a commentary track for “Mission: Impossible – Ghost Protocol,” but he did sit down for this extended interview. Learn how close Vanessa Redgrave came to being in the movie, why “Ghost Protocol” has a full title sequence, and the reason why the climax wasn’t grislier. Accept it. This episode was originally released in March 2019. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the anniversary of “Jack Reacher,” we chatted with writer/director Christopher McQuarrie. We go deep on the movie, including how “Jack Reacher” and “Mission: Impossible – Ghost Protocol” are inexorably linked, why Tom Cruise was a perfect Reacher, and how they constructed the movie’s wordless opening. This episode was originally released in December 2022. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you’ve ever wondered what it was like to pull together the script for the first “Mission: Impossible,” let writer David Koepp walk you through it. Koepp shares screenplay credit with Robert Towne and talks us through the characters’ names, does a killer Brian De Palma impression, discusses Luther’s survival, and gets into the criticism that the movie was too confusing. This episode has it all! This episode was originally released in October 2020. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s true – we spoke to director Brian De Palma, the filmmaker behind the first “Mission: Impossible” and probably a few of your other favorite movies too. We were celebrating the release of De Palma’s first book with Susan Lehman, “Are Snakes Necessary?” but discuss the making of the first movie, along with his notes for the opening crawl of “Star Wars,” replacing Alan Silvestri with Danny Elfman, and editor Paul Hirsch’s wedding. It’s an epic extravaganza! This episode was originally released in June 2021. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Mission: Impossible – Dead Reckoning Part One” supervising sound editor James H. Mather is responsible for all of those incredible sounds in the movie – and we were very lucky to get to talk to him. On this episode we go inside two of the biggest stunts in the movie – the motorcycle jump and the train sequence. Plus so much more. Turn the volume up. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by James H. Mather, supervising sound editor for “Mission: Impossible – Dead Reckoning Part One,” to talk about all the fabulous sounds that he and his team packed into the movie. This week we discuss how close our dogs got to being in the movie, the overall design of the sounds and finding the “voice” for the Entity. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Producer Paula Wagner, who worked on the first three “Mission: Impossible” movies alongside Tom Cruise, joins us for more stories from the franchise. And this week we discuss the sequels – how “M:I-II” came to be, the choice to go with Oliver Stone and eventually John Woo, and the subsequent development of the third movie, which was worked on by everyone from David Fincher to Joe Carnahan. We go deep this week! You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we are joined by Paula Wagner, a producer of the first three “Mission: Impossible” movies. Wagner tells us about forming a company with Tom Cruise, initial attempts at the movie, why they hired Brian De Palma and how they achieved the Langley sequence. Wagner’s role in the franchise cannot be overstated. You do not want to miss this. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined again by the legendary John Woo, director of “Mission: Impossible II.” In this episode, Woo talks about characterization through action, the truth behind the infamous “Woo cut” of the movie and why Woo wanted to direct “Top Gun: Maverick.” Plus, we get great “Face/Off” and “Hard Boiled” stories too. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We could not be more thrilled to be joined by John Woo, the director of “Mission: Impossible II” (and the current “Silent Night”). Learn what his creative process was like for the sequel, how Woo and Tom Cruise worked together and, yes, we discuss Cruise’s glorious long hair (and where the idea for it came from). You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rarely are unmade versions of “Mission: Impossible” movies discussed, but that’s exactly what we’re doing with David Marconi, who wrote a version of “Mission: Impossible II” for Oliver Stone. His version involved a malevolent A.I. (sound familiar?) and this week we discuss technology, where his involvement in the sequel ended, and what it was like working with Jackie Chan (on “The Foreigner”). Remember to delete your cookies beforehand. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by writer David Marconi, who penned early drafts of a version of “Mission: Impossible II” being made by director Oliver Stone. That’s right, we’re traveling into the multiverse baby! Learn how Marconi got attached, what his version of the sequel was all about, and what it was like working with Tom Cruise while he shot “Eyes Wide Shut.” Also: find out what elements from his draft made it into other “M:I” movies. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Dale Dye, who played Barnes in the first “Mission: Impossible” and was the technical advisor on every major war movie of the past 40 years. This week Dye shares a hilarious story about working with Terrence Malick, talks about the making of “Under Siege” and says that Tom Cruise has “no quit.” Are you up to the challenge? You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready for rush hour! Check out the trailer for "50 MPH", a podcast hosted by our friend Kris Tapley, which is dedicated to the making and legacy of Jan de Bont’s 1994 summer movie blockbuster SPEED. Across 50 episodes, this one-of-a-kind oral history takes you on a breakneck journey from conception to execution, distribution and beyond. Through conversations with actors, executives, filmmakers, film scholars and film fans, 50 MPH will attempt to secure SPEED’s rightful place in the canon of action cinema on the way to celebrating its fast-approaching 30th anniversary in style. Don’t forget to fasten your seatbelts! Listen to the 50 MPH wherever you get your podcasts. Check out the website: https://50mphpodcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Dale Dye, who played Barnes in the first “Mission: Impossible” and was technical advisor for your favorite war movie (seriously, look it up) after serving in Vietnam. This week Dye tells us about working on the first movie, including a number of scenes that you probably didn’t know he was in and how he became a close collaborator of Oliver Stone’s (yes, we ask about Stone’s “Mission: Impossible II”).  You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we are joined by Arthur Anderson, first assistant director for “Mission: Impossible II” and co-producer on “M:I-III.” And we are talking all things “M:I-III.” Anderson was the one who orchestrated the fake film shoot down the street from the Vatican, so we obviously discuss that. Plus learn about the running shot in China and the inside story on “Beverly Hills Cop 3” (just go with it). You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we are joined by Arthur Anderson, first assistant director for “Mission: Impossible II” and co-producer on “M:I-III.” We discuss his collaborative process with director John Woo, how the motorcycle joust came to be and how they pulled off the “knife in the eye” moment with a very willing Tom Cruise. He helped make the impossible possible. You can own “Mission: Impossible – Dead Reckoning Part One” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special bonus episode we’re detailing the news about the release of the next “Mission: Impossible” – both a new release date, a possible name change and a premium format window. Plus we discuss some of the special features on the “Mission: Impossible – Dead Reckoning Part One” home video release and talk about our feelings on the movie. “Mission: Impossible – Dead Reckoning Part One” is available on digital now and will be on 4K UHD, Blu-ray and DVD on October 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're once again joined by Eddie Hamilton, Oscar®-nominated editor of “Mission: Impossible – Dead Reckoning Part One,” who discusses the new mythology of the IMF introduced in the new film, where the F-word was almost uttered and, of course, our favorite subject: dogs. It’s a howling good time. "Mission: Impossible - Dead Reckoning Part One" is available to buy on digital October 10th and on 4K Ultra HD Disc, Blu-ray and DVD on October 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our chat with Eddie Hamilton, Oscar®-nominated editor of “Mission: Impossible – Dead Reckoning Part One,” who takes us through the process of getting the movie ready for release. We discuss the differences between shooting digitally and on film, whether lenses can convey emotion, and the hardest scene to get right in the new movie. Plus, learn how “Star Wars” informed “MIDRP1.” "Mission: Impossible - Dead Reckoning Part One" is available to buy on digital October 10th and on 4K Ultra HD Disc, Blu-ray and DVD on October 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Eddie Hamilton, editor of “Mission: Impossible – Dead Reckoning Part One.” We talk about the complexities of the train sequence, Eddie compares the challenges of this film to his Oscar®-nominated work on “Top Gun: Maverick,” and he discusses his relationship with filmmaker Christopher McQuarrie. "Mission: Impossible - Dead Reckoning Part One" is available to buy on digital October 10th and on 4K Ultra HD Disc, Blu-ray and DVD on October 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices

Simon Pegg (Benji) returns to the show, this time to go deep on all things “Mission: Impossible – Dead Reckoning Part One.” We talk about the airplane sequence (which he equated to “Toy Story 2”), why Steven Spielberg would make a good fit for the franchise (plus how Spielberg hired him for another movie based on “Rogue Nation”) and the Ilsa/Benji relationship. It’s a humdinger! See "Mission: Impossible - Dead Reckoning Part One" exclusively in theaters now. "Mission: Impossible - Dead Reckoning Part One" is available to buy on digital October 10th and on 4K Ultra HD Disc, Blu-ray and DVD on October 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles Parnell, who plays the representative from the National Reconnaissance Office in the big sequence with The Community in “Mission: Impossible – Dead Reckoning Part One,” is here with us this episode. He talks about the key to delivering exposition, working on that sequence and, of course, his role as Warlock in “Top Gun: Maverick.” See "Mission: Impossible - Dead Reckoning Part One" exclusively in theaters now. "Mission: Impossible - Dead Reckoning Part One" is available to buy on digital October 10th and on 4K Ultra HD Disc, Blu-ray and DVD on October 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York Magazine film critic (one of our favorites!) Bilge Ebiri goes deep on “Mission: Impossible – Dead Reckoning Part One” – we talk about the movie’s big stunt, how the finale became the greatest train sequence in the history of cinema and the magic of Vanessa Kirby’s performance (as you-know-who). And we even get into the specialness of “Top Gun: Maverick.”  See "Mission: Impossible - Dead Reckoning Part One" exclusively in theaters now. "Mission: Impossible - Dead Reckoning Part One" is available to buy on digital October 10th and on 4K Ultra HD Disc, Blu-ray and DVD on October 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York Magazine film critic Bilge Ebiri is one of our favorite critics and journalists. And he’s our guest on this episode! This week we talk about how action cinema has changed since the time of “Mission: Impossible II,” discuss “Mission: Impossible – Dead Reckoning Part One” in depth and break down Stanley Kubrick’s approach to characterization. Plus, learn our updated rankings and hear Bilge’s rankings of the movies. "Mission: Impossible - Dead Reckoning Part One" is available to buy on digital October 10th and on 4K Ultra HD Disc, Blu-ray and DVD on October 31st. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re taking a breather from best-in-class interviews with the people who bring “Mission: Impossible” to life to give you some biographical background on the both of us as we explore all the reasons why we love the “Mission: Impossible” franchise. It’s a fun one! And remember to see “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Mission: Impossible – Dead Reckoning Part One” composer Lorne Balfe talks us through his process for both “Fallout” and the new movie, including telling us the differences between the two scores. We also get in depth about the airport and train sequences in “Dead Reckoning Part One” and how closely connected he is to the editing process (very close!). It’ll be music to your ears. See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode we are joined by Lorne Balfe, composer of “Mission: Impossible – Fallout” and “Dead Reckoning Part One.” Balfe discusses the specific approach he takes with the “M:I” movies (and how it’s different than other movies), plus talks about the more romantic tone of this movie’s score and the drum corps that add that extra zing to the theme music. Are you keeping score? See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca Ferguson has been a staple of the “Mission: Impossible” franchise since “Rogue Nation” and this week we talk with her about her journey with the character – including what it was like being cast and where she finds herself in “Dead Reckoning Part One.” Learn whether or not she thought Ilsa and Ethan (Tom Cruise) had ever been romantic, what it took for her to perfect sword fighting and what tips she took away from Tom as she transitioned to producing her own projects. Plus bonus interviews with Greg Tarzan Davis (31:54) and Hayley Atwell (35:03). See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

Henry Czerny returns to discuss what it was like to return to the character (former IMF director Eugene Kittridge) after more than 25 years, including the differences in working with Tom Cruise and the historic parallels of his characterization. Plus, Jeff Rowe, the co-writer/director of “Teenage Mutant Ninja Turtles: Mutant Mayhem,” joins us to "Light the Ooze." See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

The former director of the IMF, Eugene Kittridge, played by Henry Czerny, captured our imagination in the first "Mission: Impossible" film. Now, he’s back for “Dead Reckoning Part One” and we couldn’t be more thrilled. Henry talks about his acting origins, his similar role in “Clear and Present Danger” and why he thought he’d never be back in the series. Also, we have a bonus interview with Pom Klementieff and Vanessa Kirby from the junket in Rome (in June). See “Mission: Impossible — Dead Reckoning Part One” only in theatres. Catch up on the entire "Mission: Impossible" film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

The deadly assassin Paris, played by Pom Klementieff in “Mission: Impossible – Dead Reckoning Part One,” joins us to talk about fight scenes (including her Venice alleyway battle with Tom Cruise) and details just how badly she wanted to join the franchise. That’s not all – we discuss the movie’s most iconic line with Shea Whigham (Briggs), writer/director Christopher McQuarrie and the man himself, Tom Cruise, while attending the world premiere in Rome. This is a good one. See “Mission: Impossible - Dead Reckoning Part One” ONLY in theatres. Catch up on the entire Mission: Impossible film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

We go around the world (in conversation) with the cast and crew of “Mission: Impossible – Dead Reckoning Part One,” including Tom Cruise (Ethan Hunt), Christopher McQuarrie (co-writer/director), Greg Tarzan Davis (Degas), Hayley Atwell (Grace), Vanessa Kirby (The White Widow) and Shea Whigham (Briggs) just before the big New York City premiere. Hope you have your passport handy! See “Mission: Impossible - Dead Reckoning Part One” ONLY in theatres. Catch up on the entire Mission: Impossible film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

Devoted to her character Grace, Hayley Atwell is one of the strongest additions to “Mission: Impossible – Dead Reckoning, Part One.” Atwell lets us into the process of creating the character (a thief who becomes embroiled in the mystery), discusses what it was like shooting some of the more harrowing action sequences and teases what is to come. See “Mission: Impossible - Dead Reckoning Part One” ONLY in theatres. Catch up on the entire Mission: Impossible film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re joined by none other than the legendary Simon Pegg, aka Benji Dunn. Pegg sets the record straight on how he joined the franchise, discusses the exciting character development over the series, and drops hints about what's in store for us in "Dead Reckoning Part One." And as a bonus, we’ve got even more from Pegg from the Rome premiere. Legends only. See “Mission: Impossible – Dead Reckoning Part One” now playing exclusively in theatres. Catch up on the entire Mission: Impossible film series on Paramount+ Learn more about your ad choices. Visit megaphone.fm/adchoices

Moments before the Rome world premiere of “Mission: Impossible – Dead Reckoning Part One”, Tom Cruise (Ethan Hunt) and Christopher McQuarrie (co-writer & director) join us to discuss the highly anticipated film. Hear what was so frustrating about the scene where Tom does close-up magic. Plus, we chat with Shea Whigham (Briggs), Greg Tarzan Davis (Degas), Eddie Hamilton (editor), Esai Morales (Gabriel), and even Henry Czerny, who played Kittridge himself, all from the red carpet. Not bad huh? See “Mission: Impossible - Dead Reckoning Part One” ONLY in theatres July 12th. Catch up on the entire Mission: Impossible film series on Paramount+. Learn more about your ad choices. Visit megaphone.fm/adchoices

Quick, before this podcast self-destructs! Your mission, should you choose to accept it, is to listen to Light the Fuse – The Official Mission: Impossible Podcast. Longtime “Mission: Impossible” obsessives, filmmaker Charles Hood and entertainment journalist Drew Taylor, are taking their passion to the next level. They’ll be sharing anecdote-filled interviews, deep dives into the movies’ heart-racing stunts, and behind-the-scenes revelations, including exclusive interviews with top talent, like Tom Cruise himself. New episodes every Tuesday.

