In this special episode of The Lonely Palette, I’m sharing the episode I made for the PRX limited-run podcast series "Monumental," which interrogates the state of monuments across the greater U.S. and what their future says about where we are now and where we’re going. This was the concluding episode, exploring how some monuments are larger than life, dwarfing us, making us feel small relative to the grandness of history. But what if a monument was human-scaled? What if it made us aware of our bodies in space? We don’t often think about the design choices that go into making a monument, but more and more, a new generation of artists and designers are reimagining what a monument can look and feel like, and the kinds of stories they can hold. This episode takes us to Montgomery, Alabama to the National Memorial for Peace and Justice, to Shreveport, Louisiana, to the South Side of Chicago, to Navajo Nation in Arizona. It explores how many American monuments to slavery took inspiration from Holocaust memorials in Germany. And it looks at decentralized memorials that are using technology to help bring monuments to the past into the future. See the images: https://bit.ly/49FR3Ui Support the show: www.patreon.com/lonelypalette

The Lonely Palette, as you've heard so often, is an enormously proud founding member of the Hub & Spoke Audio Collective, a group of fiercely independent, story-driven, mind-expanding podcasts. Since 2017, we've supported each other while forging our own paths, prioritizing craft and humane storytelling above all else. Now, if you haven't noticed, media in general, and podcasting in particular, is in a space some may generously call post-apocalyptic. But an incredible silver lining is that the industry is now recognizing how important independence is. We've been here all along, and with your support, we're not going anywhere. Please enjoy a bonus episode of the Hub & Spoke Radio Hour, a tasty sampler of a few of our shows in a dapper audio package. Today's theme is love. As the philosopher Haddaway once asked, what is love? It turns out, love can be anything that stirs the heart: passion, grief, affection, kin. The desire to consume; the poignancy of memory. Here at Hub & Spoke, we want to stretch our arms, and ears, around it all. This episode is hosted by Lori Mortimer and edited by Tamar Avishai. Production assistance from Nick Andersen. Music by Evalyn Parry, The Blue Dot Sessions, and a kiss of Dionne Warwick. Listen to the full episodes: - Rumble Strip, “Forrest Foster Lays Karen to Rest” - Mementos “Cherie’s Letters” - Ministry of Ideas, “Consumed” - The Lonely Palette, “Jean-Honoré Fragonard's The Desired Moment (c. 1770)” You can also share the love by supporting our Valentine’s Day fundraiser: www.hubspokeaudio.org/love

Since her arrival on the art scene in the 1960s, legendary art writer Lucy Lippard’s work - searing, novelistic, crisp, and endlessly curious - as well as her insights, activism, entrenchment in the art world, and friendships have secured her role as one of the most important minds in art criticism of her generation. Now, at 86 years old, all of the stuff that she’s collected along the way – photographs, drawings, relationships, grandchildren – is the subject of her new memoir, or, actually, what she calls “Stuff (Instead of a Memoir).” She joined me to talk about the book, but also more than 60 years of writing about art in the way that centered life. After all, “art,” she often quotes, “is what makes life more interesting than art.” Art is the artists, the world they inhabit, their shared cultural references, their shared understanding of the art world and art history. Their human experiences rendered in paint. The stuff they leave behind. Music Used: The Blue Dot Sessions, “Lacquer Groove,” “Hardwood Lullaby” Episode Webpage: https://www.thelonelypalette.com/interview/2023/12/20/lucy-lippard-art-writer

In the 1950s and 60s, Coenties Slip—an obscure street on the lower tip of Manhattan overlooking the East River—was home to some of the most iconic artists in history, and who would define American Art during their time there: Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, these artists created a unique community for unbridled creative expression and experimentation. Prudence Peiffer is the kind of art historian who understands the importance of context and place, and her book, “The Slip: The New York City Street that Changed American Art Forever” provides the kind of rich context and human detail that textbooks could only dream of. She joined me to discuss the history of these artists, why we have such a hard time seeing artists as people, the friction between accessible artists and their inaccessible art, why watching Robert Indiana eat a mushroom for 39 minutes is actually totally beautiful, and what it means to authentically nudge art history towards inclusion. Prudence Peiffer is an art historian, writer, and editor, specializing in modern and contemporary art. She is Director of Content at MoMA, New York. She was a Senior Editor at Artforum magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times, New York Review of Books, Artforum, and Bookforum, among other publications.  Her book, “The Slip: The New York City Street that Changed American Art Forever” has been longlisted for the National Book Award. See the images: https://bit.ly/3rOM7vE Music used: The Blue Dot Session, “Skyforager” Rufus Wainwright, “11:11” Support the show: www.patreon.com/lonelypalette

Taking a break from writing about astronauts, Tom Wolfe donned his white suit and strolled to the art museums of New York City, letting the incomprehensible literary works of the movement wash over him like a warm bath of clam broth, and producing what, in the words of art critic Rosalind Krauss, "hit the art world like a really bad, MSG-headache-producing, Chinese lunch." For you, dear listeners, here is the headache-inducing introduction to "The Painted Word," read aloud, as was always intended. This free preview is available to all listeners, but the full chapter, and all future chapters, will be going to $2 (and above) per episode patrons, so pledge that support to find out just what in the heck Wolfe defines as an "apache dance." It's so not what you think it is that it might just be what you think it is. The next chapter will be released on Tuesday, October 17. Don't miss a word, painted or otherwise, by becoming a patron. www.patreon.com/lonelypalette Music used: Glenn Miller, “Tuxedo Junction” The Blue Dot Sessions, "No Smoking," "Mercurial Vision" Our website: www.thelonelypalette.com

Giorgio Vasari (1511-74) may have gone down in history as the very first Western art historian, but he is also a messy bench who loves drama, and we are here for it. Listen to his take on Sandro Botticelli from “The Lives of the Artists” (Bondanella trans., 1991), particularly his practical jokes, from which no friend or neighbor escaped unscathed. This is a free edition of The Lonely Palette Reads, a perk that will be going out exclusively to Patreon patrons in the future. To become a patron, go to patreon.com/lonelypalette and sign up at any level of support. Thank you! Got suggestions for other intimidating-until-read-aloud-texts for future episodes of The Lonely Palette Reads? Email the show at [email protected]. Music used: Glenn Miller, “Tuxedo Junction” The Blue Dot Sessions, “Belle Anette” Our website: www.thelonelypalette.com Support the show: www.patreon.com/lonelypalette

Sure, you'd recognize that tilted face, that fluttery hair, that flapping drapery, that oversized shell anywhere. But pop quiz, hot shot: why? What's this painting's freaking deal? The Lonely Palette investigates. See the images: https://bit.ly/3LeIwxu Music used: Django Reinhardt, “Django’s Tiger” Joan Baez, “Diamonds and Rust” The Blue Dot Sessions, “TwoPound,” “Coulis Coulis,” “Delmendra,” “No Smoking,” “Belle Anette,” “Rue Severine,” “Ranch Hand,” “Pastel de Nata,” “Khfett” Lady Gaga, “Venus” Episode sponsor: https://www.artofcrimepodcast.com/ Support the show: www.patreon.com/lonelypalette

In April 1989, Barbara Kruger - an artist, activist, and former magazine layout editor - created a flyer for a pro-choice women’s march in Washington, DC to protest the Supreme Court’s potential overturning of Roe vs. Wade. This flyer, though, was never meant to be a picket sign. Instead, it has become a timeless artwork all its own: directly addressing any viewer from any era, demanding they confront their own politics, and drawing the battle lines between all the external - and internal - tensions that exist not only within the parameters of the abortion debate, but within women themselves. See the images: https://bit.ly/45wNrSb Music used: Django Reinhardt, “Django’s Tiger” The Blue Dot Sessions, “Thread Indigo,” “Monder,” “Tall Journey,” “Stephi,” “Morning Glare” Helen Reddy, “I Am Woman” (performed at the Mobilize for Women's Lives Rally in Washington in 1989) Support the show: www.patreon.com/lonelypalette Episode sponsors: Jay Handy Financial Services (for artists!) https://www.signalpointinvest.com/team/jay-handy/ Altenew www.altenew.com Discount code: TAMAR10%OFF

Whether for his critics, his friends (...?), or his canvases, the Victorian-era, Gilded-age Aesthetic ex-pat painter James Abbott McNeill Whistler had one motto: float like a butterfly, sting like a bee. See the Images: https://bit.ly/3PMpK3o Music Used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Slate Tracker,” “Laser Focus,” “The Griffiths,” “Crumbtown,” “Discovery Harbor,” “Leave the TV On,” “Pickers,” “Caraval, “Lady Marie” Support Hub & Spoke's Independence Fundraiser: www.hubspokeaudio.org/july4

Splotches, spills, and stains. They can evoke shapes, moods, energy, even music. Yet no one seemed to appreciate their very beauty with the same intuitive, delicate flair as Helen Frankenthaler, who created something fiercely new "between cocktails and dinner," or, more accurately, between the broad shoulders of a relentlessly masculine movement. Not bad for a saddle-shoed girl a year out of Bennington. See the images: https://bit.ly/3ChhuAE Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Bedroll,” “A Common Pause,” “Palms Down,” “Desmontes,” “Delamine,” “Greylock,” “Angel Tooth,” “Dear Myrtle” Joe Dassin, “Les Champs-Elysees" Episode sponsor: The Art of Colour: The History of Art in 39 Pigments: https://bit.ly/43Qp1SJ Support the show! www.patreon.com/lonelypalette Register for our Hub & Spoke live show in Woodstock, VT on June 15: https://normanwilliams.org/events/podcasts-a-listening-event/

The new season of The Lonely Palette is achingly close to starting up on Wednesday, June 7, but in the meantime, this week and next we're giving our feed over to some fellow Hub & Spoke shows that might pique your eardrums. Hub & Spoke, as you know, is our mighty audio collective of proudly independent podcasts. We aim to expand minds, viewpoints, knowledge, understanding. We have zero corporate interests or expectations, which means we are offbeat, unexpected, formidable, and really poor, so please take a listen to our shows and, if you like what we do, join our mailing list and consider supporting the collective: www.hubspokeaudio.org Link to our live event in at the Norman Williams Public Library in Woodstock, VT on Thursday, June 15: https://normanwilliams.org/events/podcasts-a-listening-event/ *** Today's episode: "The Museum of Everyday Life" by Rumble Strip The mission of The Museum of Everyday Life is "a heroic, slow-motion cataloguing of the quotidian–a detailed, theatrical expression of gratitude and love for the miniscule and unglamorous experience of daily life in all its forms." The museum's home is in a barn on Route 16 in the Northeast Kingdom. It is Erica Heilman's favorite museum. This is a show featuring the museum's creator, Clare Dolan. This show is co-produced by Erica Heilman and Mark Davis. Episode webpage: https://bit.ly/3oz1CGh Support The Lonely Palette: www.patreon.com/lonelypalette

