Unfortunately some scheduling issues pushed back our recording of #Pratchat80, and unfortunately we aren’t going to be able to bring you that discussion of Making Money until until October. But it has been a very long time since we talked about Going Postal, so Ben thought you might like a recap to tide you over - plus a discussion of some of his favourite Discworld book covers, prompted by subscriber Ian! We’d love to hear about your favourite covers, from any of the various editions of Pratchett’s works! Let us know about them using the hashtag #Pratchat79A on social media, or get in touch via email or our subscriber Discord. You can find various covers of the Discworld books via the L-Space wiki, or via the Internet Speculative Fiction Database at isfdb.org. For the isfdb, make sure you choose “Fiction Titles” below the search box when searching for a specific book, then scroll down to the bottom of the list of editions and click the link which says “View all covers for [Book Title]”. Note that not all the covers Ben mentions are at those two sources; we’ve linked to other sources below where necessary. Ben mentions these favourite covers: The original cover for The Colour of Magic by Alan Smith Pratchett’s own original cover for The Carpet People (the image isn’t as small as Ben remembered) The new Penguin paperback designs by Leo Nickolls, incorporating Paul Kidby’s artwork, especially Moving Pictures. (The link is to the L-Space page Ben put together for these editions, which also gives you handy links to all the books in the wiki.) Paul Kidby’s covers for the first UK editions, in particular Night Watch, Going Postal and The Science of Discworld, plus the back cover of the original hardcover edition of The Last Hero Josh Kirby's covers for Eric (the original large format edition), Small Gods, and especially Reaper Man The cover for the graphic novel adaptation of Small Gods by Ray Friesen The Penguin 25th Anniversary edition of Hogfather, with art by BoomArtwork The American hardcover edition of Raising Steam, with art by Justin Gerard The Mai Més Catalan editions with covers by Marina Vidal, especially Equal Rites and The Amazing Maurice and His Educated Rodents We discussed Going Postal way back in 2020, in #Pratchat38, “Moisten to Steal”, with guests Nicholas J Johnson and Lawrence Leung. We’ll be back in October with #Pratchat80 discussing Making Money with guest Stephanie Convery.

Recorded live at the Australian Discworld Convention in Tarntanyangga (Adelaide), Karen J Carlisle and Tansy Rayner Roberts join us on stage to discuss short fiction, Death and the (sort of) last of Terry Pratchett’s Discworld short stories, 2004’s “Death and What Comes Next”. Somewhere in time and space, a philosopher lies on his deathbed...and Death has come to collect. Only the philosopher isn’t convinced he’s real, or that any of this is even happening. Will “quantum” and cats in boxes be enough of an argument to dissuade Death from his job? Created for the now defunct Time Hunt puzzle website, “Death and What Comes Next” was written somewhere between 2002 and 2004. At under 1,000 words it’s one of Pratchett’s shorter pieces of fiction, and contains several jokes he’d go on to re-use elsewhere, as well as a word puzzle which provided a code word for Time Hunt site. You can read the story for free at the L-Space Web, which also hosts fan translations in many languages. Despite its placement in A Blink of the Screen, is this truly a Discworld story? Have you tried to solve the puzzle? How would you challenge Death to delay the time of your passing - and have you thought about what an encounter with the Discworld Death might be like for you? And is Death at his funniest here, or do you have other favourite Death moments? Join the conversation by using the hashtag #Pratchat79 on social media. Guest Tansy Rayner Roberts (she/her) is a Tasmanian author of sci-fi, fantasy, cosy crime and much, much more. Her essay series Pratchett’s Women was collected into a book, and her follow up series on Pratchett’s men, “Men Who Respect Witches”, can be found at the online magazine Speculative Insight. Her latest novel is a time travel comedy called Time of the Cat, and you can find Tansy online at tansyrr.com and as @tansyrr on social media. Tansy was also a guest on our previous live episode, “A Troll New World”, recorded at Nullus Anxietas 7 in 2019. Guest Karen J Carlisle (she/her) is a writer and illustrator based in Adelaide whose work spans Victorian mystery, steampunk, fantasy and yes, even (mostly) cosy murders. She has some new writing in the works, but her recent “Jack the Ripper thing” is Blood Ties, which you can find via her website, karenjcarlisle.com. You can also find her on Instagram, Twitter and various other social platforms as @karenjcarlisle. As usual, you can find notes and errata for this episode on our website. Next month it’s back to the books as we rejoin Moist von Lipwig for Making Money! Send us your questions about the book ASAP using the hashtag #Pratchat80.

It’s the final leg of the Long Journey as Joel Martin and Deanne Sheldon-Collins answer our Invitation! Both previous Long Earth guests return to discuss the fifth and final of Terry Pratchett and Stephen Baxter's collaborations, the 2016 novel The Long Cosmos. It’s 2070, and a message has been received across the Long Earth: “JOIN US.” Joshua Valienté hears it and gets one of his headaches, but he’s still mourning the death of his ex-wife Helen, so he rejects the call to adventure. He goes off alone into the High Meggers, despite multiple warnings that he’s too old for this shit. Meanwhile Nelson Azikiwe finds and loses a new family, and goes in search of Lobsang for help. And the Next find that the Invitation is more than two words long, and put into action far-reaching plans to bring everyone together to follow its instructions... The last of Pratchett's novels to be published, The Long Cosmos brings the series to a close. (If you need a recap, see our “The Longer Footnote” bonus episode.) Like the previous book, The Long Utopia, this one also takes place on a relatively small number of Earths - but it has its gaze fairly firmly fixed on the stars above, and wears its influences (especially Carl Sagan’s Contact) on its sleeve. Who got their epic first contact novel in our weird parallel worlds travelogue? Is this where you thought the story would go? What would your friends be able to predict about you if they kept a detailed spreadsheet? After five books, is this a satisfying conclusion? Join the conversation by using the hashtag #Pratchat78 on social media. Guest Joel Martin (he/him) is a writer, editor and podcaster now based in the UK. He previously hosted the writing podcast The Morning Bell, and produced The Dementia Podcast for Hammond Care. Joel’s previously been on the show to discuss The Long Earth, The Long Mars, The Colour of Magic and The Light Fantastic, making him our most frequent guest. He recommended the 1989 novel Hyperion by Dan Simmons, along with its sequel The Fall of Hyperion. (There are also two more novels in the Hyperion Cantos series.) Guest Deanne Sheldon-Collins (she/her) is an editor and writer in Australia’s speculative fiction scene, working for Aurealis magazine, Writer’s Victoria, the National Young Writer’s Festival, and as co-director of the Speculate festival. Deanne previously joined us for The Long War and The Long Utopia. She once again recommended Pratchat listener favourite, Martha Wells’ series The Murderbot Diaries, which consists of seven novels and novellas. The first is 2017’s All Systems Red. As usual, you can find notes and errata for this episode on our website. We’re off to Adelaide to be guests at the Australian Discworld Convention, where on Friday 12 July we’ll be recording a live episode with authors Tansy Rayner Roberts and Karen J Carlisle! We’ll be discussing Pratchett’s Discworld short fiction “Death and What Comes Next”, and probably more broadly how Pratchett writes about Death (and death). The story is available online at the L-Space Web. We’ll mostly be taking questions from the live audience, but you can also share yours via social media (if you’re quick!) using the hashtag #Pratchat79.

Our July episode about The Long Cosmos, fifth and final of the Long Earth series, is arriving on time! But we still thought you might appreciate a recap and reminder of what happened in the previous four novels. Was this helpful? Were you annoyed by the slight inaccuracies made for brevity? Do you double-dare us to do this for the Discworld series as whole? (Please don’t...) Let us know what you think, using the hashtag #PratchatPreviously2 on social media, or get in touch via email or our subscriber Discord. The previous recap, “The Long Footnote”, has a bit more detail on the first three books. Pick up the story in #Pratchat78, “One Step Beyond”, with Joel Martin and Deanne Sheldon-Collins discussing The Long Cosmos. It should be out by the time you finish listening to this recap!

Writer, filmmaker and creative director Lucas Testro joins Liz and Ben on a trip down under to the Other Place as we discuss Terry Pratchett's first ever published short story, 1963’s “The Hades Business”. Shady advertising man Crucible arrives home to find none other than old Nicholas Lucifer waiting for him in his study. But he hasn’t come to take him to eternal damnation. Instead, the Devil has a business proposition for Crucible: he want to make the public conscious, Hell-wise... At age thirteen (actually fourteen), the young Pratchett scored full marks for this story as a school assignment, encouraging him to try his luck with the editor of his three favourite spec fic magazines. And it worked! As the legend goes, he used the whopping £14 he was paid for the story to buy his first typewriter, and the rest is history...with a few bumps and detours along the way, of course. Was the young Pratchett a genius? Do you know any fourteen-year-olds who’ve been published alongside Michael Moorcock and Harry Harrison? Are we way too harsh on a story written by a teenager, or is it fair game as an exercise in working where the author of Night Watch and Nation got his start? And what afterlife would you sell - and with what slogan? Get down with this episode’s conversation using the infernal hashtag #Pratchat77. Lucas Testro (he/him) is writer, filmmaker and creative director based in Melbourne. He’s worked in theatre, television and short film, including the time travel farce I’m You, Dickhead and superhero comedy Capes. He’s worked in a variety of capacities with youth creative writing centre 100 Story Building. In 2022 he founded Social Storylab, a media production house that seeks to use persuasive marketing techniques for social good. (He’s kind of the anti-Crucible.) You can find Lucas online at manwithajetpack.com, and his excellent three-part audio documentary about mysterious Doctor Who writer Donald Cotton is available via donaldcotton.com or to stream on Soundcloud. As usual you’ll find comprehensive notes and errata for this episode on our website. Next episode we finish a long-term goal: the end of the Long Earth series, with the fifth and final novel, The Long Cosmos! We’ll be joined by previous Steppers Joel Martin and Deanne Sheldon-Collins. Get your questions in by ASAP using the hashtag #Pratchat78 on social media, or email us at [email protected].

It’s the 25th of May, which can only mean one thing: Geek Pride Day! Or Towel Day. Or the Glorious 25th of May and the Battle of Treacle Mine Road...okay, that's three things. Why not add one more? This is the Pratchat Eeek Club: a bonus episode discussing Terry Pratchett-related topics selected by our "Eeek" tier subscribers. This year, the topics are: So it's been a few years of the Podcast. How are you guys holding up? How could one Discworld character use their skills and influence to change the patriarchal nature of the Disc? What is an unwritten Discworld story for you, e.g. maybe a head canon of a specific character, or a general arc of how things came into being or changed on the Disc? Why no gays? (On the Discworld.) Like learning how to not use magic is the whole point of magic, what have you had to learn not to do to make your life easier/better? What other storylines - other than The Watch - would you like to see turned into a television show? A big thank you to all our subscribers for making Pratchat possible, but especially to this year's Eeek Club contributors: Graham, Karl, Jing, the Caths, Jess and Ellie, Stephanie, Nathan and those we didn’t hear from. You'll find notes and errata for this episode on our website. Want to make sure we get through every Pratchett book - or even choose a topic for next year's Eeek Club? You can support Pratchat by subscribing for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

The scheduling goblins got us this month, and we’ve had to delay our planned short story episode. But while we get that sorted out, Ben’s embracing the chaos - and the theme of Terry Pratchett Day 2024, “Start in the Wrong Place”! Join him as he shares some of your stories of unusual places to start reading Pratchett. If you’d like to honour Terry, you can find a list of his preferred charities (and a recipe for banana daiquiris) at the Terry Pratchett Day page at terrypratchettbooks.com. If you’d like to hear us discuss any of the Terry Pratchett books mentioned this episode, you can find our episodes in our handy list, or this list by book. Or use the Guild of Recappers and Podcasters, where you’ll also find Dining Table Discworld, and the “Starting in the Wrong Place” episode of The Truth Shall Make Ye Fret, which Ben can’t believe he forgot to mention during this episode. You can find the threads of responses at the links below, and add to them by replying, or using the hashtag #PratchatDay2024. Use #TerryPratchettDay as well to really get into the spirit of things! (Note that on several of these platforms you’ll need to be logged in to see some of the responses. Reddit and Twitter had the most if you don’t want to visit them all.) Our Reddit post on r/discworld The Twitter thread (yes, we still refuse to call it “X”) Our Instagram post Our Facebook post The Bluesky thread The Mastodon post We’ll be back next month on the 7Ath; keep an eye on our social media for confirmation of the next book or story, though also listen out in the feed for something before then!

Kiwi writer and poet Freya Daly Sadgrove joins Liz and Ben from Sydney as we adjust our uniforms and march into the horrible realities of war (class, gender and literal) to discuss Terry Pratchett's thirty-first Discworld novel, 2003’s Monstrous Regiment. Polly Perks has cut off her hair, put on some trousers and joined the army under the name of Oliver, all so she can find her strong but gentle-minded brother, Paul. Is soon turns out that her regiment, led by the infamous Sergeant Jackrum who swears to look after “his little lads”, is quite possibly the last one left in all of Borogravia. In her search for Paul, Polly will have to deal with the enemy, the free press, a vampire who might kill for a coffee, Sam Vimes, and The Secret: she might not be the only impostor in the ranks... Coming in between the first two Tiffany Aching novels, Monstrous Regiment - which is also monstrous in size, possibly Pratchett’s second longest novel - is the last truly standalone Discworld story. It introduces a wonderful cast of characters who, sadly, we’ll never see again. Not only that, but it gives major supporting roles to old favourites Sam Vimes and William de Worde, with a side order of Otto von Chriek! Critics at the time compared it to Evelyn Waugh, Jonathan Swift and All Quiet on the Western Front, and it remains one of Pratchett’s most beloved and celebrated novels - both for what it says about war, and about gender. Did you know The Secret before you read Monstrous Regiment? What’s it like re-reading it when you do know? How do you feel about the ending(s)? How does Pratchett’s handling of gender hold up against our modern understanding? What would you prohibit, in Nugganite fashion? And would you rather have a type of food or clothing named after you? Get on board the conversation for this episode with the hashtag #Pratchat76. Freya Daly Sadgrove (she/her) is a pākehā writer and performance poet from New Zealand, currently living in Sydney. Her first book of poetry, Head Girl, was published in 2020 by Te Herenga Waka University Press, and she is one of the creators of New Zealand live poetry showcase Show Ponies, which presents poets like they’re pop stars. Her first full-length live show, 2023’s Whole New Woman, blended poetry with live rock music. Freya has a website at freyadalysad.com (though it might not be available at the moment), and you can also find her as @FreyaDalySad on Twitter. As usual you’ll find comprehensive notes and errata for this episode on our website, including lots of photos of the components we discuss. Next episode we're discussing two short stories about animals: “Hollywood Chickens” (found in A Blink of the Screen) and “From the Horse’s Mouth” (from A Stroke of the Pen). Our guest will be the author of The Animals in That Country, Laura Jean McKay. Get your questions in by mid-April 2024 by replying to us or using the hashtag #Pratchat77 on social media, or email us at [email protected].

Our Monstrous Regiment episode still isn’t quite ready, so we’ve had to push it to April. In the meantime, Ben gets nerdy about some recent Discworld and Pratchett news about books and roleplaying games. A few brief notes: “50 Years of Terry Pratchett” was actually announced in November 2021, marking fifty years since the publication of The Carpet People in 1971. (In Ben’s defence, those early pandemic years all blur into one.) It kicked off with a new print and audiobook edition of that book; the new audio version was read by David Tennant! The new Discworld audiobooks and paperbacks from Penguin were published between 2022 and 2023, though the audiobook of Hogfather was released early for Christmas 2021, using the same artwork as the 25th anniversary paperback edition. For more on the books released as part of 50th anniversary celebrations, see the L-Space wiki “50 Years of Terry” article. You can check out the cover design for the new edition of The Last Hero on the Gollancz website. The new paperback edition of Eric was published on 23 February 2023. The new audiobook, read by Colin Morgan, had been previously released with the other Wizards books on 7 July 2022. The Collector’s Library edition of Dodger can be seen in the terrypratchett.com announcement. You can see the “Forty Years of Discworld” logo at terrypratchett.com. The “Year of Discworld” was announced on the day of the fortieth anniversary, promising “more on that soon”. Both the terrypratchett.com announcement and Modiphius announcement for Terry Pratchett’s Discworld: Adventure in Ankh-Morpork include links to Modiphius’ fan survey (it's a Google form). Modiphius also has a mailing list you can sign up to for more news. Ben forgot to mention this, but Modiphius’ license is for Discworld “tabletop games”, including board games. No news on those yet, though! We’ll be back with #Pratchat76, our proper Monstrous Regiment episode on 8 April. Then in May we'll be reading “Hollywood Chickens” (which you can find in A Blink of the Screen) and “From the Horse’s Mouth” (from A Stroke of the Pen, or in earlier form as “Johnno, The Talking Horse” in The Time Traveling Caveman and Other Stories) with guest Laura Jean McKay. Send in your questions about those stories via email, or using the hashtag #Pratchat77 on social media.

Our Monstrous Regiment episode won’t be ready until later in the month, but we didn’t want to let International Women’s Day pass without some kind of comment. So here’s a mini episode in your feed recommending some other Pratchett and Discworld podcasts hosted by women and non-binary folks. Here’s a list of the Discworld podcasts Ben mentioned: The Truth Shall Make Ye Fret, hosted by Francine Carrel and Joanna Hagan. They covered Monstrous Regiment over three episodes in April 2023: “[REDACTED]”, “The Implication of Hippo” and “Gender is a Fake Drug”. You can support them on Patreon. Disc Coverers, hosted by Iris Jay, Grace Lovelace, Balina Mahigan, and Juniper Theory. Nanny Ogg’s Book Club, hosted by Tessa Swelha and Nigel. Their Monstrous Regiment episode was in September 2023. Teaching My Cat to Read, hosted by Eli, M, Ro and Lotti. You can support them on Ko-Fi. Fiction Fans, hosted by Sara and Lily. You can support them on Patreon. Other links from this episode: Our wiki indexing Discworld podcasts is the Guild of Recappers and Podcasters. There’s a page for Monstrous Regiment listing all the episodes discussing it. The Melbourne-based charity is independent feminist organisation the Victorian Women’s Trust. They’ve produced their own podcasts, including Money Power Freedom, which was co-hosted by Cal Wilson. We won’t link to it, but don’t go to internationalwomensday.com; instead you want the official UN Women site, unwomen.org. Our April episode, #Pratchat77, will be with guest Laura Jean McKay, author of The Animals in That Country. We’ll be discussing the short stories “Hollywood Chickens” from A Blink of the Screen, and “From the Horse’s Mouth” from A Stroke of the Pen. An earlier version of “From the Horse’s Mouth” is “Johnno, the Talking Horse”, which was collected in The Time-Travelling Caveman and Other Stories, and in deluxe editions of The Witch’s Vacuum Cleaner and Other Stories.

In this very three-quarters-of-a-century episode, Liz, Ben and guest Dr Melissa Rogerson get out the eight-sided dice and roll for initative - or at least cunning - as we play the 2011 board game, Guards! Guards!, designed by Leonard Boyd and David Brashaw, and based on the Discworld novels by Terry Pratchett. The eight great spells have escaped from Unseen University's library, ready to unleash chaos on Ankh-Morpork! Thankfully Commander Vimes has taken charge. He's assigned members of the Watch (that’s you) to liaise with four of the Guilds to round up volunteers and bring those spells back. But Guild rivalries run deep, and surely the Patrician will look kindly on whoever saves the day the most. So if one of the other Guilds’ volunteers should go missing or explode or fall into the Ankh, your Guild would only be too willing to shoulder more of the burden of saving the city... Created by two Irish Discworld fans who approached Terry with the idea (see David Brashaw’s great interview with The Truth Shall Make Ye Fret), Guards! Guards! A Discworld Board Game sees players roaming about a hexagon-based map of Ankh-Morpork collecting Discworld characters, casting spells from scrolls, equipping magic items and occasionally fighting dragons. Which sounds suspiciously like a very different kind of game... Originally published in 2011 by BackSpindle Games and Z-Man Games, and reprinted with a revised rulebook in 2012, Guards! Guards! was a hit with fans - but board game hobbyists were less enthusiastic. Have you played Guards! Guards! - and if so, how long did it take you? Do you like the kind of game where being mean to the other players is part of the fun? Do you think it captures the essence of the source material, and if so, which books in particular? Is this the best name for the game, or do you have a better suggestion? (Ours was Guilds! Guilds!) And should we play an exhibition match at the Australian Discworld Convention, of this or one of the other games? We’d love to hear what you think: use the hashtag #Pratchat75 to join the conversation. Dr Melissa Rogerson is a Lecturer and Assistant Professor in the School of Computing and Information Systems at The University of Melbourne. She was last on for #PratchatPlaysThud, “The Troll’s Gambit”, discussing the first Discworld board game in Nivember 2022. Melissa’s current research is about hybrid games which use both physical and digital components, as well as the possibility of using games to tell the stories of older people. You can find out more about her work at hybridgameresearch.net, melissarogerson.com, or find her on Twitter and Mastodon as @melissainau, and on BoardGameGeek as melissa. (A mentioned last time, Ben is on there too, as beejay.) As usual you’ll be able to find notes and errata for this episode on our website...but not just yet. Watch this space! Next episode we’ll be discussing a Discworld novel for the first time in ages - and not just any Discworld novel, but one of the most beloved! Yes, for #Pratchat76 we’re finally talking about Monstrous Regiment. Get your questions in before the last week of February to give them a chance of getting on the show! Use the hashtag on social media (Mastodon, Twitter, Facebook, Instagram and BlueSky), or email us at [email protected].

In this very special Hogswatch-adjacent episode of Pratchat, Liz and Ben don’t discuss a Terry Pratchett book! Instead, they interview Rhianna Pratchett and Gabrielle Kent, authors of Tiffany Aching’s Guide to Being a Witch. Tiffany Aching’s Guide to Being a Witch is a new lavishly illustrated guidebook to witchcraft, compiled by the famous young witch of the Chalk - with a little help from her friends, of course. Granny Weatherwax, Nanny Ogg, Miss Tick, Mrs Letice Earwig and more have all annotated the manuscript - as have Tiffany’s fairy allies and protectors, the Nac Mac Feegle. We’ll return to the book for a regular discussion in a future episode, but for now, please enjoy our chat with Rhianna and Gabrielle - though note that as Tiffany Aching’s Guide is set after The Shepherd’s Crown, you might catch a couple of brief spoilers for the final Discworld novel in this interview. The same is true for their previous appearances on our spiritual sibling podcasts, The Truth Shall Make Ye Fret and The Compleat Discography, which you will probably also enjoy. You can send us comments and questions about this episode using the hashtag #Pratchat74. And as usual you can find errata and other notes for this episode on our website. Guest Rhianna Pratchett is a writer best known for her work in videogames, most famously the 2013 reboot of Tomb Raider, and most recently Lost Words: Beyond the Page with Sketchbook Games. Rhianna also works in film and television production, and since 2012 has co-run Narrativia, the company which manages Terry Pratchett’s intellectual property. Rhianna recently made her first podcast series, Mythical Creatures, for BBC Radio 4; find it via your favourite podcast app, or on the BBC Sounds website. You can also follow Rhianna on social media at @rhipratchett on Twitter and Mastodon, and as @rhi.bsky.social on Bluesky. Guest Gabrielle Kent is now best known as a children's author, but worked in videogames as an artist and lecturer for many years. Her books include the Knights and Bikes series based on the videogame of the same name; the Alfie Bloom series about a boy who inherits a magical castle; and most recently Rani Reports, a series about a young aspiring journalist, co-written with her husband Satish Shewhorak. You can find out more about Gabrielle via her website, gabriellekent.com. Gabrielle is also on social media as @gabriellekent on Twitter and Bluesky. Next month we get our game one again as we play and discuss the second published Discworld board game, Guards! Guards!, designed by Leonard Boyd and David Brashaw of BackSpindle Games. Get your questions in via social media using the hashtag #Pratchat75, or send us an email at [email protected].

In this very special Christmas episode, Liz and Ben fly without a guest as they turn the seasonal silliness up to maximum and discuss all eleven stories in Terry Pratchett’s 2017 collection of short Christmas stories, Father Christmas’s Fake Beard. It’s not always easy being Father Christmas. You might be forced out of home by a rogue submarine or the harsh reality of a job where you only work one day a year; you might be sent fifty thousand identical letters by a computer or put on trial for three thousand counts of breaking and entering. But at least you don’t live in Blackbury, where giant pies explode, the snow falls so thick you have to dig tunnels to see your granny, and where weird creatures show up every other day. And you won’t believe the true stories behind some of your favourite Christmas songs... While he later claimed short stories “cost me blood”, Pratchett wrote scores of stories every year while working in his first newspaper jobs between 1965 and 1979, and continued to sell them to his old papers even after he went to work for the Central Electricity Governing Board. These included plenty of Christmas stories - and eleven of them (well...eight plus three wintery ring-ins) from between 1967 and 1992 are collected in this third volume of his early work for children. Have you read Father Christmas’s Fake Beard? Is “Father Christmas” more British than Santa Claus? Do you prefer these (close to) original versions of the stories, or some of the later re-written versions unearthed for A Stroke of the Pen? Have you ever seen one of these stories in their original habitat, the Southwestern British Newspaper? And what should we name our Prod-Ye-A'Diddle Oh team? Join in the conversation on social media using the hashtag #Pratchat73! “Guest” Elizabeth Flux is a freelance writer and editor, and also currently Arts Editor for The Age newspaper in Melbourne. You can find out where Liz’s short fiction has been published via her website, elizabethflux.com. “Guest” Ben McKenzie is a writer, game designer and educator who doesn’t usually work in short fiction. But you can find a few short Twine games on his website, benmckenzie.com.au. As usual, you can find notes and errata for this episode on our website. Next episode we have two actual very special guests: Rhianna Pratchett and Gabrielle Kent! They’re joining us for a chat about their new book, Tiffany Aching’s Guide to Being a Witch. This will be more an interview than an in-depth discussion about the book (which, we feel we should warn you, include spoilers for some key events and characters for The Shepherd’s Crown, but we’ll try to keep those spoilers to a minimum). As well as asking our own questions, we want to ask them yours! So send them in using the hashtag #Pratchat74 or via email to [email protected], but be quick: we’ll be recording on the 15th of December!