Get ready because we’re taking Light the Fuse to the next level. We’ll be back with a special preview on June 27th. We’re very excited to share with you these exciting new details, but until then feel free to dig into the back catalog. And remember “Mission: Impossible – Dead Reckoning, Part 1” only in theaters July 12th.

 Super-producer Bryan Burk, who produced “Mission: Impossible - Ghost Protocol” and “Rogue Nation,” returns! On this installment Burk talks to us about what he learned from Tom Cruise about producing, how close Gene Hackman came to being in “Ghost Protocol” (and Martin Landau in “Rogue Nation”), and we discuss his hair preferences. What more do you want?

This week we are joined by a truly amazing guest – Bryan Burk, who produced “Mission: Impossible - Ghost Protocol” and “Rogue Nation.” (He was also around for “3.”) On this episode, we talk about how Brad Bird was hired, the contributions on the “Ghost Protocol” script by Damon Lindelof and Christopher McQuarrie, and how Bird was like Stanley Kubrick. Plus so much more!

It’s time for our forensic, shot-by-shot analysis of the new trailer for “Mission: Impossible – Dead Reckoning, Part One.” We get into the nitty gritty of the terrific new trailer, looking for clues, solving riddles and attempting to solve our own globetrotting mystery. If you’ve ever wanted two nerds to pick apart a trailer like it’s the Zapruder film, this is the episode for you!

We are once again joined by Clint Schultz, graphic designer for “Top Gun: Maverick” and “Mission: Impossible 3” and this week we talk about the logo for the IMF that Schultz designed (and is barely seen in the movie), designing the four dots logo for “Ghost Protocol,” and he tells stories about “Zodiac,” “Tomorrowland,” “Star Trek” and much, much more!

This episode we are joined by Clint Schultz, a graphic designer for “Top Gun: Maverick.” We talk about the helmets in "Maverick" and how they actually break the rules set forth by the Navy; the history of Hangman’s name (including a surprising connection to a heavy metal band) and what it is like working with Tom Cruise. And we’ll be back for more next week!

This week we have a special episode, recorded live outside of a derelict motel near the Las Vegas Airport! Drew and Charles talk about the new trailer, 20 minutes of “Mission: Impossible - Dead Reckoning, Part One” and the new movie’s amazing title sequence, all screened at this year’s CinemaCon.

This week we return to our Tom Cruise interview, which was previously heard in our 200th episode. If you’ve already heard it, this is a fun return, and if you never have welcome! We have many, many more episodes. In our chat TC talks about some of his less talked about work (including “Legend” and “The Color of Money”), how he started the “Mission: Impossible” film franchise, and more. It’s a really great chat and one we were glad to hit replay on.

Join us for part two of our chat with podcast host, comedian and producer Paul Scheer! On this week’s episode we talk about how much Paul loves “Rogue Nation,” what his favorite in the series is, and we get some delicious details about what it was like filming “Piranha 3D” (a Charles and Drew favorite). Plus we talk a lot about Tom Cruise’s hair (obviously).

This week we are joined by Paul Scheer, amazing podcast host, comedian and producer, to talk all things “Mission: Impossible.” In part 1 Paul shares his two Tom Cruise stories, why he’s not a huge fan of the first film, and why “Fast X” (and the recent 007 films) will never top “Mission: Impossible – Dead Reckoning, Part One.” This is a fun one!

We’ve reached the conclusion of our chat with Graham Moore, Oscar-winning screenwriter of “The Imitation Game.” This week Moore tells us about how he used cinematographer Dick Pope for his debut, just like Christopher McQuarrie did, we get his rankings, and he details why he believes “Mission: Impossible – Rogue Nation” is better than “Ghost Protocol.”

Surprise! This week we discuss Christopher McQuarrie’s revelation that William Donloe (played by Rolf Saxon) will be returning to the franchise in “Mission: Impossible – Dead Reckoning, Part Two.” And Drew and Charles share the story of meeting the performer on set in London – and figuring out it was him beforehand. Don’t worry, there won’t be spoilers! Just a couple of buds reliving a fun adventure!

We’re back with part 2 of our conversation with Graham Moore, the Oscar-winning writer of “The Imitation Game.” This week we talk about what he feels like is the best of the “Mission: Impossible” scripts and tells a heartwarming story about meeting Christopher McQuarrie (and the advice McQ gave him). We also talk about the richness of Ethan Hunt’s character.

This week on the show we are joined by Graham Moore, Oscar-winning screenwriter of “The Imitation Game” and the writer/director of “The Outfit.” What does this have to do with “Mission: Impossible?” Well, Moore is a big fan of the series and the filmmakers (particularly Christopher McQuarrie) behind it. He even took an idea from the original film for “The Imitation Game!”

We’re back with Maricel Pagulayan, visual effects producer and associate producer of “Mission: Impossible – Rogue Nation.” This week we talk about how she had 6 months of her post-production shaved off, get into the nitty gritty of the Torus sequence and talk (at length!) about our favorite iffy VFX shot in “Rogue Nation.” Plus “Avatar,” “X-Men” and “Sky Captain” talk!

This week we are joined by Maricel Pagulayan, visual effects producer and associate producer of “Mission: Impossible – Rogue Nation.” This week we talk about how the production was going on at the same time as “Spectre” (and how much they were competing), she lets us in on some deleted scenes dirt, and she discusses the complexity of the opera sequence.

We’re back with the second installment of our interview with Erik Jendresen, a writer on “Mission: Impossible – Dead Reckoning” (parts one and two). We got some details on the opening of “Part One” and the writing process of “Part Two,” we hear about the making of “Band of Brothers,” and Erik tells us if he thinks aliens are real (he worked on a project involving Majestic-12). Talk about a fun episode!

This week we talk to Erik Jendresen, a writer on “Mission: Impossible – Dead Reckoning” (parts one and two). On this episode Erik tells us his favorite haircut right off the bat, we get into his history with Christopher McQuarrie (and their future together!), and we get some details about his proposed “Star Trek” movie. Plus much more!

It’s story time! This week Drew and Charles investigate some key deleted scenes from “Mission: Impossible - Rogue Nation” by reading aloud scenes from Christopher McQuarrie’s original screenplay. If that sounds boring as heck, don’t worry – we do funny voices!

This week we are joined by the brilliant host and Oscar prognosticator Perri Nemiroff to breakdown “Top Gun: Maverick” and its 6 (!) Oscar nominations. Find out what we were all surprised by, what we wished had maybe gotten some recognition, and what the movie's chances are on the big day. A special “live” show to celebrate a very exciting day!

We’re back with James Mather, Supervising Sound Editor on “Mission: Impossible - Rogue Nation” and "Fallout" and Sound Designer and Supervising Sound Editor on “Top Gun: Maverick!” This week we dive into "Maverick," tease "Dead Reckoning Part One," and talk about the heartbeat sound during the Torus scene in "Rogue Nation." Also: "Wallace and Gromit!"

This episode we are joined by James Mather, Supervising Sound Editor on “Mission: Impossible - Rogue Nation” and "Fallout" and Sound Designer and Supervising Sound Editor on "Top Gun: Maverick.” This week we discuss Christopher McQuarrie’s approach to sound design, the prank Tom Cruise pulled on Simon Pegg, and a hidden "Godfather" homage in "Fallout." More next week!

This week we are revisiting our amazing chat with Mitchell Leib, former Disney Records executive and producer of the “Mission: Impossible 2” soundtrack. Learn how Metallica and Limp Bizkit got involved, who wrote versions of the theme they didn’t use, and how hard Leib had to work to convince Tom Cruise that the album was a good idea.

And we’re back to wrap up our lengthy conversation with Christopher McQuarrie on the making of “Jack Reacher” (happy 10th anniversary!). In this episode we talk about the end of the car chase, why the quarry sequence was so terrible to film, and the lessons he learned from the ending of the movie. Also learn about his next potential collaboration with Tom Cruise!

Welcome back for week two of our celebration of the 10th anniversary of “Jack Reacher” with writer/director Christopher McQuarrie! This week we discuss the dialogue-free opening sequence, learn how this project differed from earlier collaborations with Tom Cruise, and learn the unlikely origins of “the car chase that ate Pittsburgh.” Also we go deep on two of the coolest shots from the movie. Which shots? You’ll have to listen to find out!

We take a detour to Pittsburgh this week to talk about the making of “Jack Reacher” with writer/director Christopher McQuarrie. This week McQ tells us how he got involved in the production of “Jack Reacher,” reveals how they chose “One Shot” as the novel to adapt and exposes (literally!) the downside of fan service. He also discusses writing “The Wolverine” for Darren Aronofsky and why most franchise movies just don’t work.

This week we break from convention to offer you a very special preview of our Patreon episodes. When you sign up for our Patreon (which, we should remind you, makes a great Christmas or Hanukkah gift), you get brand new episodes every week just like this one! We pulled this one from the vault but thought you’d enjoy – we talk about our favorite Tom Cruise performances outside of the “M:I” franchise and it’s a ton of fun! Join today!

We’re back with Blake Howard, critic and podcaster (“One Heat Minute”), to discuss his favorite minute of “Top Gun: Maverick,” continue our chat about the movie’s Oscar chances, the complexity of the introductory bar sequence and the joys of Jackie Chan. Plus we get Blake’s thoughts on the climax of “Top Gun: Maverick” and the extra buddy adventure with Maverick and Rooster.

This week we are joined by the great Blake Howard, critic and podcaster (“One Heat Minute”) and this time we’re talking about a minute from “Top Gun: Maverick” (sort of). We go through the other minutes that he didn’t choose, discuss the minute he did (the trench run, actually 3 minutes and 19 seconds) and talk about the movie’s Oscar chances.

We’re back in the cockpit with another installment of Light the Fuselage, this time with storyboard artist Mark Bristol. He talks about his love of the original movie, getting pulled off “Mission: Impossible 7” to work on “Top Gun: Maverick,” the crucial moment he helped bring to life, and seeing a work-in-progress version of the movie at Tom Cruise’s house. And yes, we try to get some info out of him about the new “M:I.”

And we’re back with Phil Pirrello, who long ago was a marketing intern for “Mission: Impossible 3.” On this week’s show we discuss the premiere and Tom Cruise’s ambitious land/sea/air approach, why Will Smith introduced the movie and conferring with J.J. Abrams before he showed the first teaser trailer. We also get his movie and hair rankings and a story about the time he tried to ask Tom Cruise about his hair.

This week we talk to Phil Pirrello, a former marketing intern at Paramount circa the release of “Mission: Impossible 3.” Today we talk to Phil about his history with “M:I” and J.J. Abrams, about sneaking onto the sets of “3” (including Ethan’s house) and alternate versions of the teaser poster. We also learn what items Phil stole from the set and get into the viral marketing stunt that turned into a very real bomb scare.

This episode we are revisiting our conversation with master cinematographer Dan Mindel (“Mission: Impossible 3”). Mindel talks about his relationship with the franchise, the movie’s iconic use of close-ups (plus how he and JJ Abrams developed the look of the movie), and how closely he worked with the visual effects artists at ILM. We also dip into other parts of his career, including “Star Trek,” "Star Wars," “Shanghai Noon” and “John Carter.” It’s a ride!

This week we’re revisiting one of our biggest interviews, this time with legendary Oscar-winning cinematographer Robert Elswit, who shot both “Mission: Impossible - Ghost Protocol” and “Mission: Impossible - Rogue Nation.” We get plenty of details about the making of both films, including (of course) what it was like to shoot the Burj. And Elswit also details how the 007, “Mission: Impossible,” and Bourne franchises are different (yes, he’s shot all three). A fascinating, in-depth chat with one of the masters!