The new season of The Lonely Palette is achingly close to starting up on Wednesday, June 7, but in the meantime, this week and next we're giving our feed over to some fellow Hub & Spoke shows that might pique your eardrums. Hub & Spoke, as you know, is our mighty audio collective of proudly independent podcasts. We aim to expand minds, viewpoints, knowledge, understanding. We have zero corporate interests or expectations, which means we are offbeat, unexpected, formidable, and really poor, so please take a listen to our shows and, if you like what we do, join our mailing list and consider supporting the collective: www.hubspokeaudio.org Link to our live event in at the Norman Williams Public Library in Woodstock, VT on Thursday, June 15: https://normanwilliams.org/events/podcasts-a-listening-event/ *** Today's episode: "Rekindling Hope" by Out There Carolyn McDonald was struggling — hard. The depression had gotten so bad that she couldn’t see a way forward. Then, one day, she went to the beach. Story and sound design by Willow Belden. Script editing by Corinne Ruff. Special thanks to Lori Mortimer for sound-design feedback. Music includes works from StoryBlocks and Blue Dot Sessions. Episode webpage: https://www.outtherepodcast.com/episodes/rekindlinghope Support The Lonely Palette: www.patreon.com/lonelypalette

Happy 7th birthday, The Lonely Palette! We're ringing in our itch with an quick update on next season, which starts in June, and a recording of our live show at On Air Fest, which was held in Brooklyn this past February. Please enjoy this revamped and refreshed episode of Mary Kelly's "Post-Partum Document," smash that subscribe button, and we'll see you next month. See the episode images: https://bit.ly/411KA0F Support the show: www.patreon.com/lonelypalette

We're in THE HOME STRETCH of our Patreon Listener Challenge! This is indeed the time to pull up your socks and start supporting the show, all to the dulcet tones of a re-release of our second and most lauded Patreon listener-supported episode from 2019 on the Ecce Homo restoration fiasco, wherein a well-intentioned, though, uh, untrained parishioner in a small Spanish town decided to take it upon herself restore a crumbling fresco and inadvertently birthed the meme of our young century. And if you're so moved, please consider making us happy little trees by becoming a Patreon patron at any level, and we'll do you one better with an episode on your favorite soothing soft-voiced paint-dabby PBS mainstay and mine, Bob Ross. See the images: http://www.thelonelypalette.com/episodes/2019/1/25/episode-36-behold-the-monkey-the-ecce-homo-restoration Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Sylvestor”, “Mute Steps”, “Mr. Graves”, “Lobo Lobo”, “Lumber Down”, “Cloudy Cider” Tracie Potochnik, “Cecilia and the Saints” Support the show! www.patreon.com/lonelypalette

Our Patreon Listener Challenge is ongoing! And if you're on the fence about supporting the show, why not sit back with a re-release of our first-ever Patreon listener-supported episode from 2018 on C.M. Coolidge's "Dogs Playing Poker," where we dive into the trials and tribulations of kitsch, the battle between the Sams and Dianes of the world, and what it means to appreciate art at a frequency that we all can hear. And if you're so moved, please consider making us happy little trees by becoming a Patreon patron at any level, and we'll do you one better with an episode on your favorite soothing soft-voiced paint-dabby PBS mainstay and mine, Bob Ross. See the images: www.thelonelypalette.com/episodes/201…g-poker-1903 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Rose Ornamental," "Flattered," "Arizona Moon," "Laser Focus," "Alchemical," "Two in the Back," "Maisie Dreamer," "Gullwing Sailor," "Maldoc" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette

A number of years ago, my Twitter pinged. Then it pinged again. All of a sudden, a whole host of people were following the show, and when I giddily found the source, it was the soulful and stylish Avery Trufelman, longtime 99% Invisible producer, currently of Articles of Interest, and fashionista tastemaker, who had pronounced The Lonely Palette her favorite art history podcast. Bestill my heart! It was the beginning of a beautiful friendship, a kinship between co-founders of a mutual admiration society where the stories of stuff - art, objects, design, things, everything they say you can’t put on the radio - reigned supreme. Avery and I popped into our respective closets to chat about writing, audio, art, fashion, the trappings of podcast success, storytelling in a heated political climate, trusting your voice, that infamous cerulean blue scene in The Devil Wears Prada, ranking the heroes of epic poetry, and much more. Episode webpage: https://bit.ly/3jtcOBl Music used: The Blue Dot Sessions, “Swapping Tubes” The Kinks, “Dedicated Follower of Fashion” Support our year-end fundraiser! bit.ly/3An5jSd

They say that those who can do and those who can’t teach. But “they” don’t seem to have ever met a proper teacher. In honor of the Norwegian town of Bodø’s recognition as a 2024 European Capital of Culture, we dive into Bodø’s most famous artist, Adelsteen Normann, the teacher you’ve never heard of, the picture-postcard modernist who introduced us to the scream that is Edvard Munch, and, eclipsed though he may have been, the painter who illuminated both the town he loved and the students he nurtured with the warmth of a sun that never sets. This episode was produced in partnership with Bodø2024: European Capital of Culture. See the images: https://bit.ly/3FX0S3H Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Lerennis,” “Lissa,” “Ice Tumbler,” “Mr. Graves,” “Throughput,” “A Rush of Clear Water,” “Pinky,” “The Green Room” Vivaldi, “Summer” Support our year-end fundraiser! bit.ly/3An5jSd

Light and dark. Frozen action. Angels with dirty faces. Infamously both a hothead punk and one of the most extraordinarily potent and virtuosic painters in the canon, Caravaggio is nothing if not a man of contrasts. See the images: https://bit.ly/3iNqpTY Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" Charles Daab, “Irish and Scotch melodies (take 2)” The Blue Dot Sessions, “Highway 430,” “Angel Tooth,” “Di Breun,” “Rainy Day Drone,” “No Smoking,” “Cornicob,” “Tarte Tatin,” “Vernouillet,” “Thread of Clouds,” “Set the Tip Jar,” “Homin Brer” Joe Dassin, “Les Champs-Elysees" Support our year-end fundraiser! https://bit.ly/3An5jSd Episode sponsor: www.visualartspassage.com/palette

Dar Williams has been described by The New Yorker as “one of America’s very best singer-songwriters,” but to thirteen-year-old Tamar she was, quite simply, a personal hero: a songwriter whose poetry, poignancy, and humor could capture at once the authentic voices of an inner child, a searching young adult, and a wizened sage. We met in person in 2013 at Dar’s songwriting retreat, and our friendship has been evolving ever since, exploring together the rigors of writing and storytelling through sound and song, and what it means to dip in and out of a creative space as a way of simply getting through the day. Dar has recently published a book about songwriting that is chock full of philosophical wisdom and applicable nuggets, many of which borne from a decade of retreats. We sat down together to talk about songwriting, art museums, the art of writing songs about art, and specifically her evocative, ambivalent "Mark Rothko Song," which tackles it all head-on. [2:05] Dar’s relationship with museums and creating a space for poetic thinking. [8:40] Specific museums, exhibitions, paintings that have inspired Dar’s songs: Dia, “Made in America,” the Fogg. [11:45] Writing Mark Rothko Song. Where did Dar go? Where did Dar really go? [14:45] The difficulties inherent in writing about art. What prompted the writing of this song? Dar’s first encounter with Rothko’s “Untitled (Blue Green)” and the first verse. [20:15] Diving into the prosody of the song, how the music and lyrics support the voice of the song: finger picking, major to minor, chord to chord, key to key, mood to mood. [27:41] Return to the lyrics and narrative. The way that Rothko encourages people to make subjective associations…but then comes the foil of the second verse, creating the contrast between subjective and objective. [33:52] The song’s dueling (or complementary?) aha moments in the bridge and final verse. People both love Rothko and struggle to connect to him. Following the narrator’s journey as she wrestles with seeing something versus knowing something. [45:47] Appreciating an honest song about art viewing that doesn’t flatten the characters. Reflecting on the elements of the song that hold up as Dar has gotten older. [51:19] The similarities between art museums and songwriting retreats: opening up, engaging poetic thinking. [55:28] Also the hazards of living in a space of poetic thinking, especially as a parent. The necessary objectivity of the caretaking space. [1:02:20] The “Five Things” Rule, and whether Mark Rothko might just be the exception that proves the rule. Tamar meets her Rothko and gives hope to kind pedestrians everywhere. [1:09:14] Mark Rothko Song in full. Music Used: Dar Williams, “When I Was A Boy”; “Mark Rothko Song” (live); “The Beauty Of The Rain”; “Mark Rothko Song” (album version) Episode Webpage: https://bit.ly/3RJm9Ak Support the Show: www.patreon.com/lonelypalette

Hello, friends to art podcasts! I'm giving my feed over today to a preview of a new podcast from Pushkin Industries, Somethin’ Else, and Sony Music Entertainment: "Death of an Artist". The show examines a tragedy in the art world. For more than 35 years, accusations of murder shrouded one of the art world’s most storied couples: was the famous sculptor Carl Andre involved in the death of his up-and-coming artist wife Ana Mendieta? Host Helen Molesworth revisits Mendieta’s death, taking a closer look at how she might have fallen out of the window of Carl’s 34th floor New York apartment, and the following trial which has divided the art world since 1985. Hear more from "Death of an Artist" at https://podcasts.pushkin.fm/artist?sid=palette.