24 November 2023 marks forty years since Terry Pratchett's The Colour of Magic was first published. That's right - it's Discworld's fortieth birthday! To celebrate, join Pratchat producer and co-host Ben McKenzie as he - and a bunch of special guests - try to figure out why that book, and moreso the Discworld series it started, have endured for so long. This episode is something of an experiment for Pratchat, and as Ben says during the episode, this can't possibly cover all the reasons why the series is so beloved. We want to hear about your favourite Discworld books, and what it means to you. And we'd love to know what you thought of this episode, and whether you'd like to hear more like it in the future! Tell us via the hashtag #PratchatRuby on social media, or get in touch via email or our subscriber Discord. Huge thanks to everyone who contributed to this episode: Rachel and Jason of the newsletter Better Than a Poke in the Eye (previous known as Discworld Monthly). You can read their thoughts on the fortieth anniversary here: “Celebrating 40 years of Terry Pratchett’s The Colour of Magic”. Marc Burrows, author of The Magic of Terry Pratchett and creator of the one-man stage show of the same name. Adam Ford, poet; find his zines and other gear in his Gumroad shop. Danny (aka Molokov) from Nullus Anxietas, the Australian Discworld Convention, coming to Adelaide in July 2024. Hopefully we'll be there! Ian Banks. Aaron from The Compleat Discography podcast. Pratchat's own Elizabeth Flux. Francine Carrel and Joanna Hagan of The Truth Shall Make Ye Fret. We appeared on their recent episode “Picture Books and Board Games - with Pratchat and David Brashaw”. Our original discussion of The Colour of Magic can be found in #Pratchat14, “City-State Lampoon's Disc-Wide Vacation”, from December 2018. Our December episode will be #Pratchat73, discussing the stories of Father Christmas's Fake Beard. But we are hoping to bring you one more little extra before the year is out. Want to help us get to every Pratchett book? You can subscribe for as little as $2 a month - and that’s cuttin’ our own throats! (Sorry.) Check out our Support Us page for details.

Unlike some DJs, Liz and Ben do take requests - like this month’s short story! They're joined by comedian and DJ Andrew McClelland to spin discs with the soul collector, as they discuss Terry Pratchett's 1989 short story “Turntables of the Night”. John, one half of the “Hellfire Disco” mobile DJ business, is helping the police with their enquiries. His latest gig, a fairly sedate Halloween party, did not go smoothly - and it all revolves around a mysterious visitor to the dancefloor, who had an unusual request for DJ Wayne... Written for Diana Wynne Jones’ 1989 collection of original fiction Hidden Turnings, “Turntables of the Night” came to Pratchett title first. It’s a spooky tale of obsession, records, music and death - or rather Death, appearing outside the Discworld for perhaps the first time in Pratchett’s writing. Is this fantasy or horror? Did Pratchett really know who Ian Curtis was? Who did he call up to get insight into the DJ trade? What would Death ask you to curate for him? Who would be the crown jewel in his collection now? And which of Pratchett’s other short stories do you want us to devote an entire episode to? Join in the conversation using the hashtag #Pratchat72 on social media. Guest Andrew McClelland (he/him) is a writer, comedian and DJ who has often mixed in his other loves, like history, music, DJing and Gilbert & Sullivan, to create the “niche” nerdy and gentlemanly comedy for which he’s known. Andy has also frequently collaborated with #Pratchat38 guest Lawrence Leung. As a DJ, Andy works constantly in Melbourne and did indeed open for Cher during her 2018 Australia and New Zealand tour. His club night Andrew McClelland’s Finishing School doesn’t run as regularly as it used to, but as of this episode it has a 15th anniversary night on 10 November, and an annual 90s night on 24 November. Find Andy on Instagram, Facebook, Twitter (if you must) or at his website djandrewmcclelland.com. Finishing School is on Facebook. As usual, you can find notes and errata for this episode on our website. Next episode we get into the Hogswatch spirit by opening an entire book of season stories, as we discuss the 2017 collection of Pratchett’s children’s fiction, Father Christmas’s Fake Beard. You can send us questions about any of the stories (which we’ll list on our website for reference), or about the book in general, using the hashtag #Pratchat72 on social media. Or send them in via email to [email protected].

Liz and Ben are blessed by two returning guests, the Rev Dr Avril Hannah-Jones and Dr Charlotte Pezaro, as they go on one last visit to Roundworld - this time as clerics, wizards and librarians clash over who should take ownership. It’s Terry Pratchett's fourth and final collaboration with Ian Stewart and Jack Cohen, 2013's The Science of Discworld IV: Judgement Day. Ponder Stibbons has just activated Unseen University's latest “Great Big Thing”, the culmination of six years’ research (and spending) into the frontiers of magical knowledge. It summons a side effect: improbably-named librarian Marjorie Daw, from the even less probable universe in a bottle, Roundworld. Marjorie decides to stick around when she discovers her entire universe is under threat: the Church of the Latter-Day Omnians, who believe the Disc is round, think Roundworld should be theirs. After surviving elves and Auditors, will it be lawyers and priests who decide Roundworld’s fate? This time in the (really short!) fiction chapters, the wizards barely visit Roundworld at all; Ridcully spends most of his time talking to Marjorie, before the last few chapters detail the trial - sorry, hearing - of the century. In the non-fiction chapters, Jack and Ian do talk about science...but mostly about religion. Their big idea this time revolves around Gregory Benford’s ideas of human- and universe-centred thinking. As the fiction pits priests against wizards, you can probably see where this is going. We certainly could, and we’ll be blunt: we didn’t like it. Is this really a book about science? How do the authors’ ideas of “religion” gel with yours - or even Pratchett’s previous books and writing on the subject? What did you think of Marjorie Daw? Do you want us to do a special episode with Avril about Scott Morrison’s book? And were we too harsh on this book? Join in the conversation using the hashtag #Pratchat71 on social media. Guest Rev Dr Avril Hannh-Jones (she/her) is a Minister in the Uniting Church. While she should be known for her tireless activism for marginalised communities, most people know her for the Church of the Latter Day Geek: an occasional service where science fiction and fantasy stories serve as parables, and cosplay is allowed in the pews. Avril previously appeared on Pratchat back in 2019 to discuss Small Gods in #Pratchat16. Avril posts weekly Reflections on her blog, Rev Doc Geek, tweets as @DocAvvers, and would love to see you at a Sunday service at North Balwyn Uniting Church. Guest Dr Charlotte Pezaro (she/her) is an educator with a PhD in pedagogy and years of experience communicating science and technology, and shaping how it is taught in Australian schools. She last joined us in 2021 for #Pratchat41 to discuss Nation, which is both Charlotte’s and Pratchett’s favourite Pratchett book. You can find out more about Charlotte at charlottepezaro.com, or her education work at dialogic.com.au. As usual, you can find notes and errata for this episode on our website. Next episode it’s time for another short story: this time a young adult one Pratchett wrote for Diana Wynn Jones in 1989, “Turntables of the Night”. It was originally published in the anthology Hidden Turnings, but you’ll most easily find it in Pratchett’s short fiction collection A Blink of the Screen. We’ll be discussing this tale of record collectors and DJs with superstar DJ and comedian, Andrew McClelland! Have a read and send us your questions using the hashtag #Pratchat72, or via email to [email protected].

Liz and Ben are joined by guest author Caimh “C. K.” McDonnell as they read a very early and very short chapter in the history of the Watch: Terry Pratchett’s 1993 short Discworld story, “Theatre of Cruelty”. When the Watch discover a murdered entertainer with pockets full of change, a string of sausages round his neck, and no witnesses to the crime, the Clues are very unhelpful. But Corporal Carrot is on the case - and when it comes to solving the crime, he knows the way to do it... Written for W H Smith’s free Bookcase magazine - a pristine copy of which now fetches a few hundred dollars - “Theatre of Cruelty” was published not long before the second Watch novel, Men at Arms. It packs more jokes into 1,000 words than most people write in a lifetime, and is also a delightful extra outing with the original officers of the Ankh-Morpork City Watch. But don’t take our word for it: you can read it yourself at the L-Space web. Is it a satisfying murder mystery? Why does Pratchett seem to have a thing for Punch and Judy? And how on Earth did we talk for nearly two hours about such a short piece of writing? Join the conversation - and send us your favourite short stories and cruel bits of theatre - using the hashtag #Pratchat70. Guest Caimh McDonnell is a comedian, writer and author best known for two series of books. The first is the “Dublin Trilogy” comic thrillers, starring Bunny McGarry and a cast of loveable rogues, beginning with A Man With One of Those Faces in 2016 (though see the reading order on his website). The other - as C. K. McDonnell - is the comic urban fantasy series The Stranger Times, about a weird newspaper called The Stranger Times, and beginning with the novel titled...er...The Stranger Times in 2021. Aside from his books you can hear his writing on two podcasts: The Bunnycast for further crime stories, and The Stranger Times Podcast for more Stranger Times. You might also catch him live this Halloween via his Facebook or YouTube accounts! Caimh is on Twitter at @caimh, and his website is whitehairedirishman.com. The Stranger Times series has its own site at thestrangertimes.co.uk. You'll find notes and errata for this episode on our web site. For our October episode, we’re going on one last trip to Roundworld as we read and discuss The Science of Discworld IV: Judgement Day with two special guests, including our old friend and Uniting Church minister, the Reverend Doctor Avril Hannah-Jones. We’re recording around the 25th of September, so don’t delay - get your questions about the book (or the Science series as a whole!) in ASAP via email to [email protected], or on social media using the hashtag #Pratchat71.

We engage the matrix drive and set course for the Discworld that might have been, as EJ Mann joins us to discuss Terry Pratchett’s first attempt at writing a flat Earth, 1981’s Strata. 200-year-old human Kin Arad works for the Company building planets - the traditional, oblate spheroid kind. So when deep space pioneer Jago Jalo shows up wearing an invisibility cloak, and says he’s discovered a flat Earth full of advanced technology, she can’t resist. She’s joined by Marco, a four-armed paranoid Kung pilot who thinks he’s human; and Silver, a huge, gentle, bear-like and potentially ravenous Shand linguist. But the expedition soon goes wrong: betrayed by Jalo, their ship destroyed, the trio are stranded on a bizarre Disc-world full of dragons, demons and humans with strange beliefs. It’s also a duplicate of medieval Europe - but the world is breaking down. It’s a race against time as they journey to the centre of the Disc looking for a means of escape - and something is watching them all the way... Pratchett's third novel, the last before The Colour of Magic changed his life forever, Strata is a direct parody of Larry Niven’s 1970 sci-fi classic Ringworld. Many of Pratchett's favourite ideas, jokes and themes appear here for the first time. You’ll find talking ravens, magic mixed with technology, characters who TALK LIKE THIS and an author taking the fantastic seriously to the point of absurdity. There are even a few bright young things who’ll later make it big on the Discworld, like the Broken Drum and Mrs Widgery’s Lodger. Did you know this was a parody of Ringworld? Does it stands on its own, or is it doomed to live in the shadow of it’s more successful younger sibling? Could Pratchett have made it as a science fiction writer if he hadn’t switched to fantasy? And what standalone novel do you wish would inspire a series of 41 similar-but-different novels? Let us know! Use the hashtag #Pratchat68 to join the conversation. Though not on Bluesky, if you’re joining us there, because apparently they’re too good for hashtags? Guest EJ Mann (they/them) is spec fic fan, occasional spec fic writer (as E. H. Mann), nature nerd and long-time participant and organiser on the Australian convention scene. You can read some of their short fiction at their website, ehmannwrites.com. As mentioned at the top of the episode, EJ currently works for conservation charity Bush Heritage Australia, who work to preserve Australian wildlife by buying and caring for bushland in consultation with traditional owners. You can find out more about them at bushheritage.org.au. As usual, you can find notes and errata for this episode on our website. Next month we get back to the actual, honest-to-Glod Discworld with the short story “Theatre of Cruelty”, which we’ll be discussing with Irish author Caimh McDonnell! You can most easily find the story in Pratchett’s fiction anthology A Blink of the Screen. Get your questions in via social media using the hashtag #Pratchat70 (again, not on Bluesky), or send us an email at [email protected].

We travel from Victorian London to the ends of an Earth as Deanne Sheldon-Collins returns to the podcast to face the consequences of three books' worth of bad decisions in the fourth Terry Pratchett and Stephen Baxter Long Earth novel, The Long Utopia. It’s 2052. Datum Earth is dying a slow death in the wake of the Yellowstone eruption. The Earths next door are building space elevators, while a new way of living emerges in the high meggers. Lobsang has died, Maggie Kaufman has retired, Sally Linsay is off helping settlers, and the Next are covertly recruiting more of their kind to join them in their “utopia”. Joshua Valienté - now fifty and further estranged from his ex-wife and son - says yes when Nelson Azikiwe offers to track down the father he never knew. But Joshua is also having another one of his headaches, which can only mean trouble is brewing in the Long Earth. Sure enough, in the high meggers settlement of New Springfield, fresh pioneers “George” and Agnes discover something is deeply wrong with their new planet. The solution might have long-reaching consequences for all of humanity - and especially for Sally... The first of Pratchett's novels to be published after his death, The Long Utopia feels different to the ones that came before it. (If you need a recap, see “The Long Footnote” bonus episode.) The action takes place mostly on just a few worlds - there’s no picaresque travelogue of weird new Earths. One plot thread goes further back in time than we’ve been before to fill in backstory for one of our main characters, while another stars someone we’ve never met (and won’t meet again). The biggest plot starts like a horror film, but shifts gears into old-school big concept science fiction. Was this what you came to the Long Earth for? Did it feel like a fitting end for...certain characters? Was Pratchett’s voice in there for you, or was something perhaps lost as he moved on quickly to other work he wanted to finish? And if stepping could join up different universes, which of Pratchett’s fictional worlds would you like to talk to one another - and how would stepping change the Disc? Let us know! You can use the hashtag #Pratchat69 on social media. Guest Deanne Sheldon-Collins (she/her) is an editor, writer and a fixture in Australia’s speculative fiction scene, working for Aurealis magazine, Writer’s Victoria, the National Young Writer’s Festival, and co-directing Speculate, the Victorian Speculative Fiction Writers Festival. Deanne didn’t have anything to spruik, but she did recommend - as have many of you! - Martha Wells’ series The Murderbot Diaries, which begin with the 2017 novella All Systems Red. The seventh book, System Collapse, will be published this year. As usual, you can find notes and errata for this episode on our website. We’re getting back on track in August with #Pratchat68, our delayed episode discussing Pratchett’s proto-Discworld novel, Strata, with guest EJ Mann. In September we return to the Disc proper with the short story “Theatre of Cruelty”, which we’ll discuss with UK author C. K. McDonnell. Get your questions in for “Theatre of Cruelty" via social media using the hashtag #Pratchat70, or send us an email at [email protected].

Our July episode about The Long Utopia, fourth of the Long Earth series, is going to be late! To tide you over for the next week or so, here’s a long footnote of a bonus episode presenting a quick recap of the Long Earth so far. Was this helpful? Would you like a recap like this for any of the other series we cover? Do you dare us to do this for the Discworld series as whole? (Please don’t...) Let us know what you think, using the hashtag #PratchatPreviously on social media, or get in touch via email or our subscriber Discord. As mentioned by Ben at the top of this footnote, Liz and Ben appeared alongside hosts from The Truth Shall Make Ye Fret and Who Watches the Watch on the June 18th episode of Al Kennedy’s Pratchett interview podcast Desert Island Discworld, “7A.1 Discworld Podcasters and Eric”. Our own discussion of Eric is #Pratchat7, “All the Fingle Ladies”, from May 2018. Our next episode is still #Pratchat69, with Deanne Sheldon-Collins discussing The Long Utopia. Watch out for it in mid July. Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

We had very little wriggle room this month, so when we couldn't record at the scheduled time, we had to postpone our episode about Strata. That’s still coming for the 25th of June, but to make sure you’re not left hanging, Ben has conjured up this bonus episode on his own! He’ll discuss the latest news in the world of Terry Pratchett - and there’s surprisingly a lot - and also have a quick chat with Danny Sag, Vice-Chair of Nullus Anxietas, the Australian Discworld Convention, to talk about what makes fan conventions - and Nullus Anxietas - tick. Which of the upcoming Pratchett projects has you most excited? Are there any specific short stories you think we should have on our list for a whole episode? Have you read any of Gabrielle Kent’s books? Are you keen to go to a Discworld convention? Do you really want to hear a bonus episode about how the sausage...sorry, the podcast gets made? And why is this last-minute bonus episode still nearly an hour long??? Use the hashtag #PratchatElsewhere on social media to answer these questions, or get in touch via email or our subscriber Discord. Big thanks to Danny Sag for making time for this episode at the last minute - and for dropping so many hints that he wants us to be guests for Nullus Anxietas 9... We hope we can! That website again is ausdwcon.org. We also mentioned the Pratchett podcasts The Compleat Discography; Radio Morpork; The Death of Podcasts; Wyrd Sisters; I've Never Read Discworld; Desert Island Discworld; The Truth Shall Make Ye Fret; and Who Watches the Watch. Plus two others edited by Ben: Kate and Adele's Bridgerton podcast What Would Danbury Do?, and Brock Wilbur’s big weird heart of a show, Caring Into the Void. Next episode is the rescheduled #Pratchat68 discussing Strata with someone who’s no stranger to fan conventions, EJ Mann! Then in July, Deanne Sheldon-Collins returns for the fourth Long Earth novel, The Long Utopia, in #Pratchat69. Send in questions using those hashtags on social media, or send us an email at [email protected]. You'll find the full notes and errata for this episode on our web site.

It's a third instalment of the Pratchat Eeek Club! Each year, on the Glorious 25th of May, we release a bonus episode discussing topics selected by our "Eeek" tier subscribers. This year, the topics are: What are your ultimate actor castings for Discworld characters? Is there a Discworld equivalent of podcasts? What are your possible Discworld reading orders, and what are their strengths and weaknesses? How would social media work on the Discworld? Do women carry the physical and mental load of the Discworld? Which Discworld characters would you love a “Where are they now” update for? What would the Discworld be like if Terry were creating it today, and how would you help him? A big thank you to all our subscribers for making Pratchat possible, but especially to our Eeek Club contributors: Frank, Jing, Graham, Karl, the Caths, Jess and Ellie, Nathan and the others who didn’t send in questions this year. You'll find detailed notes and errata for this episode on our website. Want to make sure we get through every Pratchett book - or even choose a topic for next year's Eeek Club? You can support Pratchat by subscribing for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

This month we welcome back the very game Steve Lamattina as we put on our witch’s hats, grab our brooms and head out into Lancre to solve problems in Martin Wallace's The Witches, the fourth official Discworld board game. As Tiffany Aching or one of her fellow apprentice witches, you’ll run around Lancre solving problems big and small with headology and magic, helped by an assortment of local characters. But it’s not just about getting the highest score - you’ll also need to watch each other’s backs or everyone in the kingdom could lose! Be sure to stop and share tea, or you might end up a cackler... Which witch is your favourite? How does The Witches rank against the other Discworld board games? Do you see it as a great family game, a mediocre co-op challenge, or something in between? Who do you wish had been included as a card or playable character? And would you use the game to introduce your friends to board games, the Discworld, or both? Check out the episode notes for pictures of the game components, and use the hashtag #Pratchat67 on social media to join in the conversation on this one! Steve Lamattina is a writer and editor whose work spans film, music, education and technology. He was once CEO of the youth publishing company Express Media, whom we still stan, and currently works for the Victorian Department of Education. You can find him on Twitter as @steve_lamattina. Next month we’re going back...back to nearly the beginning! Yes, for #Pratchat68 we’re setting the procrastinator coordinates for 1981 as we read and discuss Pratchett's proto-Discworld sci-fi novel Strata. It’s a nice short book to get in before we tackle The Long Utopia in July... Use the hashtag #Pratchat68 to send us questions about Strata! You'll find the full notes and errata for this episode on our web site.

Returning guest, author Amie Kaufman heads back to the Chalk with Liz and Ben to face the rough music in a bumper-size discussion of the penultimate Tiffany Aching book, 2010's I Shall Wear Midnight. Tiffany Aching, nearly sixteen, is no longer an apprentice. Now two years under the witch’s hat, she cares for those as can’t care for themselves, and deals with the harsh realities of rural life. But all is not well in the Chalk: the unending need for its only witch is pushing Tiffany to the edge, and an act of violence - and its consequences - test her limits. Roland, the Baron’s son, is engaged - but not to Tiffany. While he’s away, the old Baron dies, and Tiffany must fetch him home to take his place. And on top of all that, something is stirring: something old and evil that stirs up old prejudices and fears about witches - and is aiming them directly at Tiffany Aching... Content note: this episode contains discussion of (fictional) intimate partner and family violence, miscarriage and suicide.If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you. Nearly three years after she danced the Dark Morris and kissed the Wintersmith, we rejoin Tiffany Aching, who is discovering that even fixing her mistakes can have consequences. But is this really a book for younger readers - or even young adults - when it includes some of the heaviest stuff of any Discworld novel? Does it all hang together, or are there a few ideas fighting each other in this plot? Who knew what and when about the Cunning Man, and is he Pratchett’s creepiest villain yet? What spill words do you not say when you’re listening to the show? Join in the conversation using the hashtag #Pratchat66 on social media! Returning guest Amie Kaufman is the author of (so far) twenty novels for middle grade and young adult audiences, including the Illuminae Files and Aurora Cycle sci-fi trilogies with Jay Kristoff; the Elementals, Starbound and Unearthed series with Meagan Spooner, and the World Between Blinks books with Ryan Graudin. For Pratchett fans she recommends her upcoming YA fantasy novel Isles of the Gods, launching in May 2023. As mentioned in the episode, Amie also produces two podcasts about writing: Amie Kaufman on Writing, a 10-minute masterclass on writing techniques, and Pub Dates, in which she and co-writer Meagan Spooner take you behind the scenes on writing and publishing a novel, and what comes after. For more of Amie's exploits visit amiekaufman.com or sign up for her Substack newsletter Finding North. As usual, you can find notes and errata for this episode on our web site. Catch Liz in person when she’s one of the speakers for the Sci-Fight science comedy debate “Should we fear AI?” on Thursday, 13 April 2023 at Howler in Melbourne! It’s hosted by previous guest Alanta Colley and features a great line-up of comedians, writers and scientists. Get all the details and book tickets vis moshtix. Next month, now that we’ve met all the characters who’ll appear in it, we’ll be playing and discussing the 2013 board game The Witches: A Discworld Game, designed by Martin Wallace! Send us your questions using the hashtag #Pratchat67, and if you’re a subscriber, watch out for an unboxing video via our Ko-Fi page soon. And while our plans for #Pratchat68 in June aren’t quite fixed yet, here's an earlier than usual heads up that in July we’ll be discussing the fourth Long Earth novel, The Long Utopia, with returning guest Deanne Sheldon-Collins. Those books are long, so you might want to get started now! Send in your questions for that one using the hashtag #Pratchat69 - or drop us an email at [email protected].

Liz and Ben are joined by writer and publisher Peter M Ball for Pratchat’s first foray into Pratchett’s nonfiction! We discuss fandom, genre, Sharknado, figgins and even fit in six pieces from “A Scribbling Intruder”, the first section of Pratchett's 2014 nonfiction anthology A Slip of the Keyboard. Pratchett writes about the letters he receives from various kinds of fans as a popular genre author in “Kevins” (1993), before revisiting the same topic in the email age and explaining why he quit his own newsgroup in “Wyrd Ideas” (1999), both for The Author magazine. Then its time to discuss fantasy as a genre - both advice for writing it in “Notes From a Successful Fantasy Author: Keep It Real” for the 2007 edition of The Writers and Artists Notebook, and reasons why children should be reading it in “Let There Be Dragons”, a speech given at the Booksellers Association Annual Conference in 1993. Finally, best mates Terry Pratchett and Neil Gaiman tell us how they feel about each other, Terry in “Neil Gaiman: Amazing Master Conjuror” for the Boskone 39 convention booklet (2002), and Neil in his Foreword for A Slip of the Keyboard (2014). As we’ve discussed before, Pratchett was never one to let a good idea only be used once - and you may have heard him talk to some of the themes in these pieces when being interviewed. Short stories may have cost him blood, as he used to say, but he never lost his journalistic mojo for writing fact and opinion - or replying to reader mail! Have you ever written to a famous author (a nauthor, if you will)? Would you want them to read your fanfic? What was the first book you read by choice? Can you pin down exactly what makes Pratchett’s writing almost a genre unto itself, when others could be said to follow his advice? And go on, you can tell us: which of Liz and Ben is the Terry, and which is the Neil? Join the conversation using the hashtag #Pratchat65. Guest Peter M Ball is an author, publisher and avid roleplayer based in Meanjin (aka Brisbane) in Queensland. Peter teaches creative writing, worked for the Queensland Writers Centre on the Australian Writers Marketplace and GenreCon, and is currently completing a PhD in Writing at the University of Queensland. You can find all of Peter’s social media links, and discover more about his own work - including a free sampler of some of his writing - at petermball.com.au. Peter also runs the small press publisher Brain Jar Press, who specialise in shorter works of genre fiction and genre nonfiction. They’ve published Peter’s work, but also that of friends of this podcast Sean Williams (#Pratchat56) and Tansy Rayner Roberts (#PratchatNA7). Peter suggested Pratchett fans might enjoy Tansy’s brand new short story collection about seven women from Greek mythology, Gorgons Deserve Nice Things, or the Writer Chaps series of sci-fi and fantasy writers writing about writing. You'll find notes and errata for this episode on our web site. Grab your broom and your pointy hat and watch out for giants and pictsies, because next month we get back to Pratchett's novels with the fourth Tiffany Aching novel, I Shall Wear Midnight! And we’re delighted to welcome back as a guest author Amie Kaufman, last heard discussing some of Pratchett’s other tiny people nearly five years ago in #Pratchat9, “Upscalator to Heaven”. Get your questions in before the last week of March via email ([email protected]) or social media using the hashtag #Pratchat66.