This week we are joined by Michael Kehoe, who did craft service for “Mission: Impossible 2,” “3” and “Ghost Protocol.” Kehoe has worked with Cruise since “Jerry Maguire” and he talks about providing the set with amazing food trucks, encountering wild camels in Dubai and his unexpected cameos (yes, plural) in “Mission: Impossible 3.” Plus much, much more! Eat up!

Our third and final installment of Lightyear the Fuse is here, which charts how Pixar’s “Lightyear” was influenced by “Mission: Impossible.” This week director Angus MacLane and cinematographer Jeremy Lasky talk about what’s really important: Tom Cruise’s hair. We also get very deep into Jeremy and Angus’ "Mission" ranks, including how MacLane thinks that the best "Mission: Impossible" has yet to be made...

Welcome back to Lightyear the Fuse! We’re joined again by “Lightyear” director Angus MacLane and cinematographer Jeremy Lasky as we talk about composer Michael Giacchino, discuss how a big laugh in the Burj sequence in ‘Ghost Protocol’ was nearly ruined and we get details of a presentation MacLane did for Pixar about modern action movies. Ready to blast off?

We’re going to infinity and beyond with this special miniseries devoted to Pixar’s “Lightyear” and how the movie was inspired by “Mission: Impossible.” Director Angus MacLane and cinematographer Jeremy Lasky join us to talk about how the use of IMAX in "Ghost Protocol" influenced their approach to the format, how the structure of “Mission: Impossible” also impacted “Lightyear” and, of course, our shared love of Teddy Newton.

We’re back with Garvin Cross, who was Jeremy Renner's stunt double on “Mission: Impossible - Ghost Protocol.” This episode we get more Jackie Chan stories, why he was cast for a role in “Inception” and the “nightmare” of Shane Black’s “The Predator.” We also get into what it takes to be set on fire and of course have him talk about his favorite ‘Mission’ movies.

This week we are joined by Garvin Cross, a stunt performer on “Mission: Impossible - Ghost Protocol” and Jeremy Renner’s stunt double. This week we talk about what it was like being held up by wires for the magnet gag, the BMW car park sequence and being mistaken for Daniel Craig. We also talk about Tom Cruise’s hair and hear about filming Jackie Chan’s “Rumble in the Bronx.”

We are once again joined by Tom Peitzman, visual effects producer for “Mission: Impossible 3” and “Ghost Protocol,” to continue our discussion. During our chat we talk about the Kremlin sequence and staging the sandstorm sequence (both from “Ghost Protocol”) and get some surprising new details about the end of the sandstorm chase. Plus learn if he’s a short hair guy or a long hair guy!

This episode we are joined by Tom Peitzman, visual effects producer for “Mission: Impossible 3” and “Ghost Protocol.” We discuss Tom Cruise getting knocked into the car in “3” (and the Shanghai jump), try to get details on the abandoned snowmobile chase at the beginning of “Ghost Protocol,” and chat about two of our favorite previous guests on the show – Industrial Light & Magic geniuses John Knoll and Roger Guyett.

Get ready, because we conclude our chat with Maggie Q, who played Zhen Lei in “Mission: Impossible III!” This week we go in depth on the Vatican sequence, including the nuns in bikinis and Phillip Seymour Hoffman’s athleticism. Plus, learn about her connection to “Lost,” what J.J. Abrams thought the rabbit’s foot was, and how many sequels Maggie was invited back for. And yes, the dogs are here too!

This week we are so lucky to be chatting with IMF team member Zhen Lei herself Maggie Q! We discuss her history in Hong Kong cinema, learning from Jackie Chan and how Brett Ratner was being courted for “Mission: Impossible III” before J.J. Abrams accepted the gig. We also get great stories about costume designer Colleen Atwood, her iconic red dress and working with Philip Seymour Hoffman. Also, lots of dog-talk and dog noises!

Here it is! The moment you’ve been waiting for! For our 200th episode we are joined by Tom Cruise himself! But that’s not all, we are also joined by “Mission: Impossible – Dead Reckoning” writer/director Christopher McQuarrie, editor Eddie Hamilton and actors Mark Gatiss and Nick Offerman. Plus, we get a cameo from “Top Gun: Maverick” stars Glen Powell, Greg Tarzan Davis and Danny Ramirez. This episode is very much worth the wait!

This week we dip into the “Mission: Impossible” multiverse by exploring the Robert Towne draft of the first movie. We go through the script, picking apart the changes from the final film, both subtle and substantial, while comparing it to the David Koepp drafts that both preceded and followed this draft. It’s a peek at a never-made ‘Mission’ that very nearly was!

We’re back, baby! It’s time for a new episode of Light the Fuse and this time we’re talking to perhaps the most important guest ever, Kerry Warn, the chief hair stylist for “Mission: Impossible 2.” Yes, this is the man behind the longest, wildest haired Ethan! Warn talks about how it was his suggestion to John Woo to leave Tom Cruise’s hair longer, what it was like working on “Eyes Wide Shut” with Cruise, and a screen test with a wind machine to watch how the hair moved. Just glorious.

While this is technically another episode of Light the Fuselage, we do veer into Light the Fuse material as we talk to “Top Gun: Maverick” score producer/composer Lorne Balfe, who is also composing the score for “Mission: Impossible – Dead Reckoning Part One.” We talk a lot about the music for the “M:I-7” trailer, whether or not the music from “Fallout” carries over and what the chorus is singing in the trailer music.

We’re still firmly in Light the Fuselage territory with “Top Gun: Maverick” score producer/composer Lorne Balfe. Lorne breaks down the contributions of every composer on the movie (which also includes Lady Gaga, Harold Faltermeyer and Hans Zimmer), the challenges of composing during the pandemic and how initially the score was more ‘80s-indebted.

This week we continue our exploration of the Danger Zone with Kevin LaRosa, Jr., the aerial coordinator for “Top Gun: Maverick.” LaRosa, Jr. tells us about his CineJet project and how he captured the flying stunts in the movie, when Tom Cruise leaps into action and the movie’s seamless mixture of CGI and practical effects. We also get him to talk about his favorite “Mission: Impossible” movie!

It's time for the conclusion of our Light the Fuselage chat with “Top Gun: Maverick” editor Eddie Hamilton. We talk about the first training montage (including how an unreleased Rolling Stones song from the 1960s nearly scored it!), what Edgar Wright contributed to the movie and Tom Cruise’s very best note. You don't want to miss this!

We’re back for part two of this special Light the Fuselage epic with “Top Gun: Maverick” editor Eddie Hamilton. This week, he talks about approximating the look of Tony Scott’s original “Top Gun” (and how they had to stay away from the HD remaster), we go in-depth on the introductory bar scene in “Maverick” and discuss what went into the big scene with Val Kilmer. Plus learn what Chris Lebenzon and Stephen Mirrione contributed to the final edit.

This week on Light the Fuselage we are joined by “Top Gun: Maverick” editor Eddie Hamilton, who we had on the main show many years ago (he also edited “Mission: Impossible – Fallout”). This week we talk about how editing “Top Gun: Maverick” was like climbing a mountain, we get into the Screen X presentation and just how laborious the action production was. Also learn how long he’ll have been on “Mission: Impossible 7” and “8.”

We’re back in the Danger Zone this week, chatting with Greg Tarzan Davis, callsign “Coyote.” Tarzan tells us about what the audition process was like, bonding with Tom Cruise and starring in another little movie called “Mission: Impossible – Dead Reckoning, Part 1” (he originally just wanted to follow McQ and Cruise around while they filmed). We also get his “Mission: Impossible” rankings and his thoughts on Tom’s hair! We’re pulling some G’s this week!

We kick off our Light the Fuselage miniseries dedicated to all things “Top Gun: Maverick” with the man himself, director Joseph Kosinski! This week we talk about what the director brought to the long-simmering sequel (he pitched Tom Cruise on the set of “Fallout!”), working with Val Kilmer, the emotional core of the movie and, of course, Tom Cruise’s hair!

It is upon us! Paramount has just unleashed the teaser trailer for “Mission: Impossible – Dead Reckoning, Part One” and we are breaking it all down. Join us for this bonus episode of Light the Fuse, with an even more in-depth analysis on our Patreon!

We’re back with David Vickery, visual effects supervisor for “Mission: Impossible - Rogue Nation.” This week we discuss everything that went into the A400 sequence, the “biscuit rig” for the motorcycle chase, and the parachute rig at the end of the cold open. Also we get stories about Christopher Nolan, Alfonso Cuaron, and “Jurassic World: Dominion!” Plus we get his movie rankings and his thoughts on why he loves Tom’s “Top Gun” haircut.

This episode we are joined by David Vickery, the visual effects supervisor for “Mission: Impossible - Rogue Nation.” This week we talk about DNEG's (formerly called Double Negative) contribution to the project, Tom Cruise’s commitment to hold his breath underwater, and how they captured the shot of him jumping into the Torus (and how long they worked on that sequence). Also: some good-natured Robert Elswit antagonism! Get ready! 

This week we are joined by Josh Tate, who produced behind-the-scenes material for “Mission: Impossible - Rogue Nation.” Josh tells us about wanting to capture the making of the A400 stunt so people would understand that it was really Tom Cruise and not an effect, talks about the special relationship between Cruise and Christopher McQuarrie, and we discuss the “biscuit rig” used to film the motorcycle chase. A must-listen for ‘Rogue Nation’ maniacs!

We just got back from CinemaCon, where we saw the BRAND NEW trailer for “Mission: Impossible – Dead Reckoning, Part 1” and the entirety of “Top Gun: Maverick” (making this the first impromptu episode of Light the Fuselage). Get ready for our non-spoiler thoughts on “Top Gun: Maverick” and our frazzled analysis of the “M:I-7” trailer (we have a title!). Put on your aviators, crank up the Kenny Loggins, and let’s fly!

We are back with part 2 of our chat with independent filmmaker and “Mission Impossible” enthusiast BenDavid Grabinski. This time around we talk about the power of the “Fallout” trailer, why he’s excited (but nervous) about “M:I-7,” and Grabinski shares stories about the making of his Jackie Chan action comedy “Skiptrace.” Plus we get his “M:I” (and “John Wick”) rankings and absolutely nothing about his upcoming “Scott Pilgrim” anime.

This week we are joined by independent filmmaker and “Mission: Impossible” enthusiast BenDavid Grabinski, who tells us about his IMF tattoo and his “M:I-2” fan website that he began in the late '90s when he was just 15 (inspired by a similar site for “The Lost World”). We also talk about Joe Carnahan’s version of “M:I-3,” why he prefers “Days of Thunder” to “Top Gun,” and what changed about Tom Cruise’s Ethan Hunt from the fourth movie on.

Of all the unmade “Mission: Impossible” movies, few tantalize like the version of “Mission: Impossible 2” helmed by Oliver Stone. It’s been a mystery… until now. We go into detail on the script for this film, written by David Marconi with revisions by Michael Tolkin. If you’ve ever wanted to know what a “M:I” movie with an evil computer looks like, here we go! Welcome to a truly fascinating alternate universe.

This week we’re revisiting our very first conversation with writer/director (and franchise stalwart) Christopher McQuarrie. In this super-sized episode we’ll go into detail about his contributions to “Mission: Impossible – Ghost Protocol,” learn about some hidden Easter eggs in “Rogue Nation,” of course talk about “Fallout” (which at the time was just-released) and, of course, discuss Tom Cruise’s hair.

It’s the grand finale of our discussion with cinematographers Adrian Peng Correia (“Ramy,” "The Flight Attendant") and Andy Rydzewski (“PEN15”) about the look of the “Mission: Impossible” franchise! This week we dig deep into Ethan’s hair, get their film rankings, and Drew has to leave early, leaving Charles alone and scared. Also, Andy introduces a deeply cursed alternate timeline where Michael Bay made a “Mission: Impossible” movie.

It’s part three of our discussion with cinematographers Adrian Peng Correia (“GLOW,” “Kevin Can F**k Himself”) and Andy Rydzewski (“PEN15,” “Dollface”). In this episode Adrian gives us his thoughts on the style of some of the later films, while Andy argues that “Fallout” is messier (in a good way), and we talk about the switch from film to digital for aspects of “Fallout” and how digital might change the franchise forever.

This episode we continue our chat with cinematographers Adrian Peng Correia (“Love Life,” “Ramy”) and Andy Rydzewski (“PEN15,” “Dollface”), who analyze the look of the “Mission: Impossible” franchise. This week Andy argues that the first two films are more playful than later entries (we disagree), we talk about J.J.’s growth as a filmmaker following “M:I-3,” and we discuss Robert Elswit’s style for “Ghost Protocol” and “Rogue Nation.”

This week we kick off a mini-series with cinematographers Adrian Peng Correia (“The Flight Attendant,” “GLOW”) and Andy Rydzewski (“PEN15,” “Dollface”) discussing the look of the “Mission: Impossible” franchise. In this episode we talk about the first film – how different it looks than the other installments and Stephen Burum’s old school approach to the material. Plus we get into the use of color in “M:I-3” and how its photography is very much of its time.

We’re back with part two of our amazing interview with production designer Jim Bissell, who worked his magic on both “Mission: Impossible - Ghost Protocol” and “Rogue Nation.” This time we get into the finale of “Rogue Nation” (he says that it was always set in London, take that ship graveyard!), the record store (and how it switched from “Ghost Protocol” to “Rogue Nation”), and he shares stories from the production of “E.T.” and “The Rocketeer.” Plus, a little bit more about Brad Bird’s abandoned (for now!) “1906.”