There isn’t a single subject that Adam Gopnik’s prose can’t bring to life. As staff writer at the New Yorker since 1986, he has written about almost everything, including, just in the last year, Proust, gun control, the Beatles, and the Marquis de Lafayette. But it’s when he starts writing about art that things get particularly delectable: “the runny, the spilled…the lipstick-traces-left-on-the-kleenex” life and style of Helen Frankenthaler; “the paint, laid on with a palette knife, that deliciously resembles cake frosting” technique of Florine Stettheimer; “the monumental and mock-monumental that tango in the imagination” of Claes Oldenburg. And perhaps the reason why Gopnik, who has a graduate degree in art history from NYU’s Institute of Fine Art, is able to write about art with such lucidness and latitude is that he isn’t just knowledgeable about art; he adores it. The charge, the perfume, the misty spray of the orange peel that is evoked when you stand in the Arena Chapel - everything that, if you’re not careful, becoming a professional in your creative field will neutralize. We talked about being docents in large museums, how to hook your audience, how to write a poem about art, Vladimir Tatlin, Steve Martin, Stephen Sondheim, the incompatible forces that create beauty, and the noble truths of art creating and art writing: eye to hand, and I to you. Episode webpage: https://bit.ly/3COhnOp Music used: The Blue Dot Sessions, “Balti” Mandy Patinkin, “Finishing the Hat” from Sunday in the Park with George Support the show: www.patreon.com/lonelypalette

Art history textbooks, so excellent for flattening curled-up rug corners and holding open doors, are expected to tell us the entire story of our civilization, one painting at a time. It's more than any book, even one that weighs a spine-crunching twenty-five pounds, should be expected to do. And it opens our eyes to the way that history is narrated, and taught, and even, it follows, to how paintings are displayed, and museums are curated. So much is touched on; so much is left out. It's too much, and far too little, all at once. Dr. Charlotte Mullins has decided to lean into the brevity, and in doing so, manages to tell us so much more. In her new book, "A Little History of Art," she tells the story of 100,000 years of art history, in, in her words, language akin to a haiku, every word intentionally chosen, every artwork telling its own story. She turns us into time-travelers in a scant 300 pages. We talked about reading art history, teaching art history, writing art history, and much more. Charlotte is the art critic for Country Life and has written for specialist titles and newspapers including the Financial Times, Telegraph, Independent on Sunday, RA Magazine, Art in America and Tate Magazine. A former editor of Art Quarterly, V&A Magazine and Art Review, she has appeared on BBC TV arts programmes and is a regular on BBC Radio 4's Front Row and Radio 3's Free Thinking. She is the author of more than a dozen books including a monograph on Rachel Whiteread and A Little Feminist History of Art, both for Tate, and the internationally acclaimed Painting People, and its companion volume Picturing People, both for Thames & Hudson. Music used: The Blue Dot Sessions, "Spark" Rod Stewart, "Every Picture Tells A Story" Episode webpage: https://bit.ly/3ARd17U Charlotte's book: https://amzn.to/3TksKDl Episodes referenced: Anselm Kiefer: https://bit.ly/31gUSwW Sarah Sze: https://bit.ly/3NRnGmr Support the show: www.patreon.com/lonelypalette

“I am for the art of underwear and the art of ice cream cones dropped on concrete. I am for an art that is heavy and coarse and blunt and sweet and stupid as life itself.” Today, the art world - and, as he would attest, the world world too - lost a giant, and we're re-releasing our episode from September 2020 in his honor. RIP, Claes Oldenburg, and thank you for plucking art from its spotless frame and returning it to our messy, magnificent plane. Hope you're enjoying that great big floor pie in the sky. See the images: bit.ly/3hcHjVq Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Cradle Rock,” “Sylvestor,” “A Little Powder,” “Our Only Lark,” “Town Market,” “Contrarian,” “The Rampart” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

What goes up into the sky must come down into the earth, and fortunately for us we’ve got Sarah Sze, mistress of materials, memory, and meaning, helming the journey. This episode was produced with support from Storm King Art Center. See the images: https://bit.ly/3NRnGmr Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Plate Glass,” “Leatherbound,” “The Onyx,” “Silent Ocean,” “ZigZag Heart,” “Curious Case,” “On Top of It” Evan Blanch, “Where The Streets Have No Name (Instrumental)” (U2 cover) Episode sponsor: www.visualartspassage.com Support the show: www.patreon.com/lonelypalette

Betcha never realized how deeply color colored your world - and the world - until you found yourself dancing down the diagonal of this showstopping print. This episode was produced in partnership with the Harvard Art Museums. The exhibition "Prints from the Brandywine Workshop and Archives: Creative Communities" is on view until July 31, 2022. Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Valley VX,” “Forgot His Jam,” “Dear Myrtle,” “Lakeside Path,” “Paramo Ocho,” “White Limit,” “Bivly” See the images: https://bit.ly/3MzWc47 Support the show: www.patreon.com/lonelypalette

We stan a queen. This episode was produced in partnership with the Museum of Fine Arts, Boston. See the images: https://bit.ly/3tXx80o Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Pigpaddle Creek,” “Temperance,” “Highway 94,” “Floating Whist,” “Danver County,” “Mr. Graves,” “Willow Belle” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

The Lonely Palette is on maternity leave until early March, which means that we've been turning to the archives to feature episodes specific to the many shades of motherhood. This episode, from March 2020, tackles the noble melons, jugs, and knockers that nourish the gazes and stomachs of the world. So why are we so disgusted when a woman – and specifically performance artist Patty Chang - saves a little bit for herself? See the images: bit.ly/33DsB4P Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Flatlands 3rd,” “Louver,” “Sino de Cobre,” “Dorica Theme,” “The Dustbin,” “We Shall Know Speed” Support the show: www.patreon.com/lonelypalette

The Lonely Palette is on maternity leave until early March, which means that for the next few weeks, we'll be turning to the archives to feature episodes specific to the many shades of motherhood. This episode, from May 2018, looks at the Virgin Mary and her baby Jesus, and explores how their gentle, intimate relationship - as she gathers her diaphanous skirts to sit with her little nugget on the probably Cheerio-strewn floor of heaven - helps us understand the Renaissance. See the images: https://bit.ly/3rtNJIh Music Used: The Andrews Sisters, "Bei Mir Bist Du Schoen" Lobo Loco, "Piano Cora Theme" The Blue Dot Sessions, "UpUpUp and Over", "Slow Line Stomp", "Lakeside Path", "Perspiration", "Threads and Veils", "Moon Bicycle Theme" Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

The Lonely Palette is on maternity leave until early March, which means that for the next few weeks, we'll be turning to the archives to feature episodes specific to the many shades of motherhood. This episode, from February 2021, speaks not just to the hazy, cozy, time-out-of-joint space that Tamar is currently in, but also to the state of the pandemic, which, unfortunately, doesn't feel much sunnier today than it did a year ago. But what good is a mom if not to help us see our way out of the fog? See the images: bit.ly/3uaWHta Music used: The Blue Dot Sessions, “La Inglesa,” “Eggs and Powder,” “Paper Feather,” “Arizona Moon,” ”Lowball,” “Palladian,” “Simple Vale” Joe Dassin's “Les Champs-Elysees" via music box, ft. Calvin giggles Support the show: www.patreon.com/lonelypalette

When tragedy strikes an individual, a nation, or an entire people, artists and architects are tasked with designing a public display that memorializes the event and its victims. But how do you do that? In this episode, we explore the Memorial to the Murdered Jews of Europe in Berlin, the Vietnam Veterans’ Memorial in DC, the 9/11 Memorial, and others, to look at how respecting and remembering loss collides with the demands of history and politics. Why do abstract, rather than representational, memorials resonate more profoundly in recent years? And no matter how well done they are, will they inevitably lose their impact after a single generation? This episode of The Lonely Palette was produced in collaboration with Slate’s Hi-Phi Nation. Music Used: The Blue Dot Sessions, “Drone Pine,” “Taoudella,” “The Consulate,” “Our Fingers Cold,” “Slider” Silver Maple, “After the Rain” Megan Wofford, “Awake” Yi Nantiro, “Blue Lantern” Christian Nanzell, “Contraband” Gunnar Johnsen, “Documents 4” Fabien Tell, “Liaison” Arden Forest, “Monastral” Niclas Gustavsson, “My Kind of Illusion 1” Niclas Gustavsson, “Reflection 4” Episode webpage: https://bit.ly/3pkhoCI Support the show: www.patreon.com/lonelypalette

Quilts, and textiles in general, have a funny way of being overlooked by the fine art world. They’re dismissed as craft, as outsider, as “women’s work,” or as potentially uninteresting museum exhibits. But some quilts, and some quilters, tell their stories, explain our histories, and simply refuse to be denied. This episode was produced in partnership with the Museum of Fine Arts, Boston. The exhibition “Fabric of a Nation: American Quilt Stories” is on view until January 17, 2022. See the images: https://bit.ly/3jNT4FZ Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" Blue Dot Sessions, “Moon Bicycle Theme,” “Stucco Blue,” “Coronea,” “Lumber Down,” “Velvet Ladder,” “Gale” Get tickets to the exhibition: https://bit.ly/3GAli0M Support the show: www.patreon.com/lonelypalette

A man. A woman. A window. A pitchfork. It’s the most seemingly straightforward double portrait to come out of rural America - and certainly the most famous - yet it’s become synonymous with ambiguity and mystery, parody and polarization. Amazing how hungry we are to turn a portrait of an artist’s hometown spirit into a portrait of a larger American cultural moment, both then and now. See the images: https://bit.ly/2WuV2CQ Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Long and Low Cloud,” “Hakodate Line,” “Cornicob,” “Sylvestor,” “Di Breun,” “The Silver Hatch,” “Speaker Joy” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

A year ago today, we released our most ambitious episode yet: an exploration of postwar German artist Anselm Kiefer's layered, dense, enormous canvases that themselves respond to the enormity of Holocaust survivor Paul Celan's layered, dense poem, "Todesfugue." In honor of it taking the gold in podcasting at the American Alliance of Museums' MuseWeb awards, we're re-releasing the episode, and with it the layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com. See the images: bit.ly/31gUSwW Music used: The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike” John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler’s List” Support the show: www.patreon.com/lonelypalette AAM MuseWeb award press release: https://bit.ly/37hItwi

Like so many of us, Dr. Rachel Saunders had a tough 2020. As the curator of Asian art at the Harvard Art Museums, she was thrilled to co-curate, with professor Yukio Lippit, the exhibition "Painting Edo: Japanese Art from the Feinberg Collection," the largest single exhibition the museum had ever mounted. And then, a month after its opening, it was shuttered by Covid, and remained closed until the entire exhibition came down early last month. But what could have been a bitter disappointment actually became exceptionally educational - perhaps par for the course at a prestigious university art museum, but with far-reaching implications for museums everywhere. Because when we talk about accessibility - and inaccessibility - in this context, we start to think about it in every context. How accessible are museums, ever? How authentically cross-cultural are our conversations? How do art historians wrestle with and decide on narratives? And how do we honor the multiplicity of these objects' histories while still making them present, today? I sat down with Dr. Saunders this past May, the last month that the exhibition was up on the gallery walls but still behind locked doors, and we dove into these issues and more. See the images discussed: https://bit.ly/3kQbAii Music used: The Blue Dot Sessions, “One Little Triumph,” “Sage the Hunter” Tamar’s exhibition review in the New York Review of Books: https://bit.ly/36X64Cg The Lonely Palette episode on Painting Edo: https://bit.ly/3iEFl2Q The HAM page on Painting Edo https://bit.ly/3zrYBY7 Support the show! www.patreon.com/lonelypalette

