This will be the final episode of the Story Grid Podcast for the foreseeable future. Tim gives some background on why this decision was made along with an update on his current writing project and other happenings around Story Grid.

Access the full Story Grid analysis of Crazy Rich Asians at https://storygrid.com/crazy.What can writers learn from studying this 2018 film?This is the final in a four part series analyzing Crazy Rich Asians. The screenplay was written by Peter Chiarelli and Adele Lim and the movie was based on a 2013 book of the same title written by Kevin Kwan.This episode is hosted by Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl, writer and CEO of Story Grid.

Access the full Story Grid analysis of Crazy Rich Asians at https://storygrid.com/crazy.What can writers learn from studying this 2018 film?This is the second in a four part series analyzing Crazy Rich Asians. The screenplay was written by Peter Chiarelli and Adele Lim and the movie was based on a 2013 book of the same title written by Kevin Kwan.This episode is hosted by Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl, writer and CEO of Story Grid.

Access the full Story Grid analysis of Crazy Rich Asians at https://storygrid.com/crazy.What can writers learn from studying this 2018 film?This is the first in a four part series analyzing Crazy Rich Asians. The screenplay was written by Peter Chiarelli and Adele Lim and the movie was based on a 2013 book of the same title written by Kevin Kwan.This episode is hosted by Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl, writer and CEO of Story Grid.

Access the full Story Grid analysis of Crazy Rich Asians at https://storygrid.com/crazy.What can writers learn from studying this 2018 film?This is the first in a four part series analyzing Crazy Rich Asians. The screenplay was written by Peter Chiarelli and Adele Lim and the movie was based on a 2013 book of the same title written by Kevin Kwan.This episode is hosted by Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl, writer and CEO of Story Grid.

Access the full Story Grid analysis of John Wick at https://storygrid.com/wick.This is the final in a four part series analyzing the movie John Wick using the Story Grid methodology. This 2014 movie, written by Derek Kolstad, is a genre leading action movie.Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl start by looking at the Story Grid Five Leaf Genre Clover before diving into the quadrants and controlling idea.

Access the full Story Grid analysis of John Wick at https://storygrid.com/wick.This is the third in a four part series analyzing the movie John Wick using the Story Grid methodology. This 2014 movie, written by Derek Kolstad, is a genre leading action movie.Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl start by looking at the Story Grid Five Leaf Genre Clover before diving into the quadrants and controlling idea.

Access the full Story Grid analysis of John Wick at https://storygrid.com/wick.This is the second in a four part series analyzing the movie John Wick using the Story Grid methodology. This 2014 movie, written by Derek Kolstad, is a genre leading action movie.Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl start by looking at the Story Grid Five Leaf Genre Clover before diving into the quadrants and controlling idea.

Access the full Story Grid analysis of John Wick at https://storygrid.com/wick.This is the first in a four part series analyzing the movie John Wick using the Story Grid methodology. This 2014 movie, written by Derek Kolstad, is a genre leading action movie.Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl start by looking at the Story Grid Five Leaf Genre Clover before diving into the quadrants and controlling idea.

We're down to line edits on Tim's iteration of the masterwork Eye Witness by Ed McBain.Shawn, Danielle, and Leslie provide final feedback on how to clean up the last few error messages still coming through. Click here to read Tim's scene: https://docs.google.com/document/d/1Yma-xAE77UnQMNAjTyOUPxF21P_DaFxuNXyQin-0gHo/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-283—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 283 of the Story Grid Podcast: https://storygrid.com/podcast

Now that Tim has had a breakthrough on his iteration of EYE WITNESS by Ed McBain, we're getting down to fixing individual Beats and checking to make sure he's adhered to the Story Grid 624 Analysis.You really see the Story Grid Tools shine in this episode as Leslie and Danielle apply them to Tim's writing to find places still left to fix. Click here to read Tim's scene: https://docs.google.com/document/d/1b-RzszE7YzLEn5fSlWAqVQ_OkXhuJg3cxfZImXzIkYI/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-282—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 282 of the Story Grid Podcast: https://storygrid.com/podcast

Does Tim Actually Get It Right? How to Nail the Narrative DeviceOn Tim's 10th draft, he finally makes a breakthrough on his iteration of EYE WITNESS by Ed McBain!And it ended up being a simple practice that got him over the hump.Listen in as Shawn, Danielle, Leslie, and Tim discuss how to nail the narrative device. Click here to read Tim's scene: https://docs.google.com/document/d/1RRmqjv90vYpi20B7kbxgdHQwdhFRvB3pESZD6Y52XEg/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-281—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 281 of the Story Grid Podcast: https://storygrid.com/podcast

In this impromptu episode, Tim and Danielle discuss the ongoing problems with the work on the Ed McBain EYE WITNESS scene and why Tim can't connect with his characters. 

Shawn takes a crack at rewriting Tim's scene to help him understand what he's missing on the Narrative Device.Then we hear Leslie and Danielle's edits and feedback on what he got right and wrong.When they ask Tim what he thinks of all this, lots of emotions start coming out including his feeling that he's not writing anymore... he's pretending to write. Click here to read Tim's scene: https://docs.google.com/document/d/1QZGyUNetvNGfKAjwyfF3m4r9RPoMQN4g3Q18oWXoLOw/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-279—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 279 of the Story Grid Podcast: https://storygrid.com/podcast

There are lots of insights in this week's episode of the podcast.We look at the emotional connection between the hero and victim, ensuring there is conflict at every level of the story, and how better to lock in to the narrative device.Click here to read Tim's scene: https://docs.google.com/document/d/1V6ja3HN4uKuS0J4x6pvWBUwkZUiE5uJov5jM3Gj-Yvw/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-278—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 278 of the Story Grid Podcast: https://storygrid.com/podcast

Nobody is innocent in your story. Everyone is hiding something.You must adjust these levels correctly in order for your reader to connect with the right characters.This is the focus Danielle, Leslie, and Shawn take on Tim's scene this week.Click here to read Tim's scene: https://docs.google.com/document/d/1M_rP2ARaDQbSlGBmNRESszzYuNN-nrxa0pdJjt0qQRU/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-277—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 277 of the Story Grid Podcast: https://storygrid.com/podcast

Who is the Hero, Victim, and Perpetrator in your story?What are the relationships between each of them?The more vague or ungrounded each of these relationships are, the more the story will not read as believable.This is the focus Danielle, Leslie, and Shawn take on Tim's scene this week.Click here to read Tim's scene: https://docs.google.com/document/d/1OQd5NxTcn2JLwrphueCX91A4wXN9BEQFBYwbyN7NJ1M/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-275—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 275 of the Story Grid Podcast: https://storygrid.com/podcast

Figuring out your Story Theme is the key to unlocking the entire roadmap of your story.Scott Mann is the author of the new book → Operation Pineapple Express: The Incredible Story of a Group of Americans Who Undertook One Last Mission and Honored a Promise in Afghanistan.Randall Surles is a Story Grid Certified Editor and worked with Scott to develop and produce the book under an extremely tight deadline.In this interview, they discuss what went into writing the book, how they worked together, and what it meant to write a book like this.