This week is the first part of our chat with legendary production designer Jim Bissell, who worked on both “Mission: Impossible – Ghost Protocol” and “Rogue Nation” (another one of the rare two-time department heads!). This week we talk about the train car, the car park, and how when he finished “Rogue Nation” he felt like he had made three movies. Also, learn why Brad Bird’s “1906” couldn’t get off the ground. Get ready, this is a good one!

Welcome back for part two with Blake Howard, host of One “Heat” Minute and many other amazing podcasts (including “Zodiac” Chronicle and Miami Nice), with our breakdown of a minute from “Mission: Impossible – Rogue Nation.” We finally get to the minute (minute 13), talk about why he chose it, and discuss the horniness of the “Mission: Impossible” franchise. We also get his hair and movie rankings, and Blake weighs in on the new film being shot on digital!

This week we are joined by Blake Howard, host of One “Heat” Minute and many other amazing podcasts (including “Zodiac” Chronicle and Miami Nice). Together, we are breaking down a single minute of “Mission: Impossible – Rogue Nation,” but before that we get his “Mission: Impossible” origin story, why “Rogue Nation” is his favorite installment, and how the franchise connects to Christopher Nolan’s Batman trilogy and the 007 films. It’s a good one!

This week we continue our celebration of “Mission: Impossible - Ghost Protocol" by speaking with Bogdan himself, Miraj Grbic! Grbic tells us about getting the role of our favorite “big hairy Russian,” bluffing his way through speaking Russian, and where Brad Bird ranks amongst the filmmakers he’s worked with. Plus, funny Tom Cruise stories and a brief discussion of “F9!”

This week we are joined by Ilia Volok, who plays shady underworld character The Fog in “Mission: Impossible - Ghost Protocol.” In this lively interview, Volok tells the story of how he was cast, what it was like sharing a scene with Tom Cruise, and his experience with director Brad Bird. Also find out what Cruise suggested about his performance, and stories about Volok working with Mike Nichols and David Fincher. Foggy indeed!

We’re back with Anthony Giacchino, who produced the behind-the-scenes documentaries for “Mission: Impossible – Ghost Protocol.” This week we get into his relationship with "Ghost Protocol" director Brad Bird, his Oscar-winning documentary short “Colette,” and what his relationship is with the other movies in the “Mission: Impossible” franchise. Also find out who has more energy: Brad Bird or Tom Cruise! And yes, we get some much-needed hair rankings.

This week we are thrilled to be joined by Anthony Giacchino, who produced the behind-the-scenes documentaries for “Mission: Impossible – Ghost Protocol” (he’s also composer Michael’s brother). In this episode we talk about his approach to the documentary footage, interacting with Tom Cruise (and Cruise’s commitment to the film), and how far his access reached on set. Also, we get a delicious story about Cruise indulging in a forbidden snack!

As we continue celebrating the 10th anniversary of “Mission: Impossible – Ghost Protocol,” we have compiled our “making of” episodes in one handy compendium. Using reporting from the time of production, we chart the development, production, and release of the fourth film in the franchise. It’s the perfect complement to our ongoing anniversary programming.

As part of our celebration of the 10th anniversary of “Mission: Impossible – Ghost Protocol,” we have a special treat for you – our complete chat with director Brad Bird! This extra-long conversation was originally split into three parts in the fall of 2018, but here it is in one jumbo sized episode. Get the story of the making of the film from the man himself. Light that fuse!

We’re back with the second part of our wide-ranging conversation with “Mission: Impossible – Ghost Protocol” writers and co-producers Josh Applebaum and André Nemec. In this episode we get new details about Vanessa Redgrave’s would-be return and how much she would have appeared in the movie, the original MacGuffin of “The File,” an abandoned Benji mask gag, and the subtle evolution of Tom Cruise’s character. Also, we get their hair and movie rankings!

This week we reach the centerpiece of our ongoing “Mission: Impossible – Ghost Protocol” celebration, as we chat with screenwriters and co-producers Josh Applebaum and André Nemec. In this episode we talk about the genesis for the project, discuss how Tom Cruise astutely nixed the Harrison Ford casting, and confirm that the record store opening of “Rogue Nation” was actually conceived for “Ghost Protocol.” And, of course, we get new details about the abandoned snowmobile sequence.

This episode we chat with Teddy Newton, who provided the voice of the mission briefing in both “Mission: Impossible – Ghost Protocol” and, he confirms this week, “Rogue Nation.” Learn how Newton is inadvertently responsible for matching composer Michael Giacchino with director Brad Bird, how J.J. Abrams wasn’t crazy with his voice, and various stories about his time working at Pixar and with Bird. Plus, he gives us his hair rankings and movie rankings!

This week we’re back with the conclusion of our chat with Kris Peck, prop master from “Mission: Impossible – Ghost Protocol.” This time we get into the nuclear football from the end of the movie, and go through an impressive book of sketches Kris brought along. Plus we hear stories about working with Gore Verbinski, Christopher Nolan, and Rian Johnson (on the “Knives Out” sequel!). Also, Kris gives us his hair and movie preferences. They might surprise you!

We’re back with Kris Peck, prop master for “Mission: Impossible – Ghost Protocol.” Get ready for more Burj talk – everything from the door number generator to Benji’s third arm to the mask making machine, plus we get into the video projector technology utilized for the Kremlin hallway scene and how Tom Cruise cleared the Bruce Springsteen T-shirt. Also learn more about Tom Cruise catering choices!

This episode we’re joined by Kris Peck, prop master for “Mission: Impossible – Ghost Protocol.” Peck talks about how the record store opening of “Rogue Nation” was actually developed for “Ghost Protocol,” making gadgets that wouldn’t be immediately dated, and the abandoned snowmobile sequence (including how the Paramount logo would be utilized). Also, we get into the specifics of the “gecko gloves” and custom goggles and where the “red is dead, blue is glue” line came from. It’s a blast!

We’re wrapping up our chat with Ben Rosenblatt, a former Bad Robot executive who worked on both “Mission: Impossible – Ghost Protocol” and “Rogue Nation.” This week we talk about the scenes they reshot for “Ghost Protocol” (and how a scene in the van was actually commenting on the film’s production), learn what scene Tom Cruise was giggling through, and discuss the snowmobile chase (once again). There’s also talk of an unused mask gag and Ben’s hair and movie rankings.

Once again we are joined by Ben Rosenblatt, a former Bad Robot executive who worked on “Mission: Impossible – Ghost Protocol” and “Rogue Nation.” This week we talk about getting IMAX dailies in Dubai, what Tom Cruise indulges in (food-wise), and why ILM didn’t return for “Rogue Nation.” He also takes responsibility for putting Eddie Hamilton on Christopher McQuarrie’s radar for “Rogue Nation,” accidentally deleting Rebecca Ferguson’s audition, and that initial plan to shoot “Ghost Protocol’s” title sequence in IMAX.

This week we are joined by Ben Rosenblatt, a former executive from Bad Robot who worked on both “Mission: Impossible – Ghost Protocol” and “Rogue Nation.” In this installment of our three-part chat we talk about getting started with J.J. Abrams during post-production on “Star Trek” (2009), who they wanted to get as the IMF Secretary in “Ghost Protocol,” how our BFF Paul Hirsch was hired for the movie, and the testing process of that film.

In this episode we conclude our chat with Chris Soldo, first assistant director on “Mission: Impossible.” We talk about how, er, tense the first film’s production was, get some great Tom Cruise stories, hear about a Kristin Scott Thomas reshoot, and talk about additional films he worked on with De Palma. Also, hear stories about Amy Heckerling, Richard Donner, and Barry Sonnenfeld.

This week we are joined by Chris Soldo, a legend in his own right and the first assistant director on “Mission: Impossible!” We chart his relationship with Brian De Palma, starting with “Sisters” when Chris was 15 years old, talk about an early version of the movie that would be filmed in the Rocky Mountains, and find a version of the script on a floppy disk he can’t read. Plus, some bonus details on some additional De Palma films!

We have finally made it to the conclusion of our epic making-of chronicle with the release, marketing, and response to “Mission: Impossible – Rogue Nation.” Learn about the various activations surrounding the release (including an escape room!), how well the movie stacked up to the other movies both box office-wise and critically. And find out the movie’s relationship to Disney’s “Star Wars” saga.

We’re back with the continuing saga of the production of “Mission: Impossible – Rogue Nation.” This time we cover the in-camera mask gag, what they re-shot late in the game, and how they were able to come up with a new ending. Plus, we talk about the movie’s wonderful score by Joe Kraemer and the race to complete the movie before its big Vienna premiere.

This week we’re continuing our deep dive into the making of “Mission: Impossible – Rogue Nation.” In this episode we’re looking at the movie’s physical production, from elaborate sequences shot in Vienna, Morocco, and London, to things like the opera sequence and the death-defying (literally) motorcycle sequence. Also: get details on the Torus sequence and all that BMW product placement!

We start our deep dive into the making of “Mission: Impossible - Rogue Nation” this week. In this episode, we go through the movie’s somewhat unusual development process (including a peek at who made up the writers room), what the goals for the sequel were, and the pre-production process, including the selection and hiring of key creative personnel and cast members.

For this episode, we talk to David Naylor, who produced the special features for the “Mission: Impossible III” home video release. We talk about his relationship with J.J. Abrams, the shot he got that J.J. wishes he had used in the movie, and the insane premiere that had Tom Cruise arriving by land, sea, and air. (It’s bonkers.) Plus – stories about Syd Mead and Philip Seymour Hoffman! You don’t want to miss it!

Drew and Charles travel to Las Vegas to attend CinemaCon and get first look glimpses of both "Mission: Impossible 7" and "Top Gun: Maverick."

This week we are thrilled to be joined by Craig O’Brien, the skydiving camera operator for the HALO jump from “Mission: Impossible - Fallout.” Learn everything about the unforgettable sequence, to the type of camera rig Craig had to wear, to how badly Henry Cavill wanted to do the jump, to just how committed Tom Cruise was to getting the sequence right. Also, we get Craig to rank the “Mission: Impossible” movies and to talk about his work on “Iron Man 3,” “Godzilla,” and “Kingsman.”

In the second part of our interview with Greg Powell, stunt coordinator of “Mission: Impossible,” we discuss other parts of his career, including his history with the James Bond franchise, working with Vic Armstrong, what he did on “Indiana Jones and the Temple of Doom,” and his recent collaboration with Jackie Chan. Also: stories about Peter Sellers, Peter Jackson, Alfonso Cuaron, and “Mamma Mia: Here We Go Again.” And he ranks the “M:I” movies!

This week we are joined by Greg Powell, the stunt coordinator for the first “Mission: Impossible!” In this episode, Powell tells us about blowing up the car in Prague (and how it does that incredible vertical flip), shares a story about Tom Cruise getting mad at him (it has a funny ending!), and get into the details of Emilio Estevez’s death scene and the exploding aquarium sequence. There’s also a bit of info about Cruise and “Interview with the Vampire.” Scary!

Welcome back to Light the Wick, our deep dive into the “John Wick” franchise. This week we are joined once again by David Leitch, superstar co-director of the first “John Wick.” In this installment, Leitch talks about his most recent film (as a producer) “Nobody,” and his upcoming film (as a director), “Bullet Train,” starring Brad Pitt and Sandra Bullock. (Spoiler alert: it sounds very cool.) Also learn what he took from working with David Fincher and hear stories from the set of “Anchorman 2.”

We’ve checked back into the Continental for another installment of Light the Wick. This time we are chatting with David Leitch, co-director of the first “John Wick.” We talk about why he doesn’t actually receive co-directing credit on the first film, discuss the differences from the script to the film version, and what his involvement in the franchise is today. Plus, we attempt to get him to agree to make “Atomic Blonde 2.” We get pretty close.

For this all new episode of Light the Wick, we’re once again chatting with master cinematographer Dan Laustsen, who shot “John Wick: Chapter 2” and "Chapter 3." This time we discuss the challenges of bloody squibs before moving onto his long collaboration with Guillermo del Toro (set to continue with this year’s “Nightmare Alley”), including a few projects that never happened. We then quiz him on several of his other projects including “Brotherhood of the Wolf” and “The League of Extraordinary Gentlemen.”

We’re back in the bullet-riddled world of Light the Wick, as we interview the genuinely incredible cinematographer Dan Laustsen, who shot “John Wick: Chapter 2” and "Chapter 3." In this installment we speak to Laustsen about the fun of shooting action sequences, working with Keanu Reeves, the challenges of filming on location in New York City (especially Chinatown), and how important lighting is in the franchise. Also: find out what colors are off-limits in the "John Wick" universe!

We are once again joined by the legendary filmmaker, “Are Snakes Necessary?” author and director of the first “Mission: Impossible” film Brian De Palma and his co-author Susan Lehman. In this episode we discuss the unmade prequel films to some of his earlier projects, why he isn’t interested in “Mission: Impossible” sequels, and what happened with the musical score (with Alan Silvestri replaced by Danny Elfman). We also get into some potential future projects, which is really exciting.

This is the moment we’ve all been waiting for – we interview living legend and the filmmaker behind the first “Mission: Impossible” film, Brian De Palma. We are joined in the conversation with Susan Lehman, De Palma’s co-author for his debut novel “Are Snakes Necessary?” In this installment we discuss the foundation of the book, where the title came from, and get into some “Mission: Impossible” talk, including the crucial feedback George Lucas provided. Buckle up, this was worth the wait.