The Lonely Palette is collaborating with the Addison Gallery of American Art in celebration of the museum's 90th anniversary! In this episode, we're using the Addison's collection to explore the American city in the same way that art history has been looking at landscape since time immemorial: what it represents, what stories it tells us about ourselves, what stories it leaves out, what it replaces, and how its relationship to the human figure is as fraught and dramatic as any relationship you'll ever find on a canvas. Artists Explored: Winslow Homer, Edward Hopper, Robert Frank, Berenice Abbott, Charles Sheeler, Martin Wong See the Images: bit.ly/34AE9Xw Music Used: The Blue Dot Sessions, “The Zeppelin,” “Towboat Theme,” “Cat’s Eye,” “PlainGrey,” “Dorica Theme,” “Tranceless” Further Listening: The Lonely Palette on Edward Hopper: https://bit.ly/3wyqg8Y Support the Show: www.patreon.com/lonelypalette

The world is reopening just as Harvard's special exhibition "Painting Edo: Japanese Art from the Feinberg Collection" is permanently closing, having been open to the public for one heartbreakingly short month. But the exhibition, which documented the Edo period in all its diverse, aesthetic richness, doesn't have to be in front of you to describe its uncannily Buddhist and modernist moment, or to share in the strange lightness of ours. This episode was produced with support from Harvard Art Museums. See the images: http://www.thelonelypalette.com/episodes/2021/6/5/episode-53-painting-edo-post-pandemic Music used: The Blue Dot Sessions, “Noe Noe,” “A Certain Lightness,” “Algea Trio,” “Kilkerrin,” “Gullwing Sailor,” “Two Dollar Token,” “Silent Flock” Billie Holiday, “Blue Moon” Support the show: www.patreon.com/lonelypalette

The Lonely Palette is collaborating with the Addison Gallery of American Art in celebration of the museum's 90th anniversary! In this episode, we're using the Addison's collection to explore the figure, which, in art history, is almost exclusively the object of the gaze. But what does it mean when the body – that is, the multi-dimensional person who inhabits it – steps behind the lens as well to take back control? Artists Explored: Lalla Essaydi, Laurie Simmons, Cindy Sherman, Lorna Simpson, Sally Mann, Dawoud Bey See the Images: https://bit.ly/34AE9Xw Music Used: The Blue Dot Sessions, “The Zeppelin,” “Dirty Wallpaper,” “Polycoat,” “Pastel de Nata,” “Turning to You,” “The Consulate” Further Listening: The Lonely Palette on Mary Cassatt: https://bit.ly/3uFM9Bj Support the Show: www.patreon.com/lonelypalette

The Lonely Palette is collaborating with the Addison Gallery of American Art in celebration of the museum's 90th anniversary! In this episode, we're using the Addison's collection to explore abstraction, i.e. the one guaranteed way to alienate your visitor. Or...maybe not? Maybe, when it comes to art without a fixed meaning, our presence is requested, and even required? Artists Explored: Agnes Martin, Jackson Pollock, Mark Bradford, Jasper Johns, Donald Judd See the Images: https://bit.ly/34AE9Xw Music Used: The Blue Dot Sessions, “The Zeppelin,” “Pinky,” “Flattered,” “A Little Powder,” “Arizona Moon,” “Daymaze,” “The Summit,” Jason Leonard, “Ritual Six” Further Listening: The Lonely Palette on Jackson Pollock: https://bit.ly/3eUQdsE The Lonely Palette on Jasper Johns: https://bit.ly/3hDFq82 Support the Show: www.patreon.com/lonelypalette

In honor of the Addison Gallery of American Art's 90th anniversary, we've teamed up to release a three-part podcast series! We'll be taking a thematic view of their diverse and world class collection, exploring abstraction, the figure, and the urban sublime. New episodes will be released on The Lonely Palette feed every two weeks beginning Tuesday, May 18th. For more information on the exhibition, visit: https://addison.andover.edu/Exhibitions/90/Pages/default.aspx. Music used: The Blue Dot Sessions, "Waterbourne"

In honor of Earth Day 2021, we're re-releasing our episode on quintessential dorm room photographer Ansel Adams, and re-exploring how his own travels around, and documentation of, this complicated, contradictory, beautiful country inspired him to want to preserve it - from the mountains to the prairies to the oceans white with foam - in the most exquisite way possible. Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Vibrant Canopy”, “Bridgewalker”, “The Yards”, “Silver Lanyard”, “Velvet Ladder” Tamar Avishai, “Michigan” Joe Dassin, “Les Champs-Elysees" See the images: https://bit.ly/2znbBEL Support the show: www.patreon.com/lonelypalette

The Danish-Icelandic artist Ólafur Elíasson is understandably inspired by the natural elements. But what we might not necessarily glean at first glance - of, say, a gallery pumped full of precipitation, or a simple spinning spiral - is that these elements can inspire us to change the world. Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Daymaze,” “Plate Glass,” “Discovery Harbor,” “Wahre,” “Checkered Blue,” “Quarry Clouds,” “Enter the Room” See the images: https://bit.ly/3sJUXWu Support the show: www.patreon.com/lonelypalette

In honor of International Women's Day, we're re-releasing our love letter to the inimitable Yoko Ono, who once fell for a musician and has become inextricably - and involuntarily - linked with his band's undoing. But she made some truly exceptional art, both in the years since and particularly the years before she met him. And that art is, ironically, an exploration of all the messy, complex power dynamics of a woman giving up control. See the images: http://www.thelonelypalette.com/episodes/2018/3/29/episode-28-yoko-onos-cut-piece-1964 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Plaster Combo", "Valantis", "Strange Dog Walk", "Hundred Mile", "Down at the Bank"" Support the show: www.patreon.com/lonelypalette

The pandemic, motherhood, and me. See the images: http://bit.ly/3uaWHta Music used: The Blue Dot Sessions, “La Inglesa,” “Eggs and Powder,” “Paper Feather,” “Arizona Moon,” ”Lowball,” “Palladian,” “Simple Vale” Joe Dassin's “Les Champs-Elysees" via music box, ft. Calvin giggles Support the show: www.patreon.com/lonelypalette

In honor of Holocaust Remembrance Day on January 27, and to commemorate a year saturated in grief, we're re-releasing our deeply personal episode on Henryk Ross's photographs of the Lodz Ghetto. We should all be so moved to explore the beauty of individual stories of the lives lived that get swept away in statistics and tribalism. And perhaps we should allow ourselves to feel their loss all the more by doing so. Memory Unearthed: Henryk Ross's Photographs of the Lodz Ghetto was on view at the Museum of Fine Arts, Boston from March to July, 2017. See the images: www.thelonelypalette.com/episodes/201…-lodz-ghetto Music used: The Blue Dot Sessions, "Doghouse", "Drone Pine", "Drone Birch", "3rd Chair", "Our Fingers Cold" Support the show: www.patreon.com/lonelypalette

You’ve seen the work of 84-year-old Welsh artist and illustrator Ralph Steadman, even if you haven’t realized it. His searing political caricature and trademark flying ink spatter have illustrated major works of literature and journalism for the past half-century – and most notably the hallucinogenic writing of Hunter S. Thompson, resulting in an alchemic collaboration that wove together journalism and illustration to create what history has described as Gonzo, and what Steadman calls the meeting between an ex-Hell’s Angel with a shaved head and a matted-haired geek with string warts. We spoke in advance of his new retrospective, “Ralph Steadman: A Life in Ink,” and talked about this storied, ink-stained career: what it means to illustrate depravity, how a caricature can capture both body and soul, and where to look for the ever-present birdsong that undergirds our current doom. [2:18]: Love of Picasso and Duchamp. [3:11]: Where do you start with caricature, the body or the soul? [5:40]: Drawing with a pen – “no such thing as a mistake.” [7:09]: The difference between illustration and “fine art”. [9:55]: Use of the geometric in Steadman’s work, ink spatter, a conversation with the paper. [13:10]: Coming to the U.S. in 1970, David Hockney “Paranoids”. [14:30]: Use of photographs and text in drawing. [15:15]: I, Leonardo, the terror of the blank canvas, and “prorogation”. [17:53]: Style, “exposing depravity” and being purified by drawing it. [22:33]: Early career before collaborating with Hunter S. Thompson, alchemy, gonzo. [29:08]: Favorite faces to draw. [30:48]: 2020, the pandemic, and finding the birdsong in doom. Interview Webpage: http://bit.ly/38erSJX Music Used: The Blue Dot Sessions, "Crumbtown" Support the Show: www.patreon.com/lonelypalette

To appreciate art history is to appreciate that there is a canon: it is constructed by art historians, it guides what is taught, bought, and collected by art museums, it can’t allow people in without keeping other people out. Let's take advantage of this milestone episode (50!!) to explore both this canon and our current moment through the extraordinarily nuanced, compassionate, and revolutionary eye of Carrie Mae Weems. See the images: https://bit.ly/3omDroO Music used: Django Reinhardt, “Django’s Tiger” The Blue Dot Sessions, “Jumbel,” “Turning to You,” “Pastel de Nata,” “Junca,” “Min,” “Basketliner” Support the show: www.patreon.com/lonelypalette

The Guerrilla Girls, the self-professed "Conscience of the Art World," are a band of feminist activist artists, who have been wearing gorilla masks in public and using facts, humor, and outrageous visuals to expose gender bias, ethnic bias, and corruption in the art world since the mid-1980s. Join Tamar for a conversation with two of their founding members. [2:29]: Introductions. [3:41] Why choose these artists as your pseudonyms? [5:37]: The origin story of the Guerrilla Girls (and their font!). [8:17]: How has the group changed and evolved, both internally and in terms of its mission? Has progress been made? [15:49]: The joys and pitfalls of all-women shows. Is “woman artist” a problematic phrase? [23:18]: Is there something that innately connects women artists? [27:43]: Reflecting on our inflamed current moment, and whether things are indeed getting better. [34:33]: How do we get people excited about artists they’re not familiar with, and who fall outside the established canon? [38:16]: How to reach out to people who disagree with you. [42:47]: How the Guerrilla Girls changed the rules for artists who came after them. Follow the Guerrilla Girls: www.guerrillagirls.com Interview webpage: https://bit.ly/3lGETBi Music used: The Blue Dot Sessions, "Pinky"

Somewhere between the life of the mind and the boots on the ground sits Pop artist Claes Oldenburg, who wants us to see that both of those worlds are one and the same, and that there's value, and even beauty, to our joy-sparking stuff (and maybe we can finally let ourselves admit it.) See the images: https://bit.ly/3hcHjVq Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Cradle Rock,” “Sylvestor,” “A Little Powder,” “Our Only Lark,” “Town Market,” “Contrarian,” “The Rampart” Joe Dassin, “Les Champs-Elysees" Episode sponsor: https://sfosguide.com/ Support the show! www.patreon.com/lonelypalette

The art of postwar German artist Anselm Kiefer and the poetry of Holocaust survivor Paul Celan have a lot in common. They’re both layered, dense, hard to read, and most of the time you’re not quite sure if you get it. And while this might seem like an onerous way to understand history, sometimes the best starting point is through the layered, dense, and idiosyncratic ways that an individual processes trauma. So grab a spelunking hardhat and together we'll mine these layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com. See the images: https://bit.ly/31gUSwW Music used: The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike” John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler’s List” Support the show: www.patreon.com/lonelypalette