How do you ground your characters in a reality that your reader will believe even though you are making the whole thing up?This week Tim makes the mistake of sterilizing his protagonist to the point where he is no longer interesting or believable. Shawn, Danielle, and Leslie walk him through the steps of using character development and a strong narrative device to fix these problems.Click here to read Tim's scene: https://docs.google.com/document/d/10bdr_tF4ASohz0cHoNjlbNmsLOVXiDpFw54ugHYLZI8/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-274—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 274 of the Story Grid Podcast: https://storygrid.com/podcast

Who is telling your story? Who are they telling it to? Why are they telling it?This is the Narrative Device!The Narrative Device consists of three main components:Author: The Author is someone who is capable of telling the POP premise as a story to shed light on the problem another person has.SAM: The Single Audience Member is a person with a problem related to the one the protagonist faces in the POP premise.Problem: A specific problem that the POP premise can shed light on.What Shawn, Danielle, and Leslie are trying to teach Tim this week is how this affects every single word of his writing.Click here to read Tim's scene: https://docs.google.com/document/d/1ugNstol1I3DGyIcOQ13pdkkgyKKGddFvAE7LH_-OLng/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-273—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 273 of the Story Grid Podcast: https://storygrid.com/podcast

Shawn, Leslie, Danielle and Tim face a hard question...Is the Story Grid Podcast still worth doing?You might be surprised by what they have to say.

What happens when you can't connect to your protagonist?This week Tim makes some progress on his scene,  but it's still missing something. The soul in the writing isn't there.Shawn, Leslie, and Danielle talk through how to use emotional pain to connect into the story.  

There are times in your story when you need to switch out the protagonist. This can even happen in the middle of a scene or short story.But how do you do it the right way?This week Shawn, Danielle, and Leslie look at Tim's draft to see how you can hand off the protagonist to a different character without confusion.Click here to read Tim's scene: https://docs.google.com/document/d/1T9K3Reuspp3oXJdBm_Aj8QLuUXv0Lcj7wPTG9SZKKGI/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-270—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 270 of the Story Grid Podcast: https://storygrid.com/podcast

Great stories always answer two-factor problems.In this episode we see how Tim's mistake of choosing the wrong protagonist messes up the two factor problem. Shawn, Danielle, and Leslie help him sort out how to fix this problem.Click here to read Tim's scene: https://docs.google.com/document/d/1yNGyDX5dkbchjT6UcrixUNv_2PI_WT7GrZn04H0nIh0/editTo see the transcript of this episode, visit: https://storygrid.com/episode-269—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 269 of the Story Grid Podcast: https://storygrid.com/podcast

In this episode we start comparing the Story Grid 624 Analysis of the first draft of Tim's scene to EYE WITNESS by Ed McBain. Pretty quickly we see that Tim made one small mistake that ends up having a huge impact on the rest of the scene.In EYE WITNESS, the author switches the protagonist near the beginning of the scene. Tim doesn't do this and, as you'll see, this causes a lot of problems!Click here to read Tim's scene: https://docs.google.com/document/d/1yNGyDX5dkbchjT6UcrixUNv_2PI_WT7GrZn04H0nIh0/edit?usp=sharingTo see the transcript of this episode, visit: https://storygrid.com/episode-268—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 268 of the Story Grid Podcast: https://storygrid.com/podcast

Tim has written a first draft of his scene based on the in-depth analysis of Ed McBain's EYE WITNESS.Listen in as Shawn, Danielle and Leslie give their feedback and start diving into the analysis of the first draft.  For the transcript and downloads for this episode, visit https://storygrid.com/267—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 266 of the Story Grid Podcast: https://storygrid.com/podcast

Tim has written a first draft of his scene based on the in-depth analysis of Ed McBain's EYE WITNESS. Listen in as Shawn, Danielle and Leslie give their initial feedback and start diving into the analysis of the first draft.   For the transcript and downloads for this episode, visit https://storygrid.com/266 — Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.com This is Episode 266 of the Story Grid Podcast: https://storygrid.com/podcast

How do we use all of this masterwork analysis to actually iterate our own short story?In this week's episode, we look at the 624, Beat, and Trope analysis for the short story EYE WITNESS by Ed McBain (https://amzn.to/3Q2UpqV) and start discussing what kind of short story I might write based on all of the analysis.This is where things start to go off the rails.As you'll see, Shawn and Tim aren't always on the same page and struggle to communicate with each other.We decided to leave this episode in so you can see what it looks like when an editor and author don's see eye-to-eye.For the transcript and downloads for this episode, visit https://storygrid.com/265—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 265 of the Story Grid Podcast: https://storygrid.com/podcast

What are Tropes and how can they actually help your writing?Tropes are a toolbox of common components to build a certain kind of story. You can put these building blocks together to create a story that meets the reader expectations for your particular GENRE.Most lists of tropes are a grab bag of story types and/or their components and aspects. They don’t fit together, so they don’t provide a process for consistently crafting scenes and stories that satisfy readers.In the Story Grid Universe, we provide this process by limiting the definition of a trope to a particular level of Story. Story Grid tropes are small story units that are the building blocks writers need to create the arc of change within scenes.In this episode, we start working through the Tropes for the short story EYE WITNESS by Ed McBain (https://amzn.to/3Q2UpqV).To download the Trope Breakdown, visit: https://storygrid.com/episode-264—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comThis is Episode 264 of the Story Grid Podcast: https://storygrid.com/podcast

Learn how your line-by-line writing can be improved by the Story Grid Beat methodology.In this episode, we show you the final line graph generated by our beat-by-beat analysis and how this can help you write better scenes.—Get a free copy of our book Story Grid 101: The First Five Principles of the Story Grid Methodology: https://storygrid101.comFor episode transcript and downloads: https://storygrid.com/episode-263This is Episode 263 of the Story Grid Podcast: https://storygrid.com/podcastThis is our in-depth analysis of the short story EYE WITNESS by Ed McBain: https://amzn.to/3Q2UpqV

In this episode, Danielle continues walking Tim through every single line of Ed McBain's EYE WITNESS to help him identify the beats and what they are doing. This is a perfect episode for the story nerds!

Now that we have finished up the Story Grid 624 Analysis of Ed McBain's EYE WITNESS (https://www.youtube.com/watch?v=1WLiCyxIsCk), it's time to dive all the way down to the line-by-line writing. In this episode, Danielle begins walking Tim through every single line of the short story to help him identify the beats and what they are doing. This is a perfect episode for the story nerds!