This month, Ben flies solo with guest Andy Matthews as they reach back into Pratchett’s earliest fiction to discuss Beatrix Potter, writing practice, The Matrix...oh, and Terry's 1973 short story for the Bucks Free Press, “RIncemangle, the Gnome of Even Moor”! The suspiciously familiar-sounding Gnome Rincemangle lives a sad, solitary life on the strange and mysterious (but also wet and cold) Even Moor. One day an owl tells him about the wonders of the nearby human village of Blackbury, so off he goes, accidentally hitching a ride on a lorry to department store. There he discovers he’s not the only Gnome in the world - but is the Store truly as much of a paradise as it seems? Written on Thursday evenings for “Uncle Jim’s” children’s page when Pratchett himself was just 25 years old, this story forms the blueprint for the novel Truckers, published sixteen years later. How has Pratchett’s writing evolved over time? Is Andy right that “yearning” lies at the heart of his most successful work? Would this story amuse or frighten your children? Which of his other short stories should we give the full episode treatment? And is Pratchett the undisputed king of “fishing in his own stream” (sorry again, Ryn), or is this something all writers do, just less obviously? Join the conversation using the hashtag #Pratchat64. Guest Andy Matthews is a comedian, podcaster and most recently an author. He writes and performs sketch comedy with Alasdair Trembly-Birchall, both live and on the podcast Two in the Think Tank, and the pair previously hosted the ABC radio comedy science quiz The Pop Test. Andy is also the Director of Stupid Old Studios, a podcast and video production studio in Melbourne, and the author of two volumes (so far) of Gustav & Henri, a "science fiction mystery time travel detective story” about friendship and snacks starring a dog and a pig, illustrated by Peader Thomas. You can find Andy on Twitter at @stupidoldandy, and his podcast at @twointank. You'll find notes and errata for this episode on our web site. For our March episode, we’re going where Pratchat has never gone before: into Pratchett’s nonfiction! Author, publisher and roleplayer Peter M. Ball joins us for a collection of Pratchett’s scribblings about genre, fandom and Neil Gaiman. The specific pieces are “Kevins”, “Wyrd Ideas”, “Let There Be Dragons” and “Notes From A Successful Fantasy Author”, plus “Neil Gaiman: Amazing Master Conjuror” and Neil’s foreword to the book in which all of these were collected, 2014’s A Slip of the Keyboard. You’ll find all of those (except the foreword) in the book’s first section, “A Scribbling Intruder”. Send us your questions about them via email to [email protected], or on social media using the hashtag #Pratchat65.

In this final fourth part of our Thud! trilogy, Liz and Ben are rejoined by designer and educator Matt Roden. As we wait for the biscuits to arrive, we turn our attention to this month’s agenda items: the 2005 Discworld short story “A Collegiate Casting-Out of Devilish Devices”, and squeezing in a bit more discussion of Thud! Every Thursday the senior faculty of Unseen University have a committee meeting, during which they do very little except wait for the biscuits and tea to arrive - much to the annoyance of Ponder Stibbons. But this week, Ridcully announces that their latest magical mishap has annoyed the Patrician - and as a result, they have a few questions to answer from one A. E. Pessimal, newly appointed “Inspector of Universities”... Written for the Times Higher Education Supplement and published a few months before Thud!, this very short story draws on Pratchett’s own experience on a committee. Does it tally with yours? Are you a Ponder, a Ridcully, or a Pessimal? Do you agree with Matt’s characterisations of the other faculty members? Plus we get back into Thud! - are we off the mark with our thoughts about whether it’s copaganda? What is Pratchett trying to say about religious extremism, if anything? And what Discworld cocktail would you make? Join the conversation using the hashtag #Pratchat63. Guest Matt Roden was here just two months ago for #Pratchat61 discussing Thud! He is still the Creative Learning Manager for the Museum of Contemporary Art Australia, as well as an accomplished graphic designer and educator. There are now even more photos of his dog on his Instagram at @matthewrodeo. You'll find notes and errata for this episode on our web site. We’re easing into the year slowly with another short story for February, this time one of Pratchett’s earliest: “Rincemangle, the Gnome of Even Moor” from his time at the Bucks Free Press in 1974. Its available in both A Blink of the Screen and The Witch’s Vacuum Cleaner. Send us your questions about it using the hashtag #Pratchat64, or via email, which you can send to [email protected]. Oh, and don’t forget to check out the all-new Pratchat Reading Challenge for 2023! All the details are on our website, and you’ll also find it on the StoryGraph.

In this very special episode, Liz and Ben are joined by fellow Discworld podcasters Joanna Hagan and Francine Carrel on an existential journey deep into our very souls! Yes, it's part three of our Thud!-related trilogy, in which we discuss Where's My Cow? Every night at six o'clock, Sam Vimes, Commander of the City Watch, reads the picture book Where's My Cow? to his one-year-old son, Young Sam. But tonight, in between doing the barnyard noises, Vimes starts to question whether this is really the right story for a child of Ankh-Morpork. Released at the same time as Thud!, Where's My Cow? is a picture book based on a novel inspired by a board game. Lavishly illustrated by newcomer to the Discworld Melvyn Grant, it takes the couple of pages explaining the book - and the "Vimes street version" - and brings them vividly to life, along with wonderful new visions of some of our favourite Discworld characters. But is Young Sam cute, or in the uncanny valley? What's the deal with that flying book? What do you think the Discworld's answer to duct tape would be? Are are you, in some way, looking for your cow? Join the conversation using the hashtag #Pratchat62. Guests Joanna Hagan (chef, poet, playwright, author) and Francine Carrel (writer, editor) are the hosts of the Discworld podcast The Truth Shall Make Ye Fret, which is about to reach its 100th episode! Their format splits each novel up into three weekly episodes per month, and they're going through the Discworld books in mostly publication order, with side trips to Pratchett's non-Discworld work along the way. Find them wherever good podcasts are available, but also at their website, thetruthshallmakeyefret.com, and on Twitter, Facebook, Tumblr, Reddit, TikTok and probably something else by the time you read this. If you like what they do, please consider supporting them on Patreon. You'll find notes and errata for this episode on our web site. As mentioned above and at the end of the episode, we've decided to cut ourselves some slack in the new year by extending the "Thud! trilogy" to four parts. In January we'll be welcoming back Matt Roden to discuss the Discworld short story "A Collegiate Casting-Out of Devilish Devices", featuring A. E. Pessimal and available in A Blink of the Screen. We'll also tackle some more of your brilliant Thud! questions! If you have questions about the short story, send them via social media with the hashtag #Pratchat63 or via email to [email protected]. Finally, if you want to catch The Amazing Maurice before the rest of the Australia, and you're in Adelaide, the Australian Discworld Convention's fundraiser screening is on Saturday, the 10th of December, at 3 PM at the Palace Nova Prospect. Get details and book your tickets here! (We won't be there, but do tell us if you go!)

Designer and educator Matt Roden delves deep under Ankh-Morpork with Liz and Ben as they unravel the mystery of the penultimate City Watch book, 2005's Thud!. As the anniversary of the Battle of Koom Valley approaches, the dwarfs and trolls of Ankh-Morpork find their ancient enmity stirred up - not least by Hamcrusher, a conservative leader of the "Deep Down" dwarfs, who has preached hatred against the trolls. But now Hamcrusher's dead - not that the other deep downers want the Watch to know about it - and Vimes must solve the puzzle of his murder before tensions explode across the city. On top of that, he's also been sent a government inspector, he's had to take on the Watch's first vampire, someone's stolen the most talked-about painting in town - and he has to get home at 6 o'clock sharp, every night, to read Where's My Cow? to his infant son... While most Watch books have a mystery that needs solving, none so far have felt as much like a contemporary thriller as Thud! There's an awful lot going on, with politics, religion, art and history all in the mix. Is it too much for one book? Are there threads that get dropped along the way? Is Pratchett having his cake and eating it too with his fantasy abstractions of real world issues? And who do you think should star in Discworld legal drama "The Good Dwarf"? Join in the conversation using the hashtag #Pratchat61 on social media! Guest Matt Roden is a graphic designer, educator and the Creative Learning Manager for the Museum of Contemporary Art Australia. Matt has a long history with storytelling and education; he helped set up The Ministry of Stories in London, and was the first volunteer and a long-running Storyteller with Sydney's Story Factory. You can follow Matt on Instagram (where you can see photos of his dog) at @matthewrodeo. As usual, you can find notes and errata for this episode on our web site. We apologise that this episode has gone out much later than planned. While our schedule has gotten a little out of whack, we'll still be continuing our "Thud! trilogy" next episode with our special crossover with sibling Pratchett podcast The Truth Shall Make Ye Fret. We'll be joined by Jo and Francine to discuss Where's My Cow?, the hottest children's book in Ankh-Morpork! Plus we have plans to extend our Thud! trilogy to four parts - details coming in our very next episode.

Things are a bit hectic in Pratchat land this month, so to fill a gap in our schedule while Liz was unavailable, Ben has joined forces with guest academic and professional board game nerd Dr Melissa Rogerson to play and discuss Thud, the game that inspired the novel of the same name! Have you played Thud? Have you ever won as the dwarfs? Is it true that the trolls have an advantage? Are you a Thudmaster with insight to share about standard openings and endgames? We'd love to hear your Thud stories! (Ben really is keen to play some more, so there may be a follow up on this in future!) Be sure to check the episode notes for some pictures of the game, and use the hashtag #PratchatPlaysThud on social media to answer join the conversation. Dr Melissa Rogerson is a Lecturer and Assistant Professor in the School of Computing and Information Systems at The University of Melbourne. Her PhD thesis was titled "Between Cardboard and Computer: The hobbyist experience of modern boardgames". Melissa's currently studying the use of digital tools in hybrid games - which included the "Biometric D&D" project, where they used a facial recognition algorithm to assign you a Dungeons & Dragons character! You can find out more about her research at her website, melissarogerson.com, or find her on Twitter (or Mastodon - aus.social) at @melissainau, and on BoardGameGeek as melissa. (Ben is on there too, as beejay.) Our "Thud trilogy" continues in our next two episodes! #Pratchat61 will be a discussion of the 34th Discworld novel, 2005's Thud!, with guest Matt Roden, scheduled for release in late November. Then, bumped to December 8, we're teaming up with Jo and Francine from The Truth Shall Make Ye Fret to read a discuss the very meta book-from-the-book, Where's My Cow? You still have time to ask questions for this one! Use the hashtags #Pratchat62 and/or #MakeYeChat. You'll find the full notes and errata for this episode on our web site.

For our sixtieth episode - our troll's teeth anniversary - Liz and Ben are once again devoting an entire show to answering your questions, about the Discworld, Pratchett's other work, and their own - with an eye on what's still to come. (And yes, we allowed ourselves to break the 2.5 hour limit, just this once.) What would your ideal Pratchett adaptation look like? Who's the best Dicsworld villain? If one of your possessions could be made from sapient pearwood, what would it be? Which books have been the worst, the most challenging, and the most surprising? If Vetinari died and the people of Ankh-Morpork could queue up to see his body, what would happen? And which is the most confused bird? You asked these and many more amazing questions! Plus we specifically asked you: Do you have other people in your life with whom you share your love of Pratchett? How are you reading - or re-reading - the books, if you are? What do you do when you listen to the show? Can you follow the show if you haven't read the book? Do you have a word or phrase you've said most of your life that you discovered was wrong? What joke did you not get until years later? Use the hashtag #Pratchat60 on social media to answer any of the above. (Thanks again to listener Jodie for this eternally useful idea.) You can find Elizabeth on Twitter as @elizabethflux, and on Instagram at @elizabethflux. Watch out for her amazing self-made outfits. You can find Ben and via his web site benmckenzie.com.au, on Twitter at @McKenzie_Ben and Instagram at @notongotham, where you might catch a glimpse of his T-shirt collection. Special thanks to our sibling Pratchett podcasts for their questions: Who Watches the Watch, Desert Island Discworld, Wyrd Sisters and The Truth Shall Make Ye Fret. And thanks to each and every one of you listens, asks questions or sends in answers. Next month is a special double-header: we'll be reading the 34th Discworld novel, 2005's Thud!, with guest Matt Roden. Get your questions in via the hashtag #Pratchat61 by late October! Plus we're teaming up with Jo and Francine from The Truth Shall Make Ye Fret to tackle the book-within-a-book, Where's My Cow? Ask questions for this team-up using the hashtag #MakeYeChat. You'll find the full notes and errata for this episode on our web site.

Scientist, writer and editor Dr Kat Day joins Liz and Ben on a timey-wimey to Roundworld, as the wizards once again try to save humanity in Pratchett's third collaboration with Ian Stewart and Jack Cohen: 2005's The Science of Discworld III: Darwin's Watch. Roundworld - the impossibly non-magical universe in a bottle which runs on rules - has gone wrong again, and the wizards feel duty-bound to set it right. Humanity's survival depends on the publication of a specific book, but something is trying very hard to make sure its author writes a different one...or gets eaten by a giant squid. With the fate of humanity hanging in the balance, the wizards go to war - but who is their hidden enemy? And why is there one beardy fellow too many in the Great Hall? In the (short) fiction chapters, the wizards must once again travel into Roundworld history, this time with a clear mission: to get Charles Darwin onto the Beagle so he can write The Origin of Species. In the science chapters, Jack and Ian have a focus - the importance of the theory of evolution - but they also feel free to use the time travel plot to explain infinity, DNA, the nature of science and history, and much more besides. They've learned to stay away from the cutting edge - but have they come entirely out of the "philosopause" they didn't seem to know they were in last time? Does the plot rely too much on prior knowledge of the Discworld? Is that really a problem, given the nature of the book? Did you follow the explanations of Minkowski spacetime and the different kinds of infinity, or were you happy coasting across the science chapters? Do they completely miss the point in that last non-fiction chapter - and does it really matter, when the end of the fiction part is so satisfying? Join in the conversation using the hashtag #Pratchat59 on social media! Guest Dr Kat Day is a chemist, a former teacher, a medical editor and a writer of both science and fiction. Kat became well known via her chemistry blog The Chronicle Flask, which is currently on hiatus; you can also find her fiction at the fiction phial. Kat is also an assistant editor for Pseudopod, the horror fiction anthology podcast from Escape Artists. Kat recommended the story "Celestial Shores" as a possible entry point for Pratchett fans, as well as "Let the Buyer Beware" from Pseudopod's sister podcast for young adult speculative fiction, Cast of Wonders. Over on Twitter you can follow Kat at @chronicleflask, and Pseudopod at @pseudopod_org. As usual, you can find notes and errata for this episode on our web site. Next episode Pratchett turns sixty! As promised back in #Pratchat30, we're doing another all-questions episode. This is your chance to send in questions about books you missed first time round, pitch your wild Discworld theories, and ask us pretty much anything you like that doesn't fit into the usual book-focussed episode. We'd also love you to answer our questions: what are do you enjoy most about the show? What kind of episodes do you wish we'd do? Which of our opinions have you most disagreed with? And have you learned anything from us? (Ben sure has!) Send us your answers, and questions, using the hashtag #Pratchat60, or via email to [email protected]. Oh, and in November, get ready for a double-header: not only are we reading Thud! with educator Matt Roden for #Pratchat61, but we're cooking up a bonus crossover episode! Yes, we're teaming up with Jo and Francine from The Truth Shall Make Ye Fret, another great Pratchett podcast, to discuss Where's My Cow?, the hottest children's book in Ankh-Morpork. We thought we'd let you know a little early, since it might be tricky to track down a copy...

We prepare to find out why infinite Earths aren't enough as writer, editor and podcaster Joel Martin returns to the podcast to fire up the fusion engine and have a close encounter of the crustacean kind in the third Terry Pratchett and Stephen Baxter Long Earth novel, The Long Mars. It's 2045 - five years after the eruption of the Yellowstone super-volcano on Datum Earth. The climate has catastrophically changed and there's been mass migration to stepwise Earths. Maggie Kauffman, captain of the new stepping airship Neil Armstrong II, is sent ten times further into the Long Earth than anyone has gone before, to find out what happened to the ship's missing predecessor. Meanwhile reclusive stepping pioneer Joshua Valienté is called back to the Datum by the A.I. Lobsang to search for a new kind of human emerging from the Long Earth. And Willis Linsay, who disappeared after giving Stepper box technology to the whole world thirty years ago, sends a message to his super-stepper daughter, Sally. He wants her to go on a mysterious mission to Mars... The last of Pratchett's novels to be published before his death, The Long Mars marks a turning point in the series where Pratchett's involvement was limited after the first draft, and Stephen Baxter did most of the polishing. Like The Long War it skips over the immediate aftermath of the disaster at the end of the previous book to inhabit the world of its longer term consequences. It also continues the tradition of switching between multiple narratives with at least a dozen key characters. There are old friends and new faces, but some of them are barely glimpsed. It's a book full of big ideas, but not so much plot - and even less emotional and character development. Does this one feel more Baxter than Pratchett? Is this the troubled middle episode of the series? What did you think of the portrayal of the Next? How cool are those acid snakes? Will any of these awesome ideas return in the final two books? And where the Hell-Knows-Where is Helen? Join in the conversation using the hashtag #Pratchat57 on social media. Guest Joel Martin is a podcaster and writer who is now our first four-time guest. He previously joined us in #Pratchat14 and #Pratchat44 for The Colour of Magic and The Light Fantastic, and in #Pratchat31 for The Long Earth. His independent podcasts, The Morning Bell and The Youth Vote, are currently on hiatus, but watch out for the new season of The Dementia Podcast from The Dementia Centre, produced by Joel, in September 2022. Find Joel online at thepenofjoel.com or on Twitter at @thepenofjoel. As usual, you can find notes and errata for this episode on our website. Due to some technical difficulties we ended up delaying this episode until after #Pratchat58, so thank you for your patience! We've already recorded our next episode, #Pratchat59, in which we discuss The Science of Discworld III: Darwin's Watch with science and fiction writer, Dr Kat Day. But in October for our sixtieth episode we’re having an open slather questions-only special, just like we did for #Pratchat30! So please send us your general Pratchett-related questions: about the show, books we've already covered, Sir Terry himself, the Discworld in general, the Guild of Recappers & Podcasters, Liz and Ben, being Australian/Fourecksian or anything else even vaguely on-topic. Use the hashtag #Pratchat60 on Twitter, Instagram or Facebook, or send us an email at [email protected].

We explore every author's worst nightmare as writer Penny Love returns to Pratchat and finds the barrier between reality and fiction getting all wibbly-wobbly in Terry Pratchett's 1988 short story, "Final Reward". After a particularly bad row with his girlfriend Nicky - and a pint of wine - author Kevin Dogger decides to kill off the protagonist of his best-selling fantasy series. The next morning, Erdan the Barbarian appears on Dogger's doorstep with the milk. He was, after all, promised a final reward: an eternity of carousing in the halls of his creator... Content note: the story "Final Reward" contains discussion of (fictional) suicide.If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you. Written for the short-lived roleplaying magazine G.M., "Final Reward" is Pratchett's go at the age-old tradition of writers writing about writers. But in true Pratchett form, it's not just about that... Hailing from around the time of Wyrd Sisters and Pyramids, but "tinkered with" before appearing in A Blink of the Screen, it depicts an author ill at ease with the real world and human relationships - by all accounts not much like Pratchett himself at all. And then there's the way it ends... What did you think of this one? Have you ever written a character you'd like to meet in person? Would you swap places with them? And is this a dig at any real fantasy authors, and we've missed the joke? Join in the conversation using the hashtag #Pratchat58 on social media. Guest Penelope Love is a writer best known for her roleplaying game work, especially with Chaosium for Call of Cthulhu, including the upcoming Victorian London campaign she mentions this episode. She previously joined us for #Pratchat45, "Hogswatch in Grune", discussing the quite Lovecraftian "Twenty Pence with Envelope and Seasonal Greeting". Penny is also part of Campaign Coins, who as well as making gorgeous metal coins for use with tabletop games, publish Penny’s comic fantasy short story collections about “The Three Dungeoneers”, which you can find here. Penny is on Twitter as @PennyLoveWrites, or you can follow @CampaignCoins for more on their projects. As usual, you can find notes and errata for this episode on our website. As previously advised, due to some technical difficulties - and not a time machine, to Ben's disappointment - the next episode to be released will be #Pratchat57, discussing the third Long Earth novel, The Long Mars, with Joel Martin. Look for it in the Pratchat podcast feed on August 25. Next month in #Pratchat59, we're discussing The Science of Discworld III: Darwin's Watch with science and fiction writer, Dr Kat Day! And after that, in October, it's finally time for another general questions episode, #Pratchat60. This is the perfect opportunity to ask us about books you missed first time round, or general questions about Discworld, Pratchett, us and the show! Send in your questions for either of those episodes via social media (using the appropriate hashtag), or send us an email at [email protected].

We take a last-minute step (or five) to the West, as Liz and Ben delay their chat about The Long Mars to go back to where it all began: Pratchett's original 1986 short story "The High Meggas". Larry Linsay, who perfected the belt technology that allows humans to move between parallel Earths, has shunned civilisation. He's living near the coast of what would be France in a world in the "high meggas", the weirder Earths a million or so removed from the original. Like all the other Earths, it's devoid of human life - or it was, until two guards from Forward Base, the nearest human settlement many worlds away, arrive in Linsay's world. The first one he finds, Joshua Valienté, claims he's chasing the other one: a terrorist who poisoned the other fifty personnel at Forward Base. Trouble is, that's exactly what she says about him, too... When we had to change plans at the last minute and delay our episode on The Long Mars, we decided to take the opportunity to produce a bonus episode about the story where it all started. "The High Meggas" was written in between the first two Discworld novels and never published until its ideas became a novel, and it's a fascinating look at how Pratchett's idea evolved. Some things are very similar - names like Linsay and Valienté, the concept (though not the name) of the Long Earth. Others are tweaked - the belts become boxes, movin' becomes stepping. And then there's some which are flipped entirely - compare the "Sideways Doctrine" to the idea of US Aegis. Do you prefer the more technological version of "stepping" in the original story? Does the central drama of the story work for you, or is the villain too obvious? And what do you think Pratchett's career would have been like if The Colour of Magic hadn't been a success, and this had been his next big project instead of The Light Fantastic? Join the conversation using the hashtag #Pratchat57West5 on social media. As usual, you can find notes and errata for this episode on our website. This bonus episode won't stop us from discusses the third Long Earth novel, The Long Mars, with returning guest Joel Martin! ...or at least that was the idea. #Pratchat57 was to be released the same month as this one, but unfortunately some further technical problems complicated the editing process, so we've delayed it until the 25th of August. For our regular August episode, #Pratchat58, we'll be reading another short story: 1988's "Final Reward". Send us your questions using the appropriate hashtag on social media, or via email to [email protected].

We travel down a leg of a very 1990s pair of the trousers of time this month, as author and musican Sean Williams joins Liz and Ben to get stuck into the artificial reality of Pratchett's 1990 short story "#ifdefDEBUG + 'world'/'enough' + 'time'". Darren Thompson is a repairman who specialises in Seagems: artificial reality consoles that can edit aspects of your everyday life, or plug you into a whole artificial world. His latest job is to inspect a machine in which the user has died. That's not a first for Darren - but there's something about this particular corpse in the machine that makes this job feel different... Originally published in the anthology Digital Dreams alongside works by authors including Diana Wynn Jones, Neil Gaiman and Storm Constantine, "#ifdefDEBUG + 'world'/'enough' + 'time'" is a short story that packs a lot in - and potentially goes to a much darker place than most of Pratchett's other work. It's since been collected in A Blink of the Screen, Once More* *with Footnotes and the German collection Der ganze Wahnsinn: Storys (in which it's accompanied by an original illustration by Josh Kirby). Was Pratchett right to think that the virtual reality angle dates this horribly - or would he have thought differently only a few years later, as VR comes round again? Is this a happy ending, a dystopian nightmare, or the fantasy ramblings of a self-important creep? Would you want to be a ghost in the machine? And just what is going on with that illustration in the German collection? Join the conversation using the hashtag #Pratchat56 on social media. Guest Dr Sean Williams is an award-winning author of science fiction novels and short stories, makes music under the name "the Adelaidean", and teaches creative writing at Flinders University. His novels run the gamut of original sci-fi and best-selling work for the worlds of Star Wars and Doctor Who, and he's also collaborated with other authors - including previous Pratchat guest Garth Nix (#Pratchat51). You can find out more about Sean via his (hopefully updated) website, seanwilliams.com, and listen to his music via his Bandcamp page. He's also (sometimes) on Twitter at @adelaidesean. As usual, you can find notes and errata for this episode on our website. Next month we continue the sci-fi theme with the third Long Earth novel, The Long Mars, which we'll be discussing with returning guest Joel Martin! Send us your questions using the hashtag #Pratchat57, or via email to [email protected].

It's a second instalment of the Pratchat Eeek Club! Each year, on the Glorious 25th of May, we release a bonus episode discussing topics selected by our "Eeek" tier subscribers. This year, the topics are: What was good, fun and enjoyable about The Watch?Is Vimes a Cynic, a Stoic, or an Epicurean?What was Granny Weatherwax and Ridcully's relationship like, and why didn't it continue?What pop culture would you have liked to have seen referenced in a Discworld novel?What moments from the series hit you personally because of a personal experience?If democracy came to Ankh-Morpork, what political parties would we see? A big thank you to all our subscribers for making Pratchat possible, but especially to our Eeek Club contributors: Graham, Frank, Cath (and Eddy), Steph, Jess and Ellie, Karl and Soren! You'll find detailed notes and errata for this episode on our website. Want to make sure we get through every Pratchett book - or even choose a topic for next year's Eeek Club? You can support Pratchat by subscribing for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

It's an illustrated Discworld crossover special as Georgina Chadderton rejoins Liz and Ben to talk gods, dragons and outer space in the twenty-seventh Discworld novel, 2001's The Last Hero, illustrated by Paul Kidby. Genghiz Cohen, Emperor of the Agatean Empire, has deserted his throne, and along with his horde is heading for the mountain at the hub of the world. He is planning to pay a little visit on the gods, and "return what the first hero stole" - with explosive interest. According to the wizards, this will destroy the source of the Disc's magic and thus end all life on (and under) it. A rag-tag team of misfits is quickly assembled - a dangerously genius inventor, a stout and honest officer of the Watch, and a reluctant "wizzard" - to take a risky flight looping around the Disc, and intercept Cohen before its too late... The second large-format illustrated Discworld novel, The Last Hero - subtitled "A Discworld Fable" - is a relatively short story, but crosses the streams of the various sub-series more than any other book, providing Paul Kidby with the chance to showcase a whole host of characters and places - including the Disc as seen from above and below! It both feels like a throwback to some of the earlier books - the whole world at stake, Rincewind and Cohen on wild Disc-crossing adventures, the gods playing games with mortals - and a fitting last hurrah (more or less) for two of Pratchett's most beloved characters. Is this a fitting send-off for Cohen? What's happening in the Agatean Empire now its Emperor is gone? How many hours have you spent poring over the illustrations finding references, in-jokes and Easter eggs? And what do you imagine the minstrel's saga sounds like? Join the conversation using the hashtag #Pratchat55 on social media. Guest Georgina Chadderton (aka George Rex) is a comic book creator and illustrator based in Adelaide. She was last our guest way back in #Pratchat7 in 2018 to talk about the first illustrated Discworld novel, Eric. Since then she's continued to make delightful autobiographical comic (including her upcoming book), run comic-making workshops, organise the Papercuts Comics Festival, and even found the time to create the cover art for Pratchat! You can find her online at georgerexcomics.com, where you can find out about Georgina's upcoming events and also buy all manner of cool comics, postcards and stickers. You can also follow her on Instagram at @georgerexcomics. As usual, you can find notes and errata for this episode on our website. Over the next two months we're returning to Pratchett's sci-fi work. In June, we're discussing his 1990 short story "ifdefDEBUG + 'world/enough' + 'time'" with science fiction author Sean Williams. That'll leave us (and you) a bit of extra reading time before July for the third Long Earth novel, The Long Mars, which we'll be discussing with our old friend Joel Martin! But in the meantime, you can send us your questions for the short story using the hashtag #Pratchat56, or via email to [email protected].