This week we continue our fascinating chat with Pete Romano, an underwater director of photography on four of the “Mission: Impossible” movies. We talk about the challenges with “Fallout,” working with Wade Eastwood, and some of his other collaborators, including Wes Anderson, Kathryn Bigelow, and Michael Bay! Also, we get some new “Color of Night” details. Caution: you may get wet.

We are beyond thrilled to be joined this week by Pete Romano, an underwater director of photography who worked on four of the “Mission: Impossible” movies. He talks about beginning on the franchise with an uncredited role and how there might be a big underwater sequence in the eighth movie. Plus, get details about what it’s like working with James Cameron. No scuba gear necessary!

This week we are thrilled to be joined by Sean Gerace, who was one of J.J. Abrams’ assistants during the production of “Mission: Impossible III”! He tells the story of how Tom Cruise got interested in Abrams (it involves “War of the Worlds” and a box set of “Alias”), discusses the shoot in Italy, and shares a tidbit about one of the filmmakers previously associated with the project coming to set. It’s a wild trip down memory lane!

We’re back this week with New York Magazine film critic and editor Bilge Ebiri, this time talking about how “Mission: Impossible – Fallout” is like sex, his need to revisit the second and third films, and his confusion over "Rogue Nation" (Drew is not alone). Also, Bilge explains how the franchise is all about the crew that puts these movies together aka the true IMF. Plus a brief discussion of Malick, Kubrick and Coppola!

This week we are joined by New York Magazine film critic and editor Bilge Ebiri, who has written about the franchise extensively in the past. He discusses the movie’s place in modern action cinema, talks about why he hates “Mission: Impossible 2” and discusses how the first film is a perfect Brian De Palma movie (and how there are hints of weird sex). It’s a blast.

In the final installment of our latest chat with Paul Hirsch, editor of “Mission: Impossible” and author of “In a Cutting Room Far, Far Away,” we talk more about his work with Brian De Palma, how Steve Martin would just park illegally since he could afford the ticket, and how his job as a “movie doctor” on “Exorcist III” was true hell. Also, get details on an unproduced (and never discussed) John Hughes project.

In the second part of our latest chat with Paul Hirsch, “Mission: Impossible” editor and author of “In a Cutting Room Far, Far Away,” we get funny stories about Danny Elfman’s stuffed cat, how he nearly worked on “Taxi Driver” with Brian De Palma, and how Lee Child’s Jack Reacher books influenced the opening of ‘Ghost Protocol’ (amongst other chestnuts).

We are back, talking to legendary editor (and recent author) Paul Hirsch again. Paul edited the first “Mission: Impossible” movie along with ‘Ghost Protocol,’ and in this episode he shares his thoughts on some recent Oscar-season movies, reveals an unused chapter from his book (read by Paul himself) and tells a funny story about Stanley Kubrick.

And we’re back to Light the Fuse on the second part of our chat with the Filmograph team of Aaron Becker, Seth Kleinberg and Amador Valenzuela. And this time we’re talking about the creation of the subtitles in “Mission: Impossible – Ghost Protocol” (the ones that go from Cyrillic to English as Ethan is figuring it out). We also hear about an unreleased “Mission: Impossible 3” teaser that sounds incredible.

Welcome back to Light the Wick. Your reservation at the Continental has been confirmed, and this week we’re speaking with the team from Filmograph – Aaron Becker, Seth Kleinberg and Amador Valenzuela. In this typically spirited conversation, we discuss their contribution to the “John Wick” movies – not only the title sequences but also the subtitles. It’s illuminating and a lot of fun!

This week on Light the Wick (yes it’s still going on, just deal with it!), we talk to “John Wick” visual effects supervisor Rob Nederhorst about what it was like working his invisible magic on the franchise – we learn about squib hits, the difference between violence and gore, and the shot that they had to tone down because it was a little “too much.” Content warning: explicit descriptions of fake muzzle flashes.

We are thrilled this week on Light the Wick to be joined by Luca Mosca, costume designer and actor. Mosca not only comes up with the killer style Keanu Reeves wears, but he also plays the tailor in “John Wick: Chapter 2.” Talk about range! Mosca talks about the evolution of Ian McShane’s character, dressing Laurence Fishburne’s hobo army, and mentions a deleted scene from the third film that had Halle Berry’s character in New York City. This bespoke episode is a good fit for sure.

We’re back with part two of our Light the Wick look at the editorial process on “John Wick 3” with editors Evan Schiff, Gina Hirsch, and Matt Evans. But – surprise! – we sneak some Light the Fuse material in the mix since Schiff and Hirsch worked on “Mission: Impossible – Ghost Protocol.” So you’ll get to hear about the nearly 3-hour cut of “John Wick 3” alongside learning that Gina was the voice of some of the computers in “M:I-4!” This is a double whammy that fans of both franchises will get a huge kick out of.

On this very special episode of Light the Wick, we are joined by “John Wick 3” editor Evan Schiff and additional editors Gina Hirsch and Matt Evans, who jumped in to help. They talk about what it was like working with director Chad Stahelski, how the movie was different before they arrived, and what, exactly, they were tasked to do. It’s a funny, fascinating peek at an integral aspect of the filmmaking process.

Mark Stoeckinger returns this week for a very full episode of Light the Wick! Mark was the supervising sound editor on all three “John Wick” installments and shares some great details on how he got involved in the franchise, how he differentiates gunshots, and (of course) how he got realistic dog sounds (including a scary story about wolves). Also: bits about “Jack Reacher,” “Cruella,” and working with Alexander Payne.

We’re back to Light the Fuse this week as we talk to Mark Stoeckinger, supervising sound editor of “Mission: Impossible 2” and “3.” Stoeckinger confirms the existence of a much longer cut of the second film (#ReleaseTheWooCut) and what went into whittling it down, talks about the importance of the lighting the match sound effect (to both films), and the unlikely place he got sound effects for some of the gadgets in “3.” It’s a blast!

We’re back with another episode of Light the Wick, your encyclopedic guide to all things “John Wick.” Today we are chatting with Elísabet Ronaldsdóttir, editor of the first film, for an illuminating and surprisingly emotional chat. Find out Keanu Reeves’ involvement in the editorial process, why that scene of Keanu driving angry caused so much controversy, and about teaming up with co-director David Leitch on “Atomic Blonde” and “Deadpool 2.”

And just like that we return to Light the Wick, with our second Kevin Kavanaugh installment. Kavanaugh was the production designer for the latter two “John Wick” films. In this episode he discusses nailing the tone of the “John Wick” universe (tip: big bathtubs), the connection between “Casablanca” and “John Wick,” and getting the ending of the third film just right. Plus he ranks all the “Mission: Impossible” and “John Wick” movies!

We’re back to Light the Fuse this week as we chat with Kevin Kavanaugh, art director for both “Mission: Impossible 2” and “3!” He talks about working on the Los Angeles portion of the “M:I-2” shoot (the catering truck was incredible), the original plan to shoot in Spain and how they achieved the infamous “car tango” moment in the chase. We also get into the differences of production on the second and third film and the bridge sequence in “3.”

We’re back with another episode of Light the Wick, dedicated to the “John Wick” franchise and we’re back with the director behind the trilogy, Chad Stahelski! This time he talks about how he was roped into subsequent films (by Keanu Reeves, of course), the importance of dogs to the franchise (including teasing dog activity in the upcoming fourth film), and how Reeves is basically the coolest dude on earth.

Long promised and finally delivered, we are here with the first part of our Light the Wick miniseries dedicated to all things “John Wick.” We kick things off with one of the franchise masterminds, director Chad Stahelski. In this installment, we talk about how he got involved in the movies, his relationship with Christopher McQuarrie, and how his production process mirrors the “Mission: Impossible” movies. Plus, so much more!

This episode we continue our discussion with bestselling novelist Matthew Pearl (“The Dante Club,” “The Poe Shadow”). Pearl talks about how he wishes they would retroactively add fun subtitles to the second and third movies, defends Philip Seymour Hoffman’s lack of screen time, and he gives us his “Mission: Impossible” rankings. It’s the culmination of a very fun chat.

This week we are joined by bestselling novelist Matthew Pearl (“The Dante Club,” “The Poe Shadow”) and we talk about his research into Eliot Ness and the connection he made between “The Untouchables” Odessa steps sequence and the climax of the original “Mission: Impossible.” We discuss other connections between the films, go over some unused script pages, and Pearl brings up a fascinating “Mission: Impossible – Rogue Nation” mystery.

It's time for our crossover extravaganza with The Kingcast and its hosts Eric Vespe and Scott Wampler. This episode we talk about the connective tissue between Stephen King and the “Mission: Impossible” franchise – the great Brian De Palma, who created the first King adaptation and directed the first “Mission: Impossible.” We also talk about “Blow Out,” the horniness of “M:I-2,” and get their rankings. It’s a scream!

We’re back this week with David Dozoretz, who did the pioneering pre-visualization work on the first “Mission: Impossible” and returned for the third and fourth films. This week he talks about the evolution of pre-vis from the first to fourth movie, working on JJ’s “Star Trek” movie, and gives us great stories about “Jurassic Park,” “Disclosure,” and “Forrest Gump.” Plus why the first movie is his favorite!

We are thrilled to be chatting with David Dozoretz, a pre-visualization pioneer whose work on the first “Mission: Impossible” changed the way blockbuster movies are made. He came back for the third movie, and talks about working with JJ Abrams on the windmill sequence, and returned again for "Ghost Protocol" (he worked on the snowmobile chase). Dozoretz also unleashes one of the biggest bombshells we’ve ever heard about "Ghost Protocol." You don’t want to miss it!

We are so lucky to be joined this week by Lesley Ann Warren, who starred on the original “Mission: Impossible” series. We get great stories about her replacing previous guest Barbara Bain, how she became friends with Leonard Nimoy, and how much she loves Peter Graves. Plus amazing stories from elsewhere in her career, including “Clue,” “Victor/Victoria,” “The Limey,” and her appearance on “The Muppets!”

We’re back with part two of our chat with Greg Grunberg, who appears in the party scene in “Mission: Impossible 3!” In this episode, we talk about where he got the name for his "M:I-3" character, watching an early version of the movie in the editing room, and he shares stories of working with Paul Verhoeven, Al Pacino, and Barry Levinson. Plus Charles tells a fun “Felicity” story!

We are so thrilled to be joined by Greg Grunberg, who appears in “Mission: Impossible 3.” He talks about his close relationship with JJ Abrams, tells some great Tom Cruise stories (and shares his memories of watching the bridge sequence being filmed), and recalls how he forced JJ to create a character for him in “Felicity.” It’s a blast!

It’s week two of our Light the Fuse/My Favorite Album mash-up, as we are joined by Jeremy Dylan to do a much broader look at how the “Mission: Impossible” franchise compares to James Bond. Also, you’ll be delighted to hear that Jeremy adds in clips from the actual movies, something that we are far too lazy to accomplish.

On this episode we re-team with the great Jeremy Dylan of My Favorite Album and do a deep dive into the "Mission: Impossible" versus James Bond franchises. On this first episode we discuss how “Rogue Nation” might be the best unofficial 007 movie of the last decade. We also eulogize the original James Bond, Sean Connery. This episode is best enjoyed shaken (not stirred).

We’re back with part 2 of our incredible chat with Michael Giacchino, composer for “M:I-3” and “Ghost Protocol” (whose new album “Travelogue, Volume 1” is out now!). We get more details about “Ghost Protocol,” including how he suggested Brad Bird to JJ, and the diversity of the score’s sounds. And we discuss the very pun-filled track titles on all of his albums, including the alternate pun-y version of “Rogue One.” Plus stories about “War for the Planet of the Apes” and Space Mountain!

Finally! An episode you have all been requesting and we have been dying for, our chat with Michael Giacchino, composer of “M:I-3” and “Ghost Protocol.” We begin by discussing Giacchino’s amazing new solo album “Travelogue, Volume 1,” and talk about his inspirations for the new record. Then we talk about his work on “M:I” – how he got involved with “3,” working with Brad Bird, and the influence of the original series.

We’re back with Barbara Bain, legendary actress who portrayed Cinnamon Carter on the first three seasons of the “Mission: Impossible” TV show. In this episode we talk about how she was an inspiration for many women the world over, working with Steven Hill, staying in touch with the original cast members, and how her real-life claustrophobia made it into the show. She also talks about her role in the new Sofia Coppola movie, “On the Rocks.”

This is it – a chat with a genuine legend and one of the founding members of the IMF, Barbara Bain, who portrayed Cinnamon Carter on the first three seasons of the original “Mission: Impossible” TV show. Yeah it’s huge. She talks about her early days, hanging out with Jack Nicholson and future IMF member (and her husband) Martin Landau, the true story behind her exit from the show, and the similarities between herself and the character.

This week it’s part two of our epic conversation with genius screenwriter David Koepp, who wrote “Mission: Impossible.” In this part, we talk about the train climax and how contentious it was, why he doesn’t enjoy doing sequels, several further unrealized reunions with Brian De Palma, and of course his great new Audible original story “Yard Work” (narrated by Kevin Bacon). This is a whole lot of fun.

This is it – our interview with David Koepp, the ridiculously talented and successful screenwriter behind the first “Mission: Impossible.” In this in-depth conversation, he talks about what a fan he was of the original series, Luther’s original fate in the script, a military wedding that was part of an early draft, and the construction of the Langley sequence. It is a really hilarious and insightful chat you’re going to love.