We have wrapped up our 624 analysis of Ed McBain's short story EYE WITNESS. In this episode, Leslie does a review of the 624 then Danielle does an introduction for Tropes and Shawn follows up with introducing Beats.

Continuing our 624 analysis of Ed McBain's short story EYE WITNESS, we are talking through the Five Commandments of Storytelling.This is the third in a three part episode as we deep dive through each commandment. In this episode, we go through the Climax and Resolution.

Continuing our 624 analysis of Ed McBain's short story EYE WITNESS, we are talking through the Five Commandments of Storytelling.This is the second in a three part episode as we deep dive through each commandment. In this episode, we go through the Crisis and Crisis Matrix.

Continuing our 624 analysis of Ed McBain's short story EYE WITNESS, we are talking through the Five Commandments of Storytelling.This is a three part episode as we deep dive through each commandment. In this episode, we go through the Inciting Incident and the Turning Point Progressive Complication.

There are four story analysis questions you must answer for every scene in your story: 1. What are the Avatars literally doing?2. What are the essential tactics of the Avatars?3. What universal human value has changed for one or more Avatars in the scene?4. What Story Event sums up the scene’s global value change? In this episode we make it to the final one! Last week we covered the first three.

There are four story analysis questions you must answer for every scene in your story: 1. What are the Avatars literally doing?2. What are the essential tactics of the Avatars?3. What universal human value has changed for one or more Avatars in the scene?4. What Story Event sums up the scene’s global value change? In this episode we make it through the first three! Next week is a whole episode on the fourth question.

Is it first or third person? Past or present tense?As you'll see in this week's podcast episode, Point of View is about way more than this.See more here:https://storygrid.com/point-of-view/A story’s global Point of View includes the technical choices writers make to deliver the story to the reader. The POP premise and Narrative Device suggest Point of View combinations that create the effect of the story told by the Author to the single Audience member.Person refers to the vantage point from which the written story is presented the reader.First Person: I (or we) wrote a story.Second Person: You wrote a story.Third Person: Alex (or she or he or they) wrote a story.Tense distinguishes the timeframe of the story.Past: I wrote a scene.Present: You write (or are writing) a scene.Future: Alex will write a scene.Mode: The final technical choice focuses on how the information is presented. This is the storytelling Mode.Showing is an objective and immediate mode that creates the effect of being present and observing the events of the story. Here are some examples.First Person: The Hunger Games by Suzanne CollinsSecond Person: Bright Lights, Big City by Jay McInerneyThird Person: A Game of Thrones by George R.R. Martin, Brooklyn by Colm Tóibín, or “Hills Like White Elephants” by Ernest HemingwayTelling is a subjective mode that readers experience as if someone or something is collecting, collating, and sharing the events and circumstances of the story.First Person: Treasure Island by Robert Louis Stevenson, To Kill a Mockingbird by Harper Lee, or Bridget Jones’s Diary by Helen FieldingSecond Person: “How to Be an Other Woman” by Lorrie Moore.Third Person: The Book Thief by Markus Zusak, A Wizard of Earthsea by Ursula K. Le Guin, Animal Farm by George Orwell, or Death Comes for the Archbishop by Willa CatherListen as Shawn Coyne, Tim Grahl, Leslie Watts, and Danielle Kiowski work through the Point of View for the the short story EYE WITNESS by Ed McBain: https://www.amazon.com/McBain-Brief-Ed-ebook/dp/B01KFBQEY4/This is a Episode 254 of the Story Grid Podcast - https://storygrid.com/podcast

Figuring out the Narrative Device for your story will unlock your writing in ways you never thought possible. There are three questions you must answer: - Who is the Author of the story? (Hint... it's not you, the writer) - Who is the Single Audience Member? - What is the Problem? See more here: https://storygrid.com/point-of-view/

How do you boil your story down into one "What If" statement? There are four parts to building out the answer to this question and Shawn, Leslie, Danielle, and Tim walk through it together in this week's episode.

The genre of your story is way more than one thing. In this episode of the Story Grid Podcast, learn the five important pieces of understanding your genre — Time, Style, Structure, Reality, and Content.

Shawn discusses the two sides  to every story.

Shawn and Kim go back to the beginning and discuss the origins of Story Grid. 

Shawn Coyne walks through the role you, as the Artist, plays in getting your own wants, needs and desires into your story.

Shawn Coyne discusses the role backstory plays in your character's wants, needs, and desires.

Shawn Coyne walks through character wants, needs, and desires and how they impact your storytelling.

Shawn and Kim discuss Objects of Desire and how they work with your characters and storytelling.

Continuing the discussion on the three different types of Beats that build up to Scenes, how do Expository Beats work inside a scene?

Continuing the discussion on the three different types of Beats that build up to Scenes, how do Passive Beats work inside a scene?

There are three different types of Beats that build up to Scenes. How do Active Beats work inside a scene?

What kind of thinking has to change when you are switching modes from writing to editing?

It can get confusing switching lenses between Macro and Micro storytelling already. Now, what happens when you layer in the Story Grid Trinity? 

Continuing the discussion on the Story Grid Trinity, Shawn Coyne and Kimberly Kessler discuss the On-the-Surface level of the trinity and how the relates to external genres.

Shawn and Kim discuss The Bell Jar and where it sits in the Story Grid landscape. Use the coupon code "podcast" to get 20% off all the Story Grid titles at storygrid.com/books

Shawn Coyne and Kimberly Kessler discuss the Story Grid Trinity and how this works with internal genres. Also checkout the Story Grid Masterwork Guide to Hamilton by Lin-Manuel Miranda at storygrid.com/books and get 20% off with the coupon "podcast".

A listener asks a bold question: Can the Story Grid tools and methodology make the Masterworks we read and love better? Shawn has a great answer for this week's question.

At Story Grid, we spend a lot of time studying and analyzing Masterworks, but how do you know when a book is a Masterwork? Shawn addresses this question in this week's episode.

This week's listener question is, "How do you Write Dialogue when you are an introvert?". Shawn answers this question and gives recommendations for next steps for writers.

How does the Story Grid Trinity apply to Big Idea, How-to, Narrative nonfiction, and Memoir? Shawn dives into this question on this week's episode.

We left all of you hanging back in December with the Heroic Journey 2.0 series, so we decided to correct our error. This week Shawn finishes up our series on the Heroic Journey 2.0 by diving into the Quadrant 4.

Shawn continues the explanation of the Story Grid Trinity with a discussion of the third and final part — Beyond the Surface.

Shawn and Tim discuss the second part of the Story Grid Trinity - Above the Surface.

Shawn Coyne dives into the Story Grid Trinity and discusses the first, most essential part of the trinity - On the Surface.

Shawn introduces the foundation of all stories - the Story Grid Trinity.

Tim has finished his manuscript! Shawn gives him the next steps and then they continue discussing the Hero’s Journey 2.0.