In honor of Juneteenth, we're re-releasing the audio of a live event from January 2018 at the PRX Podcast Garage, titled "Keepers of the Culture: A Celebration Of Maduna And Holmes." The evening was a celebration of two award-winning artists, collaborators, and friends, whose work was on display at the garage's exhibition space. Their sculptures, masks, and collage-based works are an exploration of ancestral voices, family histories, and the power of hope, faith and self-determination. The evening was divided into two parts: a conversation between Ekua and Tamar, which included audio produced around Ekua's collage, "All Fly Home," and an exploration of interpretation and storytelling - as applicable to art as it is to podcasting. The second part was a powerful lecture by art historian Barry Gaither, on Vuzi's work, Ekua's work, and the myriad roles artists and viewers have the joy and the responsibility of playing for and with one another. Ekua Holmes is a painter and collage artist who uses news clippings, photographs, vibrant color, and skillful composition to infuse her work with energy. Her layered, abstract creations convey a sense of unity and evoke memories that are both personal and universal. In her collages, she revisits the joy and challenges of childhood through adult eyes. These works reexamine the foundational relationships, games, and rule that we learn at an early age and apply throughout our lives. Vuzi Maduna (1940 - 2007) was a sculptor and painter who spent much of his life as an artist resident of the Gallery at the Piano Factory in Boston. Maduna began his exploration of African culture with a study of African religions which led him to further examine and interpret the traditional embodiment of belief and myth. Educated at the School of the Museum of Fine Arts, Boston, he was a member of the African American Master Artists in Residency Program of Northeastern University. His work has been exhibited in the MFA and the ICA, as well as in Tokyo and the People’s Republic of China. Yet Maduna returned to the neighborhoods of his childhood to create pieces that remind us of the African heritage that many in the community share. His public installations are located in Cambridge (the Margaret Fuller House, the Cambridge Community Center, The King School) and in the Boston area, including The Judge, in Roxbury. Edmund Barry Gaither is the founding Director and Curator of the Museum of the National Center of Afro-American Artists (NCAAA), an organization that he developed from a concept to an institution with collections exceeding three thousand objects and a thirty-two year history of exhibitions celebrating the visual arts heritage of black people worldwide. Gaither is also Special Consultant at the Museum of Fine Arts (MFA), Boston where he has served as curator for eight exhibitions including a ground breaking show in l970, Afro-American Artists: New York and Boston. Special thanks to Kerri Hoffman and PRX, Alex Braunstein and the PRX Podcast Garage, Gina James, and WGBH.

I'm thrilled to share the teaser for the upcoming season of Raw Material from SFMOMA, which I have the privilege of guest hosting. The season is a curated "mixtape" of art and art-adjacence podcasts (including episodes from 99% Invisible, Everything Is Alive, Recording Artists, and others, including a bonus new episode of The Lonely Palette), all of which explore the idea of The Beholder's Share: why an audience is so necessary for an artwork to become its most fully-realized self. This is an urgent-enough question on its own, but during a pandemic, when museums are closed, it becomes vital. So let's bring these objects to life together - not in person, but through our headphones. The series drops August 4th. Subscribe to Raw Material wherever you get your podcasts. SFMOMA's Raw Material: https://www.sfmoma.org/raw-material/ Music used: The Blue Dot Sessions, "Dirty Wallpaper"

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. So relax into your PJs, put your feet up, and let's #MuseumFromHome together. This week: Trying to capture time in art is like trying to pin a wave upon the sand or hold a moonbeam in your hand. So leave it to Japanese photographer Hiroshi Sugimoto to do it so effectively by taking us to the Golden Age of Cinema. The exhibition "Seeking Stillness" was view at the MFA from September 24, 2017 to September 3, 2018. See the images: http://www.thelonelypalette.com/episodes/2018/7/5/episode-31-hiroshi-sugimotos-byrd-theater-richmond-1993-1993 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Cash Cow", "Aourourou", "A Little Powder", "Delicious", "Astrisx", "Bliste" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. So relax into your PJs, put your feet up, and let's #MuseumFromHome together. This week: You've just had a manic break, cut off a piece of your ear, and gifted it to a prostitute. Who ya gonna call? Your get-a-grip postman friend, of course! See the image: http://www.thelonelypalette.com/episodes/2017/3/27/episode-16-vincent-van-goghs-postman-joseph-roulin-1888 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Step In Step Out", "Scratcher", "Over the Fence", "Scalloped", "On Belay" Lee Rosevere, "Curiosity" Joe Dassin, “Les Champs-Elysees” Support the show! www.patreon.com/lonelypalette

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. So relax into your PJs, put your feet up, and let's #MuseumFromHome together. This week: German Expressionists get hot. Nazis get bothered. See the images: http://www.thelonelypalette.com/episodes/2016/9/28/episode-9-ernst-ludwig-kirchners-reclining-nude-1910 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" David Szeszlay, "Night Surfing" Michael Howard, "The Tallest Man in Idaho (Instrumental)" Jason Leonard, "Ritual Twelve" The Blue Dot Sessions, "Stilt", "Manele", "The Provisions" Joe Dassin, “Les Champs-Elysees” Support the show! www.patreon.com/lonelypalette

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. So relax into your PJs, put your feet up, and let's #MuseumFromHome together. This week: one man's trash is Ghanian artist El Anatsui's treasure. See the images: http://www.thelonelypalette.com/episodes/2017/3/1/episode-15-el-anatsuis-black-river-2009 Music used: Podington Bear, "Down and Around" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Coronea", "Mercurial Vision", "Stipple", "Our Quiet Company" Joe Dassin, “Les Champs-Elysees” Support the show! www.patreon.com/lonelypalette

Grab a parasol, put your monkey on a leash, and come spend Sunday in the Park with George, exploring how a canvas this monumental and as frozen as Dippin' Dots can help us better understand the world in his day, in Cameron Frye's, and in our own. See the images: https://bit.ly/2L0qPCg Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Feisty and Tacky,” “Stack Me Up,” “Base Camp,” “Thannoid,” “PolyCoat,” “Slow Rollout” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette Episode sponsor: www.evanblanch.com/lonely

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. So relax into your PJs, put your feet up, and let's #MuseumFromHome together. This week: it isn't 17th century Dutch art if we're not going so deep into Rembrandt's soul and so close to the meticulous details of his virtuosic portraiture that we make the guards nervous. See the images: http://www.thelonelypalette.com/episodes/2019/5/23/episode-39-rembrandt-van-rijns-portrait-of-aeltje-uylenburgh-1632 Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Lovers Hollow” “Tailrunner,” “Entwined Oddity,” “Lupi,” “Thannoid,” “Camp Fermin” Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, highlighting five objects from the ongoing exhibition "Women Take the Floor." This week: we go beneath the flowers, the unibrow, the broken body, and the shadow of her marriage, to reframe the fame of Frida Kahlo: the Cult Icon of Humanness. See the images: https://bit.ly/39qX739 Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Jat Poure,” “Li Fonte,” “Clouds at the Gap,” “Master,” “When the Guests Have Left,” “Curiously and Curiously,” “Thread Ceylon,” “Gondola Blue” Tinpan Orange, “Song for Frida Kahlo” Support the show: www.patreon.com/lonelypalette

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, highlighting five objects from the ongoing exhibition "Women Take the Floor." This week: you know TFW you’re rooted in place in front of a video screen, feeling unbearably uncomfortable yet unable to look away, and questioning everything you thought you knew about femininity, self-nourishment, and a woman’s relationship with her own body? Yeah, Patty Chang’s got you right where she wants you. See the images: https://bit.ly/33DsB4P Music used: Lobo Lobo, “Old Ralley” The Blue Dot Sessions, “Flatlands 3rd,” “Louver,” “Sino de Cobre,” “Dorica Theme,” “The Dustbin,” “We Shall Know Speed” Exhibition site: www.mfa.org/exhibition/women-take-the-floor Support the show: www.patreon.com/lonelypalette

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, highlighting five objects from the ongoing exhibition "Women Take the Floor." This week: there's no better way to combat a world holding its breath than with a deep lungful of fresh Southwestern air, care of America's most misattributed painter of vagina flowers, Georgia O'Keeffe. See the images: http://bit.ly/39QXvsJ Music used: Lobo Lobo, “Old Ralley” The Blue Dot Sessions, “Cold and Hard,” “Georgia Overdrive,” “Towboat Theme,” “Noe Noe,” “Raskt Landsby,” “Watercool Quiet,” “Cottonwoods” The Nields, “Georgia O” Exhibition site: https://www.mfa.org/exhibition/women-take-the-floor Support the show: www.patreon.com/lonelypalette

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, highlighting five objects from the ongoing exhibition "Women Take the Floor." This week: you’ve never noticed the carnality of the body you live in, and the rawness of the emotions that live inside that body, until you find yourself spun into French-American sculptor Louise Bourgeois’s web. See the images: http://bit.ly/3axRwIY Music used: Lobo Lobo, “Old Ralley” The Blue Dot Sessions, “Tiptoe Treadline,” “Gusty Hollow,” “Stately Shadows",” “Jog to the Water,” “Pinky” Exhibition site: https://www.mfa.org/exhibition/women-take-the-floor Support the show: www.patreon.com/lonelypalette

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, highlighting five objects from the ongoing exhibition "Women Take the Floor." This week: let's join 104-year-old Cuban-American Hard Edge painter Carmen Herrera in celebrating the straight line: not just the shortest distance between two points, but the most infinitely beautiful as well. See the images: http://www.thelonelypalette.com/episodes/2020/2/5/episode-43-carmen-herreras-blanco-y-verde-no-1-1962 Music used: Lobo Lobo, “Old Ralley” The Blue Dot Sessions, “Throughput,” “Scallat,” “Rally,” “Where It All Happened,” “The Consulate” Exhibition site: https://www.mfa.org/exhibition/women-take-the-floor Support the show: https://www.patreon.com/lonelypalette

The Lonely Palette is the first podcast-in-residence at the Museum of Fine Arts, Boston! Our partnership is focused on their ongoing exhibition, "Women Take the Floor," a daring and unflinching effort to bring the women artists - that is, artists - out from the shadows of their permanent collection and onto the floor. The series will focus on five women over five weeks, beginning Sunday, March 1st. Please enjoy! Music used: Lobo Loco, "Old Ralley" Exhibition site: https://www.mfa.org/exhibition/women-take-the-floor Support the show: https://www.patreon.com/lonelypalette