The Trousers of Time end up in a knot as writer Nadia Bailey rejoins Liz and Ben and we go back to the Glorious Past in the twenty-ninth Discworld novel, 2002's Night Watch. While pursuing dangerous killer Carcer across the rooftop of Unseen University, a magical bolt of lightning (or something) sends Sir Samuel Vimes, Commander of the City Watch and Duke of Ankh, thirty years into the past - along with his quarry. Carcer kills Vimes' old mentor, Sergeant John Keel, and Vimes steps into Keel's thinly-soled shoes; he'll have to show himself the ropes to keep history intact. But he's not just reliving any old past: it's almost the Glorious 25th of May. The day the people deposed the paranoid Patrician Lord Winder; the day hundreds were killed in violent clashes across the city; and the day John Keel died... Night Watch is beloved by Discworld fans, no least because it gives a double dose of everyone's favourite "honest copper", Sam Vimes. But he leaves Sybil in labour as he's thrust back intp the best and worst days of his early career, forced to grapple with the darkness in his and others' souls with only the technobabble of a few time boffin monks for guidance. It's possibly Pratchett's darkest book, and certainly takes us into one of the darkest corners of the Discworld: Ankh-Morpork before the rise of Vetinari and the Guilds. Does Vimes knows where to draw the line in this book? Is Carcer an intriguing villain, or a cookie cutter evil psychopath? Could you teach your younger self everything you needed to know to become you? And is this book in your top five, or do you fail to see what all the fuss is about? Join the conversation using the hashtag #Pratchat54 on social media. Guest Nadia Bailey is a writer, editor and critic. She's published a number of pop-culture related books about such diverse subjects as Stranger Things, Frida Kahlo and Ruth Bader Ginsburg. Her latest publication is The Deck of Crystals, a deck of cards which looks into the history, superstition and lore of gemstones. Nadia has just begun a PhD researching (among other things) the lives of queer women during World War I. You can find Nadia on Twitter as @animalorchestra, or visit her website at nadiabailey.com. As usual, you can find notes and errata for this episode on our website. Next month we're joining a ragtag crew of misfits on a desperate mission to save the Disc in the second big illustrated Discworld adventure, The Last Hero! And to help us navigate Paul Kidby's astonishing illustrations, we're welcoming back illustrator and comic book creator Georgina Chadderton. Send us your questions via the hashtag #Pratchat55, or via email to [email protected].

Surprise! In an emergency substitution, Liz and Ben get a glimpse of everyday life in Ankh-Morpork as they dive into three very small bits of Discworld ephemera collected in A Blink of the Screen. The Ankh-Morpork National Anthem captures the experience of those forced to sing patriotic songs everywhere - but even the single complete verse tells us quite a lot about the character of the city. Meanwhile the Ankh-Morpork Guild of Barber-Surgeons have put together a few Medical Notes to keep the population informed about a few diseases peculiar to the city. And, on the occasion of Ankh-Morpork being "twinned" with a small city on Roundworld, we read A Few Words from Lord Havelock Vetinari to mark the occasion... We picked these three "Discworld Shorter Writings" as they are both about Ankh-Morpork, whose history is explored in Night Watch (our next book), and written around the same time as that book - the anthem is from 1999 (though it its based on jokes from Moving Pictures, published in 1990) while the others are from 2002, the year Night Watch was published. How do you feel about your national anthem? Does anyone know the second verse? What weird "diseases" are particular to the place where you live? Would you like to live in a town twinned with Ankh-Morpork - or somewhere else from the vast universe of fiction? And does anyone want a "sausoboros" T-shirt? We'd love to hear your answers! Join the conversation using the hashtag #Pratchat53. As usual, you can find notes and errata for this episode on our website. Next month we're back on track to talk about 2002's Night Watch with guest Nadia Bailey! It's a fan favourite and we already have an absolute tonne of questions, but if you have one you're burning to have us answer, you can send it via the hashtag #Pratchat54, or via email to [email protected].

This month, we've put down the books and picked up the remote control! Guests Patrick Lenton and Fury join us to discuss a show "based on characters created by Sir Terry Pratchett": 2021's The Watch. Sam Vimes was a street kid in Ankh-Morpork who joined the Watch to kill its Captain and free the imprisoned members of his gang. But he had a change of heart. Twenty years later, he's still there - a washed-up drunk of a Captain, whose force of misfits have almost nothing to police since the criminal Guilds were all legalised. But during his latest assignment - to find a missing library book - he sees someone who died twenty years ago. Soon the Watch is up to their necks in dragons, ancient artefacts and magical experiments gone wrong, and it'll take all their cunning and heart to get to the bottom of it...plus a little help from noblewoman-turned-vigilante, Lady Sybil Ramkin. After a long road through development hell, initially with Pratchett himself at the helm, The Watch eventually emerged as a surprisingly "punk rock police procedural"; a brightly-coloured Dungeon-punk explosion which wears its queerness on its sleeve. The Watch remixes characters and concepts from the books into something so different that fans and friends of Pratchett quickly disowned it. The critical reaction was middling at best, and it took six months for it to be released on Pratchett's home soil. But is it any good? Could you divorce yourself from the source material? If so, does The Watch work on its own terms? Is it funny? Is it comprehensible? Is watching it a good time? Which bits got up your nose, and which did you love? Who was your favourite character, and why was it Cheery? And given we barely scratched the surface of talking about it this episode - should we do a bonus mini-series, discussing it episode by episode? Let us know by joining the conversation, using the hashtag #Pratchat52. Guest Patrick Lenton is currently Deputy Editor: Arts + Culture for The Conversation, and was previously a senior editor at Junkee. He is also a freelance writer whose work has spanned journalism, theatre, fiction and comedy. His most recent short story collection is Sexy Tales of Palaeontology from Subbed In, and he writes the newsletter All the Hetereosexual Nonsense I Was Forced To Endure with Rebecca Shaw. You can find Patrick on Twitter as @PatrickLenton, and his handy LinkTree will help you find his other stuff. Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in #Pratchat19 (Soul Music) and #Pratchat29 (The Last Continent) - our last in-person episode, recorded in the before times! Their live multi-disciplinary show Gender Euphoria toured Australia in 2019 and 2020, and their book I Don’t Understand How Emotions Work is (probably) still available. You can find out more about them at furywrites.com, or follow them on Twitter as @fury_writes. Their first TV show, Crazy Fun Park, is currently in production and scheduled to premiere on ABC ME and ABC iview in late 2022. As usual, you can find notes and errata for this episode on our website. Next month we're heading to one of the books that (sort of) provided a big chunk of inspiration for The Watch, and a fan favourite, frequently topping rankings of the Discworld series: Night Watch! Meet the original Carcer Dun, Jocasta Wiggs, young Sam Vimes, and - eventually - Young Sam Vimes... Send us your questions via the hashtag #Pratchat53, or via email to [email protected].

Welcome to the Year of the Lachrymating Leveret! Bestselling sci-fi and fantasy author Garth Nix joins Liz and Ben up in the Ramtops, where Tiffany Aching dances a forbidden dance and gets into more trouble in the thirty-fifth Discworld novel, 2006's Wintersmith. Two years after her first Witch Trial, Tiffany Aching is nearly a teenager and two months into her stint with her latest mentor - terrifying Miss Treason, the 113-year-old deaf and blind justice witch. In the dead of night Miss Treason takes her to witness the "dark dance", but against the rules she is given, Tiffany does more than observe - after all, what good is a dance you can only watch? But Tiffany's been noticed: the spirit of Winter himself has his eye on her now. There's something different about Tiffany, too...but that might have to wait. The Nac Mac Feegle are back, there's a witch's cottage up for grabs, the boy she's been writing went to a party with someone else, and if she can't figure out how to fend off the Wintersmith, it might be an uncomfortably long Winter... Published in one of Pratchett's rare one-book years, Wintersmith advances Tiffany Aching into adolescence - and appropriately enough deals with themes of unwanted attention, uncontrollable urges, the perils of teenage and adult politics, and hordes of tiny blue men. Plus it's full of favourite characters, both old and new. Do you think Tiffany could have chosen not to enter the dance? Have the Feegles been to our world - and do they belong in this book, or has Tiffany outgrown them? What's the most ridiculous thing someone has done to try and impress you? Join the conversation using the hashtag #Pratchat51 on social media. Guest Garth Nix is a bestselling and award-winning Australian author, best known for his young adult fantasy series "The Old Kingdom", which began with Sabriel in 1995. In November 2021 he published the prequel Terciel and Elinor, about the parents of the original novel's protagonist. He's also written dozens of other novels and short stories, including the Seventh Tower and Keys to the Kingdom series of novels, 2015's Newt's Emerald, 2017's Frogkisser, and 2020's The Left-Handed Booksellers of London, which recently won the Ditmar Award for best novel. You can find Garth on Twitter as @garthnix, and info about his books on his website at garthnix.com As usual, you can find notes and errata for this episode on our website. Next month we're not reading a book or a short story; instead we're getting in front of the television and checking out the somewhat divisive BBC America series The Watch, "based on characters created by Terry Pratchett". Is it a bold new punk direction for the Disc, or a travesty born from years in development hell and too much distance from the source material? We're going to find out! Send us your questions via the hashtag #Pratchat52, or via email to [email protected].

Ho ho ho, Merry Hogswatch! To celebrate the festive season, and our own fiftieth episode, we've brought together a bunch of guests of Hogswatch Past, Present and Future - including the hosts no fewer than three other Discworld podcasts - for a special feast of additional recipes from Nanny Ogg's Cookbook. Be warned: this podcast contains bananana! Got comments on our efforts - or want to share your own? Do you want us to do this again next year? Please, join the conversation using the hashtag #Oggswatch2021 on social media. Our guests this episode are: Comedian and vaudevillian Elly Squire, aka Clara Cupcakes - claracupcakes.com; @ClaraCupcakes on Twitter and InstagramAuthor Liam Pieper - liampieper.com; @liampieper on Twitter, @liampieperwrites on InstagramAuthor Nadia Bailey - nadiabailey.com; @animalorchestra on Twitter and InstagramThe hosts of the Wyrd Sisters podcast, Manning and Liz - @WyrdSistersPod on Twitter; support them via PatreonThe hosts of The Truth Shall Make Ye Fret, Jo and Francine - @MakeYeFretPod on Twitter; support them via PatreonTwo of the hosts of The Compleat Discography, Aaron and Ana - @Atuin_Pod on Twitter; support them via PatreonScience communicator Anna Ahveninen - @Lady_Beaker on Twitter As usual, you can find notes and errata for this episode on our web site; it might take a few days to fully appear, but we'll be adding photos of many of the dishes cooked for this episode! While our January episode is already in the can, in February we'll be discussing BBC America's series "based on characters created by Terry Pratchett" - The Watch! So have a watch yourself over the holidays, and send us questions by tagging us on social media and using the hashtag #Pratchat52, or by sending us an email to [email protected].

Happy fiftieth episode to us! We're celebrating with the return of our very first guest, comedian and author Cal Wilson! Cal joins Liz and Ben in the kitchen to brave the recipes within the 1999 Discworld side project Nanny Ogg's Cookbook, co-authored with Stephen Briggs and Tina Hannan, with illustrations by Paul Kidby. After his latest books are forcibly withdrawn from sale, J H C Goatberger reluctantly decides to publish another manuscript sent to him by Nanny Ogg. He hires a few editors to "put in the spelling, grammar and punctuation" and has his wife vet it for anything objectionable enough to get the book banned. The result is Nanny Ogg's Cookbook, a collection of Nanny's own recipes, others she's collected from around the Disc, and some of her wit, wisdom and advice - in particular when it comes to etiquette. Published alongside The Fifth Elephant (see #Pratchat40), Nanny Ogg's Cookbook is one of several "in-universe artefact" books. It collects around fifty or so recipes - minus a dozen or so joke ones - devised by Hannan. Pratchett and Briggs round out the book with Nanny's advice on matters of life, death, flowers and everything in between. Paul Kidby provides some great illustrations of various characters, dishes and other glimpses of Discworld life. What do you think of books like this, that bring a bit of a fictional world into the real one? Which of Nanny's recipes would you try? How do her observations match up with your own experiences of life, love and...um..toilet seats? Do you want a sausage-inna-Bunnings T-shirt? And are you ready to see pictures of our efforts? (Probably not...) Join the conversation using the hashtag #Pratchat50 on social media. Guest Cal Wilson - one of Australia and New Zealand's most beloved comedians - previously guested in #Pratchat1 and #Pratchat3, talking about Men at Arms and Sourcery, respectively. Since we saw her last she's published two children's books - George and the Great Bum Stampede and George and the Great Brain Swappery. Cal is no stranger to podcasts; she's guested on dozens! Her upcoming children's storytelling podcast is The Story Tailor (we'll link to it when it's out!), and she's previously co-hosted Money Power Freedom (it does what it says on the tin) with journalist Santilla Chingaipe for the Victorian Women's Trust. You can find Cal online as @calbo on Twitter, and as mentioned in our chat, on TikTok as @calbowilson. (Or just search for the hashtag #baristacats.) As usual, you can find notes and errata for this episode on our web site - including some photos of our culinary efforts! (Viewer discretion is advised.) December is a busy time for us! To further celebrate reaching fifty episodes, we've invited a bunch of great folks, including past guests, fellow Pratchett podcasters and more to cook a few more recipes for a special Hogswatch Feast episode! Watch out for it on Hogswatch day (i.e. December 25, Australian time). We're also recording our next episode very soon - December 17 in fact - and we'll be discussing the next adventure for Tiffany Aching, 2006's Wintersmith, with Australian fantasy author Garth Nix! So if you have questions, get them in "toot sweet", as Nanny might say, using the hashtag #Pratchat51, or via email to [email protected].

Arts journalist, critic and broadcaster Richard Watts joins Liz and Ben on a trip sideways in time with reluctant wizard Mervin (with a V) in Pratchett's 1995 short story "Once and Future", originally published in the Arthurian collection Camelot. As he stands on the beach waiting for the right hopeful king to come along, professional time traveler Mervin recounts his story of how he became stranded in a sideways version of medieval Britain. Here the stories of Arthurian myth are more or less real - though one notable figure is missing... With his knowledge of modern technology, a stash of emergency supplies and help from sharp local girl Nimue, he has a plan to fill the gaps in this other history... Pratchett explores a new angle on the Matter of Britain, mixing sci-fi and engineering into a story about stories and "a world that's not exactly memory and not exactly story". Published in between Interesting Times and Maskerade, but stewing in his head for a decade before that, it features some of Pratchett's most developed ideas about time travel, and was something he was proud and fond of. He even thought of turning his more extensive writings for it into a novel! Did you enjoy Pratchett's take on the practicalities of time travel? Would you have the skills to make it as a time traveler? Does it have the beginnings of a full-length novel? And what's the best thing you've ever found in a charity shop? ...we're not sure where that one fits in either, but you asked so we answered! (Thanks Ryn.) Join the conversation using the hashtag #Pratchat49 on social media. Guest Richard Watts is indeed a titan of the Melbourne arts community. He's best known as a journalist for ArtsHub, where he is the National Performing Arts Editor, and as the host of SmartArts, 3RRR's long-running weekly arts programme. As well as being named a living legend of the Melbourne Fringe Festival in 2019, Richard's contributions to the arts were further recognised in 2021 when he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize and a Lifetime Achievement Award from the Green Room Awards. He's also written for roleplaying games including Call of Cthulhu, Elric!, Vampire: The Masquerade, Werewolf: The Apocalypse and Wraith: The Oblivion. You can find Richard online as @richardthewatts on Twitter. As usual, you can find notes and errata for this episode on our web site. Next episode is our fiftieth - and to celebrate, we're cracking open Nanny Ogg's Cookbook! This is Pratchett's 1999 collaboration with Stephen Briggs and Tina Hannan, the latter of whom is responsible for the actual recipes inside - some of which we'll be trying out with our very special returning guest, comedian and author Cal Wilson! We're also hoping to cook up something a little extra to send your way around Hogswatch as well... For now though, send us your questions - about the book, the recipes, Nanny's etiquette advice or even just doing a Pratchett podcast for over four years. Use the hashtag #Pratchat50, or send us an email to [email protected].

Freelance writer and journalist Ben Riley joins Liz and Ben for a magical history tour as Susan Sto Helit teams up with a couple of monks to stop time...er...stopping in the twenty-sixth Discworld novel: 2001's Thief of Time. In Ankh-Morpork, a mystery woman tasks the odd but talented Jeremy Clockson to build a clock so accurate it can measure the tick of the Universe. In mountain monastery of Oi Dong, Lu-Tze, sweeper of the History Monks, gains a new apprentice: the unmotivated but gifted Newgate "Lobsang" Ludd. And in his domain, Death senses that the Auditors of Reality, grey entities who count every atom, are once again seeking to curb the chaos of life. He recruits his granddaughter Susan to help find the son of Time. If they can't, he'll have to get the old band back together and ride out for the end of the world - at precisely one o'clock, this Wednesday... Pratchett brings back a string of old favourites for this action-packed romp through...well, not quite through time, but it's certainly "about" time. It's the last book to properly star Susan Sto Helit, and for that matter Death; it brings back Lu-Tze, the sweeper who nudged Brutha in the right direction back in Small Gods; and Nanny Ogg is here too, in her first major appearance since the last Witches book, Carpe Jugulum. Oh, and there's a main character named Lobsang, and we know all about that name... Is this what you were hoping for in a third outing for Susan? How do you feel about the fate(s) of Lobsang and Jeremy? Where do you land on having an in-universe excuse for continuity errors in Discworld? And are the monkish wisdom jokes okay because they're based more on kung fu movie tropes than actual Tibetan culture, or is it still a bit on the nose? Join the conversation using the hashtag #Pratchat48 on social media! Guest Benjamin Riley (not to be confused with Spider-Man clone Ben Reilly) is an award-winning freelance writer and journalist. He's written for Junkee, SBS Online, PopMatters, Overland, the Star Observer and many other publications. Ben also works in AIDS research and in HIV and sexual health policy, organises queer community events, and co-hosted and produced the queer political podcast Queers with Simon Copland from 2015 to 2019. (You can still find old episodes in most podcast directories and via the Queers acast page.) For more on what Ben's up to, follow him at @bencriley on Twitter or hit up his website at benjaminriley.com.au. In other Ben news, the videogame Table of Tales: The Crooked Crown, written by a certain Ben McKenzie, is now available on Steam! As usual, you can find notes and errata for this episode on our web site. Next episode we take another little breather - it's been a long lockdown here in Melbourne, folks - to read a Pratchett short story: his take on Arthurian myth, Once and Future! It was originally published in 1995 in the collection Camelot, but like most of his short fiction you can find it in A Blink of the Screen. Send us your questions using the hashtag #Pratchat49, or via email to [email protected]. And yes, we are planning something a little different and special for our fiftieth episode in December - watch our website and social media for news on that soon!

Science comedian and public health nerd Alanta Colley joins Liz and Ben on their second trip through Discworld into Roundworld, as they join Rincewind and the wizards of Unseen University in Pratchett's second collaboration with Ian Stewart and Jack Cohen: 2002's The Science of Discworld II: The Globe. While on a team-building exercise in the woods near Unseen University, Archchancellor Mustrum Ridcully and his faculty are accidentally swept along when something makes its way through the Discworld into Roundworld. That something turns out to be elves - nasty, parasitic lifeforms who feast on the imagination and emotions of others. Roundworld - the universe in a bottle created by the wizards' experiments, which somehow runs without any magic - has been altered by their presence. Now the wizards - including Rincewind, the long-suffering Egregious Professor of Cruel and Unusual Geography - have to find a way to get rid of them without dooming the local human population in the process... Having entirely missed humankind in The Science of Discworld, the wizards are back for another go! And so are science writers Ian Stewart and Jack Cohen - but this time, they don't want to explain cosmology, basic physics and the history of the Earth, but instead sell you on the idea that storytelling is the essential ingredient that makes humans...human. Are we really Pans narrans, the storytelling chimpanzee, rather than Homo sapiens, the "wise man"? Is it wise to write a popular science book with an author who will guarantee the book will be read again twenty years later - and to include some "cutting edge" science, no less? What do a debunked psychological experiment, the term "overcommitment", and filthy explanations of fairytales have to do with it? And who's this shrewd and world-wise street wizard named Rincewind, and can we have some more of his adventures please? Let us know what you think using the hashtag #Pratchat47 on social media, and join in the conversation! Guest Alanta Colley is a comedian, science communicator and storyteller whose solo shows include Parasites Lost (about parasites), Days of Our Hives (about beekeeping) and The Origin of Faeces (you can probably work that one out yourself). She also wrote and performed the "comedy experiment" You Chose Poorly with our own Ben McKenzie. Since 2017 Alanta has also been the host and producer of Sci Fight, a series of comedy science debates; both Ben and Liz have been guest speakers, along with previous Pratchat guests Anna Ahveninen (#Pratchat35) and Nicholas J Johnson (#Pratchat38). You can hear Ben and Anna's last appearance on Sci Fight in this episode of the Climactic podcast, or see the first online debate for Melbourne Science Gallery on YouTube here. Visit scifight.com.au to sign up to the mailing list, and you can find Alanta as @lannyopolis on Twitter and Instagram, via Facebook or at alantacolley.com. You can find out more about what Liz has been writing by following her as @ElizabethFlux on Twitter or Instagram. As usual, you can find notes and errata for this episode on our web site. Next episode we read one of the few precious Discworld novels left to us, though luckily we got a little preview this time around; yes, we're joining up with Susan, Death and the history monks for the very timely Thief of Time, which we'll be discussing with journalist Ben Riley! Send us your questions using the hashtag #Pratchat48, or get them in via email: [email protected]

Writer and editor Deanne Sheldon-Collins joins Liz and Ben as they return to the infinite worlds of the Long Earth to discuss Pratchett's second collaboration with Stephen Baxter: 2013's The Long War. It's now ten years since anti-stepping extremists nuked natural stepper and explorer Joshua Valienté's home town of Madison on the original "Datum" Earth. Joshua has since settled down with pioneer Helen Green and become mayor of Hell-Knows-Where, a thriving town established more than a million steps West of the Datum. But Sally Linsay, fellow far stepper, soon arrives to ask Joshua for help. Trouble is brewing in the Long Earth: humanity's relationship with the species they call "trolls" is deteriorating. Tensions are rising between the American government and the far-flung colonies in its "footprint" on other worlds. And on another world barely visited by humans, other species make plans to push the humans back where they came from... The multi-threaded cosy travelogue continues in (probably) Pratchett's second-longest novel. More Earths, more characters, and more non-humans! A sense of potential disaster looms in every other chapter, while the characters and narrative ponder humanity's relationship with Earth, and the ways in which society might respond to twenty-five years of unlimited resources and living room. Does this still feel like Pratchett to you? What did you think of the women in the novel - especially Joshua's "young wife" Helen? Did you enjoy the various side treks to weird worlds with strange creatures, or did they just leave you wanting more time with the trolls, kobolds, elves and weirder denizens of the Long Earth? And, perhaps most importantly: will you stick with the series and see where it's going next? Use the hashtag #Pratchat46 on social media to join the conversation! Guest Deanne Sheldon-Collins is an editor and writer who's been an active part of Australia's speculative fiction scene for a decade or so. Deanne has worked for Aurealis magazine, Writer's Victoria, the National Young Writer's Festival and Speculate, the Victorian Speculative Fiction Writers Festival, where she has been co-director with previous guest Joel Martin since 2019. While Deanne's current work isn't really publicly available, she'd like you to know that you can find out more about Speculate - including the recently announced Speculate Prize - by following the festival on Twitter at @SpecFicVic, or joining their mailing list via specfic.com.au. As usual, you can find notes and errata for this episode on our web site. Next episode it's time to restart the experiment as we shake up the globe that is the wizards of Unseen University's Roundworld experiment! Prepare to mix science and magic in The Science of Discworld II: The Globe, which we'll be discussing with science comedian, Alanta Colley! Send us your questions using the hashtag #Pratchat47, or get them in via email: [email protected]

With the ei- the twice-fourth Australian Discworld Convention postponed until next year, Liz and Ben fired up their crystal balls to project themselves live for the one-day online event, Nullus Anxietas: The Lost Con! In this special one-hour mini-episode, we revisit the very first book discussed on the podcast: the fifteenth Discworld novel, 1993's Men at Arms! You can of course listen to #Pratchat1 again if you like, though we've included a few important excerpts in this revisit episode. As well as discussing the book in the light of everything we've read (and everything that's happened) since, we reminisce about figuring out how the podcast would work, and answer some questions posed by the live online audience. Has your opinion of Carrot/Angua changed over time? Is Cuddy's death still too upsetting to think about? What other names and Discworld-specific words are we pronouncing wrong? We'd love to know...except maybe that last one! Use the hashtag #PratchatNALC on social media to join the conversation. Intrigued by the idea of a Discworld fan convention? You should be! Old-school fan conventions are few and far between, and we'd love you to support one of the few left in Australia. Find out more about Nullus Anxietas, the Australian Discworld Convention, and get your early bird membership (attending or supporting) to Nullus Anxietas 7A, at ausdwcon.org. You can also follow the convention on Twitter, Instagram and Facebook. You can find the full show notes and errata for this episode on our web site. Huge thanks to everyone who attended the convention, those who listened to us live and asked questions, and to the other panelists - there were some amazing discussions and great fun to be had by all! Especially big thanks once again to the massive team of hard-working volunteers and committee members at Nullus Anxietas, especially the "Man with the Vote", Steve Lewis, and question wrangler Danny Sag. We'll see you all - in person we hope - for for the rescheduled Nullus Anxietas 7A in 2022! This is the closest thing we've done to a live show since our appearance at the last Nullus Anxietas convention, but the online format seemed to work pretty well. We'll look into the possibility of doing our more online live events in future - let us know if that's something you'd like to see!