Tim is getting pretty stuck on the worldbuilding side of things with his work in progress. Shawn walks him through how to break these blocks and continues looking at them through the Hero’s Journey 2.0 lens.

Shawn starts walking through the Heroic Journey 2.0 infographic looking at how it can help you understand the story you are trying to tell. Click here to view the infographic referenced in this episode.https://www.dropbox.com/s/axjngf5r8w6ivcx/Heroic%20Journey%20Macro%20Infographic-01-1.png?dl=0 

As Tim is finishing up the first draft of his novel, Shawn starts introducing the ideas behind his new Hero's Journey 2.0 models and how it will impact the editing of his manuscript.

Tim is getting close to finishing his first draft and wants to talk with Shawn about what he can expect when it comes time to run it through the Story Grid methodology.

In part three of this interview, Tim sits down with Michael McClellan, author of THE SAND SEA, to discuss his 12 years of writing and how Story Grid played a role in finishing the novel.

In part two of this interview, Tim sits down with Michael McClellan, author of THE SAND SEA, to discuss his 12 years of writing and how Story Grid played a role in finishing the novel.

Tim sits down with Michael McClellan, author of THE SAND SEA to discuss his 12 years of writing and how Story Grid played a role in finishing the novel.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

In this new series from Story Grid, we are analyzing The Wonderful Wizard of Oz by Frank L Baum. Join us as we go chapter by chapter through this masterwork.For more on the Hero's Journey training, visit https://storygrid.com/hero.

How do you write a story with multiple story lines? Shawn walks Tim how this will work with his next book.

Tim has finished the first scene of Book 2 in The Threshing series and gets Shawn's feedback.

With the pandemic still sweeping the globe, Shawn and I discuss how fear can take over in these situations and what we can do in our lives and our writing.

How do you apply the idea of systems and chaos to planning a novel? Shawn walks Tim through this concept as he works on book 2 in his series.

The middle build is the hardest part of the book and book two in a trilogy is a whole book dedicated to the middle build! How do you know where to start and build the story? Shawn walks Tim through these initial ideas and decisions to make along the way.

We only have so much time and energy to dedicate to our writing. When you are stuck between working on two different projects, how do you pick which one is the right choice? Shawn walks Tim through this difficult decision.

As Tim continues down the path of working on his new novel, Shawn encourages him to take the time to 1) look at the masterworks of his chosen genre and 2) spend sometime thinking about the hero / victim / villain interactions throughout his story. Download Tim's scenes from this week.

This is big! Three of our Story Grid Certified Editors have teamed up to start the Story Grid Showrunners podcast. If you've ever been interested in how Story Grid can be used with television and episodic series, you'll want to have a listen.

Now that The Threshing is done and (almost) published, Tim is ready to start his next book! What are the first steps down this path? How can Story Grid help him plan correctly? Shawn walks him through this in this week's episode.Click here to download Tim's new Foolscap.

Continuing the discussion around writing a Contender Guide to a Story Grid Publishing novel, Shawn walks Tim through his mistakes and how to level up his analyzation of his own writing.

How do you analyze a novel to learn from it? This is a big part of Story Grid and our new publishing house. Tim and Shawn discuss Contender Guides -- what they are and why you should care.

How do you create a publishing house that isn't beholden to investors or Amazon? Shawn and Tim discuss this idea and how you can be involved! https://storygrid.com/guild

What would it look like if Story Grid launched its own publishing house? Shawn and Tim dive into that in this week's episode.

When it came time to start thinking about the publishing of The Threshing, Shawn and Tim were faced with a dilemma. There didn't seem to be a good option.

In this final episode on Big Idea Nonfiction, Shawn continues sharing how to write a big idea nonfiction book that works.

How do you apply the principles of storytelling to nonfiction? What lessons have you learned from Sesame Street that will help you be a better nonfiction writer? Tune in to find out!

What makes a Big Idea book stand apart from the rest? Shawn walks through all of the pieces that go into a Big Idea Nonfiction book that will stand the test of time.

Tim is back with Shawn and they're talking nonfiction and Story Grid. What are the sub-genres of nonfiction? How do you apply the tools of Story Grid to nonfiction? They cover this and a lot more.

In Episode 10, they conclude that the experiment has been a success. Anne submits her first rough draft, Shawn blesses it, says it’s shaping up to be a fresh and original story in its own right, and gives an inspiring look into what’s next in the Story Grid Universe.

In Episode 9 of the Masterwork Experiment, Anne turns in a new prologue representing her new POV narrative device, and a few new scenes leading into the middle build. Is the story getting too long? Shawn says it doesn’t matter, and he gives an inspiring talk about the importance for writers of living within the process, rather than for the result.

In Episode 8 of the Masterwork Experiment, Anne has a bit of a crisis: though she’s found a way to meet the demands of the experiment, the resulting story idea feels lifeless. Is she building a franken-story from someone else’s parts? How will she give it life? In response, Shawn delivers a rousing talk on talent, inspiration, and the blue-collar work that holds Resistance at bay.

In Episode 7 of the Masterwork Experiment, Anne submits her first two scenes of “Danebury Hill,” her Regency-era take on the beat structure of Brokeback Mountain. Shawn reads them out and gives some advice on point of view and narrative device, particularly why it’s okay to use an omniscient narrator who can go into everyone’s head.

In Episode 6 of the Masterwork Experiment, Anne completes her analysis of micro beats and scene types in Brokeback Mountain, and she and Shawn consider the power of individual word choices in structuring such a lean short novella.

In Episode 5 of the Masterwork Experiment, Anne continues finding micro beats and scene types in Brokeback Mountain’s middle build, and learns the difference between the Editor’s view of a story and the Writer’s view. Shawn tells her, “Just be inspired as opposed to being literally crazed about making sure you get everything perfect.”

In Episode 4 of the Masterwork Experiment, Anne splits atoms, finding eight micro beats to Shawn’s single beat in the prologue to Brokeback Mountain, and learns just how perfectly Annie Proulx’s lean, precise word choices deliver plot, theme, exposition, symbolism and subtext all at the same time.

In Episode 3 of the Masterwork Experiment, Anne and Shawn define some Regency-era analogs for the Wyoming cowboys of Brokeback Mountain, and step into some controversial territory about appropriate representation of underrepresented groups.

In Episode 2 of the Masterwork Experiment, Anne and Shawn review the Editor’s Six Core Questions and use the answers to complete the Global Foolscap worksheet for Brokeback Mountain, laying the groundwork for Anne’s Regency-era novella.

Welcome to the Story Grid Masterwork Experiment! In this ten-episode summer series, Shawn Coyne and author Anne Hawley are breaking a great masterwork down to the beat level to find out whether an experienced writer can create a new and original story from exactly the same building blocks. Episode 1 of the Masterwork Experiment introduces the masterwork and lays out the experimental protocol. Will Anne write something new and fresh? Or will she wind up with a hackneyed copy of a beloved novella? Join us to find out.