We’re back with part 2 of the amazing interview with Evan Schiff, associate editor and first assistant editor on “Mission: Impossible – Ghost Protocol.” This time Evan tells us about his time working with Guillermo del Toro on “Pan’s Labyrinth” (and how Alejandro Gonzalez Iñarritu helped cut 10 minutes), doing pre-production on del Toro’s “At the Mountains of Madness,” and lots of stuff about “John Wick 2” and “3.” Plus another Cruise story!

This week it’s back to the edit bay with Evan Schiff, associate editor and first assistant editor on “Mission: Impossible – Ghost Protocol.” In today’s episode, he talks about learning from and working with master editor Paul Hirsch, differences between the director’s cut of the film and the final cut, and reveals who did the Russian-to-English subtitles. Also, get ready for some Tom Cruise stories! This is a fun one.

This week we are joined by Riccardo Bacigalupo, who served as first assistant editor on “Mission: Impossible – Fallout,” meaning he worked very closely with our favorite person on earth, editor Eddie Hamilton. Riccardo shares stories about just how much work was done while Cruise was out with a broken ankle, how Eddie was cutting "Fallout" and the second “Kingsman” simultaneously, and more!

We’re back with part 2 of our epic conversation with Dan Mindel, cinematographer for “Mission: Impossible 3.” This time around we discuss other aspects of his incredible body of work, including but not limited to working with Jackie Chan (and how that changed him), what happened on “John Carter,” and some not-so-great memories from “Zoolander 2.” With a career this vast and varied, we had to get into other parts of his career.

This week we are joined by the ridiculously talented Dan Mindel, cinematographer for “Mission: Impossible 3.” On the episode, Mindel talks about how he and J.J. Abrams came up with the visual language for the movie, how it was partially inspired by “Enemy of the State,” and what it was like working with Industrial Light & Magic and our past guest, the amazing Roger Guyett. Plus – Tony Scott stories!

This week we speak to Chiabella James, the amazing on-set photographer for “Mission: Impossible – Rogue Nation” and “Fallout” (she worked with her father, David James, who we’ve had on the show and is also awesome). Find out how the “Fallout” poster was designed from some of her images, what it was like working on Tom Cruise’s “The Mummy” and “Jack Reacher,” and how she felt being on set the day Cruise broke his ankle. And, oh yeah – we almost FaceTime Rebecca Ferguson!

Sadly, it is the end of our super-sized chat with Kevin Yagher, who did the make-up effects for “Mission: Impossible 2” and whose new movie, “Bill & Ted Face the Music,” will be out very soon. This week, we discuss “Sleepy Hollow” (a movie that originated with Kevin), the creation of Chucky from “Child’s Play,” and Kevin does his Nicolas Cage impression (which is also a Keanu Reeves impression). Plus we get his hair and “M:I” movie rankings! This episode has it all.

It’s time for part two of our chat with legendary make-up artist/filmmaker Kevin Yagher, make-up artist on “Mission: Impossible 2!” In this installment we dig into Kevin’s incredible history with horror filmmaking, including his contribution to “Child’s Play,” his experience designing the Crypt Keeper for “Tales from the Crypt,” and how he gave some ideas to Steven Spielberg for “Small Soldiers.” It’s a worthy excursion to R-rated territory.

This week we are joined by the truly legendary make-up artist/filmmaker Kevin Yagher, who was responsible for the make-up effects for “Mission: Impossible 2” including all those masks! Yagher shows off his Tom Cruise mask, including the flowing hair which had to be inserted one-by-one! We also get some great Cruise stories and find out how excited Dougray Scott was to start filming “X-Men” next (whoops). And we get into Yagher’s work on the “Bill & Ted” series, including the new movie!

For the fifth anniversary of “Mission: Impossible – Rogue Nation,” we take a peek behind the scenes of the film’s writers room with Seth Grahame-Smith! Find out who else was in the room, what the process was like, and what ‘M:I’ cast member also contributed to the story development! Plus, we talk to Grahame-Smith about “Dark Shadows,” his “Gremlins” and “Beetlejuice” sequels, and his new Disney+ show. It’s a blast!

For this very special episode we are joined by screenwriter Liz Hannah (“The Post,” “Long Shot,” “Mindhunter”). We find out why she loves the franchise (especially “Mission: Impossible – Rogue Nation”), her appreciation for Rebecca Ferguson’s Ilsa and what she wants out of the two new movies. She also talks about working with David Fincher. And we also get Liz – and her husband – to rank Tom Cruise’s hairstyles!

In the second half of our conversation with Gary Rydstrom, seven-time Oscar winner and the sound designer/mixer for “Mission: Impossible – Ghost Protocol” who also mixed the first film, we get into some of his other incredible work, including Paul Thomas Anderson’s “Punch-Drunk Love,” James Cameron's “T2," and he also shares stories of his work on abandoned Pixar feature “Newt.” And we even get his favorite “M:I” hairstyle!

This week we are lucky to be joined by seven-time Oscar winner Gary Rydstrom, a true visionary who was the sound designer and re-recording mixer for “Mission: Impossible – Ghost Protocol” and the re-recording mixer for the first film. In this installment Gary talks about what it was like working with Brian De Palma, how Brad Bird had designed some sequences for sound, and teases the abandoned snowmobile sequence in "Ghost Protocol."

We’re back with legendary VFX artist Roger Guyett from Industrial Light & Magic, who was the VFX supervisor for “M:I-3.” This week Roger shares a great Tom Cruise story, talks about Simon Pegg improvising and then we take a detour into Roger’s other work, including “Mars Attacks!,” JJ Abrams’ “Star Trek,” “Pirates of the Caribbean,” and “Harry Potter.” He also details the recreation of the Overlook Hotel in “Ready Player One.”

This week we are joined by another visual effects legend, Roger Guyett from Industrial Light & Magic, the visual effects supervisor for “Mission: Impossible 3.” In this episode Guyett talks about the creation of the Shanghai skyline, the trickiness of two Philip Seymour Hoffmans, and a shot he thinks doesn’t hold up. Plus so much more!

In the second part of our interview with Joe Kraemer, composer of “Mission: Impossible – Rogue Nation,” he tells us why he didn’t do a cameo in the movie, talks about the challenges of incorporating pre-existing themes into a new musical score, and describes his complicated feelings towards the movie. He also signs off on our CBS All Access show idea.

This week we’re tickling the ivories with Joe Kraemer, the composer for “Mission: Impossible – Rogue Nation.” In this episode, we talk about his relationship with the original series, how he became attached to the movie, his approach to the score for "Rogue Nation" (plus his general philosophy on film music) and the making of the opera sequence (which he was on set for). It hits all the right notes.

We return with the second part of our epic conversation with Mitchell Leib, the man responsible for the “Mission: Impossible 2” soundtrack. This week, we hear how the album was saved from obscurity (with some help from Cameron Crowe), how Leib is returning to work with Metallica for “Jungle Cruise,” a long discussion of Daft Punk’s involvement with the “Tron Legacy” soundtrack, and some finally thoughts from Leib about the state of the soundtrack industry. It’s a riot.

This week we’re continuing our look back at the majesty of “Mission: Impossible 2” by chatting with Mitchell Leib, who produced the blockbuster soundtrack for the film. This week, Leib talks about the origins of the movie, flying to Australia to play a demo for Tom Cruise, and why he set his sights on Metallica. And you’ll want to stick around – this episode ends on a truly suspenseful cliffhanger, as the whole project is thrown into jeopardy! Eep!

This week we celebrate the 20th anniversary of “Mission: Impossible 2” by chatting with Ronald D. Moore, one of the writers on the movie! Moore lets us know what the development process was like, shares stories about working with John Woo and Tom Cruise, and describes the absolutely out-of-control Hollywood premiere for the movie. We also get him to talk about his time on George Lucas’ live-action “Star Wars” series and what it was like writing dialogue for Darth Vader.

This is it! We made it to episode 100! And we brought some friends! Initially just a conversation with Christopher McQuarrie about how he’s doing and how the two sequels are shaping up, it soon became much, much more, as Simon Pegg, Hayley Atwell, and Lorne Balfe contributed to a truly epic Zoom bomb scenario. We learn all about the new movies, including confirmation of returning cast members and some truly tantalizing information about Hayley’s character.

This week, Drew and Charles give their poor guests a break and instead travel on a journey through the admittedly spotty history of games based on the “Mission: Impossible” franchise. From the lukewarm to the better-left-alone, this great franchise has not been served well in video game form, but from the original Nintendo to mobile and Facebook games, we’ve got this thing covered.

It’s part two of our interview with costume designer extraordinaire Michael Kaplan, who made the costumes for “Mission: Impossible – Ghost Protocol.” In this installment he talks about how he made costumes for the deleted snow sequence, a leopard print dress Brad Bird rejected, and Tom Cruise’s favorite suit. (And yes we bug him about “Star Wars.”) Amazingly, he also discusses his favorite Cruise haircut and ranks the movies.

This week we are joined by Michael Kaplan, the genius costume designer for “Mission: Impossible – Ghost Protocol” and one of the coolest people we’ve ever met. Various aspects of "Ghost Protocol" are discussed, including Tom Cruise’s quick-change outfit, the gecko gloves, and Paula Patton’s green dress. We also delve into other parts of his career, including “Clue,” “Flashdance,” and his history of designing super cool leather jackets.

Here's the second part of our interview with David James, author of the “Mission: Impossible – Ghost Protocol Shooting Diary” and still photographer for ‘M:I-3,’ ‘Ghost Protocol,’ ‘Rogue Nation’ and ‘Fallout.’ In this installment, James tells us about how the paparazzi actually helped with his promotional shots of Cruise on top of the Burj, shares stories of working with Steven Spielberg, and reveals that he's a big “Rock of Ages” fan. Plus, he ranks the hair styles and movies (sort of)!

This week we speak with David James, author of the amazing “Mission: Impossible – Ghost Protocol Shooting Diary” and still photographer for ‘M:I-3,’ ‘Ghost Protocol,’ ‘Rogue Nation’ and ‘Fallout’ (!) James tells us stories about first working with Tom Cruise (way back on “Legend”), details the iconic shot of Cruise on top of the Burj, and how he captured images of Cruise leaping across rooftops in ‘Fallout’ (but couldn’t do the HALO jump sequence).

It’s the final installment in our interview with ‘Mission: Impossible 3’ editors Maryann Brandon and Mary Jo Markey. In this episode we do a deep dive into other areas of their career – and even get their thoughts on ‘Star Wars: The Last Jedi.’ (Warning: controversy ahead!) Also this will be the only podcast you’ll ever hear that has a story involving forgotten dog movie ‘Bingo’ and George Lucas. And they rank their favorite ‘Missions!’

We’re back with Maryann Brandon and Mary Jo Markey, editors of ‘Mission: Impossible 3.’ In this episode, we discuss the making of the Vatican sequence, what was wrong with the movie’s audio commentary, and address a plot hole Charles has been dying to discuss. We also go deep on JJ’s other projects, including ‘The Force Awakens’ and ‘The Rise of Skywalker’ (including some juicy tidbits). Some great stuff this week!

Welcome to the first part of our chat with legendary editors Maryann Brandon and Mary Jo Markey, who cut ‘Mission: Impossible 3’ and are generally amazing. In this entry, we talk about the process of working on ‘M:I-3,’ including their relationship with Tom Cruise and JJ Abrams (including stories from ‘Super 8’ and ‘The Force Awakens’), the line of dialogue Maryann spoke, and the often overlooked importance of editors in the film business.

In our final installment of our chat with legendary visual effects supervisor John Knoll (we don’t want it to end either), we talk a little bit about his work outside of the “Mission: Impossible” franchise, from “The Abyss” to “The Hunt for Red October” to (of course) all things “Star Wars.” But don’t worry, we still get his “Mission: Impossible” rankings and Tom Cruise hair rankings.

Once again we are joined by legendary visual effects supervisor John Knoll, and this time we do a deep dive on “Mission: Impossible – Ghost Protocol.” Knoll talks about working with director Brad Bird on the unmade earthquake epic “1906,” filming the Burj and sandstorm sequences, and the gentlemen’s agreement that “Star Wars: Rogue One” (which Knoll worked on) had with “Mission: Impossible – Rogue Nation.”

This week we are joined by legendary visual effects supervisor John Knoll, who served that role on both “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” In this episode we talk primarily about the first film, working with Brian De Palma, and what it took to pull off the train chase. Also, we get clarification on the face replacement debate!

Yes, there’s even more to our making of “Mission: Impossible – Ghost Protocol” episode! Included in this episode is the domestic premiere, the box office and critical reaction and we recount the day that we saw the movie and then went to a Q&A with Brad Bird (and Drew shared his “Ratatouille” theory). We also share some random tidbits and track Bird’s favorite baseball caps!

For part three, we take a slight detour into the crown jewel of dog cinema, “Togo,” and continue our deep dive into the making of “Mission: Impossible – Ghost Protocol,” with post-production (including a lot about Michael Giacchino’s incredible score), promotional tie-ins (did you play the Facebook game?) and the typically extravagant world premiere.

We’re back! Part two of our in-depth look at the making of “Mission: Impossible – Ghost Protocol” takes a look at the movie’s lengthy and complicated production, including (of course) every detail we could dig up about the Burj Khalifa sequence, including how they got that amazing promotional photo of Tom Cruise sitting at the top.

Christopher McQuarrie just told the world via social media that Henry Czerny AKA Kittridge from the first "Mission: Impossible" movie is back.  This is real.  This is actually happening.  All our dreams are coming true.  Kittridge is returning in M:I-7 and M:I-8.