Sure, you've seen it a million times in a million memes, but when was the last time you actually stopped to contemplate the incredible power of this Japanese ukiyo-e print? Or for that matter, the incredible power of a wave itself? See the images: http://www.thelonelypalette.com/episodes/2020/2/5/episode-42-katsushika-hokusais-the-great-wave-off-kanagawa-18301831 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Falaal,” “Dirty Wallpaper,” “Ghost Byzantine,” “Moon Bicycle Theme,” “Eleven,” “Clouds at the Gap” Charles Trenet, “La Mer” Support the show: www.patreon.com/lonelypalette

Whoever said the devil was in the details clearly had a thing for Northern Renaissance portraiture. See the images: http://www.thelonelypalette.com/episodes/2019/11/17/episode-41-jan-van-eycks-arnolfini-double-portrait-1434 Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Our Son the Potter,” “Bundt,” “Pacing,” “Secret Pocketbook,” “Oriel,” “Floretin Interlude” Poddington Bear, “Clay” Joe Dassin, “Les Champs-Elysees" Support the show: patreon.com/lonelypalette

The Lonely Palette is on break until November 2019, so every Wednesday in October, a different Hub & Spoke producer will take the host's chair to present an episode of their show that Tamar is especially fond of. Enjoy this month's podcast petri dish of art, culture, history, and society, and subscribe to any and all Hub & Spoke shows at www.hubspokeaudio.org. This week: Lucas Spivey's Culture Hustlers is a podcast for artists who mean business. This episode takes us to Art Prize in Grand Rapids, Michigan, and specifically to winner Le'Andra Leseur turned a $5k grant into a $200k installation. Originally from the Bronx, Atlanta and currently in Jersey, Le'Andra got her bachelors in business on a basketball scholarship, but returned to get her BFA in photography. Her work embodies the pain, the power, and the beauty of #blacklivesmatter. Listen to Culture Hustlers at www.themobileincubator.com/dispatches, or wherever you get your podcasts. Listen to The Lonely Palette archives! www.thelonelypalette.com/episodes Support The Lonely Palette! www.patreon.com/lonelypalette

The Lonely Palette is on break until November 2019, so every Wednesday in October, a different Hub & Spoke producer will take the host's chair to present an episode of their show that Tamar is especially fond of. Enjoy this month's podcast petri dish of art, culture, history, and society, and subscribe to any and all Hub & Spoke shows at www.hubspokeaudio.org. This week: Zachary Davis's Ministry of Ideas is a small show about big ideas, presented as punchy secular sermons. This episode tackles that thorny issue, Modernity. Many think modernity is about the rise of science, the spread of democracy and capitalism, or the decline of religion or superstition. But those stories ignore the bigger picture about colonialism and race. Listen to Ministry of Ideas at www.ministryofideas.org, or wherever you get your podcasts. Next week: We hit up Art Prize with Culture Hustlers. Listen to The Lonely Palette archives! www.thelonelypalette.com/episodes Support The Lonely Palette! www.patreon.com/lonelypalette

The Lonely Palette is on break until November 2019, so every Wednesday in October, a different Hub & Spoke producer will take the host's chair to present an episode of their show that Tamar is especially fond of. Enjoy this month's podcast petri dish of art, culture, history, and society, and subscribe to any and all Hub & Spoke shows at www.hubspokeaudio.org. This week: The Constant is a podcast about our history of getting things wrong. In this episode, host Mark Chrisler introduces us to Laszio Toth, who, believing he was Jesus Christ, entered St. Peter's Basilica on May 21st, 1972 and took a hammer to Michelangelo's Pieta. What happened next would make the world wonder what separates a work of art from a forgery. Listen to The Constant at www.constantpodcast.com, or wherever you get your podcasts. Next week: Ministry of Ideas takes us to the World's Fair Listen to The Lonely Palette archives! www.thelonelypalette.com/episodes Support The Lonely Palette! www.patreon.com/lonelypalette

The Lonely Palette is on break until November 2019, so every Wednesday in October, a different Hub & Spoke producer will take the host's chair to present an episode of their show that Tamar is especially fond of. Enjoy this month's podcast petri dish of art, culture, history, and society, and subscribe to any and all Hub & Spoke shows at www.hubspokeaudio.org. This week: Open Source with Christopher Lydon is a local conversation with global attitude. "The Bauhaus in Your House," which originally aired on 90.9 WBUR in April 2019, is an exploration of art, architecture, and design with Tamar Avishai, Peter Chermayeff, Ann Beha, and Sebastian Smee. The Bauhaus was the art school in Germany that created the look of the twentieth century. We just live in it: loving its white-box affordability, or hating its stripped, blank, glass-and-steel uniformity, the world around. It’s the IKEA look in the twenty-first century, the look of Chicago skyscrapers and now Chinese housing towers, the look of American kitchens and probably the typeface on your emails. It was the less-is-more school that made ornament very nearly a crime. It stood, and stands, for a few big ideas still hotly contested. Listen to Open Source at www.radioopensource.org, or wherever you get your podcasts. Next week: The Constant and Michelangelo Listen to The Lonely Palette archives! www.thelonelypalette.com/episodes Support The Lonely Palette! www.patreon.com/lonelypalette

The Lonely Palette is on break until November 2019, so every Wednesday in October, a different Hub & Spoke producer will take the host's chair to present an episode of their show that Tamar is especially fond of. Enjoy this month's podcast petri dish of art, culture, history, and society, and subscribe to any and all Hub & Spoke shows at www.hubspokeaudio.org. This week: Charles Gustine's Iconography, a podcast about icons, real and imagined. Just in time for New England leaf-peeping, this episode tackles Plymouth Rock, which visitors tend to find...underwhelming - a small, scarred rock in a cage. Maybe the reason Plymouth Rock is so frequently seen as underwhelming is because all the fascinating stories of how people who love the Rock have hurt it aren’t well known enough. Maybe if we all knew more of Plymouth Rock’s scar stories, visitors would be appropriately ...whelmed. Listen to Iconography at https://iconographypodcast.squarespace.com, or wherever you get your podcasts. Next week: Radio Open Source and the Bauhaus. Listen to The Lonely Palette archives! www.thelonelypalette.com/episodes Support The Lonely Palette! www.patreon.com/lonelypalette

On July 29, 2019 (the day after the birth of my son!), host and producer Danielle Monroe posted this interview we had recorded the week before for her podcast "Artists of Camberville." This was one of best conversations I've ever had about the origins of "The Lonely Palette" and the trials and tribulations of art-viewing, meaning-making, script-writing, audio podcasting about the visual, and, like, a little bit about The Bachelorette. Enjoy! 00:10: Introduction. 00:41: Laying the groundwork for starting "The Lonely Palette". 4:18: Clip from "Episode 24: Meditations on Mark Rothko". 6:12: Permission to slow down in front of a work of art. What is the best way to be present in an art museum? Both amateurs and experts have a hard time with this. 9:12: Is allowing for any reaction to an artwork “uneducated”? Exploring songwriting and meaning-making with a little help from Dar Williams and Mark Rothko. 14:30: As a podcaster, the difference between thinking like a radio producer and thinking like an art historian. 18:51: The desired takeaway from "The Lonely Palette"? Art history makes for a damn good story. Not scary stuff, just human stuff. 21:08: Can you do a museum wrong? Or maybe just…unpleasantly? 22:26: The weekend course that launched a podcast that people actually want to be on! 24:39: What would I do differently if I had to do it all again? How the depth of the episode scripts has evolved. 27:57: The Hub & Spoke garage story: attempting success due to the appearance of success. 31:44: Wrapping up, and fortunately (?) not going into labor on mic. Original episode post: https://daniellehmonroe.com/ep7/ Listen to "Artists of Camberville" wherever you get your podcasts, and please do leave a rating and a review! Support "The Lonely Palette" and keep the kiddo in fresh diapers: www.patreon.com/lonelypalette

In which we go beneath the flowers, the unibrow, the broken body, and the shadow of her marriage, to reframe the fame of Frida Kahlo: the Cult Icon of Humanness. See the images: http://www.thelonelypalette.com/episodes/2019/7/14/episode-40-frida-kahlos-dos-mujeres Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Jat Poure,” “Li Fonte,” “Clouds at the Gap,” “Master,” “When the Guests Have Left,” “Curiously and Curiously,” “Thread Ceylon,” “Gondola Blue” Tinpan Orange, “Song for Frida Kahlo” Support the show: www.patreon.com/lonelypalette Episode sponsors: www.thegreatcourses.com/lonely www.visualartspassage.com/palette

It isn't 17th century Dutch art if we're not going so deep into Rembrandt's soul and so close to the meticulous details of his virtuosic portraiture that we make the guards nervous. See the images: http://www.thelonelypalette.com/episodes/2019/5/23/episode-39-rembrandt-van-rijns-portrait-of-aeltje-uylenburgh-1632 Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Lovers Hollow” “Tailrunner,” “Entwined Oddity,” “Lupi,” “Thannoid,” “Camp Fermin” Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette Thanks to our episode sponsors: www.thegreatcourses.com/lonely www.visualartspassage.com

Tamar met Dan when she was a worshipful high school freshman and he was (to her) an übercool junior who was not only the arts editor of Thoughtprints, the school's art/lit mag, but also spent his free time in the fine art studio, bending the charcoal like Beckmann. Now he's the Director of the Carpenter Center of Visual Arts at Harvard University, she's an art history podcaster, and they reconnected in the Busch-Reisinger galleries in front of Max Beckmann's "Self-Portrait in a Tuxedo" from 1927 to talk about self-portraiture, self-evolution, and the limitations of peaking in high school. [00:17] - Describing the painting. [02:35] - What drew Dan to the painting as a teenager. [06:16] - The ephemera of the cigarette. [08:17] - Self-portraits in high school. [09:25] - Drawing in thick, expressive lines. [11:35] - The self-portrait that doesn't need our validation. [15:19] - Beckmann isn’t Egon Schiele [18:58] - Dan's evolving relationship with this painting. [21:58] - Thoughtprints! Full transcript: http://www.thelonelypalette.com/dan-byers-interview Music used: The Blue Dot Sessions, "Greyleaf Willow"

The later work of Russian ex-pat turned German Expressionist turned indispensable Bauhaus faculty member Wassily Kandinsky is a lot like the Bauhaus itself: a disparate collection of pieces parts that ends up assembling itself into a transparent, efficient, powerfully cohesive, form-follows-function whole. This episode was a collaboration with WBUR's Radio Open Source: check them out at radioopensource.org, and listen to their show on the Bauhaus Centennial on April 11, 2019 at 9:00pm EDT on 90.9 WBUR Boston. See the images: http://www.thelonelypalette.com/episodes/2019/3/24/episode-38-wasily-kandinskys-untitled-1922 Music used: Django Reinhardt, “Django’s Tiger” Thelonious Monk, “Misterioso” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Highway 94”, “Boston Landing”, “Junca”, “Unfolding Plot”, “Micro”, “Betty Dear” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette Episode sponsor: www.shedunnitshow.com