Surprise! In the great Australian tradition of Christmas in July, Liz and Ben are joined by writer and literary horror fan Penelope Love to discuss Pratchett's short story "Twenty Pence, With Envelope and Seasonal Greeting", first published on the 16th of December, 1987. It's Christmas Eve, 1843, and the driver of a missing Mail Coach is discovered lying in the snow in Wiltshire. A local doctor determines he is scared out of his wits, but nonetheless records the coachman's horrifying tale of passing through a weird rectangular portal. He and his passengers strayed from the world we know into others filled with nightmares: strangely glittering snow, terrifyingly flat London streets, monstrous giant animals and nonsensical language... Written in the style of Victorian horror fiction from authors like M R James, H P Lovecraft and A C Doyle*, with a side order of Dickens, this story was inspired when Pratchett glanced at his shelf full of Christmas cards. Despite the ridiculous premise, he plays it totally straight, with phrases that could have come straight from The Call of Cthulhu and other works of the era he's emulating. But in 1987, people still sent Christmas cards. Does the story still work now, when we have to think a bit harder to recall the kinds of things printed on those ineffable pieces of cardboard? Can we be spooked and made to laugh at the same time? And does the old-school "horrors humankind was not meant to know" genre still make our blood run cold in this age of smartphones, satellite imagery and Google? Use the hashtag #Pratchat45 on social media to join the conversation! Guest Penelope Love is a writer best known for her short fiction, and her work on roleplaying games, most notably Chaosium's Call of Cthulhu, based on the works of H P Lovecraft. Penny is also part of the team at Campaign Coins, who make gorgeous metal coins and counters for use with roleplaying and other tabletop games. You can find Penny's collections of comic fantasy stories about "The Three Dungeoneers" via the Campaign Coins website, and also look up Penny's author page on Amazon to find many of Penny's other works. Penny is on Twitter as @PennyLoveWrites, or you can follow @CampaignCoins for more on their projects. As usual, you can find notes and errata for this episode on our web site. Next episode, as previously advertised, we’re going West and/or East again as we head back into the Long Earth with The Long War - this time joined by writer and editor, Deanne Sheldon-Collins! Send us your questions using the hashtag #Pratchat46, or get them in via email: [email protected] * With apologies to Sir Arthur Ignatius Conan Doyle.

For the second time - and coincidentally for another of the books in The Long Earth series - we've made a change in our schedule! Our next book will still be The Long War, as announced in #Pratchat44, but we're postponing that until August. Our forty-fifth episode, #Pratchat45, will instead discuss Pratchett's 1987 short story, "Twenty Pence, With Envelope and Seasonal Greeting". Listen or read on for more information; and we've included a short (silly) out-take from an old episode as a little thank you treat. Please get your questions in for the short story using the hashtag #Pratchat45, or for The Long War using the hashtag #Pratchat46. As usual you can send them via social media, or by email to [email protected]. Because Ben can't help himself, here are a few brief episode notes: The Long War is probably Pratchett's second or third longest book. It's 500 or 512 pages, depending on the edition - we don't have a word count - but using the page count as a rough guide his longest novel is Unseen Academicals, which clocks in at 514 or 533 pages in its paperback editions. This is considerably longer than his earlier works, which are short by comparison to most fantasy novels. (You can find some amazingly detailed stats on the earlier Discworld books up to The Amazing Maurice on The L-Space Web; and yes, Ben is now very keen to try and complete this work for all of Pratchett's novels. Stay tuned...)Melbourne's latest lockdown lasted two weeks, from May 28 to June 10, 2021. Many restrictions remain in place at the time of recording, including limits on the number of visitors to private homes.You can get information about and tickets to The Lost Con, which is happening online on Saturday July 3rd, 2021, at the Australian Discworld Convention website.The out-take is from #Pratchat12, "Brooms, Boats and Pumpkinmobiles", featuring guest Jackie Tang and discussing Witches Abroad.Echidna spines are not actually hair, but they are made of the same protein, keratin. We previously mentioned this in #Pratchat36, but there are two kinds of keratin: alpha-keratin, which is found in all vertebrates, and beta-keratin, found only in reptiles and birds. Echidna's spines are made of a harder form of alpha-keratin, similar to the keratin in human fingernails - and surprisingly, using conditioner on your nails (and presumably echidna spines) supposedly makes them stronger and healthier, not smoother!We previously discussed Arthur "The Fonz" Fonzerelli, the 50s greaser with a heart of gold from classic 1970s sitcom Happy Days, in #Pratchat10. (He's the character who originally - and literally - "jumped the shark".)The social media network Vine, owned by Twitter, allowed users to post six-second looping videos. It operated from 2012 to 2016, when it was shut down for new uploads; the archive of old content remained until 2019 (though you can still see stills of videos if you follow a Vine link). You can find compilations of some of the best Vine videos on YouTube - please tweet us your favourites! (For contrast, TikTok launched in 2017, though it is the international version of the Chinese original, 抖音 (Douyin), which began operation in 2016.)Ben is remembering Marutaro the Pygmy Hedgehog, who was indeed a Vine superstar in around 2014. They were one of two hedgehog finalists in the Animal category for the 8th Shorty Awards in 2015. Thanks as always to all our listeners, and especially to our subscribers.

We've waited two and a half years for its 35th anniversary, but finally Joel Martin rejoins Liz and Ben to resolve the Discworld's first (and most literal) cliffhanger in The Light Fantastic, the second Discworld novel, first published on the 2nd of June, 1986. When we last saw them, failed wizard Rincewind, Twoflower the tourist and Twoflower's magical Luggage - a living chest on legs - had fallen over the Rim of the Discworld. But instead of tumbling forever through space, they mysteriously find themselves in the Forest of Skund, surrounded by talking trees, gnomes and gingerbread cottages. The senior wizards of Unseen University - including Chancellor Galder Weatherwax, and the second of his Order, Ymper Trymon - soon discover what's happened: the Octavo, the Creator's book of spells, wants to keep Rincewind alive. One of its spells is inside his head, and all eight need to be read to avert an impending apocalypse heralded by an ominous red star... While the usual story is that Pratchett only returned to the Discworld because The Colour of Magic proved popular, he did set himself up for a sequel by dropping his protagonists off the edge of the disc. Unlike its predecessor, The Light Fantastic has a pretty straightforward plot about averting the end of the world - but that doesn't stop Pratchett from parodying everything from fairytales to druidic sacrifices and the conventions of fantasy writing. Plus this book introduces some concepts, and especially characters, who will come back later, including a certain no-longer-human Librarian, Death's adopted daughter Ysabell, and octogenarian barbarian Genghiz Cohen. (The rest of the supporting cast are less fortunate...) Does this feel like a "real" Discworld book yet? How do we reconcile these versions of Death and Ysabell with the ones we come to love later? Is it really a bad idea to start with the early books - or is it fun to begin with the early versions of ideas Pratchett would later develop more fully? And what on the Disc happens to Rincewind between this book and Sourcery? Use the hashtag #Pratchat44 on social media to join the conversation! Guest Joel Martin is a podcaster and writer who has joined us twice before: way back in #Pratchat14 to discuss The Colour of Magic, and then again in #Pratchat31 for The Long Earth. While his podcasts are currently on hiatus, there's soon to be exciting news regarding his speculative fiction writers festival, Speculate! You can watch for Speculate news on Twitter at @SpecFicVic, and join the festival's mailing list via specfic.com.au. Find Joel online at thepenofjoel.com or on Twitter at @thepenofjoel. As usual, you can find notes and errata for this episode on our web site. Next episode we go back to another second book of a series, as we take a little break from the Discworld. Yes, it's book two of Pratchett's five novel collaboration with Stephen Baxter, The Long War! Send us your questions using the hashtag #Pratchat45, or get them in via email: [email protected]

Welcome to a new tradition: the Pratchat Eeek Club! Each year, on the Glorious 25th of May, we will release a bonus episode discussing topics selected by our Eeek tier subscribers. This year, the topics are: How would Ankh-Morpork deal with COVID-19?What would happen if Granny Weatherwax was head of Unseen University - or if Angua commanded the Watch?Are golems alive? (For that matter, is fire alive?)How has Pratchett and/or the Discworld informed our personal philosophies?If Pratchett had kept writing the Discworld series, would it have evolved into science fiction? A big thank you to all our subscribers for making Pratchat possible, but especially to our Eeek Club contributors: Karl, Catherine, Soren, Jess and David, and Frank! You'll find detailed notes and errata for this episode on our website. Want to make sure we get through every Pratchett book - or even choose a topic for next year's Eeek Club? You can support Pratchat by subscribing for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

Poet and writer Sally Evans joins Liz and Ben as they rejoin Tiffany Aching for a trip up into the mountains to meet the next generation of witches in A Hat Full of Sky, the 32nd Discworld novel, first published in 2004. Note that while this episode discusses a book for younger readers, it does contain swearing and we discuss concepts only appearing metaphorically in the book, including puberty and (briefly) masturbation. Parents may wish to listen first before listening with their big wee ones. Tiffany Aching's life is all change: she's off into the mountains to apprentice with Miss Level, a research witch who even other witches find a bit weird. She's left behind her home, her family, and everything she's ever known. Even the Nac Mac Feegle - the drinking, fighting pictsies who've become her fierce protectors since she was briefly their Queen - aren't coming with her. Tiffany soon finds that fitting in among other new witches, and learning the craft, are far harder than anything she's done before. And that's before the one bit of magic she knows brings her to the attention of a hiver - a bodiless, mindless, invisible creature looking for someone with power to inhabit... While a certain other magical young person was attending a school of magic and magic (as the copyright lawyers insist we call it), Pratchett's own Tiffany Aching sets out on a very different journey of discovery. While only 11, she must grapple with her own burgeoning powers (barely under her control), new social dynamics, the affections of someone who is merely less annoying than he used to be, and all the perils of growing up, including the monster in your own head... Is this book too grown up for 11-year-olds? Are we on the money about the metaphors? How great would it be to have an ondageist? Is it just the younger Earwig devotee witches who are into appearances, or are the hats and black dresses of other witches a sign that it's important to all of them? Are the Feegles still fun, or has Tiffany already outgrown them? Er...so to speak. Phew! So many questions this month. Use the hashtag #Pratchat43 on social media to join the conversation! Guest Dr Sally Evans is a poet and researcher based in Melbourne, Australia. As part of her PhD, Sally created four chapbook-length sequences of poetry, including a modern reworking of The Odyssey by Homer, and giving Fifty Shades of Grey the blackout poetry treatment. You can hear Sally talk Mad Max: Fury Road on the apocalyptic fiction podcast Catastropod, hosted by previous Pratchat guest Marlee Jane Ward, and follow her on Twitter at @SalacticaActual. Next episode we fulfil our stupidest promise: yes, two and half years after we discussed The Colour of Magic, and around 35 years after its first publication, we finally resolve Pratchett's most literal cliffhanger. Join us as we read the second ever Discworld novel, 1986's The Light Fantastic! Send us your questions using the hashtag #Pratchat44, or get them in via email: [email protected] You'll find the full notes and errata for this episode on our web site.

Author, editor and journalist Stephanie Convery returns to Pratchat as newspapers and conspiracy hit Ankh-Morpork in the same week! It's The Truth, the 25th Discworld novel, first published in 2000. William de Worde has made a reasonable living writing a monthly newsletter for notables, keeping them informed of goings on in Ankh-Morpork. But when he's nearly run over by Gunilla Goodmountain's new movable type printing press, he soon begins producing a different kind of "paper of news" - one that anyone can buy on the street, full of the important stories of the day. Before long "the Ankh-Morpork Times" - soon employing writer Sacharissa Cripslock and vampire iconographer Otto von Chriek - is a hit...and has ruffled a few feathers. But William has a powerful drive to spread the news, only intensified when Lord Vetinari is found unconscious next to a horse loaded with money after supposedly having stabbed his clerk. The Patrician being arrested for attempted murder and embezzlement is big news, of course - but is it the truth? Pratchett cut his teeth as a writer as a journalist, and had for many years used his work as inspiration - but nowhere as directly as in the 25th Discworld novel, which introduces the Disc's first newspaper journalists, William de Worde. Apart from William, the novel also brings us the Times' staff, most notably Sacharissa and Otto, who pop up in many future books, and the unforgettable "New Firm" of Mr Pin and Mr Tulip - plus the triumphant return of Gaspode! The books also draws on sources as broad as Shakespeare, the history of printing, Watergate and Pulp Fiction for inspiration, references and jokes, while still packing in themes as serious as public interest, prejudice, class privilege and...well...the truth. Is it weird seeing Vimes as a secondary character through the eyes of a journalist? Do you wish the staff of the Times had more books of their own? Where do you come down on the debate over public interest vs "of interest to the public"? Share your truth with us via the hashtag #Pratchat42 on social media, and join the conversation! Guest Stephanie Convery is a freelance writer and Deputy Culture Editor for Guardian Australia. Since she was last a guest on this podcast (discussing Mort way back in #Pratchat2, "Murdering a Curry"), Stephanie has published her first book: After the Count, a critically acclaimed "history and interrogation of boxing as art and a cultural examination of sport", framed around the death of boxer Davey Browne following a knockout in the ring. You can check out Stephanie's work at Guardian Australia, or follow her on Twitter at @gingerandhoney. We're planning to be part of the line-up for the Australian Discworld Convention's online event, The Lost Con, on Saturday 3rd July, 2021. More details on that soon! We'd also love to know if you want us to do an episode about The Watch television series, and whether you'd support Ben making a similar podcast about the works of Douglas Adams. Next time we're jumping ahead into the future as we continue to spread out Tiffany Aching's story: yes, it's time to grab A Hat Full of Sky! We'll be joined by writer and poet, Sally Evans. Send us your questions using the hashtag #Pratchat43, or get them in via email: [email protected] You'll find the full notes and errata for this episode on our web site. This month (April 2021) you can also help raise money for Meals on Wheels in the US as part of the #Reviews4Good initiative! We'll respond and double the donation, too. Just review the show (or an episode) on Podchaser.

Educator Dr Charlotte Pezaro joins Liz and Ben on a trip to the South Pelagic, where they find tsunamis, gods and science in Nation, Pratchett's standalone young adult novel from 2008. Mau is returning from his rite of passage when a huge wave washes over his island Nation, killing everyone he has ever known. He is all alone, stuck without a soul between the states of boy and man. Lost in his despair and anger at the gods he now isn't sure he believes in, he's ready to give in to the dark water until he meets Daphne, the only survivor from a "trouserman" ship flung into the Nation by the wave. As they learn each others' customs and languages, and other survivors gradually begin to arrive, Mau and Daphne must both reckon with the gods and ghosts of the Nation's past - and work hard to ensure it has a future... Pratchett's own proudest achievement, and winner of multiple of awards, Nation presents an alternate universe where things are a little bit different in some ways...and considerably different in others. Pratchett examines his favourite themes of belief, death, imperialism and science through a new lens, in a tale of loss, growing up, and asking big questions. Is this Pratchett's magnum opus? Does inventing an entire universe next door make it okay for a white Englishman to tell a story about South Pacific Islanders with the serial numbers filed off? Why did he split Australia in half ? Tell us by using the hashtag #Pratchat41 on social media to join the conversation! Guest Dr Charlotte Pezaro is an educator with a PhD in pedagogy and years of science and technology communication experience. Charlotte is also a qualified primary school teacher, and works with other teachers to help them improve their skills. You can find out more about Charlotte at charlottepezaro.com, or follow her on Twitter at @dialogicedu. Next time we're heading back to Ankh-Morpork for a tale of journalism, vampirism and authoritarianism, the 25th Discworld novel: 2000's The Truth! We'll be joined by returning guest, writer and deputy culture editor for Guardian Australia, Stephanie Convery. Send us your questions using the hashtag #Pratchat42, or get them in via email: [email protected] You'll find the full notes and errata for this episode on our web site.

Comedian Richard McKenzie returns to get a bit gothic as he, Liz and Ben head to Überwald to discuss The Fifth Elephant in the room...by which we mean the twenty-fourth Discworld novel, published in 1999. As Ankh-Morpork and its neighbours embrace modern semaphore technology, trouble is brewing among the dwarfs. A new Low King is soon to be crowned in Überwald - and not everyone is happy with the choice. The Patrician selects just the right "diplomat" for the job: the Duke of Ankh, Sir Samuel Vimes. He reluctantly agrees to face vampires, werewolves, Igors and dwarf politics in a place where his Watch badge holds no sway. He's not going alone - though Sergeant Detritus (a troll) and Corporal Cheery Littlebottom (the first openly female dwarf) are not likely to be popular with the traditional dwarfs of Überwald. Luckily he also has diplomatic attaché Inigo Skimmer, and his strongest ally: his wife, the Lady Sybil Ramkin... After exploring one vampire family from Überwald in Carpe Jugulum, Pratchett takes Sam Vimes out of his comfort zone and into the lands of the fabled fifth elephant, while making far fewer references to the Luc Besson film than you'd expect. With Carrot and Angua off on a B-plot, and Colon, Nobby and the rest of the Watch left behind in the C-plot, it's also a chance for background characters Detritus, Cheery and Lady Sybil to shine. The novel also expands on the culture of vampires, werewolves, Igors and especially dwarfs, building the foundations for many future novels. It's a great read for a Discworld fan - but would The Fifth Elephant make a confusing introduction to the series? Was this Sybil's finest hour, or were you left wanting more of her? Does a beloved character do a murder? If so, is it okay? And did Carrot really need to be there, or was he just a Gaspode enabling device? Tell us by using the hashtag #Pratchat40 on social media to join the conversation! Returning guest Richard McKenzie is hopefully back to hosting trivia twice a week, on Thursdays and Sundays, at the Cornish Arms on Sydney Road in Brunswick, Melbourne. He and Ben devised the Dungeons & Dragons themed impro comedy show Dungeon Crawl, which now usually appears at Melbourne games expo PAX Aus. He also appears in the lineup of ensemble comedy shows The Anarchist Guild Social Committee and Secondhand Cinema Club. A a quick reminder that you can order Collisions, the short story anthology from Liminal Magazine, from your local bookshop! It includes Liz's story "The Voyeur" and fifteen others. The link also has some online sources if you need 'em. Next time we're reading something very different: Pratchett's standalone, non-Discworld young adult novel from 2008, Nation! We'll be joined by educator Charlotte Pezaro. Send us your questions using the hashtag #Pratchat41, or get them in via email: [email protected] You'll find the full notes and errata for this episode on our web site.

We're kicking off the Year of the Beleaguered Badger with something a little different: an international guest, and a short story! Unofficial Pratchett biographer Marc Burrows joins us from the UK to discuss the third Discworld short story: 1998's The Sea and Little Fishes! Without much else but the carefully applied annoyances of Nanny Ogg to occupy her time, Granny Weatherwax is ready to win the annual Witch Trial - just as she does every year. But Lettice Earwig, self-appointed leader of a sort of witch committee, has decided this is discouraging new witches, and asks Granny not to participate. She also tells Granny to try being "nice" - and the worst part is, Granny appears to be taking her advice... Very long for a short story, The Sea and Little Fishes delves into the relationship between two of Pratchett's most beloved characters, and introduces people and concepts he'd later expand upon in the Tiffany Aching novels. In a sense it's a story in which almost nothing happens, but then that's largely the point - someone like Granny Weatherwax hardly has to do anything at all to move mountains. Where did you read it? What do you think of the title? And how long can a story be while still being considered "short"??? Let us know! Use the hashtag #Pratchat39 on social media to join the conversation. Guest Marc Burrows is a writer, musician and comic. His articles and reviews about music and culture have appeared in The Guardian and a variety of other publications, but he's currently best known as the author of the first, unofficial Terry Pratchett biography, The Magic of Terry Pratchett, which you can learn all about at askmeaboutterrypratchett.com. He is also a member of the band The Men Who Will Not Be Blamed For Nothing, and has two upcoming non-fiction books about music. The best place to find Marc online is as @20thcenturymarc on Twitter and Instagram, and you can sign up to his newsletter "The Glom of Nit" via tinyletter.com. You can find the full show notes and errata for this episode on our web site. We plan to cover short stories once or twice a year to help us all keep up with the schedule, in part because our original plan - to cover them as live shows - hasn't worked out this last year. But next month it's back to the Discworld novels, and the Watch, with The Fifth Elephant - and we're welcoming back one of our earliest guests, Richard McKenzie! Send us your questions via email, or social media using the hashtag #Pratchat40. Want to make sure we get through every Pratchett book - and maybe make a few more live episodes like this? You can support Pratchat for as little as $2 a month and get subscriber bonuses, like the exclusive bonus podcast Ook Club!

Writers, comedians, magicians and con-men experts Nicholas J Johnson and Lawrence Leung join us as we meet the distressingly named Moist von Lipwig in his 2004 debut, the 33rd Discworld novel, Going Postal! Con-man Moist von Lipwig (aka Albert Spangler) thinks he's come to the end of the line when he's hanged by order of Lord Vetinari, Patrician of Ankh-Morpork. But while the world believes him hanged, the city's tyrant has actually saved him for something bigger: he wants Moist to revitalise the city's derelict post office. It seems like a hopeless task with no chance of success or escape, what with the mountains of mail, unsatisfactory staff, golem parole officer, and the communications monopoly of the Grand Trunk Sempahore Company, run by the piratical Reacher Gilt. But every con-man needs a challenge... Pratchett's first Moist book is a great in to the Discworld at large, with a gripping self-contained story of new technology vs old, capitalism vs the public good, and one man's lifetime of criminal habits vs his better nature. As well as Moist himself, it introduces such memorable characters as Mr Pump, Stanley the pin collector, and the one and only Adorabelle Dearheart. (Everyone in this book has an amazing name.) It's not a short book, and we struggle to cover all its themes, twists and turns. Do you love Moist von Lipwig? Could you get over his name? Could you operate a Clacks tower? And just how deep did Vetinari's plan go, anyway? Join the discussion using the hashtag #Pratchat38. Guest Nicholas J Johnson is an author, magician and expert in scams and swindles, earning himself the nickname "Australia's Honest Con-Man". His new children's book, the "autobiographical" Tricky Nick, features magic and time travel and all sorts, and is available now from Pan Macmillan. Find out more about Nick's live performances and workshops at conman.com.au, or follow him on Twitter at @countlustig. Guest Lawrence Leung is a comedian, screenwriter and actor, known to Australian audiences from his roles in Offspring and Top of the Lake, and his own shows including Lawrence Leung's Choose-Your-Own-Adventure and Maximum Choppage, and the feature film Sucker. Find out all the latest about Lawrence, including when you can catch his live-streamed comedy shows, at lawrenceleung.com, or you can follow him on Twitter at @Lawrence_Leung. The full show notes and errata for this episode will be added to our web site later in the month. Our plan to cover Sir Terry's short fiction was via live shows, but since that hasn't worked out for us this year, in January we're going to discuss 1998's short witches story, The Sea and Little Fishes. We'll also be welcoming our first international guest: Marc Burrows, author of the Pratchett biography The Magic of Terry Pratchett! Send us your questions via social media using the hashtag #Pratchat39.

Author Will Kostakis returns to face time travel, unexploded bombs and a tangle of timelines in the final Johnny Maxwell book, 1996's Johnny and the Bomb! When Johnny and his misfit friends look after homeless eccentric Mrs Tachyon's shopping trolley, they soon discover she has a complicated relationship with time. Johnny, Yo-less, Wobbler, Bigmac and Kirsty travel back to World War II, on the eve of the "Blackbury Blitz". Johnny knows bombs are meant to destroy Paradise Street - but can he and his friends do anything about it? Do they even have the right? And how will they get back ho- hang on. Where's Wobbler? Pratchett's first book focussing on time travel also touches on the worries of teenagers, local history, racism, sexism and the nature of fate and destiny. It might seem weighty for a children's book, but children think about this stuff all the time! Did you follow all the time travel shenanigans? How do you think Pratchett's handling of these issues compares to modern middle grade fiction - or even his own previous Johnny books? And if you could go back in time, would you try and change things for the better? Join the discussion using the hashtag #Pratchat37. Returning guest Will Kostakis is a writer and award-winning author. Since we last saw him in #Pratchat18, "Sundog Gazillionaire", he's published his first fantasy YA novel, Monuments, and its sequel, Rebel Gods. His new novella, The Greatest Hit, is out now from Lothian Children's Books as part of the Australia Reads initiative. Find out more about Will at willkostakis.com, or follow him on Twitter at @willkostakis. You can find the full show notes and errata for this episode on our web site. As mentioned at the end of this episode, the fiction anthology Collisions from Liminal Magazine is out now, featuring Liz's story "The Voyeur"! Order it from your local bookshop. And we also announced that the Australian Discworld Convention in Sydney has had to be postponed from 2021 to 2022. Find out more at ausdwcon.org. Next month we see out the year with a favourite, as we time travel about ten Discworld books ahead to meet Moist von Lipwig in Going Postal! We've invited two experts on con artistry to discuss it with us: writer and magician Nicholas J Johnson, and comedian and actor Lawrence Leung! Get your questions in via social media using the hashtag #Pratchat38.