Ever struggle in wondering if your writing is good enough? Shawn walks Tim through this with his book.

Shawn shares about a new project at Story Grid headquarters that will help teach the micro level of storytelling to writers. See more at storygrid.com/ground

Weeks have passed since Tim has worked on his novel so he finally admits this to Shawn and asks for advice.

Shawn and Tim continue walking through the fundamentals of Story Grid and how the new idea of Pheres applies to the 5 Commandments of Story telling.

This episodes twists and turns from emotion in storytelling to dissecting the hydrogen atom. It's a great episode and will make you look at your story in a new, fresh way.

Shawn walks through how taking time to look at math can help you structure your story.

What is the fundamental unit of story? Shawn talks about a new insight he had at a recent Story Grid event and what it means for us.

Shawn continues to walk Tim through the Editor's 6 Core Questions which are the first line of evaluating a manuscript.

The Editor's 6 Core Questions is the first tool in the arsenal of how to evaluate a manuscript. Shawn walks Tim through the first 3 questions.

Going back to the basics of Story Grid, Shawn and Tim discuss the role genre plays in storytelling.

This episode is two for the price of one. Tim and Shawn first discuss when and how to do a 2nd edition of a book and then they move into discussing Tim's changes to the Beginning Hook of his novel as he continues to race towards the finish line.

After several weeks of analyzing the manuscript, Shawn walks Tim through the final steps of refinement he needs to go through to get it ready for production.

Shawn and Tim finish up talking about the Hero Archetypes and then delve into what it takes to ground your book in a realistic world.

Shawn and Tim continue talking through the Hero's Journey Archetypes, who they are, and how they should be in your story.

The sprint is on to finish The Threshing. This week Shawn and Tim begin working through the Archetypes of the Hero's Journey.

This week Shawn sits down with Story Grid Editor, Valerie Francis, to discuss why (and how) the Story Grid method is different from other structural and developmental editing methods.

Steven Pressfield and Black Irish Publishing have released a new project around writers and Resistance. Shawn and Tim discuss both what the project is and the bigger ramifications for the world of publishing.

Your novel is done, now what? Shawn walks Tim through a new level of analysis for his work in progress.

The spreadsheet is a central tool of Story Grid. Shawn walks Tim through how to use it and answers some of his questions.

Story Grid grew out of the need for better editing. Shawn and Tim discuss the origins and the job of an editor.

Tim finished his second draft and turned it into Shawn. What's the verdict?

We all can agree that writing is hard. Learning to level up your writing is even harder. So why all the suffering? Why not just publish a draft that's "good enough"? This is what Shawn and Tim dive into on this week's episode.

What are the building blocks for a believable, fantastical world in your story? Shawn walks through this and hits upon a fundamental reason why Tim's characters have not been working.

How do you create the right cast of characters for your story and make them believable? Shawn walks Tim through a framework to do this correctly.

Tim is working through the final big battle scene and Shawn helps him figure out how to do it right.

Now that Tim has worked through his block, it's time to finish the book. But how? Shawn walks him through the mindset and tactics to finally finish this draft.

Every writer hits that moment. Is it time quit this novel and move on to a new project? Tim is facing this with Threshing and talks over the question with Shawn.

What is the nature of evil and how do you make that into an unforgettable villain in your stories? Shawn and Tim dive into this topic.

Shawn is in the midst of a publishing project of his own and... it's hit some rough spots. He shares what is going on and how he's working through it.

Tim brings a common question to Shawn... when do you know your book is ready to publish? Shawn has important insight on this all important question.

Tim took at a crack at writing a fast paced action sequence that allows moves his story forward. Shawn walks him through the ins and outs and what to do next.

What do video games and story telling have in common? Shawn walks through another tool for analyzing your story.

What is the overarching engine running every story? Shawn uses Tim's latest scene to step into this question and share some of his latest research.

Running Down a Dream has been out for a week. What has happened and what next?

Steven Pressfield joins and Shawn and Tim to discuss his new book THE ARTIST'S JOURNEY along with Tim's new book RUNNING DOWN A DREAM.

Tim's new book Running Down a Dream is coming out next week and he discusses with Shawn what is has been like to write the book. Running Down a Dream

A huge part that makes a scene work is the value shifts. They have to work in the scene, the global genre, the internal genre, etc. Shawn walks Tim through how to think about this with his Turning Point Scene of the Middle Build.

Shawn walks Tim through the problems with his turning point of the middle build scene (and how to fix them).

Shawn and Tim continue work through the 15 most important scenes of The Threshing. Shawn also dives into what is really driving this, and all, stories. Click here to download Tim's outline of his 15 most important scenes.

Tim did his homework by planning out the 15 most important scenes of his book. Shawn starts working through them with him.

Courtney is a Story Grid Certified Editor and is stuck on her book! She reached out to Shawn for help so they jumped on the phone to go over her book and how she can make progress.

Shawn walks Tim through the 15 most important scenes he has to figure out for his novel.

Tim is struggling with stepping back into his fiction book now that he's taken a few months off to finish his non-fiction book. Shawn walks him through how to do it. Plus, a special announcement! Click here to see more information on the Level Up Your Craft Summer Semester.

Now that Shawn has gone through the manuscript of Tim's book, what does he think? What's his feedback? What should he do next?

Now that Shawn has read Tim's manuscript, he's handing down the verdict. Is it ready for primetime?

Tim has finally finished the manuscript for Running Down a Dream. What's next?

Shawn takes listener questions and covers miniplot, how to hire and work with an editor, and deep dives into the differences between genres.

How do you write great non-fiction? Shawn continues to walk Tim through the telling of his story.

Ryan Holiday is the author of eight bestselling books and is quickly becoming one of the most prolific writers of our time. In this interview, Ryan shares his processes for writing and editing his books. Click here to see more about Ryan Holiday. Three of my favorite articles by Ryan on writing: The Notecard System: The Key For Remembering, Organizing And Using Everything You Read How And Why To Keep A “Commonplace Book” How I Did Research For 3 New York Times Bestselling Authors (In My Spare Time)

Tim continues to work towards telling the Truth in his writing while Shawn gives guidance on what to do next. Click here to download Tim's draft.

What does it mean to tell your truth? Tim and Shawn discuss this along with the rewrite of his introduction. Read the rewrite of Tim's introduction.

Shawn continues to push Tim to find the true "why" behind his non-fiction book. Download Tim's intro and first set of chapters from Running Down a Dream.

Tim finally makes it to the middle of the middle build and gets Shawn feedback on what to do next.

If you've struggled with building a believable, cohesive world for your novel, then this is the episode for you. Also, Tim's goes on a rant about the show Altered Carbon.