This is it – the deepest of deep dives into the making of “Mission: Impossible – Ghost Protocol!” In this first segment, we get into the project’s development, the pre-production phase, and the many returning department heads who return from the first film. Get the inside scoop on the movie that inspired this podcast!

We’re returning to the classic “Mission: Impossible” TV series this week and taking a look at the most beloved episodes – “The Carriers” and “Submarine.” Find out our thoughts on these installments, and take a look inside the official Light the Fuse mailbag, including some truly incredible art pieces made by our fans!

In part two of our chat with Tommy Harper, second assistant director on “M:I-3” and co-producer of “Ghost Protocol,” he talks about the scrapped action sequence that originally opened “Ghost Protocol,” Tom Cruise’s secondary job while dangling in Dubai, and we very vitally get his hair rankings. Also we get some weird stories about his time working as a PA on “Showgirls.”

This week we’re joined by Tommy Harper, who was a second assistant director on “M:I-3” and a co-producer of “Ghost Protocol.” Harper recounts the relatively smooth production on “3,” discusses the evolution of JJ Abrams’ style, and discusses how the humor of “Ghost Protocol” changed the franchise – we even get more details on the scrapped ending of “M:I-3.”

In the conclusion of our second trilogy of interviews with legendary "Star Wars" editor Paul Hirsch, he questions why we both love "Blow Out" and generally get into the nitty gritty of working with Brian De Palma. He also refuses to give us his Tom Cruise hair rankings, even though people's facial hair is a huge part of his memoir "A Long Time Ago in a Cutting Room Far, Far Away."

We're back with Paul Hirsch, the legendary editor and author of "A Long Time Ago in a Cutting Room Far, Far Away," who tells us about George Lucas' style of watching rough cuts, why the first "Mission: Impossible" was sent to theaters with the sound out of sync, and shares amazing stories from "Planes, Trains and Automobiles" and "Ferris Bueller's Day Off."

Amazingly, Paul Hirsch, Oscar-winning editor, agreed to come back on the show! The author of the new memoir "A Long Time Ago in a Cutting Room Far, Far Away" shares the truth about the rat in the Langley sequence of "M:I," discusses how they fixed the opening of "Ghost Protocol," and lets us know which shots weren't Tom Cruise in the aquarium sequence in the first film - and much more!

We are once again joined by Jack Howard (@JackHoward), a filmmaker and podcaster who also loves "Mission: Impossible" as much as us. In this installment, we talk about the just-announced casting of Pom Klementieff in the upcoming sequels, the bathroom fight in "Fallout" and we get Jack's hair and film rankings. Pow!

In this episode, we sit down with Jack Howard (@JackHoward), filmmaker, podcaster, and, as it turns out, "Mission: Impossible" superfan. Jack tells us why "Mission: Impossible - Rogue Nation" is his favorite film, we compare the "M:I" films to the 007 films, and Jack tells us what he's learned about filmmaking from "Mission: Impossible." Boom!

Hope you've still got your headphones on, because we conclude our conversation with Michael Kamper, one of the sound effects editors for "Mission: Impossible III." Learn the surprising animal sound that was utilized in the bridge sequence, plus hear Michael's overarching theory about Tom Cruise's many "Mission: Impossible" hairstyles. And learn what it was like to work on Dan Gilroy's "Nightcrawler."

Put your headphones on because this week we have Michael Kamper, one of the sound effects editors for "Mission: Impossible III." Find out what sequences he worked on and what he contributed to the film. Plus, hear a really hilarious anecdote from the equally hilarious "Team America: World Police" and find out which version of "The Exorcist" prequel he worked on. This episode really has it all.

We’re back with the second part of our conversation with production designer Scott Chambliss (“Mission: Impossible III”). In this half of the chat, he tells an amazing story about Tom Cruise and we probably talk too much about Brad Bird’s retro-futuristic “Tomorrowland.” Boldly go!

We’re so excited to talk to our first production designer, the incredibly awesome Scott Chambliss (of “Mission: Impossible 3”). Chambliss, if you don’t know, is a longtime JJ Abrams collaborator, having worked on everything from “Alias” to “Star Trek” (2009). In this episode he shares an alternate finale for “M:I-3” and tells us how he almost killed a guy in Shanghai! It’s a hoot!

In the final installment of our epic conversation with Keith Campbell, a renowned stunt coordinator and Tom Cruise’s stunt double for ten years, he tells even more great stories from some of your favorite movies, with anecdotes about the making of a “Friday the 13th” sequel, “The Aviator,” “Batman Returns,” “Analyze This,” and “Forrest Gump.” We end this one on a bang!

Keith Campbell, stunt coordinator and Tom Cruise’s stunt double for ten years, gets into the production of “Mission: Impossible 2,” including a great John Woo story and the acknowledgement that he is basically Tom Crooze, Ben Stiller’s character from the famous parody. Also, he tells us about his part in Steven Spielberg’s “A.I.” and tells us how he started working with Gore Verbinski. This is so much fun.

We are so thrilled to bring you the first part of our interview with stunt coordinator Keith Campbell who, for ten years, was Tom Cruise’s stunt double! In this interview, we get into how he got to double Cruise, his experience on “The Firm,” being Batman for most of “Batman Forever,” and his unforgettable role in “Men in Black.” Also: lots of “M:I” goodness, of course.

In this shortened version of our epic conversation with friends of the podcast Kendra James and Patrick H. Willems, we break down the set pieces from the “Mission: Impossible” franchise. And if you want more of this conversation (including digressions ranging from Michael Bay to how Kendra got Tom Cruise’s autograph), sign up for our Patreon for the uncut episode!

In the second half of our interview with Todd Vaziri (@tvaziri on Twitter), we do a deep dive into the visual effects of “Ghost Protocol,” including some secrets from the car park sequence, where the A113 Easter eggs are hidden, and what he contributed to the gecko gloves. Also, we get him to dish about what it was like working with Steven Spielberg, Rian Johnson, and Michael Bay.

An interview a year in the making (seriously), we talk to Industrial Light & Magic visual effects supervisor Todd Vaziri (@tvaziri on Twitter), who worked on two installments in the franchise! We talk about how he got into the series, working on “Mission: Impossible 3” (including the bridge sequence), the shot J.J. Abrams did himself, and where you can spot R2D2 in the movie! We also get into the Dubai sequence from “Ghost Protocol,” so hang on tight!

In the epic conclusion to our chat with visual effects wizard Stu Maschwitz (@5tu on Twitter), he tells us about his work on other action franchises, including “Live Free or Die Hard” and “Iron Man,” plus he recounts a hilarious story about reading the script for “Star Wars: Episode One.” Also, we get his hair and movie rankings and he tells us about working on “Blade Runner: The Final Cut.” 

In the second part of our incredible interview with visual effects maestro Stu Maschwitz (@5tu on Twitter), we continue our discussion of the train chase from “Mission: Impossible,” including the model and miniature work, along with the CGI helicopter, plus he tells us stories about De Palma’s “Mission” follow-up “Snake Eyes,” and working with Bong Joon-ho on his monster movie classic “The Host.”

We break down some VERY BIG casting news, including a statement by “Mission: Impossible 7 and 8” director Christopher McQuarrie!

In this week’s episode, we talk to visual effects veteran Stu Maschwitz (@5tu on Twitter), who early in his career worked at Industrial Light & Magic on the first “Mission: Impossible.” He tells us about the helicopter chase, Tom Cruise’s unreal commitment and the big mask reveals. Plus, we discuss the CBS/Paramount merger and what it could mean for the “Mission: Impossible” franchise.

On the second part of our wide-ranging chat with theme park journalist Carlye Wisel (Travel + Leisure, Syfy), we discuss what we'd like from a "Mission: Impossible" theme park attraction or experience (spoiler: we want the restaurant from the first film!) Carlye also tells us about a cool "Ghost Protocol" reference in "How I Met Your Mother," and she gives us her hair rankings and movie rankings (both are controversial).

This week we are joined by theme park journalist Carlye Wisel (Travel + Leisure, Syfy), as we discuss the plans for the Paramount parks in England and South Korea. She gives us some background on these proposed (still unbuilt) parks and we spend a good amount of time discussing what is feasible for the parks in terms of rides, shows and attractions based on "Mission: Impossible."

On this very special episode, we are joined by Mo Shafeek from Mondo a.k.a. the man responsible for the amazing vinyl releases of the scores for "Mission: Impossible" and "Mission: Impossible - Fallout!" (Fun fact: he was the very first guest on the show!) We get the scoop on these vinyl releases, as well as Mondo's plans for the remaining scores.

In the second half of our conversation with FilmJoy video essayist Mikey Neumann (@MikeyFace), we discuss the climax of the first “Mission: Impossible” and how awesome it is, get Mikey’s rankings of the films and dissect them in detail, hypothesize about how the franchise could expand to television and, once more, get into the nitty gritty of IMF middle management.

This week begins our chat with video essayist Mikey Neumann (@MikeyFace) from FilmJoy, who recently did a tandem video with friend-of-the-podcast and recurring guest Patrick H. Willems. In this episode, we discuss “Mission: Impossible 2” and its place in the franchise, Mikey’s soft spot for “Mission: Impossible III,” and we read an email from a linguistics expert that sheds light on the code they make Philip Seymour Hoffman read in the third movie!  

In the epic finale of our multi-part crossover series with Jeremy Dylan of the My Favorite Album podcast, we bow down once more to Lorne Balfe and his “Mission: Impossible - Fallout” score. We also do our rankings of the themes and scores and get Jeremy’s rankings of the films (obviously). Plus we talk about who we’d like to see tackle a “M:I” score for future installments (only if Lorne Balfe is too busy or has a cold or something). What a wild ride this has been!

Chapter three in our crossover series with the wonderful Jeremy Dylan of the My Favorite Album podcast sees us dissecting Michael Giacchino’s music for “Mission: Impossible - Ghost Protocol” (plus there’s much talk of the Dean Martin song) and Joe Kraemer’s music for “Rogue Nation.” Also for some reason we talk about the current state of dog movies and play a clip from a bizarre novelty song from the 1960s that uses the original series’ theme. This is a weird one.

In the 2nd part of our epic crossover series, we continue our chat with Jeremy Dylan of the My Favorite Album podcast, this time zeroing on the highly controversial “M:I-2” and Hans Zimmer’s operatic score (also that Limp Bizkit song). We cover Michael Giacchino’s music for “M:I-3” too. Plus, we get Jeremy’s hair rankings, which might be the most controversial moment in our entire podcast history.

In our very first crossover series, we’re joined by Jeremy Dylan of the My Favorite Album podcast and we discuss the “Mission: Impossible” music – we even include clips, courting further litigation and putting us in the same legal hot water as our frequently targeted composer Kevin Blumenfeld! We even do a side-by-side comparison of the music Alan Silvestri composed for the first film and the Danny Elfman tracks that wound up in the movie! Put your headphones on and turn it way up!

This is it – twenty minutes of the moment you’ve been waiting for, a preview of our commentary track for “Mission: Impossible,” normally available to our Patreon subscribers but teased here for your listening pleasure. Also, we run through some fascinating “Mission: Impossible”-related news, including a chart discussing the average length of Brian De Palma shots and a current cable ad that apes the Langley sequence from the first film! Listen and become a Patreon subscriber! Please!

The third (and final) chapter in our three-part interview with Oscar-winning editor Paul Hirsch sees us asking many questions about some other little movie he made called “Star Wars,” including him debunking the rumors of who really wrote the opening crawl, his surprising thoughts on the prequel trilogy, plus he comments on the “special edition” versions of the original trilogy. He also talks about his relationship with John Hughes and, yeah, probably says some stuff about “Mission: Impossible” too.

We continue our conversation with Oscar-winning editor Paul Hirsch, who has edited two “Mission: Impossible” installments and is one of the greatest editors of all time. In this week’s wide-ranging discussion, topics include his long-standing relationship with Industrial Light & Magic, his thoughts on screen-size, and confirmation that they actually shot a sequence for “Ghost Protocol” where Paula Patton cuts a bad guy open and manually keeps his heart pumping. (Yes, seriously.) You’ll get so much insight into the making of “Ghost Protocol” that you might faint. But don’t faint.

Yet another Oscar winner joins us this week as we chat with Paul Hirsch, genius editor of both the first and fourth “Mission: Impossible” installments! In this jam-packed episode you’ll hear about Hirsch's relationship with Brian De Palma (including a story about De Palma shooting his wedding), a detailed explanation of how Danny Elfman replaced Alan Silvestri, and an incredible anecdote about how Brad Bird approached editing. You’ll learn a whole lot and you’ll have fun doing it.

In part two of our awesome conversation with StarTrek.com managing editor Kendra James, we continue our deep dive into the marketing of the franchise, this time looking at the three most recent films. We talk about how things changed with the “Mission: Impossible – Ghost Protocol” trailer, talk about our favorite posters and trailers, and get Kendra to rank the movies (from least great to greatest)!

This week we talk to StarTrek.com managing editor Kendra James about the marketing of the first three "Mission: Impossible" installments, including breaking down the trailers and the posters, once again get into Alan Silvestri's unused score for the original film, and, in a Light the Fuse first, we play clips from the movies! That's right, we could be sitting right next to our composer Kevin Blumenfeld in a court of law!