Star of the stage Gillian Cosgriff joins Liz and Ben to cower in fear before that most horrifying of beasts: the magpie! Yes, it's time for the twenty-third Discworld novel, 1998's Carpe Jugulum. The new princess of Lancre has been officially named! But all has not gone well: new priest Mightily Oats took Queen Magrat's notes on the naming a little too literally. King Verence has been a little too liberal with which nobility he invited. And most worryingly of all, Granny Weatherwax - supposed to be the baby's godmother - is nowhere to be found. As the forward-looking Count de Magpyr and his family effortlessly dominate the wills of all about them (with the notable exception of two-minded Agnes Nitt), can the fractured witches pull together a full coven and save the day? And what on the Disc is going on in the mews? The fifth and last of the books to star the original coven of Granny Weatherwax, Nanny Ogg and now-Queen Magrat Garlick shakes things up even more than its predecessors. Young witch Agnes Nitt's inner voice is now a fully independent personality, while Nanny and Granny clash over their roles and responsibilities, and Magrat brings her child along to coven meetings. Pratchett also takes aim at every vampire tradition and cliche from curtain-twitching to shying away from holy symbols, pitting the modern vampire against his more monstrous predecessors. And on top of that, he introduces two enduring fan favourites: the first of many Discworld Igors, and the tiny "pictsies" of the Nac mac Feegle! What did you you think? Does Carpe Jugulum make beautiful music? Is Pratchett's ongoing need to make fat jokes too distracting? When he came up with the idea of vampires who turn into and control magpies instead of bats, do you think he realised how horrifying that would seem to Australians? Use the hashtag #Pratchat36 on social media to join the conversation! Guest Gillian Cosgriff is an actor, singer and cabaret star most recently seen as part of the Australian cast of Harry Potter and the Cursed Child. Gill's career has included musical comedy, musical theatre and - as mentioned briefly in our Maskerade episode - opera! Find out more about her talents at gilliancosgriff.com, or you can look up some of her music on Youtube or buy her albums on Bandcamp. (Do so on a Bandcamp Friday if you want to make sure all your money goes to supporting the artist!) You can also follow Gill on Twitter at @gilliancosgriff. Next time, we finish off Pratchett's other children's trilogy as Johnny and his gang go out with a bang in Johnny and the Bomb. Joining us is returning guest, author Will Kostakis! Send us your questions using the hashtag #Pratchat37, or send us an email at [email protected]. You'll find the full notes and errata for this episode on our web site.

Liz, Ben and science communicator Anna Ahveninen have the weird sensation of being a specimen in a jar as they discuss 1999's The Science of Discworld, co-written by biologist Jack Cohen and mathematician Ian Stewart. By bribing the Unseen University faculty with the promise of cheap heating, research wizard Ponder Stibbons gets permission to try splitting the thaum, the magical equivalent of the atom. The experiment is a success, but fills the University with dangerous raw magic. To use it up, sentient thinking machine Hex initiates "the Roundworld Project", the creation of a reality devoid of magic. The universe in a bottle that results has no narrative imperative, only one kind of light, and not a single star turtle. What it does have are rocks, flaming balls of gas and rules. This all seems very unnatural to the wizards, so there's only one thing to do: poke it with a stick and see what happens... After reading one too many "Science of Star Trek" books, science writers and Pratchett fans Jack and Ian joined forces with Sir Terry to write a book in which they would use the wizards' exploration of a bottle universe to explore our own, and the science that explains it. The concept was a bit of a gamble, and no-one wanted to publish it at first, but it proved a big hit, spawning three sequels and a major revision to this first volume, three years later. The Science of Discworld concentrates on the beginning and evolution of the universe and the history of life on Earth, with plenty of asides about the nature of science and how it is taught (including the now famous concept of "lies-to-children"). In between these essays, the Unseen University wizards poke our own "Roundworld" with a big stick and try to make sense of a world without magic - in part by forcing Rincewind into the role of virtual astronaut. What did you learn from The Science of Discworld? Do you enjoy the alternating fantasy and science chapters? How does it compare to the other "The Science of" books? And does the science still stand up, eighteen years after the revised edition of 2002? Use the hashtag #Pratchat35 on social media to join the conversation! Guest Anna Ahveninen is a science communicator, writer and (ex) chemist who currently works at the Australian Academy of Science. You can follow her on Twitter at @Lady_Beaker. Anna also wanted to give a shout out to the STEMMinist Book Club (the second M is for Medicine), who you can also find on Twitter at @stemminist, and on Goodreads. Turns out we jumped the gun a little with Collisions - the Liminal magazine fiction anthology won't be published until November! We'll remind you in a couple of episodes. Next month it's back to the Ramtops for our favourite coven's last hurrah, as Lancre is invaded by vampires in Carpe Jugulum! We'll be joined by actor, singer and cabaret star Gillian Cosgriff. Get your questions in via social media using the hashtag #Pratchat36, or send us an email at [email protected]. You'll find the full notes and errata for this episode on our web site.

Liz and Ben (who suffered from microphone issues this episode) introduce children's author Oliver Phommavanh to the world of Pratchett with Johnny Maxwell's return, in 1993's Johnny and the Dead. Twelve-year-old Johnny Maxwell is enduring Phase Three of the Trying Times between his parents, which involves living with his Mum at his Grandad's place. His shortcut home from school takes him through an old rundown cemetery, where he knocks on a tomb door - and discovers he can see dead people. As Johnny gets to know them, the dead discover the Council has sold their cemetery for development - and they want Johnny to put a stop to it. While the gang delve into the history of Blackbury and discover a whole new side to their boring hometown, the dead begin to wonder if there might be more to life after life - earning the disapproving scowl of Mr Eric Grimm... Content note: this episode contains discussion of (fictional) suicide, from around 1:34:00 to 1:40:00. If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you. Johnny Maxwell and (most of) his friends are back, this time dealing with the mundane as well as the fantastical. Touching on themes of history, tradition, belief and capitalism, Pratchett makes a very different kind of "boy sees dead people" story as Johnny tries to save the local cemetery. There's lots of Pratchett philosophy in here, like his well-known positive attitude towards death as a part of life. It's also full of his trademark little jokes and asides, some of which feel very, well...early nineties. So what do you think? Has this aged well since 1993? Do the lessons about the past and present, living and dead still ring true? Do the trials and tribulations of a small English town translate to 2020 and wherever you live? Use the hashtag #Pratchat34 on social media to join the conversation! Guest Oliver Phommavanh is a children's author, teacher and stand-up comedian based in Sydney. He's written ten books, including the semi-autobiographical Thai-riffic and Con-Nerd, both of which have sequels. His next book the short story collection Brain Freeze, due out in September 2020. (Please consider supporting your local bookshop by ordering his books from them!) You can find out more about Oliver at his web site, oliverwriter.com, and find him on Instagram and Twitter as @oliverwinfree. Next month we're celebrating National Science Week in Australia by reading Pratchett's collaboration with science writers Ian Stewart and Jack Cohen, The Science of Discworld! We'll be joined by science communicator and chemist Anna Ahveninen of the Australian Academy of Science! Get your questions in via the hashtag #Pratchat35 by science week, which starts August 15, 2020. You'll find the full notes and errata for this episode on our web site.

Liz, Ben and writer Michelle Law go on a surprisingly dark ride in Pratchett's skewed take on the "Pied Piper", 2001's Discworld for Younger Readers book, The Amazing Maurice and His Educated Rodents. Everyone knows that the best way to get rid of rats is to pay the Piper - even Maurice, and he's a talking cat. So when he met a Clan of similarly smart talking rats, all he needed was a stupid-looking kid who could play and he had the makings of the perfect con... At least, until the rats (and the kid) decide that what they're doing is unethical. Maurice convinces them to pull one last scam in a tiny Überwald town, but all is not well in Bad Blintz: the mayor's daughter immediately sees there's something odd about Maurice and the kid, and the town is convinced they already have a plague of rats - but the Clan can't find a single one... After two trilogies of children's books set in our own world, and before he invented Tiffany Aching, Pratchett tried getting kids into the Discworld with a story of talking animals, plucky kids and unspeakable evil. The Amazing Maurice explores some weighty ethics, punctures the safety of Enid Blyton, questions the lessons taught by the Brothers Grim, and goes to some very dark places, metaphorically and literally. All born out of a footnote joke he wrote for Reaper Man a decade before! Is this really a children's book? Would you let your kids read it? Is it a terrible mistake, or is it maybe the greatest book Pratchett ever wrote? And most importantly: what's your rat name? Use the hashtag #Pratchat33 on social media to join the conversation! Guest Michelle Law is an award-winning playwright, screenwriter and actor based in Sydney. Her work includes the 2017 smash hit play Single Asian Female, the SBS TV series Homecoming Queens and contributed to numerous magazines and books. Michelle's next play will be Miss Peony for Sydney's Belvoir Theatre, and she has a story in the anthology After Australia from Affirm Press. You can find out more about Michelle at her web site, michelle-law.com, and follow her on Twitter at @ms_michellelaw. Next month we complete our hat-trick of Pratchetts for younger readers by returning to the English town of Blackbury to catch up with Johnny Maxwell in 1993's Johnny and the Dead. We'll be joined by children's author Oliver Phommovanh! Get your questions in via the hashtag #Pratchat34 by July 21st 2020. You'll find the full notes and errata for this episode on our web site.

Liz, Ben and librarian Meaghan Dew come down from the mountains to a land of sheep, chalk and tiny blue warriors, and meet the youngest witch ever, in Pratchett's 2003 Discworld for Younger Readers book, The Wee Free Men. Nine-year-old farm girl Tiffany Aching lives on The Chalk, a lowland area famous for its sheep and...er...sheep products. It's not famous for attacks from mythical river monsters, so when one turns up she lures it with her brother as bait and hits it over the head with a frying pan. Searching for answers, she meets the very real witch Miss Tick, and realises that's what she wants to be. In her first truly witchy move, she disobeys Miss Tick's advice and tries to take on the Queen of the Fairies, who has kidnapped her baby brother. Luckily she's already met and impressed the Nac Mac Feegle - a clan of tiny blue "pictsies" with a love for fightin', stealin' and drinkin'... After the end of the Witches series in Carpe Jugulum*, Pratchett launched a new protagonist destined to become one of his most beloved characters. Tiffany Aching is practical, serious, thoughtful and wilful, with a steely gaze and a mind so sharp she might cut someone else (she certainly knows which bit to hold onto). Pratchett weaves the story of a young girl stepping into some big - and tiny - shoes with themes of grief, family, community, belief and the stories we tell...oh, and a tiny blue and red whirlwind of swearing, violence and other Scottish stereotypes known as the Nac Mac Feegle. Do these two things mesh well for you? Is this Tiffany's finest hour, or just a taste of what's to come for her? And was Granny Aching a witch, a shepherd, or something else entirely by the end? Use the hashtag #Pratchat32 on social media to join the conversation! * Carpe Jugulum is coming soon(ish) to a Pratchat episode near you! Guest Meaghan Dew is a librarian and podcaster. For around seven years, Meaghan hosted and produced the podcast for Australian arts and culture magazine Kill Your Darlings. Meaghan currently works as a librarian in Melbourne, and produces her library's podcast program. Ben was reading the The Illustrated Wee Free Men, the 2008 hardcover edition of the book with full-colour illustrations by artist Stephen Player - and a few extras from Terry. Player advises that the colours are off in the book, but you can see many of the original illustrations on his web site. Next month we travel to an entirely different rural area of the Disc for more younger readers adventure, in 2000's The Amazing Maurice and His Educated Rodents. We'll be joined by writer and screenwriter Michelle Law! Get your questions in via the hashtag #Pratchat33 by June 20th 2020. You'll find the full notes and errata for this episode on our web site.

In episode 31, Liz, Ben and returning guest Joel Martin step sideways into the infinite earths of Pratchett's 2012 collaboration with Stephen Baxter, The Long Earth. In 2015, plans for a strange but simple box-shaped device called a "Stepper", powered by a potato, are posted online. Kids all over the world build them and discover that the boxes let them step "East" or "West" into other Earths. There are thousands of such worlds - perhaps millions - all subtly different. But they do have one thing in common: there are no humans on any of them. Fifteen years after "Step Day", human society is irrevocably altered, and experienced far-stepper Joshua Valienté is offered a new job: to step further from Earth than even he has ever been, and explore the mysteries of the Long Earth in the company of a Tibetan motorcycle repairman reincarnated as a supercomputer... Based on ideas from Pratchett's 1986 short story "The High Meggas", written before the popularity of The Colour of Magic led him down a particular leg of the trousers of time, The Long Earth is the first in a series of five novels set in a near future world forever changed by the existence of limitless worlds next door. An epic journey across millions of worlds, Pratchett chose to work with his friend Stephen Baxter, a prolific science fiction author whose work encompasses hard future sci-fi, speculative evolution, alternate history and sequels to classic novels by the likes of H. G. Wells and Arthur C. Clarke. That all seems quite a distance from comic fantasy - but the pairing just works. So - it’s five years since Step Day. Would you visit another Earth? Could you pick which bits were Pratchett, and which Baxter? And what kind of potato is in your stepper box? Use the hashtag #Pratchat31 on social media to join the conversation! Guest Joel Martin is a writer, editor and podcaster who previously appeared on Pratchat in episode 14, discussing the book that derailed the Long Earth back in 1986, The Colour of Magic. Joel is also the director of the Speculate speculative fiction festival (specfic.com.au). His latest work is the short story Hunting Time in Strange Stories Vol. 1, scheduled to be published this month by 42books. Joel's writing podcast, The Morning Bell, is currently on hiatus, but you can find the full back catalogue at themorningbell.com.au. Find out more about him at thepenofjoel.com. Next month we're stepping back onto the Disc to meet adventurous nine-year-old Tiffany Aching, in 2003's The Wee Free Men! Get your questions in via the hashtag #Pratchat32 by around May 23rd. You'll find the full notes and errata for this episode on our web site.

For our thirtieth episode, Liz and Ben take a break from reading books and instead read your comments and questions, looking back on both Pratchett's work and their own. Which one of Dibbler's schemes would you fall for? What's your least favourite Discworld novel? Are there any good Pratchett-inspired games? What line would you quote to sum up Pratchett's style of humour? We want to hear your answers to all the questions you asked us! Use the hashtag #Pratchat30 on social media to join the conversation. You can find Elizabeth on Twitter as @elizabethflux, where you will find links to her articles and some very good puns. (Ben is flinching already.) You can also find her (and her impractical outfits) on Instagram as @elizabethtiernan. You can find Ben and his projects via his web site benmckenzie.com.au, on Twitter at @McKenzie_Ben and Instagram at @notongotham. For creative story-based activities, check out the social media of 100 Story Building; they're on Twitter at @100StoryB. Next month's episode we're returning to our original plan for this month: we'll be reading Pratchett’s 2012 parallel universes collaboration with Stephen Baxter, The Long Earth, the first in a series of five novels. Get your questions in via the hashtag #Pratchat31 by late April! You'll find the full notes and errata for this episode on our web site.

We've made a change in our schedule! Our next book will indeed be The Long Earth, as announced last episode, but we'll be postponing that to May. Our thirtieth episode, #Pratchat30, will instead feature Liz and Ben answering your broader Pratchett questions. Listen or read on for more information. If you're new to Pratchett, this is your chance to ask how or why to get into his work, and of course to invite the inevitable argu- er, discussion about where to start. If you're new to Pratchat, this is your chance to ask more questions about books we've already covered - see our Episodes page for a list! We also welcome comments and feedback on our previous discussions: what did we get wrong? What do you want more of? And for everyone, this is a chance to give us your questions and comments about Pratchett's work as covered so far on the podcast: questions that aren't tied to a specific book, or span many of them. We want to hear them all! But please, no spoilers for books we've not yet covered. Check the Books page if you're not sure. We're recording on April 3rd, 2020, so get your questions in by then via social media (use the hashtag #Pratchat30) or by email to [email protected]. We hope you understand our need for this change in the schedule, but we'll still see you on the 7Ath! And as always, a big thanks to all our listeners, and especially to our subscribers. Your help means more right now than usual, and we're very grateful for it. If you'd like to support the production of Pratchat, find out more on our Support Us page.

In episode 29, Liz, Ben and guest Fury join Rincewind on a journey to a strangely familiar land in Pratchett's 1992 loving Discworld parody of Australia, The Last Continent. (A quick content note: this one has more swearing than usual, but we bleeped the c-bombs out.) The Librarian of Unseen University, long ago turned into an orang utan, is suffering from a magical illness. Archchancellor Ridcully and his faculty could help him - if only they knew his original human name. Unfortunately the only person likely to remember is former Assistant Librarian Rincewind, and the wizards sent him to Agatea - and then accidentally propelled him across the Disc. He ended up in XXXX - aka Fourecks, aka the Last Continent, aka “that place far away full of deadly animals” - but he’s managed to survive. The locals out in the desert seem friendly enough, at least until he asks when it will rain. But something isn’t right. The land needs a hero. What it’s got is the Eternal Coward... Pratchett came to Australia many times, and his experience of the country seems to have rubbed off. Fourecks affectionately parodies Australian music, slang, politics and culture, including Mad Max, The Man From Snowy River, Priscilla Queen of the Desert, thongs, corks on hats, the cultural cringe, Vegemite, pie floaters and Skippy the Bush Kangaroo. It’s quite the ride for the Australian reader... Rincewind is moulded into the stereotypical “bush hero”, but his touchstones aren’t entirely post-invasion - Pratchett also tries for a nuanced and deep Discworld interpretation of Aboriginal culture and beliefs, even if he doesn’t include any actual Aboriginal characters. Do you think he makes it work? Could you follow all the Australian references? Is there enough of a plot, or is it just an excuse for a bunch of jokes? Use the hashtag #Pratchat29 on social media to join the conversation! Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in episode 19, discussing Soul Music. They were recently seen in Gender Euphoria, a touring multi-disciplinary show celebrating trans experiences which has played in Melbourne and Sydney. Fury’s book I Don’t Understand How Emotions Work is available online now. You can also find out more about them at their web site furywrites.com, or follow them on Twitter as @fury_writes. Next month's episode was going to cover Pratchett’s 2012 sci-fi collaboration with Stephen Baxter, The Long Earth, but we've had a change of plan! Instead, we'll be taking a month off from book discussion to answer your questions about how to get into Pratchett, about past episodes, and about his work in general. Listen out for a special announcement with more information, and get your questions in via the hashtag #Pratchat30 by April 3rd. You'll find the full notes and errata for this episode on our web site.

In episode 28, players Liz, Ben and guest Steve Lamattina press start and blast away at Pratchett's 1992 novel of kids, war and videogames, Only You Can Save Mankind. Twelve-year-old Johnny Maxwell isn't the best at computer games, but he loves them all the same. While playing Only You Can Save Mankind, a space combat simulator, he's taken by surprise when the Captain of the enemy ScreeWee fleet offers to surrender. After he accepts, the game starts to invade his dreams, and the aliens disappear - from everyone's computer. Something weird is going on - but at least it's a distraction from the war on TV and the Trying Times at home... Only You Can Save Mankind - dedicated to Pratchett's daughter Rhianna, now a renowned videogame writer - is explicitly about the first Gulf War (1990-1991), at a time when games looked more real and televised war looked more like a game. In early 2020, many themes of the book seem alarmingly current - even as the experience of computer games it describes is very firmly rooted in the past. Did you connect with Johnny's experience? Do you like videogames? Does this episode contain too much Pokémon and Freddi Fish? Use the hashtag #Pratchat28 (and maybe #DeliciousPokémon) on social media to join the conversation! Guest Steve Lamattina is a writer and editor who has worked in film, music, education and tech. He was also CEO of youth publishing company Express Media, and has written about food, events, movies, games, social media and much much more. You can find him on Twitter as @steve_lamattina. Next month it's back to the Discworld, and close to home - more or less - as we catch up with Rincewind in 1998's The Last Continent, and welcome back a returning guest: Fury! We'll be recording in late February, so get your questions in before then via social media using the hashtag #Pratchat29. You'll find the full notes and errata for this episode on our web site.

In episode 27, Liz and Ben are joined by guest writer and psychologist-in-training Craig Hildebrand-Burke to discuss the depressingly relevant yet uplifting 1997 Discworld novel of war and prejudice, Jingo. In the middle of the Circle Sea, halfway between Ankh-Morpork and Klatch, the ancient and slightly eldritch island of Leshp has risen from the waves. Of course both nations want to claim it as their own, what with the other nation being filthy foreign devils, and almost immediately the threat of war is in the wind. An attempt on the life of a visiting Klatchian prince kills peace talks before they can even begin, and the Patrician is deposed - leaving Sir Samuel Vimes, Lord Commander of the City Watch, with a crime to solve. Can bringing a murderer to justice stop a war? Jingo sees the Watch swell in size, gives a great deal of airtime to the Patrician, and also shines the spotlight on the Disc's greatest inventor, Leonard of Quirm! And of course we spend more time in Klatch, now inspired more by Lawrence of Arabia than Arabian Nights. It's a story of nationalism, racism and war - both of the regular kind, and between the classes. Jingo was not only still relevant when we recorded this, but has suddenly and awfully become more relevant since. Can Pratchett help us do away with ideas of Us and Them? Can he flesh out the previously cartoony city/nation/continent of Klatch? And how great are submarines? Use the hashtag #Pratchat27 on social media to join the conversation! Guest Craig Hildebrand-Burke is a writer who has recently completed a psychology degree. He's written fiction, non-fiction, reviews and commentary for publications including Tincture, Writers Bloc, ACMI and SBS News. You can find him on Twitter as @_CraigHB. Next month we leave the Discworld and head into outer space - and inside a computer - in 1992's Only You Can Save Mankind, the first of the Johnny Maxwell books for middle grade readers. We'll be recording in late January, so get your questions in via social media using the hashtag #Pratchat28. You'll find the full notes and errata for this episode on our web site. We recorded before the current Australian bushfires reached their peak, and so barely mentioned them in the episode; if you'd like to help the firefighters, wildlife workers or those affected by the fires, this JJJ article has some good places to start.

In episode 26, Michael Williams of The Wheeler Centre joins Liz and Ben to get into the holiday spirit with the very Christmassy 1996 Discworld novel Hogfather. It's Hogswatch, and the Assassins Guild of Ankh-Morpork has accepted a very unusual assignment, and Lord Downey has given it to the very unusual assassin Mr Teatime. But who would want to kill the Hogfather? And how would you even accomplish such a thing? As Death fills in for the Fat Man delivering presents, his granddaughter Susan is reluctantly drawn to investigate, teaming up with the newly created Oh God of Hangovers. But much more than the joy of children is at stake - for without the Hogfather, will the sun even rise tomorrow? Hogfather brings to life a character previously mentioned only in passing rather paradoxically by replacing him with Death, who gets a sort of working holiday. It's our second and final adventure with Susan, and the wizards get heavily involved - as does their arcane thinking machine Hex. It's full of not-quite-Christmas cheer, black humour, true pathos and a pure expression of many of Terry's most deeply held beliefs. Could this be the ultimate story of Christmas? Do its themes of belief and justice hit the mark? And what kind of creature would you call into existence if there were excess belief sloshing around? Use the hashtag #Pratchat26 on social media to join the conversation and have your say! Guest Michael Williams is the Director of the Wheeler Centre for Books, Writing and Ideas in Melbourne. They have a year-round program of talks, interviews, panel discussions, podcasts and writing. Find out more about what's happening at @wheelercentre on Twitter and Instagram, or check out videos of past talks on YouTube - including Michael’s 2014 interview with Terry Pratchett. You'll find all the Wheeler Centre's upcoming events at wheelercentre.com, as well as a collection of Michael's writings and events. You can also find Michael on Twitter at @mmccwill. The Sci-Fight comedy debate over the topic "Santa is Real" featured a great line-up of comedians and scientists, including previous Pratchat guest Nate Byrne (#Pratchat24). It was on at Howler in Brunswick on Thursday December 12, 2019. You’ve missed it by now, but details and tickets for future debates can be found at scifight.com.au. Next month we continue through the Discworld with 1997's Jingo, a tale of nationalism, war, racism and greed, which also has a submarine in it. We'll be recording in the week or so before Hogswa- er, Christmas, so get your questions in via social media using the hashtag #Pratchat27. You'll find the full notes and errata for this episode on our web site.

Have a surprise bonus mini-episode of Pratchat! We've mentioned Night Terrace a few times, but not gone into too much detail. So, outside of our usual schedule, Liz asks Ben all about this time travel radio comedy series from Splendid Chaps Productions. What's it about? Who are the main characters? How would they fit into the Discworld? You'll also get a bit of behind the scenes info and hear some excerpts from the first two seasons. If it sounds good to you, hop on over to the Night Terrace crowdfunding campaign before November 22, and help get a third season made! You'll hear excerpts from the Night Terrace episodes "Sound & Führer", "Moving House" (both by John Richards), "Time of Death", "Ancient History" (both by Ben McKenzie), "Sense & Susceptibility" (also by John Richards) and "The Outsourcing" (by David Ashton). Anastasia Black is played by Jackie Woodburne; Eddie Jones by Ben McKenzie; Sue Denholm by Petra Elliott; the Vraxnols by Toby Truslove and previous Pratchat guest, Cal Wilson (#Pratchat1 and #Pratchat3); and Carole by Cate Wolfe. We hope you enjoyed this little diversion! If you want more excerpts and info about Night Terrace, look up the hashtag #NightTerrace on social media, or visit nightterrace.com. If you listen to the series, you may also enjoy the companion podcast On the Terrace.

In episode 25, Elizabeth, Ben and Noongar writer and poet Claire G. Coleman go back to the early days of the Discworld to Granny Weatherwax's debut in 1986's Equal Rites. Drum Billet, wizard, travels to the village of Bad Ass high in the Ramtop mountains, where at the moment of his death he hands over his wizard's staff to the newborn eighth son of an eighth son. But Eskarina Smith isn't the eighth son of anyone, and it falls to the witch Granny Weatherwax to watch over her. As Esk comes into her powers, Granny realises she needs training in the ways of wizardry lest she pose a danger to everyone around her. So the pair set off to distant Ankh-Morpork on a quest to enrol Esk as the first ever female student of Unseen University... Equal Rites is a book of contradictions: it doesn't feel quite like the Discworld, but it's vital and beautifully written. It's not full of jokes or footnotes, but is consistently funny. And even after more than thirty years, it feels entirely relevant. Do you recognise Esk's struggle? Did Granny feel like Granny yet? And why do think it took so long for Pratchett to revisit some of these characters? Use the hashtag #Pratchat25 on social media to join the conversation and tell us your thoughts! Guest Claire G. Coleman's novels are the multi-award winning Terra Nullius, and her new work The Old Lie. She also writes short fiction, poetry and non-fiction and has been published in numerous publications. You can find her on Twitter and Instagram as @clairegcoleman, or visit her web site, clairegcoleman.com, for more info. Next month we're joined by the Director of the Wheeler Centre for Books, Writing and Ideas, Michael Williams, as we celebrate Hogswatch by discussing - what else? - Hogfather! We’re recording on November 13, so get your questions in by then via social media using the hashtag #Pratchat26. You'll find the full notes and errata for this episode on our web site. And if you enjoy Ben’s work here on Pratchat, please consider the Kickstarter campaign for Night Terrace season three - as endorsed by Neil Gaiman!