Let's explore America the Beautiful, the Complicated, and the Contradictory, where a purple mountain has no sense of its own majesty, through the lens of the quintessential dorm room poster photographer Ansel Adams. See the images: http://www.thelonelypalette.com/episodes/2019/3/8/episode-37-ansel-adams-the-tetons-and-snake-river-grand-teton-national-park-wyoming-1942 Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Vibrant Canopy”, “Bridgewalker”, “The Yards”, “Silver Lanyard”, “Velvet Ladder” Tamar Avishai, “Michigan” Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette Sponsors: www.thegreatcoursesplus.com/lonely www.visualartspassage.com

The fruits of the Second Annual Year-End Patreon Listener Challenge has us staring directly into the cold dead eyes of the beast! How could this restoration of a forgotten 19th century Spanish fresco have gotten so grotesquely botched, and what does it tell us about the challenges of art restoration, religious iconography, and iconoclasm? And more importantly, Jesus, why you look like a shark? See the images: http://www.thelonelypalette.com/episodes/2019/1/25/episode-36-behold-the-monkey-the-ecce-homo-restoration Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Sylvestor”, “Mute Steps”, “Mr. Graves”, “Lobo Lobo”, “Lumber Down”, “Cloudy Cider” Tracie Potochnik, “Cecilia and the Saints” Episode sponsor: https://www.thegreatcoursesplus.com/lonely Support the show! Some more! www.patreon.com/lonelypalette

On October 10, 2018, both the Museum of Fine Arts, Boston, and Cecilia Vicuña herself were generous enough to give me the opportunity to take a few moments away from the installation of "Disappeared Quipu" and interview Vicuña. We talked about bridging the masculinity of Land Art and the femininity of Fiber Art, the origins of Vicuña's life as an artist, and how her own awareness has evolved throughout her career.

Thick woolen knots, suspended from the ceiling, alive with projections and immersed in sound. You might not realize that Chilean artist Cecilia Vicuña has woven together your awareness of your own awareness, but maybe you just needed some help translating it. See the images: http://www.thelonelypalette.com/episodes/2018/12/1/episode-35-cecilia-vicuas-disappeared-quipu-2018 Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “The Face of the Thrush”, “We Build With Rubber Bands”, “Vdet”, “Between Stones”, “Cover Letter”, “Gentle Son” Support the show! http://www.thelonelypalette.com/2018listenerchallenge Episode sponsor: https://www.thegreatcoursesplus.com/lonely

We're trying a little something different today: what happens when Disney scares the pants off you as a kid, and then, in mining the roots of your existential dread, you realize that Henri Matisse and Igor Stravinsky both had their respective pants scared off too, and that this communal pants-scaring explains a whole heck of a lot about early 20th century modernism? See the images: http://www.thelonelypalette.com/episodes/2018/10/27/episode-34-dance-dance-revolution Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" Igor Stravinsky, “The Rite of Spring” The Blue Dot Sessions, “Monder”, “House of Grendel”, “Thread Caramb”, Emmit Sprak”, “Lubber”, Ervira” Joe Dassin, “Les Champs-Elysees" Be a part of history! The 2nd Annual Year-End Patreon Listener Challenge is officially ON: www.thelonelypalette.com/2018listenerchallenge Sponsors: https://www.inboundbos.com/ https://www.bumblejax.com/

Powder those wigs and ungird those loins: today we're diving deep into the curves, pastels, and licentious yearnings of a ridiculously saucy little style known as Rococo. See the Images: http://www.thelonelypalette.com/episodes/2018/9/8/episode-33-jean-honor-fragonard-the-desired-moment-c-1770 Music Used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Mknt”, “The Big Ten”, “Vernouillet”, “Swapping Tubes”, “Line Etching”, “Fern and Andy” Joe Dassin, “Les Champs-Elysees" Sponsor: www.thegreatcoursesplus.com/lonely Support the show! www.patreon.com/lonelypalette

Ever have a day when you just feel a little... blocked? Well, sure as God made little green apples, Surrealist René Magritte feels you. See the images: http://www.thelonelypalette.com/episodes/2018/8/24/episode-32-ren-magrittes-son-of-man-1964 Music used: Django Reinhardt, "Django's Tiger" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Roundpine", "Borough", "Building The Sled", "Rate Sheet", "Lick Stick", "Pull Beyond Pull" Joe Dassin, “Les Champs-Elysees" Sponsors: http://www.danasaylor.com/retreat http://www.thegreatcoursesplus.com/lonely Support the show! www.patreon.com/lonelypalette

Trying to capture time in art is like trying to pin a wave upon the sand or hold a moonbeam in your hand. So leave it to Japanese photographer Hiroshi Sugimoto to do it so effectively by taking us to the Golden Age of Cinema. "Seeking Stillness" is on view at the MFA, Boston until September 3, 2018. See the images: http://www.thelonelypalette.com/episodes/2018/7/5/episode-31-hiroshi-sugimotos-byrd-theater-richmond-1993-1993 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Cash Cow", "Aourourou", "A Little Powder", "Delicious", "Astrisx", "Bliste" Joe Dassin, “Les Champs-Elysees" Today's sponsors: www.thegreatcoursesplus.com/lonely http://www.theconversationpod.com/ Support the show! www.patreon.com/lonelypalette

Join the OG Ninja Turtle as he guides you into the Renaissance by way of an exquisite tour of heaven. See the image: http://www.thelonelypalette.com/episodes/2018/5/28/episode-30-donatellos-madonna-of-the-clouds-c-1425-1435 Music Used: The Andrews Sisters, "Bei Mir Bist Du Schoen" Lobo Loco, "Piano Cora Theme" The Blue Dot Sessions, "UpUpUp and Over", "Slow Line Stomp", "Lakeside Path", "Perspiration", "Threads and Veils", "Moon Bicycle Theme" Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

Welcome to the cult of the punk: where the skin is flayed, the contortions are twisty, and the struggle is real.  So why can't we get enough? See the image: http://www.thelonelypalette.com/episodes/2018/4/23/episode-29-egon-schieles-nude-self-portrait-1910 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Taoudella", "Fifteen Street", "Smooth Stone", "Scraper", "Then A Gambling Problem", "Warm Fingers", "Chrome and Wax" Support the show: www.patreon.com/lonelypalette

Yoko Ono. You may have heard of her. She hooked up with that musician that time. Just under the wire, we end Women's History Month with a peek beneath Ono's art and reputation - and why we need to reconsider both. See the image: http://www.thelonelypalette.com/episodes/2018/3/29/episode-28-yoko-onos-cut-piece-1964 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Plaster Combo", "Valantis", "Strange Dog Walk", "Hundred Mile", "Down at the Bank"" Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

Can a comic strip be elevated to fine art? Or is Pop artist Roy Lichtenstein just plain dotty? See the image: http://www.thelonelypalette.com/episodes/2018/3/5/episode-27-roy-lichtensteins-ohhhalright-1964 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Le Marais", "The Molerat", "Lemon and Melon", "Via Verre", "Lord Weasel", "Entrap" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette Thanks to our sponsors: https://audioboom.com/channel/empty-frames https://valt.io/lonely/

Your Listener Patreon Challenge has been accepted! And now, let's dive together into kitsch: the frequency low enough for us all to hear. See the images: http://www.thelonelypalette.com/episodes/2018/2/13/episode-26-cm-coolidges-dogs-playing-poker-1903 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Rose Ornamental," "Flattered," "Arizona Moon," "Laser Focus," "Alchemical," "Two in the Back," "Maisie Dreamer," "Gullwing Sailor," "Maldoc" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette Today's sponsors: https://www.artiststrong.com/drawing-drills-art-challenge/ https://valt.io/lonely/

In this special episode, we listen to the audio from the live event at the PRX Podcast Garage, "Keepers of the Culture: A Celebration of Meduna and Holmes," which I had the privilege of participating in at the end of January. In it I chat with collage artist Ekua Holmes, play her some audio I produced on her work, and then we listen to art historian Barry Gaither give the curator talk to end all curator talks on art, artists, viewers, and why we do what we do. Special thanks to PRX, the PRX Podcast Garage, and WGBH. Support the show! www.patreon.com/lonelypalette Thank a sponsor! https://www.artiststrong.com/drawing-drills-art-challenge/

Our lady of the hour, muse of Dan Brown, satisfier of bucket lists, those eyes, that smile, La Gioconda, El Hefe. Just in time for the holidays, we bring you a super-sized episode on a super-sized love affair with a dinky little portrait. See the images: http://www.thelonelypalette.com/episodes/2017/12/17/episode-25-mission-mona-lisa Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Tar and Spackle", "Welcome Home Sonny", "Caprese", "Tiny Putty", "Festering", "Inamorata", "Sunset at Sandy Isle", "Spins and Never Falls" Nat King Cole, "Mona Lisa" Support the show! www.patreon.com/lonelypalette

Whether you think Mark Rothko is the portal to spiritual transcendence or emotional-ambulance-chasing bunk, let's take the necessary time to explore his work without feeling like our souls are at stake. See the images: http://www.thelonelypalette.com/episodes/2017/11/20/episode-24-meditations-on-mark-rothko Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "A Simple Blur", "Thematic", "Cases to Rest", "Plate Grayscale", "Drone Thistle," "Sage the Hunter" Dar Williams, "Mark Rothko Song" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette. Our Year-End Listener Challenge is ON. Become a patr(e)on by December 15th and yours truly will produce an episode on "Dogs Playing Poker" because of course.