Tim finally makes a breakthrough on his middle build and Shawn discusses how you can too. Download Tim's scenes from this week's episode.

Shawn and Tim continue the discussion around Die Hard and how it applies specifically to Tim's book. Click here to see Tim's Story Grid spreadsheet of Die Hard.

This week we introduce you to the newest Story Grid project... the Story Grid Editor Roundtable Podcast. Listen as a panel of editors walks you through the movie Alien. Click here to see all the episodes of the Story Grid Editor Roundtable Podcast.

Tim spent some of the holiday break putting Die Hard through the Story Grid spreadsheet. He has some observations and questions to run by Shawn. Click here to see the Die Hard Story Grid Spreadsheet.

Shawn and Tim discuss one of the most important Story Grid tools and how to use it.

Shawn and Tim continue working through the Story Grid Editor's Six Core Questions.

There are six questions that can guide your writing from the beginning through drafting and editing your manuscript. Shawn walks you through each one.

There are 5 Commandments for Storytelling that must apply to every part of your story. Shawn and Tim dive back into these fundamental ideas.

There are a lot of commonly held myths about publishing that often derail writers. Shawn and Tim bring their unique perspective to what writers should know about the publishing world and how it really works.

Tim reaches the point where he wants to throw his book away and start over. Shawn is there to talk him off the ledge.

We all hit those times where we don't know whether to rework what we've written or keeping pushing forward. Shawn talks Tim through this decision.

After hearing the listener messages from the 100th episode, Shawn reflects on what the last two years have meant to him... and then we dive back into my story.

In this 100th episode of the Story Grid Podcast, we here from you the listeners about what this show has meant to you over the last two years.

Are you doing NaNoWriMo next month? If so, you should be getting ready NOW. Shawn walks you through how to use the Story Grid to prepare for writing an entire novel in one month.

When you get stuck or lost in your story, how do you find your way? Shawn and Tim discuss this as a follow up to last week's episode.

As Tim finished up the Beginning Hook and enters the Middle Build, a very important question comes to light. Download Tim's Beginning Hook.

This is episode 96. We're almost to the two year anniversary of the show. Tim spends a bit of time reflecting on the past, present, and future of the Story Grid Podcast. To share your story, visit: http://storygrid.com/tell

Shawn continues answering questions from listeners about genre, the hero's journey, and more. Questions answered in this episode: Can the mentor also be the villain? Practical ways to workshop and come up with story ideas and to find inspiration. What core components make up a story premise? How can I use the Story Grid methodology in relation to short story? What novels do you recommend for studying the Redemption Plot and the Education Plot? Shawn and Steven Pressfield have worked together on many epic war novels. What are the obligatory scenes and conventions of the war genre? In the horror genre you put aliens under both uncanny and supernatural, is that because it depends on how they will be viewed in the story?

Tim continues throwing your story questions at Shawn. Submit your questions for future episodes at twitter.com/storygrid. Can you talk more about the Society genre, please? Does this lend itself better to a mini-plot story (with multiple protagonists) than an arch-plot story? How do you go to "the end of the line" in a story like The Accidental Tourist? Clearly, the stakes are not life or death, so how do you show a fate worse than death? How do we track sub-plot on the one-page Foolscap Global Story Grid? Or, do we track them at all? In the Action genre, Clock subgenre, the book gives four sub-subgenres with different villain types driving the plot: Ransom, Holdout, Countdown, and Fate. In Fate, Time itself is the villain, and the example is Back to the Future. Does that last one apply only to time-travel stories? How do “Time” and “Circumstances” differ as clock devices/villains? Is deus ex machina ever a good thing? What are the values at stake for a non-fiction? What do recommend writers do about writer’s block? What has Shawn learned through this process? Has he changed his mind about anything since working with Tim? Is there an ideal time to engage an editor and/or beta readers?

A Q&A with Shawn Coyne. Tim took questions from Twitter and Facebook and spends an hour going through them with Shawn. Questions asked: Can you tell us how making a story with multiple protagonists works with the hero's journey? Like in Game of Thrones? In a love story, does the All Is Lost scene necessarily have to the be Lovers Break Up scene? Global Value Shifts: In The Story Grid, you give two core values per internal and external genre. For example, the core values for thrillers life/death, and for maturation it's naivete/worldiness. However, when we actually start to plot our stories, the move from one value to another is gradual. That is the value shift moves from life to unconsciousness to death to damnation (THRILLER) and naivete masked as sophistication to naivete to cognitive dissonance to sophistication (MATURATION). Is this value progression consistent within a genre? That is, do all thrillers follow the same progression as Silence of the Lambs, or is it only the life/death that is consistent. Likewise, would all maturation plots follow the progression you outline for Pride & Prejudice, or is it only naivete/worldiness that is consistent? I would love to Shawn to explain the difference between the Worldview sub-genres, and the subtleties between what makes one maturation vs education for example. So often a character learns something, some lesson or comes to greater understanding about a truth but I have trouble differentiating if it's a maturation vs education vs revelation. Kramer vs Kramer for example...is this an education plot? How evenly would you space the K-Ross points through a story? Does it even matter? Or are they just guidelines for the emotional arc?

In this wide ranging episode, Shawn and Tim discuss the best ways to help your fellow writers become better at their craft.

What does it mean to apply specificity to a non-fiction story? It's a tough thing, especially if you're of the literal persuasion. Click here to download Shawn's notes on Tim's Introduction.

Shawn uses the second draft of Tim's introduction to focus in on the craft of writing great non-fiction. Tim's second draft of the Introduction. Tim's additional notes on the theme and structure.

Non-fiction has specific genres, conventions, and obligatory scenes just like fiction, but they are, of course, a little different. Shawn and Tim delve into what it takes to write a great non-fiction book. Make sure you pick up a copy of Perennial Seller by Ryan Holiday.

Now that Tim has finished the first draft of his non-fiction book, Shawn starts working with him through editing.

After a couple months working through the Story Grid tools on Tim's first draft, he's ready to start writing the 2nd draft.

Tim and Shawn continuing building out the Story Grid Graph to evaluate the first draft. See Tim's Story Grid Spreadsheet here.

The next step in editing Tim's first draft is to create a Story Grid Graph. See Tim's Story Grid Spreadsheet here.

Shawn and Tim continue discussing the Hero's Journey as a tool to evaluate the first draft. The Writer's Journey by Christopher Vogler Short version of Vogler's book.

Shawn and Tim dive into the Hero's Journey as a tool to evaluate the first draft. The Writer's Journey by Christopher Vogler Short version of Vogler's book.

Move from the micro to the macro with your first draft. The Foolscap Story Grid will help you put your entire novel onto a single page. Click here to see Tim's Foolscap Story Grid.

After you've gone scene-by-scene through your first draft, it's good to step back and take the macro view of your novel.