In episode 24, meteorologist Nate Byrne joins Elizabeth and Ben for a Discworld tale of murder, golems and nobility in 1996's Feet of Clay. Two old men have been murdered in Ankh-Morpork, but they're not the worst of Commander Vimes' woes. His best Sergeant is six weeks from retirement; his worst Corporal might be the Earl of Ankh; his newest recruit is an alchemist with some pretty strange ideas for a dwarf; and someone has poisoned the Patrician, though he's damned if he can figure out how. And somehow, the golems are involved... Following on from Men at Arms (from way back in episode one!), Feet of Clay evolves the Watch - and its leader - even further, and introduces some of Pratchett's most memorable supporting characters: Cheery Littlebottom, Wee Mad Arthur and Dorfl the golem. It gets a bit deep on questions of artificial life, gender expression and identity, and is a heck of a mystery novel to boot. Did you figure out "whatdunnit"? Who's your favourite new character? And what do you think the Pratchat coat of arms and motto should be? Use the hashtag #Pratchat24 on social media to join the conversation and let us know what you think! PS - we recorded this just before the casting announcements for The Watch television series, so don't be disappointed when they don't come up! We'll find a place to discuss them in the near future. Guest Nate Byrne is a meteorologist, weather presenter and science communicator. He presents the weather for ABC News Breakfast, which means he gets up very early and had been awake for around 14 hours when we recorded this episode, making his jokes and insights even more impressive! You can find Nate's writing for the ABC here, and follow him on Twitter, Instagram or Facebook. You'll find the full notes and errata for this episode on our web site. Next month we're joined by author Claire G Coleman as we head back to the early days of Discworld with Equal Rites. Plus our subscriber-only bonus podcast, Ook Club, has launched! You can subscribe for as little as $2 a month to check it out. You'll find all the details on our Support Us page.

For episode 23, Elizabeth and Ben are joined by opera singer Myf Coghill on a trip to Ankh-Morpork's opera house in 1994's Discworld novel of witches, phantoms and experimental cookery: Maskerade! Nanny Ogg's coven with Granny Weatherwax is short a witch. She decides young Agnes Nitt - last seen dabbling in the craft while wearing black lace and calling herself "Perdita" - is just the person to fill the position. But Agnes has run off to Ankh-Morpork and joined the opera, where a mysterious "Opera Ghost" has turned from good luck charm to demanding, dangerous and possibly deranged. Can "Perdita" find out the identity of the Opera Ghost before the bodies start stacking up - and before Granny and Nanny stick their noses in and do it for her? Pratchett delves into a world hitherto unknown to him and takes Granny and Nanny to the big city for their penultimate book, heavily influenced by The Phantom of the Opera, and about much more earthly matters than their previous adventures. We learn a lot about opera, Andrew Lloyd Webber and the world of publishing, and delve into Pratchett's treatment of Agnes, a beloved character whose unflattering portrayal was the subject of many questions and comments. Did Maskerade bring out the opera fan in you? Do you think Agnes deserved better? And despite being a bit of a downer, is this one of the best Discworld books we've discussed so far? Use the hashtag #Pratchat23 on social media to join the conversation and let us know what you think! Guest Myfanwy Coghill is an opera singer, soon-to-be qualified teacher, and Dungeon Master (of the Dungeons & Dragons variety). You can follow her on Twitter at @_merlenoir_. You'll find the full notes and errata for this episode on our web site. We're staying in Ankh-Morpork for Feet of Clay in October before heading back in time to explore the origins of Granny Weatherwax in November with Equal Rites. Plus our subscriber-only bonus podcast, Ook Club, has launched! You can subscribe for as little as $2 a month to check it out. You'll find all the details on our Support Us page.

Episode 22 - released, by pure coincidence, on International Cat Day - features Elizabeth, Ben and resident Pratcat Asimov for a look at one of Pratchett's oddest books: 1989's humorous examination of all things feline, The Unadulterated Cat. Cats these days just aren't a patch on the ones you used to get: untameable aloof outdoor beasts who are more likely to trap you in a neighbours' house with a broken leg (long story) than to sit nicely on your lap and purr. The Campaign for Real Cats has had enough of modern, "fizzy keg" cats, with their bows and bells and posing. This is the Campaign's guide to identifying, understanding and appreciating honest-to-Bastet real cats. Pratchett teams up with cartoonist and illustrator Gray Jolliffe to give us a tongue-firm-in-furry-cheek guide to the world of cats in one of his rare non-fiction works. It's the kind of thing you buy the cat lover in your life for Christmas, full of chapters detailing the types of cats, their names, the games they play and "advice" on how to deal with them. Are you a cat lover? Did this ring true for you? We'd love to hear from you - and to hear your cat stories, and any real cats you've identified in fiction! Use the hashtag #Pratchat22 on social media to join the conversation. Guest Asimov lives with Liz and is our resident "Pratcat". He was previously audible in the background of #Pratchat10, "We're Gonna Need a Bigger Broomstick" and #Pratchat18, "Sundog Gazillionaire". No doubt he'll crop up in future episodes too. You can follow his adventures on Instagram at @asimovthecat. You'll find the full show notes and errata for this episode on our web site. In September we return to the Discworld - and its most real of cats, Greebo - as we head to the opera for Maskerade, the 1994 book which brings the witches to Ankh-Morpork! Our guest will be teacher and opera singer Myf Coghill. We'd love your questions - send them to us via social media using the hashtag #Pratchat23. As mentioned in this episode, we'll soon be releasing our first bonus episode just for subscribers! All bonus episodes will be available to anyone who subscribes, so if you're interested, jump over to our Support Us page for details.

Twenty-one today! In this episode, Elizabeth and Ben are joined by David Ryding of Melbourne UNESCO City of Literature as we rejoin Rincewind and some of his old friends in the 17th Discworld novel: 1994's Interesting Times. Rincewind, the worst student Unseen University ever had, has been quite literally to hell and back. But when a summons arrives in Ankh-Morpork requesting the presence of "the Great Wizzard", his old faculty bring him home, then send him to the far-flung Agatean Empire. All is not well on the Counterweight Continent: rebels are (gently) questioning centuries of enforced order, inspired by the revolutionary pamphlet "What I Did on My Holidays". The ruthless Lord Hong plots to change the Empire forever. The walls have failed to keep out a horde of barbarian invaders - seven of them, in fact. And it's about to be visited by a very special kind of butterfly... Pratchett revisits characters from his first Discworld novels, as Rincewind is reunited with Cohen the Barbarian in Twoflower's homeland. But in 2019, twenty-five years after it was first published, his depiction of a comic fantasy Asia leaves a bit to be desired. There's plenty going on, and some stirring speeches, but it's also hard to ignore that nearly all the main characters are white folks "saving" a nation inspired by real-world Asian countries from itself. Is there a clear message in the book? How does this sit on the evolution of Pratchett's work from parody to satire? And were you glad to see such old favourite characters return, or could you have done without them? We'd love to hear from you! Use the hashtag #Pratchat21 on social media to join the conversation. Guest David Ryding has been Director of the Melbourne UNESCO City of Literature office since its establishment in 2014 (though Melbourne has been a City of Literature since 2008). Prior to that he was director of the Emerging Writers Festival, then executive director of the NSW Writers Centre (now know as Writing NSW). You can find out more about what he does at the City of Literature office at cityofliterature.com.au, and they're also on Twitter at @MelCityofLit. If you're looking for other great literary podcasts made in Melbourne, you can find some listed on their site here. You can find the full show notes and errata for this episode on our web site. We hope you enjoyed our first ever live show, recorded at Nullus Anxietas VII, where we discussed Cohen's previous adventure in the short story Troll Bridge! We hope to record more bonus episodes in future, and you can help us do it by supporting Pratchat. In August we leave the Discworld and indeed the land of fiction to read one of Pratchett's oddest books: The Unadulterated Cat, a 1989 collaboration with cartoonist Gray Joliffe in which he makes the case that the only "real cat" is one that destroys gardens, eats wildlife and makes a thorough nuisance of itself. If you have questions, send them to us via social media using the hashtag #Pratchat22.

Back in April, Liz and Ben attended the seventh bi-annual Australian Discworld Convention, Nullus Anxietas VII! They enlisted fellow convention guest (and friend of the podcast), author Tansy Rayner Roberts, to discuss the earliest Discworld short story: 1991's Troll Bridge! Cohen the Barbarian has led a long life, but his greatest glories and biggest adventures seem far behind him. It's time to tick a few items off his bucket list - starting with facing a troll in one-on-one combat. But when he and his annoying talking horse reach one of the few troll bridges left on the Disc, things aren't as straightforward as they were in the old days... With the Snowgum Films adaptation of Troll Bridge being screened at the convention, it seemed only right to cover the source material in this, our first ever live show! Like a lot of Pratchett's work, Troll Bridge is by turns silly and deep, drawing on the traditions of Tolkien and Howard while at the same time pointing out that their worlds couldn't stay the same forever. Did you find it poignant? When do you think it happens in Cohen's timeline? And is a short story enough for an entire podcast? We'd love to know! Use the hashtag #PratchatNA7 on social media to join the conversation. Guest Tansy Rayner Roberts is an award-winning writer and podcast host. She's written fantasy novels, short fiction, feminist essays and much more; of particular interest to Pratchat listeners is Pratchett's Women, a collection of essays about the women in the Discworld novels. She co-hosts the podcasts Galactic Suburbia (about sci-fi and writing in Australia) and Verity! (about Doctor Who), and has her own fiction podcast Sheep Might Fly. You can find Tansy on the web at tansyrr.com, on Patreon at patreon.com/tansyrr, and also on Twitter, Instagram and Facebook. You can find the full show notes and errata for this episode on our web site. We'd like to extend our warm thanks to everyone who attended the convention; you all made us feel so welcome, and it was such a special experience to be among so many Discworld fans, speaking on panels and chairing debates and meeting you all! Especially big thanks to those of you who came to be in our first live audience, and to the massive team of hard-working volunteers at Nullus Anxietas, without whom fan conventions like this just couldn't happen. That goes eig- er, one more than sevenfold to Suzie Eisfelder, Lisa Lagergren, Steve Lewis and all the other members of the committee, who organise such a massive undertaking every two years. We hope to see you all in Sydney in 2021 for Nullus Anxietas 7A! We hope to do some more live shows in the future, probably as bonus episodes like this one. Regular episodes will continue to be released on the 7Ath of each month...and in episode 21, coming up next in July 2019, you can find out what Genghiz Cohen did next as we discuss Interesting Times. Want to make sure we get through every Pratchett book - and maybe make a few more live episodes like this? You can support Pratchat for as little as $2 a month and get subscriber bonuses, like the exclusive bonus podcast Ook Club!

For our twentieth episode we finish our first Pratchett series! Elizabeth and Ben are joined by writer Dr Lili Wilkinson to discover the final fate of Masklin, Angalo, Gurder and the rest of the Nomes in the 1990 conclusion to the Bromeliad: Wings! (If you need to catch up, you can find Truckers in episode 9, and Diggers in episode 13.) When Masklin arrived in the Store, he learned that the Thing - an ancient artefact handed down for thousands of generations - wasn't just a useless box, but could speak. It warned him of the destruction of the Store, helped him escape with all the Store Nomes in a truck to the quarry, and revealed that Nomes came to Earth from a distant star. Masklin knows the Nomes can't run from humans forever. It's time to find a proper home of their own. So with the help of the Abbott Gurder and explorer Angalo, he's going to sneak onto a Concorde and go to Florida to hijack a satellite so the Thing can talk to their starship and fly them to another planet. Not that Masklin understands what most of those words mean... The Book of the Nomes concludes with a rollicking, fast-paced adventure that doesn't shy away from some big questions about identity, religion, philosophy and taking risks to do what's right. Picking up from where we left them at the start of Diggers, Wings follows Masklin, Angalo and Gurder as they travel vast distances, meet their own gods and eventually have a close encounter of the Nome kind. Did you find the ending satisfying? How does the mix of fantasy and sci-fi tropes sit with you? Do you wish there'd been more stories of the Nomes? We'd love to hear from you! Use the hashtag #Pratchat20 on social media to join the conversation. Guest Dr Lili Wilkinson is an author based in Melbourne. She's written a dozen books for young adults and middle grade readers, including The Boundless Sublime (about a girl who gets sucked into a cult), After the Lights Go Out (in which a girl is prepped for the apocalypse by her Dad...and then it happens), and Green Valentine, a romance featuring shopping trolleys, a lobster costume and a whole lot of gardening. Lili also started insideadog.com.au, an online community for bookish teens, and the Inky Awards, Australia's only reader's choice award for YA fiction. Watch out for her new picture book Clancy the Quokka in October 2019. You can find Lili online at liliwilkinson.com.au and on Twitter at @twitofalili. You can find the full show notes and errata for this episode on our web site. Last month we had to delay the release of our live show from Nullus Anxietas VII, discussing the short story Troll Bridge with author Tansy Rayner-Roberts, but it will be released in between this episode and the next one. And speaking of the next one...in July we're visiting a distant part of the Disc and finally catching up with everyone's* favourite inept wizard, Rincewind, as we'll be joined by David Ryding of Melbourne City of Literature to return to the Discworld series with Interesting Times! Get your questions in via social media using the hashtag #Pratchat21. * Well...all right. Ben's favourite inept wizard. Though Catweazle, Ergo the Magnificent and Meredith are all up there as well.

In our nineteenth episode it's back to the Discworld as we join Death, and meet his granddaughter Susan, as writer and illustrator Fury joins us to talk about the 1994 Discworld novel, Soul Music! Susan Sto Helit doesn’t have time for anything silly – not for grief, not for tiny skeletal rats who are here to inform her of SQUEAK, and most definitely not for this new craze sweeping the disc. But music with rocks in has other ideas, and doesn’t care who gets swept up in the swell. With her long lost grandfather (the one with the bony knees) missing in action, Susan has no choice but to take on the family business and try not to....erm...rock the boat. Pratchett is never one to shy away from the big themes and Soul Music packs a lot of punch into a deceptively simple plot. Exploring the complexities of grief, and the idea that family is more than just genetics, the 16th Discworld continues the story from where Mort left off, and introduces us to some new (sadly one-off) names that we quickly grow to love. Packed with more music references and jokes than one could shake a stick with bells at, this is one that was Imp-possible to put down. Got a favourite Discworld band name? Or an idea as good as My Little Binky? We'd love to hear from you! Use the hashtag #Pratchat19 on social media to join the conversation. Guest Fury is a writer and author based in Naarm/Melbourne. Their book, an experimental graphic novel memoir titled I Don't Understand How Emotions Work, is available here. You'll find the full show notes and errata for this episode on our web site. As mentioned this episode, keep an ear out for our first live show, recorded at Nullus Anxietas VII, where we discuss the short story Troll Bridge with author Tansy Rayner-Roberts! It'll show up in the podcast stream soon. Next month we head to the skies and cling on for dear life as we finish the Bromeliad trilogy with Wings! Get your questions in via social media using the hashtag #Pratchat20.

For episode eighteen we go back to Pratchett's science fiction beginnings as - in the evening between the two days of the 2019 Speculate festival - author Will Kostakis joins us to talk about the 1976 standalone novel, The Dark Side of the Sun! Dom Sabalos is about to become Chairman of the planet Widdershins when he is messily assassinated. Well...mostly. When he survives against all odds, he discovers his death had been predicted using probability math. The same science also predicts he will discover Joker's World, the mysterious home of the vanished ancient species thought to have laid the foundation for all intelligent life. Dom sets out to fulfil his destiny with his alien mentor Hrsh-Hgn, his new robot, Isaac, and a strange, lucky creature from his homeworld's swamp. Filled with references and homages to prominent science fiction authors like Larry Niven, Isaac Asimov and Frank Herbert, The Dark Side of the Sun is the first of Pratchett's two early science fiction novels. It features the first appearance of many names and concepts he would later come to reuse in various forms in the Discworld. It's a short, fast-paced book with big ideas - not least Pratchett's own take on the classic sci-fi trope of a vanished, ancient precursor species known only through mysterious artefacts. But does it work? Is this an early sign of genius, or a run-up for someone who needed more time to come into his own? We'd love to hear from you! Use the hashtag #Pratchat18 on social media to join the conversation. Guest Will Kostakis is a writer and award-winning author. He's written many short stories and four novels, all for young adults, including The Sidekicks and The First Third. As mentioned in the episode, his first fantasy YA novel, Monuments, will be released in September 2019. You can find out more about Will and his work at willkostakis.com, or follow him on Twitter at @willkostakis. You can find the full show notes and errata for this episode on our web site. (This episode was released just before Liz and Ben appeared at Nullus Anxietas 7, the Australian Discworld Convention, on April 13 and 14 2019! You'll find the bonus live episode they recorded at the convention in the podcast feed.) Next month it's back to the Discworld as we crank up the volume and rock out with Death! Yes, we'll be reading Soul Music, so get your questions in via social media by mid-April using the hashtag #Pratchat19.

In our seventeenth episode we join everyone's favourite dysfunctional coven - and guest, writer Nadia Bailey - as we return to Lancre for the 1992 Discworld novel, Lords and Ladies! The Lancre coven have returned from their trip abroad, but despite the impending royal wedding of Magrat and King Verence, all is not well in the Ramtops: it's circle time, when the walls between worlds are thin, and in the witches' absence someone has been toying with powers beyond their understanding. As usual Granny Weatherwax thinks she can sort everything out herself: facing down a young witch wannabe and keeping the Gentry at bay. But Granny is off her game. Is it the arrival of an old flame? Or is her time as a witch of Lancre nearly up? She'll need Nanny and Magrat's help to see off the threat of the Lords and Ladies... Bringing us back to the witches after only one book away, Lords and Ladies is a particularly Pratchett take on the ancient Celtic stories that inspired modern ideas of fairies and elves. One of the few novels to cross the streams between the witches and wizards, it also gives us more of a glimpse into Esme Weatherwax's past, hints at the future of witchcraft (and royalty) in Lancre, and introduces the infamous "Trousers of Time". Is this your favourite witches novel? What do you think of the parallel universes, other dimensions and alternate timelines it describes? And is this the best take on elves since Tolkien? We'd love to hear from you! Use the hashtag #Pratchat17 on social media to join the conversation. Guest Nadia Bailey is an author, journalist and critic whose work has appeared in The Australian, The Age, The Lifted Brow and many others. The Book of Barb, an unofficial celebration of the surprisingly popular supporting character from the first season of Netflix "kids on bikes" drama Stranger Things, was her first book; it was followed by The Stranger Things Field Guide in December 2018. In between Nadia wrote The World's Best BFFs, a book of profiles of celebrity best friends. All three are published by Smith Street Books. You can find Nadia online at nadiabailey.com, and she tweets at @animalorchestra. You can find full show notes and errata for this episode on our web site. Don't forget that you can see Liz and Ben at both Speculate 2019 on March 15 and 16, and at Nullus Anxietas 7, the Australian Discworld Convention, on April 13 and 14! Plus Ben's new show, You Chose Poorly, plays at the Melbourne International Comedy Festival from April 1-7. Next month, to tie in with our appearance at Speculate, we'll be leaving the Discworld and blasting off into outer space as we discuss one of Pratchett's early sci-fi novels, The Dark Side of the Sun, with writer Will Kostakis! We'll likely be recording around the time of Speculate 2019, so get your questions in via social media before March 15th using the hashtag #Pratchat18.

Episode twice-the-number-which-must-not-be-spoken (i.e. sixteen) takes us inside the Church of Om for a story of faith, religion and truth as we're joined by the Reverend Doctor Avril Hannah-Jones to discuss the 1992 Discworld novel, Small Gods! Brutha is a lowly novice in the Omnian Citadel, dismissed by his superiors as a simpleton whose only notable talent is an extraordinary memory. He's the last person expecting to hear the Voice of the Great God Om, though Brutha has his doubts: Om is supposed to manifest as a mighty golden bull or pillar of flame, not a one-eyed tortoise. Om's not happy either: this isn't how he planned his return from the celestial realm, and no-one but Brutha can hear him. Before god or novice can figure out what's happening, Brutha is recruited by Deacon Vorbis - head of the feared Quisition - for a mission to nearby Ephebe: a nation of heretics, democracy and philosophers, one of whom has dared to pen a treatise describing the world as a flat disc which travels through space on the back of a turtle... One of the few truly standalone Discworld novels, Small Gods focuses on how humans of the Disc create gods, rather than the other way round - for good and for ill. Drawing on the best and worst traditions of monotheism, Galileo's defiance in the face of Catholic censure, and big philosophical questions, Small Gods still manages to be full of Pratchett's trademark humour and humanism, and a long-time favourite for many fans. Do you rate it amongst the best Discworld novels? Would you recommend someone start with it? We'd love to hear from you! Use the hashtag #Pratchat16 on social media to join the conversation. Our guest, the Reverend Doctor Avril Hannah-Jones, is a Minister in the Uniting Church and an all-round wonderful human being. Always a geek, Avril rose to fame in 2011 via Adam Hills' ABC comedy show In Gordon Street Tonight with the foundation of the Church of the Latter Day Geek, which for some reason got more attention than any of the work she has done advocating for LGBTIAQ+ rights or asylum seekers. Avril also appeared in the "Seven/Religion" episode of Splendid Chaps (mostly in part two, but you may also want to listen to part one), and on Doctor Who and the Episodes of Death. You can read about her adventures at her blog, Rev Doc Geek, follow her on Twitter at @DocAvvers, or head along to a Sunday service at Williamstown Uniting Church. You can find the show notes and errata for this episode on our web site. It's been a big year already for the Pratchat crew: we've launched our subscription service - a huge thank you to all our supporters! - and Liz and Ben will be appearing at both Speculate 2019 in mid-March, and Nullus Anxietas 7, the Australian Discworld Convention, in mid-April! Plus Ben will be performing a new show, You Chose Poorly, at the Melbourne International Comedy Festival from April 1-7. Next month it's back to the Ramtops as the witches return home in Lords and Ladies with writer, critic and editor Nadia Bailey! ! We're recording that episode hot on the heels of this one's release, so get your questions in via social media before February 16th using the hashtag #Pratchat17.

We kick off the Year of the Incontrovertible Skunk with our fifteenth episode, heading not to the Discworld at all, but to Earth, 1990! Two guests - academic Jen Beckett and writer Amy Gray - join us as to tackle a book written by two authors: Good Omens, written by Terry Pratchett and Neil Gaiman! The time has come for Armageddon: the End of Days, the Final Battle between Good and Evil. Which comes as rather a shock to the demon Crowley and angel Aziraphale, who've been more or less friends for centuries, and rather enjoy Earth the way it is, thank you very much. But can they really do anything about it in the face of the ineffable plan of God? Or when everything that happens has been foretold by a 16th century witch - as interpreted by her descendant, Anathema Device? And has anyone asked the Antichrist himself what he thinks? Well no, of course not. They don't know where he is. Good Omens was Sir Terry's first collaboration with another author, and Gaiman's first novel, written while he was still working on his biggest comics success, Sandman. In part a parody of The Omen, but joking about everything from motorways to computers and the Greatest Hits of Queen along the way, it's an epic tale of Armageddon soon to arrive on the small screen via Amazon Prime and the BBC - adapted by Neil himself. Did you come to this as a Pratchett fan, or a Gaiman one? Did you cross over and start reading the others' work? And how different do you find it to the rest of Pratchett? We'd love to hear from you! Use the hashtag #Pratchat15 on social media to join the conversation. Dr Jennifer Beckett lectures at Melbourne University in Media and Communications. Her specialist areas as a researcher include Irish cinema and cultural studies, social media, and transmedia world-building. (Jen's basically an expert in all the cool parts of popular culture.) A current focus for Jen is the connection between social media and trauma, as explored in her most recent article for The Conversation: "We need to talk about the mental health of content moderators". Amy Gray has written for The Age, The Guardian, the Queen Victoria Women's Centre and many other publications and organisations. She's currently working on her first book, hopefully to be published in 2019. You can find out more and support her independent writing via her Patreon. You can also find her on Twitter at @_AmyGray_. You can find full notes and errata for this episode on our web site. We love bringing you Pratchat every month, but in order to make sure we can stick it out to the very end - and cover every one of Sir Terry's books - we need your help! We've started an optional subscription service via Pozible which will help us keep making Pratchat for you, and even let us do it better; find out all about supporting Pratchat on our new Support Us page. Next month we'll continue the religious theme as we're joined by the Reverend Doctor Avril Hannah-Jones for an examination of faith, Discworld-style, in Small Gods! Send in your questions about gods (big or small) via social media using the hashtag #Pratchat16.

In episode fourteen we celebrate 35 years of the Discworld by going all the way back to the beginning! Writer and podcaster Joel Martin joins us for a bumper A’Tuin-sized discussion of the very first Discworld story, adventure, chronicle, tale...The Colour of Magic, published in 1983! Rincewind, a wizard unable to cast spells, makes a living of sorts in the mighty city of Ankh-Morpork through his gift for languages. But his gift gets him more than he bargains for when he becomes the guide to the Discworld's first tourist. Fresh off the boat from the distant and obscenely wealthy Counterweight Continent, naïve Twoflower has come armed with a phrasebook, a demon-powered picture box and his magical Luggage full of enormous gold coins, determined to see the barbarians, brawls and beasts he's read about in stories back home. But seeing them is the easy part - surviving to talk about them is another matter entirely... Though we've often talked about the differences between the earliest books and those that came later, The Colour of Magic introduces Ankh-Morpork, Rincewind, Death and of course Great A'Tuin and the Disc itself with varying degrees of familiarity. Split into four sections - The Colour of Magic, The Sending of Eight, The Lure of the Wyrm and Close to the Edge - it manages to be both homage and parody of multiple beloved fantasy genres, while at the same time trying to establish its world - and author - as something new. Do you think it succeeds? Did you start at the start? Use the hashtag #Pratchat14 on social media to join the conversation and tell us! We'd also love to see some fan art of the Luggage based directly on the text, rather than Kirby's ubiquitous, fleshy baby-legged version. Guest Joel Martin is a fantasy author whose several novellas and novels include his own take on classic sword-and-sorcery, The Broken World (whose protagonist is not Kane, but Karn). For more about him and his work, visit his web site, thepenofjoel.com, or follow him on Twitter at @thepenofjoel. He also hosts the writing discussion podcast The Morning Bell with Luke Manly and Ian Laking; find it at themorningbell.com.au. You can find full show notes and errata for this episode on our web site. This is our final episode for the Year of the Justifiably Defensive Lobster (aka 2018), but we'll be back in January, when we'll fire up Queen's Greatest Hits and kick off proceedings with one of Pratchett's most celebrated novels: Good Omens! Yes, we're getting in to cover Pratchett's collaboration with Neil Gaiman before said co-author and Amazon Prime bring their version to subscribers' screens in 2019. (Don't worry, it'll be on the BBC at some point too.) With twice the authors, we're expecting twice the questions (though we'll try and stick to our usual running time of under two hours), so send them in via social media using the hashtag #Pratchat15.