At the intersection of past and future sits a pack of hormonal dudes punching each other and making beautiful art. See the image: http://www.thelonelypalette.com/episodes/2017/10/30/episode-23-umberto-boccionis-unique-forms-of-continuity-in-space-1913 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" Podington Bear, "Kaleidoscope" The Blue Dot Sessions, "Chase and We Follow", "The Telling", "Trelaga", "Thirteens" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette

The Lonely Palette is thrilled to announce that we're a founding member of Hub & Spoke, a brand spanking new collective of Boston-centric, idea-driven podcasts. To kick things off, we're proud to present an episode of Soonish, the podcast about the future, hosted by veteran technology journalist Wade Roush. This episode, "Can Technology Save Museums?" not only asks some important questions about the future of art museums, but features me telling The Lonely Palette's origin story (spoiler: I say puke a lot). Learn more about Soonish and Hub & Spoke: http://www.thelonelypalette.com/episodes/2017/10/24/special-episode-10-introducing-hub-spoke-by-way-of-soonish Music used: The Blue Dot Sessions, "When In The West", "Cases to Rest"

Ceci n'est pas un target, and other bewildering and profound pronouncements by conceptual neo-Dadaist (with abstract Pop Art sensibilities) Jasper Johns. See the image: http://www.thelonelypalette.com/episodes/2017/9/21/episode-22-jasper-johns-target-1961 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Soothe", "Helado", "Chapel Donder", "The Summit" Jason Leonard, "Ritual Six" Joe Dassin, “Les Champs-Elysees" Support the podcast! www.patreon.com/lonelypalette

So. It appears that art history has a woman problem. See the image: http://www.thelonelypalette.com/episodes/2017/9/5/episode-21-mary-cassatts-in-the-loge-1878 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Waterborne", "Pat Dog", "Partly Sage", "Illway", "Turning to You", "Horizon Liner", "Soothe" Joe Dassin, “Les Champs-Elysees” Support the show! www.patreon.com/lonelypalette

In this special episode, we look at the exhibition Memory Unearthed: Henryk Ross’s Photographs of the Lodz Ghetto, and explore the Lodz ghetto specifically, Holocaust photography more generally, and the role our need for a good story has played in shaping our understanding of both. Memory Unearthed is on view at the Museum of Fine Arts, Boston until July 30, 2017 See the images: http://www.thelonelypalette.com/episodes/2017/6/29/episode-20-henryk-rosss-photographs-of-the-lodz-ghetto Music Used: The Blue Dot Sessions, "Doghouse", "Drone Pine", "Drone Birch", "3rd Chair", "Our Fingers Cold"

Take a load off as you relax into this Song Dynasty masterpiece. You're going to be here for a while. See the image: http://www.thelonelypalette.com/episodes/2017/6/13/episode-19-guanyin-bodhisattva-of-compassion-song-dynasty-12th-c-ce Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Masonry", "Exceter Lask", "Hickory Interlude", "Copper Halls", "Feathering", "Inside the Paper Crane", "Doghouse" Joe Dassin, “Les Champs-Elysees”

Because it's hard to look directly into the sun. Or yourself. See the image: http://www.thelonelypalette.com/episodes/2017/5/22/episode-18-jmw-turners-the-slave-ship-1840 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Sunday Lights", "Town Market", "Rapids", "Liptis", "Ballast", "Masonry" Joe Dassin, “Les Champs-Elysees”

The Lonely Palette is ONE! And what a year it's been. We here at One Lonely Palette Plaza are celebrating with the launch of our own Patreon Campaign! Please consider checking it out, and supporting the podcast. All the information can be found at: www.patreon.com/lonelypalette Thank you for an artful, soulful, paint and cathedral and electric chair and torqued ellipse and apple and Pollocky-spatter and Aunt Fanny-ful year, and here's to the next! Music used: The Blue Dot Sessions, "Helado", "Red City Theme"

On the occasion of its hundredth birthday, we dive into the art world's greatest joke (splash!). See the images: http://www.thelonelypalette.com/episodes/2017/4/17/episode-17-marcel-duchamps-fountain Music Used: Podington Bear, "A1 Rogue", "In My Head" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "In The Back Room", "Rafter", "FasterFasterBrighter", "Nesting", "Lamplist" Joe Dassin, “Les Champs-Elysees”

You've just had a manic break, cut off a piece of your ear, and gifted it to a prostitute. Who ya gonna call? Your get-a-grip postman friend, of course! See the image: http://www.thelonelypalette.com/episodes/2017/3/27/episode-16-vincent-van-goghs-postman-joseph-roulin-1888 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Step In Step Out", "Scratcher", "Over the Fence", "Scalloped", "On Belay" Lee Rosevere, "Curiosity" Joe Dassin, “Les Champs-Elysees” Podington Bear, "A1 Rogue"

One man's trash is Ghanaian fiber artist El Anatsui's treasure. See the image: http://www.thelonelypalette.com/episodes/2017/3/1/episode-15-el-anatsuis-black-river-2009 Music used: Podington Bear, "Down and Around" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Coronea", "Mercurial Vision", "Stipple", "Our Quiet Company", "Step In Step Out" Joe Dassin, “Les Champs-Elysees”

The gospel according to Gauguin is basically an existential hodgepodge that you and I were never supposed to understand. See the image: http://www.thelonelypalette.com/episodes/2017/1/25/episode-14-paul-gauguins-where-do-we-come-from-what-are-we-where-are-we-going-1897-98 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Flagger", "Pacing", "Open Flames", "One Quiet Conversation" Mathieu Lamontagne & Emmanuel Toledo, "Point de vue" Joe Dassin, “Les Champs-Elysees”

Welcome to Edward Hopper's specific, yet schematic, love letter to the alienation of the modern American city. See the image: http://www.thelonelypalette.com/episodes/2016/12/28/episode-13-edward-hoppers-room-in-brooklyn-1932 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Lacquer Groove", "In Passage", "Cats Eye", "Tranceless", "Simple Melody", "Flagger" Joe Dassin, “Les Champs-Elysees”

Dust off your verbs, it's time to make sense out of chaos. See the image: http://www.thelonelypalette.com/episodes/2016/11/30/episode-12-jackson-pollocks-10-1949-1949 Music used: Eric Dolphy, "Out To Lunch" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Parade Shoes", "Inessential", "City Limits", "Lacquer Groove" Joe Dassin, “Les Champs-Elysees”

The darlings, the crown jewels, the moneymakers. Just what the heck is it about these girls?! See the image: http://www.thelonelypalette.com/episodes/2016/11/14/episode-11-john-singer-sargents-the-daughters-of-edwards-darley-boit-1882 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Brass Buttons", "Heliotrope", "Vittoro", "Filing Away" Lobo Loco, "White Shapes Beauty" Joe Dassin, “Les Champs-Elysees” Eric Dolphy, "Out To Lunch"

Think abstraction is totally inaccessible? Pull up a chair. See the image: http://www.thelonelypalette.com/episodes/2016/10/6/episode-10-piet-mondrians-composition-with-red-yellow-and-blue-1927 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "The Provisions", "A Certain Lightness", "A Rush of Clear Water", "Brass Buttons" Lee Rosevere, "Puzzle Pieces" Tamar Avishai, "Grid (after Sol LeWitt's Drawing Series)"

The German Expressionists get hot. Nazis get bothered. See the image: http://www.thelonelypalette.com/episodes/2016/9/28/episode-9-ernst-ludwig-kirchners-reclining-nude-1910 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" David Szeszlay, "Night Surfing" Michael Howard, "The Tallest Man in Idaho (Instrumental)" Jason Leonard, "Ritual Twelve" The Blue Dot Sessions, "Stilt", "Manele", "The Provisions" Joe Dassin, “Les Champs-Elysees”

This big bully is about to give you a lesson in contrasts you won't soon forget. Featuring Dar Williams! See the image: http://www.thelonelypalette.com/episodes/2016/9/19/episode-8-richard-serras-torqued-ellipses-1998 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Turning", "Downhill Racer", "Cloud Line" Lee Rosevere, "Reflections" Dar Williams and the WASTM Good Times House Choir, "The Water is Wide"

After centuries in the shadows, it's light's turn to shine. See the image: http://www.thelonelypalette.com/episodes/2016/9/5/episode-7-claude-monets-rouen-cathedral-series-1892-94 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "The Spinnet", "Lahaina", "Discovery Harbor", "Santre" Joe Dassin, “Les Champs-Elysees”

You think your seven-year-old could paint this indecipherable abstract Cubist painting? Well, it's not abstract, it's totally understandable, and... he couldn't. See the image: http://www.thelonelypalette.com/episodes/2016/7/19/episode-6-pablo-picassos-portrait-of-a-woman-1910 Music used: Paolo Pavan, “Blue Night Dance” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Balti", "The Rampart", "Steadfast", "Beast on the Soil" Joe Dassin, “Les Champs-Elysees” Heftone Banjo Orchestra, "Peaceful Henry"

Elbow-deep in trauma, Andy Warhol plays with repetition and bores us into action. See the image: http://www.thelonelypalette.com/episodes/2016/7/5/episode-5-andy-warhols-red-disaster-1962 Music used: Chris Zabriskie, “Cylinder Four” The Andrews Sisters, "Bei Mir Bist Du Schoen" Ketsa, “Catching Feathers” The Blue Dot Sessions, “Drifting Spade” Joe Dassin, “Les Champs-Elysees” Paolo Pavan, “Blue Night Dance”

Hey! You there! Don't walk by this seemingly-boring painting. You might miss the 19th century. See the image: http://www.thelonelypalette.com/episodes/2016/6/21/episode-4-edgar-degas-duchessa-di-montejasi-with-her-daughters-elena-and-camilla-c-1876 Music used: Reynold Philipsek, "Intro and Nuages" (Django Reinhardt cover) The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “A Burst of Light”, “The Silver Hatch” Lee Rosevere, “Wandering” Joe Dassin, “Les Champs-Elysees” Chris Zabriskie, “Cylinder Four”

While John Singleton Copley is busying himself with past and present art historical styles, Samuel Adams is getting all up in your biz. See the image: http://www.thelonelypalette.com/episodes/2016/6/2/episode-3-john-singleton-copleys-portrait-of-samuel-adams-1772 Tri-Tachyon, “Little Lily Swing” The Blue Dot Sessions, “Decompression”, “Turning on the Lights” Velella Velella, “Hard Egg Timer” The Andrews Sisters, "Bei Mir Bist Du Schoen" Joe Dassin, “Les Champs-Elysees” Reynold Philipsek, "Intro and Nuages" (Django Reinhardt cover)

Christian Boltanski tackles memory and death. We tackle Christian Boltanski. See the image: http://www.thelonelypalette.com/episodes/2016/5/18/episode-2-christian-boltanskis-lumieres-blue-square-sylvie-2000 Music used: The Blue Dot Sessions, “That Horse Ithica”, “The Terrarium”, “That River Wide” The Andrews Sisters, "Bei Mir Bist Du Schoen" Joe Dassin, “Les Champs-Elysees” Tri-Tachyon, “Little Lily Swing”

Just how did Cezanne keep that fruit from tumbling all over the place? We have theories. See the image: http://www.thelonelypalette.com/episodes/2016/5/10/episode-1-paul-cezannes-fruit-and-jug-on-a-table-c-1890-94 Music Used: Django Reinhardt, "Dinah" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Stale Case”, “Tripoli”, “Andelo”, “This Horse Ithica” Joe Dassin, “Les Champs-Elysees”

Art is everywhere. Why shouldn't it be for everyone, no matter how fluent you are in art history? This podcast says it should. Music used: The Blue Dot Sessions, "Cirrus", "The Spills", "The Zeppelin" The Andrews Sisters, "Bei Mir Bist Du Schoen" Doctor Turtle, "Marty Ladies and Gentlemen" Dave Depper, "All the Pieces Come Together" Django Reinhardt, "Dinah"