Hope your mask is on tight, because the second half of our Barney Burman interview is a wild ride! We talk about the benefits of Philip Seymour Hoffman having a large head, what sequence from “Star Wars: The Force Awakens” was originally intended for JJ Abrams’ “Star Trek,” and why he didn’t return to do the make-up for “Mission: Impossible – Ghost Protocol.” Also learn why the Oscars aren’t so glamorous and hear Barney’s official “Mission: Impossible” rankings!   

This week we talk to Oscar-winning make-up effects artist Barney Burman, who provided the make-up effects for "Mission: Impossible III." We get into his history in the business, including the famous movies his family worked, and dive deep into the secrets of "III," including doing the masks on Tom Cruise and Philip Seymour Hoffman. Plus, you know you want it, we get into the origins of Les Grossman, Cruise's character from "Tropic Thunder" (Barney also did those effects).

This is it – the episode you’ve been waiting for! Our first-ever mailbag episode! That’s right, we’re tearing into listener questions from as far away and exotic as the UK, Australia, the Netherlands, even Canada! We also discuss “Mission: Impossible” as it relates to the 007 franchise, whether or not Ethan will go into space in parts 7 and 8, and what we can glean about the sequels from Christopher McQuarrie’s Instagram account.

On this week’s episode we take a look at a “Mission: Impossible” production from the ground level, as camera PA Luke Allein gives us details about the domestic shoot of “Mission: Impossible III.” Learn what it’s like working with cinematographer Dan Mindel, which cast member’s voice carried above all others, and how Tom Cruise rewarded the crew on the super-long days.

In the conclusion of our extensive making-of “Mission: Impossible III” saga, we learn about a promotional stunt gone spectacularly wrong, detail the insane premieres, go over its box office results, and agonize over the special features from a lost HD-DVD edition of the movie. Ah, what could have been.

Continuing the epic saga of the making of "Mission: Impossible III," we move into production, including Rome, Shanghai, and a giant field in Calabasas, California, that doubled for the Chesapeake Bay. We also get into the stunts Tom Cruise performed, alternate casting and the incredible music (including a Kanye West song!).

It’s time to do a deep dive into the making of one of the most controversial entries in the franchise, “Mission: Impossible III!” On today’s episode we get into the movie’s thorny pre-production, when David Fincher, Joe Carnahan, and Ang Lee were all interested, and how the “Superman” reboot affected plans for the film. Also: we have a Patreon now! 

In the final installment of our epic Brad Bird interview, we finally get to the issue that you have been waiting for… a frank discussion of Tom Cruise’s hair. (The answer is as satisfying as it is matter-of-fact.) We also talk more about IMAX, why Luther isn’t on the team, and the three running shots that aren’t Tom! Don’t worry, we end on a bang!

This is it! The sequel you’ve been waiting for – part two of our conversation with the amazing Brad Bird! In this installment, we attempt to get to the bottom of those location cards, find out what James Bond movies were an influence, the role “Die Hard” and "Raiders of the Lost Ark" played in the making of the movie, his intention with the Paula Patton/Lea Seydoux fight and how he wanted to end the movie on a VERY different note. Also, find out why you should never use rich people as extras! It’s another wild ride.

This is it! The first part of our epic conversation with the one and only Brad Bird, director of “Mission: Impossible – Ghost Protocol!” In this episode we discuss what made him choose “Mission: Impossible” for his first live action-feature, his vision for the title sequence and how he wanted it to be different from other entries, and just how close Vanessa Redgrave came to reprising her role of Max in the sequel (it’s probably much closer than you’d think). Bird also recounts an alternate opening that had us shook. All of this and much more in this very special episode!

We conclude our conversation with the ridiculously talented team from Filmograph, talking about how the music from the film influences the title sequences, whether or not they’ll return for future missions, and a very cool Easter egg they smuggled into the ‘Fallout’ curtain call. And, of course, we get them to rank the movies! Plus, we get them to discuss some of their amazing work, including “Aquaman” and “Glass!” 

This week we sit down with Aaron Becker & Seth Kleinberg of Filmograph to talk about their amazing title sequences for “Mission: Impossible – Rogue Nation” and “Mission: Impossible – Fallout.” We discuss what makes for a classic title sequence, how other title sequences from the franchise influenced their approach (including the work of their old boss Kyle Cooper) and get into the nitty gritty when it comes to the “sparkiness” of the fuse. It’s a spirited discussion of one of our favorite aspects of the films!

We do a deep-dive into a little-read screenplay for what would have been Oliver Stone's "Mission: Impossible 2." Written by David Marconi with revisions by Michael Tolkin, this would have been a VERY different sequel, with returning characters from the first film and, um, an evil supercomputer as the villain. Plus, we go into what changed once John Woo took over and uncover a lost sequence from David Koepp's 1994 draft of the first movie. It's an awesome excursion into the land of what-if. 

If you thought last week was a doozy, just wait until this week. We're back with Academy Award-winning cinematographer Robert Elswit, who does a deep dive into how they filmed the plane stunt for "Rogue Nation," how his background in effects helped him conceptualize the underwater sequence, and what went into the opera set piece. We also got some details of his working relationship with Paul Thomas Anderson and were blessed with a genuinely incredible "There Will Be Blood" story. Praise be.

This is a big one! We got to sit down with Oscar-winning cinematographer Robert Elswit, who also has the distinction of being the only man to shoot two "M:I" movies -- "Ghost Protocol" and "Rogue Nation!" On this week's episode we dive deep into "Ghost Protocol," and get his thoughts on working with Brad Bird and shooting the Burj sequence (it sounded as hairy as it looked). And as for some bonus content, Elswit describes what it was like shooting a James Bond and Jason Bourne movie, as well. It's an embarrassment of riches, really.

On this week’s episode we pause (briefly) to discuss the SAG Awards before continuing our deep dive into the making of “Mission: Impossible 2,” including the post-production and marketing of the movie. Learn all about the 11th hour editing of the movie, its lavish premiere party, and whether or not Drew can tell which tag line belongs to which movie.

Hang on to that precarious cliff face! This week we go back to the turn of the century to look at the series’ very first sequel, “Mission: Impossible 2!” Learn about the sometimes circuitous development of the highly successful follow-up, including a version connected to visionary filmmaker Wong Kar-Wai (and much, much more)!

You might not know his name, but Mark Bristol is one of the key collaborators on “Mission: Impossible – Rogue Nation” and “Mission: Impossible – Fallout.” As the key storyboard artist, he helped stage and plan the action sequences that have thrilled us so breathlessly for two films. And we got to talk to him! He goes into his collaborative relationship with Christopher McQuarrie and what it’s like seeing his storyboards, shot for shot, on the big screen!

Some huge news broke today as Christopher McQuarrie and Tom Cruise announced that two more “Mission: Impossible” sequels will be coming in 2021 and 2022. We break down our initial thoughts and observations about the news and speculate on what these new missions will bring us!

2018 was the year of "Mission: Impossible." From the unprecedented critical and commercial success of "Mission: Impossible – Fallout" to potential Oscar glory, it seemed like everyone was accepting this particular mission. We run down the highlights of the year, from top 10 lists to theme park news, and discuss the movie's Oscar potentials. Here's hoping!

It’s part two of our in-depth chat with writer-director Christopher McQuarrie! In this episode, he takes us inside the “Rogue Nation” writers room, tells us who he would love to see make a “Mission: Impossible” movie, and spends several minutes discussing his favorite Tom Cruise hairstyles – plus much, much more! Strap in, it’s a wild ride!

Christopher. McQuarrie. What else is there to say? We got to interview the man who wrote and directed the last two "Mission: Impossible" movies and did rewrites on "Ghost Protocol." This week he tells us in detail what he contributed to "Ghost Protocol," reveals some hidden references in "Rogue Nation" and "Fallout," and much more. Part 2 coming next week!

We continue our interview with superstar editor Eddie Hamilton, who goes further into the making of “Mission: Impossible Rogue Nation” and “Mission: Impossible Fallout,” and we get him to rank his favorite movies in the series! (Because of course we did.)

We were lucky enough to chat with Eddie Hamilton, the brilliant editor behind “Mission: Impossible - Rogue Nation” and “Mission: Impossible - Fallout” (amongst many other amazing movies). Learn what drew him back into the fold and what made the production so tricky!

In this episode, Drew reports back from a “Mission: Impossible - Fallout” press day that saw him driving in a BMW with stunt supervisor Wade Eastwood, plus exclusive interviews from the team that brought the movie’s amazing stunts to life!

This week we discuss the digital release and upcoming blu ray of "Mission: Impossible - Fallout." Hear about all the special features and find out which is the best version to purchase!

Behold! Today's episode is the second part of our in-depth look at the making of Brian De Palma's "Mission: Impossible." We discuss in detail the post-production, promotion, and release of the 1996 film. Find out all the behind-the-scenes drama!

We’re starting a new series of research-heavy “making of” episodes with the first part of our look at the production of Brian De Palma’s “Mission: Impossible.” Choose to accept it for all the behind-the-scenes goodies that you’ve probably never heard (or if you have, most likely forgotten).

It’s the episode you’ve all been waiting for, when we start to discuss the short-lived 1980s “Mission: Impossible” TV series! Hampered by a writers strike and the constraints of filming exclusively in Australia, this series is really… something. Throw another shrimp on the barbie and grab your Vegemite sandwich, this is an extra-special episode!

We continue our chat with the great video essayist Patrick (H) Willems, talking even more “Mission: Impossible.” We also get him to rank all of the movies, and his answers might surprise you! Actually, they’ll definitely surprise you!

This week we’re joined by video essayist Patrick (H) Willems, as we talk about all things “Mission: Impossible” and delve even deeper into our “M:I”-related obsessions, including his wonderful analysis in the video "Who is Ethan Hunt?"

This week we continue our interview with “Mission: Impossible – Fallout” composer Lorne Balfe. Learn more about what it takes to put one of these scores together and hear Lorne rank his top three “Mission: Impossible” movies – you’ll be surprised by his picks! Think of this as the “Fallout” to last week’s “Rogue Nation.”

On this week’s episode we talk to Lorne Balfe, the man who composed the brilliant music for “Mission: Impossible - Fallout.” In the first part of our interview, we talk about his inspiration for the music and just how long he had to work on the score (his answers might surprise you). It’s pretty awesome.

There is alarmingly little merchandise that was produced for the “Mission: Impossible” franchise, but that made it all the easier for us to track it down! Today we talk about the toys inspired by the film and TV series and try to figure out if Kevin is in jail!

This is it. The moment you’ve been waiting your entire life for … Our definitive ranking of the “Mission: Impossible” films. See if we disagree and our friendship is ruined forever, or we’re in sync and come away from the experience even closer and more committed to one another.

This week we start ranking our favorites from the entire “Mission: Impossible” film franchise. That’s right – get ready for us listing our favorite running sequence, cold open, and, yes, BMW product placement! Find out if Drew and Charles pretty much have the same opinion on everything or if their thoughts differ wildly. It’s a fun one!

We’re going back to the beginning (of the movies that is), as we talk about the title sequences for each of the movies. Find out what went into the creation of these mini-movies and which ones are our favorites!

“Mission: Impossible” is hugely influential, particularly in the realm of comedic spoofs and parodies. We dissect some of our favorites, including the incredible “Mission: Improbable,” starring Ben Stiller. This is our most (intentionally) funny episode yet!

It’s back to the IMF archives this week as we watch several more episodes of the original “Mission: Impossible” TV series and discuss them in excruciating detail!

If you think six “Mission: Impossible” movies is a lot, wait until you hear about all the entries that didn’t make the cut, including installments made by David Fincher, Frank Darabont, Joe Carnahan, and Oliver Stone. It’s a wild trip down alternate timelines and parallel universes.

Here it is. Get ready for our deep-dive into all things “Mission: Impossible - Fallout” (at least until our next episode about “Mission: Impossible - Fallout”). It’s more exciting than the HALO jump and helicopter chase combined!

On this week’s episode we break down “Mission: Impossible - Rogue Nation” in excruciating detail. What more could you want?

On this special bonus episode (!) of Light the Fuse, we talk to Mo Shafeek, who works for the insanely cool Mondo in Austin, Texas, and who just this week released an amazing vinyl edition of Danny Elfman's "Mission: Impossible" score. Find out why this was a passion project for Mo and learn about the fascinating intricacies of licensed consumer products!

We are incredibly excited to talk about the fourth entry in the "Mission: Impossible" film franchise, "Mission: Impossible - Ghost Protocol!" Hear a heartwarming story of how Drew and Charles saw the movie together in New York and made the lives of their fellow audience members a living hell. Oh and a lot of other great stuff too.

The time is now! We take a look at the BRAND NEW "Mission: Impossible - Fallout." Find out our SPOILER-FREE first impressions and find out what is coming up on future episodes.

We take a break from the film franchise to go back to where it all began – the original “Mission: Impossible” television series from the 1960s! We tackle the first three episodes, one of which is a bona-fide classic! Exclamation point!

Things get personal with our episode devoted to “Mission: Impossible 3,” arguably the most romantic entry in the franchise. Find out what makes this installment so important and be the first to hear Kevin’s legally dissimilar theme music!

In this episode we kick it into high gear with our analysis of “Mission: Impossible 2” (because Tom Cruise really kicks a lot of people in this one). Find out what we loved about this controversial installment and whether or not we think it deserves a reappraisal.

We take a look at the very first film in the franchise, Brian De Palma’s “Mission: Impossible.” Find out where we were, what we thought, what we think of it now, and whether or not Charles’s dad loves him.

Get to know your hosts for the only podcast dedicated to the "Mission: Impossible" franchise and learn where the series is headed. If you choose to accept it, that is.