In episode thirteen, Marlee Jane Ward joins us to talk Diggers! Published in 1990, it picks up where Truckers left off, splitting the story of the Nomes in two. (You can catch up on Truckers in #Pratchat9, and join us for the end of the story in #Pratchat20.) The Nomes, having fled the destruction of the Store in a stolen lorry, have spent six months - something like five years in Nome time - making a new life in an abandoned quarry. But as humans start to take an interest in their new home, Grimma must hold the quarry Nomes together - no easy task when Nisodemus, the acting Abbott, is trying to convince them all to return to the old ways of the Store. Meanwhile Dorcas, the engineer who made the Long Drive possible, has made a secret discovery in one of the old quarry sheds - a mighty beast, known only as Jekub... With many of the main characters from Truckers exiting the novel quite early on, Diggers focuses on Grimma and Dorcas, with the books' events happening concurrently with those in the third book, Wings. Among its many themes are Pratchetty commentaries on religion, faith, community and responsibility, as well as many new jokes about the ways in which Nomes misunderstand humans - or, perhaps, understand humans perfectly. Have you read Diggers? What did you think? Use the hashtag #Pratchat13 on social media to join the conversation. We particularly want to see your original drawings of Nomes (see the original description from Truckers in the notes below), and to hear what you think about the exciting news of the The Watch TV series being officially greenlit by BBC America!  Guest Marlee Jane Ward is an author and writer, best known for the YA sci-fi novella Welcome to Orphancorp, which won the Victorian Premier's Literary Award for Young Adults in and it's sequel Psynode, both published by Seizure. A third and final book in the series, Prisoncorop, was published in 2019. Marlee also has a podcast of her own, Catastropod, in which she discusses apocalyptic fiction with a variety of guests. You can find out more about Marlee at her web site, marleejaneward.com, or by following her on Twitter at @marleejaneward. You can find the full show notes and errata for this episode on our web site. November 24, 2018 marks a special Pratchett anniversary - 35 years since the publication of the very first Discworld novel! That's right, we're going back to the very beginning to read The Colour of Magic and find out if it really is a very good place to start, with help from fantasy writer and freelance editor, Joel Martin! We're sure you have loads of questions, so please send them in via social media using the hashtag #Pratchat14.

For our twelfth episode we're joined by Jackie Tang discuss Witches Abroad! The twelfth Discworld novel, published in 1991, Witches Abroad is the second to star the Lancre witches, who return only two books later for Lords and Ladies. Witch Desiderata Hollow has died and passed on her fairy godmother wand to Magrat Garlick, the youngest of the Lancre witches, along with a note telling her to go to the distant kingdom of Genua to stop a servant girl from marrying a prince - without Granny Weatherwax. Which of course means Granny - and Nanny Ogg - are definitely coming. As they make their way across the Disc by broomstick and riverboat, experiencing all that travel has to offer, they find themselves increasingly drawn into warped stories - and Granny may not be letting on all that she knows about what they'll face when they arrive...  As well as providing an extended parody of the English travelling abroad, Witches Abroad is mostly about stories - where they come from, how they influence us, and what they really mean when you stop to think about them. As well as traditional fairytales, Pratchett lampoons everything from The Wizard of Oz to Disney princesses and even Middle Earth. So what did you think of Witches Abroad? Use the hashtag #Pratchat12 on social media to join the conversation. Guest Jackie Tang is an editor and bookseller who works at Neighbourhood Books in Northcote. You can find the full show notes and errata for this episode on our web site. In our next episode we'll be going back amongst the Nomes for book two of the Bromeliad - Diggers! As usual we'd love to get your questions for the podcast; send them in via social media using the hashtag #Pratchat13.

For our eleventh episode we welcome Pratchett fan Sarah Pearson to the mic to discuss a Discworld novel of two halves: Reaper Man! The eleventh Discworld novel, published in 1991, Reaper Man is the second book to focus on Death and the newly stable faculty of Unseen University. The faceless bureaucrats of the multiverse have decided Death is sentimental and inefficient, and he's been fired! While he heads off to live among humans for his remaining time - until his replacement comes to claim him - his absence means those who die sort of...don't. That includes Windle Poons, 130-year-old wizard of Unseen University, whose return as a zombie gives him a new lease on life - much to the horror of his fellow faculty members. But Death's absence is having other weird consequences: objects spring to life, non-human species spawn their own Deaths, and strangest of all, a warehouse in Ankh-Morpork mysteriously fills with small glass orbs... Reaper Man's two mostly separate plots - Death's forced retirement, and the wizards' investigation of the alien lifeforms - bring back not only Death but also Windle Poons and the faculty of Unseen University, both introduced in Moving Pictures, alongside cameos by familiar faces like CMOT Dibbler and Fred Colon. Plus we meet a bunch of new and memorable characters: the Death of Rats, the Auditors of Reality, Mrs Cake and her daughter Ludmilla, and undead activist Reg Shoe and his friends from the Fresh Start Club. It's a big cast, but then with two separate plots there's plenty for them to do! We'd love to hear what you thought of Reaper Man; use the hashtag #Pratchat11 on social media to join the conversation.

For our tenth episode it's back to the Discworld - and Ankh-Morpork - as academic, writer and broadcaster Dr Dan Golding joins us for Moving Pictures. The tenth Discworld novel, Moving Pictures was published in Pratchett's most prolific year: Good Omens, Eric and both sequels to Truckers also came out in 1990! Student wizard Victor Tugelbend has been happily failing exams at Unseen University for years...but when alchemists suddenly invent "moving pictures", Victor finds himself drawn to Holy Wood, the mysterious coastal home of this new entertainment industry. He's not the only one: hopeful actors, ambitious producers and even talking animals have all been caught up in the glamour of the "clicks". It's not magic in the wizard sense, but there's definitely something unnatural going on - and it'll take Victor, fellow star Theda "Ginger" Withel, Gaspode the Wonder Dog and the faculty of Unseen University - including new Archchancellor Mustrum Ridcully - to solve the mystery of Holy Wood. Bringing modern world concepts to the Disc had always been a feature of the series, but Moving Pictures really kicks off the tradition of "X comes to the Discworld" plots. Pratchett takes broad aim at Hollywood in a mix of homage and parody, referencing everything from the pre-talkie era to the Golden Age and 1980s blockbusters. It also features the first major roles for Detritus and Cut-Me-Own-Throat Dibbler (both introduced in Guards! Guards!), and is the first appearance of Gaspode the Wonder Dog (who returns in Men at Arms) and the stable, ongoing cast of Unseen University wizards. There's so much happening in Moving Pictures, and we'd love to hear what you thought of it! Use the hashtag #Pratchat10 on social media to join the conversation. Guest Dan Golding is an academic, writer, composer and broadcaster. His next book Star Wars After Lucas will be released on May the 4th, 2019, but you can see his ABC series What is Music? with co-host Linda Marigliano right now! Check it out on ABC iView or the triple j YouTube channel. He also co-hosts the podcast Art of the Score with Andrew Pogson and Nicholas Buc, which you can find online at artofthescore.com.au or on Twitter at @ArtoftheScore. Dan is also on Twitter at @dangolding. You can find the full show notes and errata for this episode on our web site. In our next episode we'll be joined by television captioner and Discworld mega-fan Sarah Pearson as we reunite with Death for the eleventh Discworld novel, Reaper Man! If you have questions you want answered on the podcast, send them in by  via social media using the hashtag #Pratchat11.

For our ninth episode we leave the Discworld again as author Amie Kaufman joins us to discuss Truckers. One of four novels Pratchett published in 1989, it introduces the Nomes - Pratchett's second group of tiny folk living at the edges of the human-sized world. Masklin is the young hunter in a group of Nomes: four-inch tall fast-living people struggling to survive on rats and the scraps they can scavenge from the human world. After two Nomes are killed by a fox, Masklin convinces the group to hitch a ride on one of the humans' enormous vehicles, and they find themselves in the Store: Arnold Bros (set 1905), a wondrous place filled with food, warmth - and more Nomes than they have ever seen. As they try to adjust to the peculiar ways of life in the Store, its electricity revives "The Thing", an ancient Nome artefact handed down for generations. It reveals to Masklin that Nomes were stranded on Earth millennia ago, but there's hardly time to understand what that means before The Thing warns of immediate danger: the Store will be demolished in just fourteen days...  Truckers is a middle grade book - it has chapters and no footnotes! - which is nonetheless charming for "adults of all ages", as Sir Terry liked to inscribe copies. In Masklin, Grimma, Granny Morkie and the other Nomes are echoes of Pratchett characters we love, and it's perhaps surprisingly sophisticated in its satire, social commentary and love of wordplay. It forms the first part of "the Bromeliad" trilogy (a name explained by the sequels), but is also a complete and wonderful story all on its own. We'd love to hear what you thought of Truckers: use the hashtag #Pratchat9 on social media to join the conversation. But do try to use small words... Amie Kaufman is on social media, but if you really want to keep up with what she's up to, we recommend hitting her web site, amiekaufman.com. Her novels include the The Illuminae Files YA sci-fi trilogy, co-authored with Jay Kristoff, and for younger readers Ice Wolves, the first in a new middle grade fantasy series. We'll head back to the Disc next time when we grab a bag of banged grains and take in a few clicks in Moving Pictures! We haven't currently confirmed our guest, but we'll be sure to tell you who they are when we can lock in a date! You can still ask questions to be answered on the podcast by sending them in via social media; use the hashtag #Pratchat10 so we can find them! You'll find the full notes and errata for this episode on our web site. Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get subscriber bonuses, like the exclusive bonus podcast Ook Club!

In this, the next episode after our seventh one, writer, performer and librarian Aimee Nichols talks with us about the ninth-but-one Discworld novel: Guards! Guards! Published in 1989, it kicks off the longest-running and arguably most popular Discworld sequence: the adventures of the Ankh-Morpork City Watch. The Night Watch has seen better days: the Thieves' Guild has made them all but obsolete, and with the recent death of Herbert Gaskin, their company has dwindled to just three: career Sergeant Fred Colon, former street urchin Corporal Nobbs, and perpetually drunk Captain Samuel Vimes. They're shaken up by new recruit Carrot - a human raised (as far as possible) by dwarfs - who not only volunteered to join, but actually tries to uphold the law. But they'll need all the help they can get as a secret cabal of resentful men are manipulated by a charismatic leader for an incredible purpose: to bring a dragon to Ankh-Morpork... Vimes, Colon, Nobby and Carrot all make their debuts here, as do Lady Sybil Ramkin (in her biggest role), Cut-Me-Own-Throat Dibbler, Detritus the troll and the concept of L-Space, and both the Librarian and the Patrician feature prominently. It's also the first Discworld novel set entirely in Ankh-Morpork, though after appearances in all of the previous novels it already feels like home. Even nearly 30 years later, Guards! Guards! feels incredibly relevant and funny, but it's also weird to go back to Sam Vimes' beginning when he still has so much evolution and redemption ahead of him. (If you'd like to head straight to his next book, just go back in time to Pratchat#1, "Boots Theory", when we read Men at Arms with Cal Wilson.) We'd love to hear what you thought of Guards! Guards! - use the hashtag #Pratchat7A on social media to join the conversation! (If you use the...er...other number we'll probably find you too.) Guest Aimee Nichols is not only a librarian, but also a writer and performer. You can follow her (and by proxy, her dog Winston) on Twitter at @wordsandsequins, or check our her web site at aimee-nichols.com. You can also find Aimee's wonderful piece about the passing of Sir Terry on Medium. It's time to step out of the Discworld again when we return from L-Space next month, when author Amie Kaufman will join us to talk about the first book of the Nomes: Truckers. As usual, if you want us to answer your questions on the podcast, get them in as soon as you can! Ask them via social media using the hashtag #Pratchat9. You'll find the full notes and errata for this episode on our web site.

In episode seven, comic book creator and illustrator Georgina Chadderton, aka George Rex, joins us to discuss the ninth Discworld novel: Faust Eric! Published in 1990 - alongside four other novels, making it one of Pterry's most prolific years - it's a shorter novel, originally published in a large format with lavish illustrations by Discworld cover artist Josh Kirby. (Also, fair warning to the pun-averse: Elizabeth really goes to town in this one...) Eric Thurslow is surprised to find that the demon he has summoned looks suspiciously like a wizard - but not as surprised as the inept "wizzard" Rincewind is to have been summoned. Freed from the Dungeon Dimensions, he now finds himself compelled to grant wishes to an adolescent demonologist - and to his even greater surprise, he's able to do it! Meanwhile, following along behind him across space, time and dimensions, Rincewind's faithful Luggage is catching up to its master - and just as well, because the Prince of Hell isn't too pleased that his plans for Eric have gone awry...   Eric is the fourth book to feature Rincewind - last seen in Sourcery - and like his previous appearances it's a romp across the Discworld to places (and in this case times) previously unseen. Sometimes regarded as a bit of an addendum to the main Discworld series because of its short length, Eric wears its parody - and its classical allusions - proudly on its sleeve. Did you like Eric? Did you read an edition with the illustrations? We'd love to hear from you! Use the hashtag #Pratchat7 on social media to join the conversation. Guest Georgina Chadderton (aka George Rex) is a comic book creator and illustrator based in Adelaide. You can find her delightful autobiographical comics online at georgerexcomics.com, and at @georgerexcomics on Instagram. George was in Melbourne for a residency with 100 Story Building, where Ben works facilitating creative writing workshops for young people. George's Etsy shop is full of cool comics, postcards, badges and prints. We skipped ahead to make sure we could chat with Georgina while she was in Melbourne, so we're going back a step for our June episode, where librarian Aimee Nichols will join us to talk about the very first City Watch book: Guards! Guards! We'll be recording soon, so if you'd like us to respond to you on the podcast, get in quick! Ask your questions via social media using the hashtag #Pratchat7A. (What, you expected us to actually use the forbidden number?) You'll find the full notes and errata for this episode on our web site.

In episode six, word nerd and crypto-cruciverbalist David "DA" Astle joins us to discuss our first non-Discworld novel: Dodger! Published in 2012, it's set in Victorian London and is heavily inspired by the work and style of Charles Dickens, and also that of Punch magazine co-founder Henry Mayhew, author of London Labour and the London Poor - both of whom appear as characters! In the first quarter of Queen Victoria's reign, a young woman falls from a carriage during a London storm - followed by two threatening men. Out of a nearby sewer grate springs Dodger, street orphan and accomplished "tosher" (sewer scavenger), who fights them off before Charles Dickens and Henry Mayhew happen by and take the woman to safety. Dickens enlists Dodger's aid in investigating their mysterious charge, who is clearly on the run but refuses to speak of herself or those coming after her. Dodger will need to be sharp as a razor and to have all the luck the Lady of the Sewers can give him in this adventure - but will he be the same Dodger when it's over? In a spot of time travel, we leap forward to one of Pratchett's last books. More serious than many of his other works, though still light in tone and written in a very Dickensian style - including chapters! - Dodger is quite a departure for Pratchett in many ways while still remaining essentially Pratchetty. (Pratchettesque?) What do you think of Dodger? Let us know! Use the hashtag #Pratchat6 on social media to join the conversation. You can find David Astle online at davidastle.com, itself a haven of word puzzles and anagrams, and he's on Twitter as @DontAttempt (a joking translation of his cryptic crossword-maker initials, DA, which some see as proof of difficulty!). His latest work is David Astle's Gargantuan Book of Words, which is available now through publishers Allen & Unwin, but watch out for Rewording the Brain and 101 Weird Words and Three Fakes, appearing in 2018. You can also catch him on the wireless on ABC Melbourne. You can read the full notes and errata for this episode on our website. We return to the Discworld for our May 8th episode, though we are going slightly out of order to read Eric, the first illustrated Discworld book! And who better to discuss it than an illustrator? So we'll be joined by Adelaide-based artist and comic book creator, Georgina Chadderton (aka George Rex)! This one is recorded hot on the heels of our April episode, so by the time you read this we may have already asked for your questions, but even if you missed that callout you can still join in on social media with the hashtag #Pratchat7.

In episode five, comedian Richard McKenzie joins us to discuss that rare beast, a Discworld tale that stars no wizards, witches, watches or Death, and isn't part of any of the ongoing storylines: Pyramids! The seventh Discworld novel, published in 1989, it's chock-full of jokes, footnotes, gods and characters - but we'll see almost none of them ever again... Pteppicymon XXVIII - Teppic for short - is heir to the throne of the ancient river kingdom of Djelibeybi. But the kingdom is broke, having spent its money on pyramids, and in order to give him a profession, Teppic is sent to the best school on the Disc: the Assassin's Guild in Ankh-Morpork. Seven years later he's just taken his final exam when his father dies. Teppic is now King (and God) of Djelibeybi earlier than planned - and after so long away, he finds the ancient traditions of his homeland stifling. Can even the King challenge the authority of the kingdom's high priest, Dios? Though it features none of his most beloved characters, Pyramids is nonetheless a favourite among Discworld fans - not least because the first quarter of the book takes us into the classrooms of Ankh-Morpork's most famous guild. What do you think of this tale of tradition, family and mathematics gone wrong? Let us know! Use the hashtag #Pratchat5 on social media. Guest Richard McKenzie is a comedian best known for his storytelling style. Though he rarely performs standup anymore, he hosts trivia twice a week, on Thursdays and Sundays, at the Cornish Arms on Sydney Road in Brunswick, Melbourne. Make sure to use a Pratchett pun in your team name if you go! You can read the full show notes and errata for this episode on our web site. Our next book, for our April 8th episode, takes us outside the Discworld - and indeed the fantasy genre - for 2012's tale of Victorian London: Dodger! Joining us to talk about toshers, geezers and peelers is a man who's no stranger to fancy words, and better known by his initials: crypto-cruciverbalist and former Letters & Numbers dictionary master, David Astle! We'll be recording on March 24th, so get your questions in before then if you'd like us to answer them on the podcast. You can use the hashtag #Pratchat6 to ask them via social media. (And check out the Episodes page if you want to see a bit further into our future schedule!)

In episode four, vaudevillian Elly Squires - aka Clara Cupcakes - joins us to discuss one of her first Discworld books, and the start of the witches series proper: Wyrd Sisters! The sixth Discworld novel, published in 1988, it's the second book to feature Granny Weatherwax - but the first to introduce her fellow witches, Nanny Ogg and Magrat Garlick. Seasoned witches Granny Weatherwax and Nanny Ogg are adjusting to life in a coven with recently graduated apprentice Magrat Garlick when the king of their tiny country of Lancre is murdered, and his baby son escapes into their arms. The murderer, Duke Felmet, is crowned the new, much crueller king, but with the rightful heir off being raised by a troupe of travelling actors, Granny, Nanny and Magrat must contend with rumour, theatre and their own clashing personalities if they are to change their kingdom's story... The witches are one of Pratchett's most beloved groups of characters, and pre-date both the City Watch and the modern faculty of Unseen University - so it's surprising to see them spring so fully-formed from their first novel! We loved meeting them all over again. We'd love to hear what you think of Wyrd Sisters - if you're joining this episode's discussion on social media, please use the hashtag #Pratchat4 so we can all find each other's thoughts! (Big thanks to listener Jodie for this brilliant idea.) Elly Squires can be found on Twitter as her alter-ego @claracupcakes. She's touring her hit 2017 Melbourne International Comedy Festival show, The Worst, to various festivals around Australia and the world, including Fringe World in Perth and the Edinburgh Fringe in Scotland. Keep an eye out for her tour dates on Facebook or (if you're not afraid of Russian hackers) at claracupcakes.com. You can read the full show notes and errata for this episode on our web site. Our next book, discussed in our March 8th episode, will be 1989's standalone Discworld novel, Pyramids - and joining us to talk about assassins, gods and a very different tiny kingdom will be comedian Richard McKenzie! We'll be recording on February 19th, so get your questions in before then if you'd like us to answer them on the podcast! You can use the hashtag #Pratchat5 to ask them via social media.

In episode three, comedian Cal Wilson is back to discuss the book that started her passion for Terry Pratchett - Sourcery! The fifth Discworld novel, published in 1989, it features the return of the inept wizard Rincewind. Rincewind is very happy to have left his adventuring days behind him, working as assistant librarian at Unseen University in Ankh-Morpork, the Disc's premiere college for wizards. But just as a new archchancellor is about to be named, the young boy Coin arrives. He is the eighth son of an eighth son of an eighth son - a Sourcerer, a source of raw magic, something not seen on the Disc since the ancient time of the Mage Wars. As he takes over the university and wizards across the world awaken power they've never known, the end of the world draws nigh...and Rincewind just can't seem to avoid getting involved. Rincewind was Pratchett's first protagonist, and this novel exemplifies all the things that make us love him: genre-awareness, unrepentant cowardice, reluctant heroism, lack of any skill at wizardry and fierce self-identification as a wizard. It also sees the return of the Luggage, a living chest which follows Rincewind wherever he goes. It was a delight for us all to see these characters again, and we have grand plans to go back to their beginnings in the very first Discworld novels... In the meantime, when you've finished listening to this episode, get ready for the next one by reading Wyrd Sisters! We'll be recording on January 14th, so get your questions in ASAP if you'd like us to answer them on the podcast. Guest Cal Wilson is a stand-up comedian and children's author. She previously appeared in our first episode, "Boots Theory", and is still on Twitter at @calbo. Her new live stand-up show, Hindsight, will be playing in multiple cities at festivals throughout 2018: this page at comedy.com.au lists a bunch of them. (You can also see the poster she mentions; it really is good!) You can find the full notes and errata for this episode on our web site.

In our second episode, writer and editor Stephanie Convery joins us as we discuss the runner-up in our poll for which book to read first - Mort! Published 30 years ago, it's the fourth Discworld novel, and the first to put Death in a starring role. Mort (short for Mortimer), a daydreaming farmer's son, is offered an apprenticeship by Death himself. Travelling outside of space and time to Death's home, he finds things aren't what he expects: Death has an elderly manservant, an adopted daughter, and an unusual interest in fly fishing. Mort, left to do the job alone, tries to defy fate in a very human (and teenage) moment  - but can he possibly succeed? And why does an immortal anthropomorphic personification need an apprentice, anyway? Mort is often cited (including by us) as the first book in the series that feels like the Discworld we know and love, so if you're joining us for the first time this episode, this is a great place to start. (And don't worry: we will go back and read the first three books at some point!) Guest Stephanie Convery is deputy culture editor of Guardian Australia, a writer and an author. Her first book, After the Count: The Death of Davey Browne, was published in March 2020 by Penguin Books. You can follow Stephanie on Twitter at @gingerandhoney, and find her work on Guardian Australia. You can find the full show notes and errata for this episode on our web site.

In our first full-length episode, Elizabeth and Ben are joined by comedian Cal Wilson to discuss the winner of our poll - Men at Arms (1993)! The fifteenth Discworld novel, Men at Arms is the second to focus on the Ankh-Morpork City Watch, following Guards! Guards! (1989). Captain of the Night Watch Samuel Vimes is only a week away from retirement - so of course "ethnic tensions" between dwarves and trolls are at boiling point, something explodes in the Assassin's Guild, and there's a murderer on the loose. Luckily the Watch has expanded, with three unorthodox new recruits... It's a real smorgasbord of Discworld stuff and a great introduction to the world, especially the quintessential Discworld city of Ankh-Morpork. Guest Cal Wilson is a Melbourne-based New Zealand stand-up comedian and author. You can follow her on Twitter at @calbo. The children's book she couldn't yet name was George and the Great Bum Stampede, illustrated by Sarah Davis. It's the first in a series about George's family, the Peppertons. You can find the full show notes and errata for this episode on our web site.

Welcome to Pratchat! In this special 10-minute introductory episode, Liz and Ben talk about their first Pratchett experiences, introduce the Discworld, and put forward their cases for which book they should read first, Mort, or Men at Arms, before announcing the winner of the closely contested public poll. If you want to go in not knowing which one it will be, then don't look below! Okay, I think all the spoiler-concerned have looked away now... It was Men at Arms! So get yourself a copy and get reading, as we'll be discussing it on the very first proper episode, which will be released on November 8th. We'll probably even have art and a theme tune and everything by then! In the meantime, you can watch this site for more info about the book itself, and our plans - including some thoughts about our long-term reading order. But if you have thoughts on anything we mention in the intro, please leave a comment and let us know!

Pratchat is a Discworld and Terry Pratchett book club podcast! Join writer Elizabeth Flux and comedian Ben McKenzie each month as they discuss one of Terry Pratchett's books* or short stories with a special guest. There are laughs, Pratchett origin stories, listener questions and more as we do a recap and deep dive on each book. This podcast even has footnotes! Oh, and the show's from Australia, so expect a little swearing. Find out more at pratchatpodcast.com, or just search for "Pratchat" in your favourite podcast app. * Not just the Discworld ones! If you want to hear more about the snippets in this trailer: The "large format book" is The Last Hero, from our discussion in #Pratchat55 with artist Georgina Chadderton (who also created our podcast art).The special guest excerpts are of comedian Cal Wilson (discussing Men at Arms in #Pratchat1), crossword maker and broadcaster David Astle (discussing Dodger in #Pratchat6), and author Amie Kaufman (discussing Truckers in #Pratchat9).The discussion of Feegles and puberty appears in #Pratchat51, our discussion of Wintersmith with fantasy author Garth Nix.The book that makes you think about the things you believe is Nation, from our discussion with science communicator Charlotte Pezaro in #Pratchat41.The person who has to ask themselves "am I trying to be funny, or trying to win?" is comedian, actor and cabaret superstar Gillian Cosgriff, from our discussion of Carpe Jugulum in #Pratchat36.The featured Pratchett origin stories are from ex-navy weather presenter Nate Byrne (discussing Feet of Clay in #Pratchat24), and writer, illustrator and performer Fury (discussing Soul Music in #Pratchat19). (You'll find the puns on your own. Promise!)