Once you have filled out the Story Grid spreadsheet for your first draft, what do you next? Click here to see the spreadsheet and foolscap as Tim works on it.

After the first draft is done, it's easy to get stuck on what to do next. Shawn continues walking Tim through the process of using the Story Grid spreadsheet. Click here to see Tim's spreadsheet of his first draft.

Tim has officially finished his first draft... now what? This is where Story Grid really shines... taking your first draft and making it the best it can be. Click here to see Tim's Story Grid Spreadsheet of his first draft.

Is this really the end? Tim submits the final 8 scenes of his first draft to Shawn for his feedback. Click here to download Tim's full first draft of The Threshing.

Have you ever put off writing a particular scene or sequence in your story? Tim faces that this week and Shawn walks him through it. Download Tim's scenes from this week.

Tim and Shawn talk through the Ending Payoff, steadily working to the end of the book. Click here to download Tim's scenes.

Tim hits some major road blocks on his story. So what's the solution? Also, an important announcement. Click here to download Tim's scenes.

As Shawn and Tim continue discussing the beginning of the Ending Payoff, they venture into a discussion on how to make sure the end of your book pays off everything that came before.

Tim and Shawn keep moving on the Ending Payoff, but also uncover some deeper issues. Download Tim's scenes from this episode.

The Middle Build is done. The Ending Payoff has begun. It took Tim four tries to get the first scenes of the Middle Build right. How long will it take him to get the Ending Payoff right? Download Tim's scenes 44-46.

After a long slog and a few weeks off, Shawn and Tim dive into the final scenes and sequences of the Middle Build. There's plenty of good, bad, and "just cut the whole scene." Click here to download Tim's scenes from this episode.

As Shawn and Tim continue discussing the Middle Build and driving the story with characters or plotting. Click here to download Tim's scenes from this episode.

There are big moments in every middle build that are extremely important to get right. Shawn and Tim talk through these in this episode. Download Tim's scenes from this week.

How do you pace your story to keep readers interesting without moving too fast? Shawn and Tim discuss the correct way to progressively complicate your scenes and sequences to write a killer Middle Build. Download Tim's scenes 23-25.

How to work with a developmental editor and get to a finished, working first draft.

Tim gets much closer with his rewrite of the sequence, but there's still plenty to dial in. How do you identify these moments and how do you make them work? Shawn answers in this episode. Download Tim's Scenes 17-22.

You have a scene that's not working, but you can't figure out why. What do you do? Shawn takes Tim back to the 5 Commandments of Storytelling. Click here to read Tim's Scenes 17-20.

Shawn gives feedback on Tim's first Middle Build sequence and shares principles on how to do it right. Download Tim's Scenes 12-17.

Shawn always talks about how important it is to know your genre, but it's sometimes a bit fuzzy figuring it out. Tim is in this spot now so Shawn walks him through it.

The Middle Build is the longest and most complex section of your novel. Figuring out how to plan it and pace it is really tough. Shawn and Tim dive in on how to do this. Download Tim's current Middle Build Scene/Sequence list.

How long does it take to write a great book? Some writers crank it out in a few weeks. Tim is taking much longer. What's the timeline on books? Here's the video we reference.

Shawn and Tim recently spoke at Tribe Conference 2016. This is a recording of that talk. They discuss going pro, the hero's journey, and several other topics. Click here to watch the video of Shawn and Tim's talk.

The 4 questions you have to answer to establish the setting of your novel. Download Tim's world document.

Tim makes the mistake of diving into his middle build before he's really planned out the world. Shawn walks him through how to do this and what makes a great world for your novel. Download Tim's scenes from this episode.

Once you have a working Beginning Hook, it's time to move into the Middle Build. This makes up 50% of your book and can be overwhelming at the start. Shawn and Tim discuss how to dive in. Download Tim's Scene 12 draft.

Shawn and Tim discuss the last sequence in the Beginning Hook and getting started on the Middle Build. Download Tim's scenes from this episode.

Shawn critiques Tim's latest scenes, and how you can move into planning and writing sequences. Download Tim's Scenes 5-7 discussed in this episode.

Part 2 on the love story genre. Shawn and Tim dive into the genre conventions, obligatory scenes, and how you can write a great love story.

If you had to pick one genre to master, what should it be? Shawn answers the question in this week's episode.

Tim finally nails his scene. What changed? And what is the right process for going from draft to a working scene? Click here to download Tim's scenes from this episode.

Shawn and Tim answer a few questions from listeners and then dive into more rewrites of Tim's scenes. Submit your questions on Twitter @storygrid. Download Tim's Scene 4 Rewrite.

How do you take scenes that don't work and rewrite them? Shawn and Tim walk through best practices and common pitfalls.

Shawn continues working through the Story Grid for Tim's beginning hook. Downloads for this episode: [Tim's Beginning Hook Scenes][1] [Shawn's Notes on Tim's Beginning Hook][2] [Story Grid Spreadsheet for Tim's Beginning Hook][3]

Tim has finished the first 11 scenes of his book -- the Beginning Hook -- and Shawn wades into his critique on where he did well and where he... didn't. Downloads for this episode: Tim's Beginning Hook Scenes Shawn's Notes on Tim's Beginning Hook Story Grid Spreadsheet for Tim's Beginning Hook

The 4 categories of non-fiction and how the Story Grid applies to them.

This week we talk with PhD candidate Andy Reagan who is one of the researchers behind the Hendonometer Shawn and Tim discussed a couple weeks ago. Andy shares where they are at with the research and they discuss the implications for writers in the future. Check out the Hedonometer.

What does it take to move from amateur to professional as a writer? Tim and Shawn discuss this in depth and share their experience.

New research shows there are only 6 stories that every book is based on. Shawn and Tim discuss the implications of this and how it applies to Tim's story. Data Mining Reveals the Six Basic Emotional Arcs of Storytelling Click here to download Tim's Scene Two.

A good developmental editor is mentoring an author through their book. That comes with some basic frustrations, especially when the editor is coaching a newbie like Tim. Shawn shares his views on this along with his new math equation... M + TEⁿ = IF. Click here to see Shawn's edits of Tim's first scene. For those using Word/Pages, you'll be able to see the exact edits he made. Click here to see Shawn's article Is "Good Enough" Good Enough?

How do you get the stakes and tone of your scene right? As Tim begins to understand how to write a better scene, he struggles with going to far. Shawn works with him on how to write a great opening scene that doesn't go too far. Here are the scenes Tim and Shawn discuss: Take One Take Two

Who drives the story? This is a harder question to answer than you think. Shawn and Tim dive deep in this question. Steven Pressfield's The Spine of the Story Shawn and Tim's Emails Tim's story outline he sent to Shawn to look over. Shawn's response. Tim sent Shawn his short story in the Tales from Pennsylvania anthology. Shawn's response.

In this three part series, Shawn and Tim discuss the ins and outs of the publishing industry. Learn how to work with your publisher and market your book. How to Pick the Perfect Book Title.

In this three part series, Shawn and Tim discuss the ins and outs of the publishing industry. Learn how to find an agent and sell your book to a major publisher. Click here to visit Publisher Marketplace.

In this three part series, Shawn and Tim discuss the ins and outs of the publishing industry. They share their backstory and answer the question, "Should I indie or traditionally publish my book?" Click here to see the Book Publishing Calculator.

Learn how to fight Resistance and launch your writing career with the amazing Steven Pressfield. Check out his new book No One Wants to Read Your Shit.

Learn how to fight Resistance and launch your writing career with the amazing Steven Pressfield. Check out his new book No One Wants to Read Your Shit.

Tim and Shawn work to nail down the specifics for the second draft. Narrative device is a big topic along with nailing down the big events in your story.

Is Shawn killing Tim's creativity? This episode starts with that question then moves into deep genre questions and how to use Internal and External genres to tell great stories.

This is the first episode that Tim gets noticeably frustrated. Shawn is trying to teach him how to avoid cliches, hit the right conventions for his genre, and make sure his character's motivations are clear. Unfortunately, Tim is having a hard time catching on.

This is an epic episode. Shawn and Tim talk through finding a marketable genre and how to build a book that fits. Then, once the episode was over, they keep talking with the mics on for another half hour. This is a great behind-the-scenes episode.

After a week of Tim floundering with his first draft, Shawn starts to rescue him from the pit of despair. Of course, they go back to genre to find the way home. This is a wide ranging episode on how you can start picking up the pieces of your first draft.

This was a haps episode for Tim. Shawn has now read the manuscript and gives his feedback and next steps. They also discuss the two questions you should ask your first draft. If you missed it last week, here's the link to Tim's first draft.

Tim has finished his first draft and Shawn gives advice on what happens next and what questions Tim should be asking himself. If you'd like to read Tim's first draft, you can download it by clicking here.

Shawn and Tim discuss unconventional ways to become a better writer. Topics include chicken sexing, Deliberate Practice, and many other things. Also, Tim's now trying to track down a cadaver he can use.

How can you get more writing done? Is the "wall" even real or just in your head? To learn more about the Colemak, click here.

Another wide ranging episode that eventually lands on an important question. Kurt Vonnegut said "You cannot be a good writer of serious fiction if you are not depressed." Is this really true?

A wide ranging episode where Shawn and Tim discuss a new way to think about beginning hooks, the high concept "What if?" pitch, when to open the door and get other writer's feedback, and how the "Power of 10" will help your editing process. Also, checkout the website The Write Practice. It has inspiration, writing prompts, and daily content to help you become a better writer.

It was at 8000 words in that Tim realized his writing was terrible. So how does he keep going? Shawn offers his advice on overcoming this and other types of resistance.

What is your theme or controlling idea, and how does it help you tell a better story? Tim and Shawn also discuss how to avoid getting caught in analysis-paralysis and how to build your world the right way.

As Tim begins to plot and outline his story, he gets Shawn's input on exactly how to do it. This process is filled with potential time wasters and distractions, and Shawn helps Tim avoid them. Discussed is how to name characters, when to worry about the length of the outline, and other common pitfalls. Download Tim's initial Foolscap Global Story Grid worksheet. Download the first draft of Tim's outline for the first 17 scenes.

How do great writers actually get their writing done? Shawn and Tim delve into this along with combating fear and reaching your goals. Click here to see Tim's Story Grid of Harry Potter and the Sorcerer's Stone.

Talking about Story Grid is one thing, putting it into practice is quite another. Tim struggles with applying Story Grid to Harry Potter. In addition, specificity, ins and outs of publishing, and more. Click here to view Tim's Story Grid of Harry Potter.

The Hero's Journey and how it works with Story Grid. The characters and scenarios. Also, how to learn from one book to write your own.

Tim writes another scene for Shawn to critique. Click here to download Tim's scene.

The question every author gets... "Where do you come up with story ideas?" Also, how to write characters that are truthful, even when you can't relate with them.

Shawn explains how Story Grid can help you be a better non-fiction writer. Also, the editing process and how to know when your book is "done".

How do you write an opener for your book that grabs people's attention and doesn't let go? Shawn shares great insights on this along with how to develop believable characters.

Learn the units of story telling -- beats, scenes, sequences, acts, etc -- and how they make you a better writer and editor.

Learn the 5 commandments of storytelling and how it will make your story better. We mention the transcript of George Lucas, Steven Spielberg, and Larry Kasdan discussing the creation of Indiana Jones. You can see that here.

Learn how the Story Grid works with Andy Weir's The Martian and Charles Dickens's A Christmas Carol. Click here to download Shawn's Foolscap Story Grid for The Martian. Click here to download Shawn's Foolscap Story Grid for A Christmas Carol. Click here to download Tim's Foolscap Story Grid for The Martian.

How does the Kübler-Ross model from psychiatry apply to your writing? Also, how to develop your characters and applying the Story Grid to non-fiction.

How can narrative device make your storytelling easier? We also discuss the two types of inciting incidents and how the Story Grid applies to he movie Dead Calm.

Story Grid Math. How many scenes, words, turns does your book need? Also discussed is the 5 commandments of storytelling and Tim's attempt at a rewrite. Click here to read Tim's scene rewrite.

In this episode, Shawn and Tim deep dive into the editing process. They discuss when to start working with an editor and the six questions every (good) editor is asking. They also talk macro vs micro story and the the five different parts of every story. Lastly, click here to download the full 14 page critique Shawn did of Tim's first scene.

Shawns critiques (rips apart) Tim's first scene. Along the way, they discuss Agatha Christie, Wes Craven, Hemingway, and Freddy Krueger. Homework was given in this episode to watch Dead Calm and read Hemingway's Hills Like White Elephants. Click here to download and read Tim's scene discussed in this episode.

How does The Martian work with The Story Grid? Plus, we discuss how to make sure your story is good before writing 100k words and the difference between Internal and External genre.

How does Stephen King do it? Plus, Shawn and Tim talk about flailing as a writer and how good character development is really done.

Shawn and Tim dive deeper into genre and how to find the best internal and external conflicts. Along the way they discuss the hero's journey, love stories, and a woman from the sea.

Shawn and Tim discuss literary vs commercial fiction and start diving into the giant subject that is genre. When It Comes To Book Sales, What Counts As Success Might Surprise You

How can you become a better writer? Join Shawn Coyne, a bestselling editor with 25+ years experience, and Tim Grahl as they dive into the craft of story telling. In this episode we discuss how publishing works and what an editor does, along with what the Story Grid is and how it can make you a better writer. Mentioned in the show: On Writing by Stephen King Scrivener Story Grid website