There is a prominent bird in the 2000 film Charlie’s Angels that makes absolutely no sense. This so-called Pygmy Nuthatch doesn’t look or sound like it should, or live where the characters say it does. The bird is so elaborately wrong that it has haunted the birding community, including Slate’s very own Forrest Wickman, for almost a quarter of a century. In this episode, Forrest embarks on a wild goose chase: Why can’t hundreds of filmmaking professionals with a $100 million budget accurately portray a single bird? This episode was reported and written by Forrest Wickman. It was edited by Willa Paskin. It was produced by Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd, and Max Freedman with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from Charlie’s Angels screenwriters John August and Zak Penn, director McG, animal trainer Guin Dill, and sound editor Michael Benavente; and bird experts Nick Lund, Nathan Pieplow, and Drew Weber. If you have any cultural mysteries you want us to decode, email us at [email protected] Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea’s last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you’ll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate’s book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar-winner Warren Beatty first secured the rights to the comic book character Dick Tracy in the lead up to his 1990 movie adaptation. Decades later, Beatty kept playing Tracy in bizarre late-night specials airing on cable TV, that confounded nearly everyone. Why is one of the most famous movie stars of the 20th century, spending the twilight of his career playing a comic strip detective of dwindling renown? In this episode, we investigate: What’s going on between Warren Beatty and Dick Tracy? This episode was written by Willa Paskin. It was edited by Lacy Roberts and Evan Chung. It was produced by Sofie Kodner. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from author and artist Ryan Estrada, journalist Kim Masters, comic book store owner Matt Live, and media lawyer Celia Muller. If you have any cultural mysteries you want us to decode, email us at [email protected] Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adults have a long history of trying to find morals and lessons in children’s literature. But what happens when a seemingly innocent book about a boy and a hungry mouse becomes fodder for the culture wars? Over the last decade, Laura Joffe Numeroff’s If You Give a Mouse a Cookie has been adopted by some on the right as a cautionary tale about government welfare. In this episode, we explore the origins of If You Give a Mouse a Cookie, the history of adults extracting unintended meaning from children’s books, and try to figure out how this particular kid’s book became a Republican battle cry. This episode was written by Cheyna Roth. It was edited by Katie Shepherd and Evan Chung. It was produced by Sofie Kodner. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from author Laura Numeroff, book critic Bruce Handy, economist Rebecca Christie and former journalist Max Ehrenfreund. If you have any cultural mysteries you want us to decode, email us at [email protected] If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Slate Plus members get to listen to Decoder Ring and every other Slate podcast without any ads. You also get unlimited access to Slate’s website. Member support is crucial to our work. So please go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late 1970s, a new and unusual concept for a restaurant chain emerged in California—video games plus bad pizza plus animatronic characters. The result was Chuck E. Cheese’s Pizza Time Theatre, an immensely popular chain with a pizza rat for a mascot. But the strangeness only starts there. Decoder Ring dives into the formation of Chuck E. Cheese’s and its rival, ShowBiz Pizza Place; the conflict between the two; and the odd personalities of the mechanical animatronics that inhabited both stores and are still beloved by a select group of adults to this very day. This podcast was written by Willa Paskin and was produced and edited by Benjamin Frisch, who also did illustrations for this episode. Cleo Levin was our research assistant.  Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, with help from Sofie Kodner. Derek John is executive producer. Merritt Jacob is our senior technical director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Slate Plus members get to listen to Decoder Ring and every other Slate podcast without any ads. You also get unlimited access to Slate’s website. Member support is crucial to our work. So please go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Hysteria” is an ancient word carrying thousands of years of baggage. Though the terminology has changed, hysteria has not gone away, and in its most baffling instances it can even be contagious. The idea of a mass psychogenic illness can be hard to wrap your head around. A group of people begins experiencing physical symptoms, because of something that started in one of their minds? In today’s episode Dan Taberski, the host of Hysterical, a new podcast about mass hysteria, walks us through the past and present of this phenomenon, why it’s so stigmatized, and why it shouldn’t be. This episode was written by Evan Chung and Willa Paskin and produced by Evan. We produce Decoder Ring with Katie Shepherd and Max Freedman and with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Special thanks to Marialexa Kavanaugh and Alexandra Anderson. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Slate Plus members get to listen to Decoder Ring and every other Slate podcast without any ads. You also get unlimited access to Slate’s website. Member support is crucial to our work. So please go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you’re lucky, it’s possible you’ve never thought much about sitting. It’s just something your body does, like breathing or sleeping. But in the last decade or so, sitting has stepped into the spotlight, as a kind of villain. In today’s episode, Slate’s Dan Kois tells us about his radical experiment to go without sitting for an entire month. Then to understand why sitting is under attack we look back at an earlier posture panic around slouching, and explore the role of hostile architecture. This episode was written by Max Freedman and Willa Paskin and produced by Max. We produce Decoder Ring with Katie Shepherd and Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You heard  “Sitting” by TJ Mack, aka Brian Jordan Alvarez, as remixed by Josh Mac. We’d like to thank Stephen Nessen and Rob Robinson. For some of the background on hostile architecture, we are indebted to the late Mike Davis’s book, City of Quartz, and in particular Chapter 4: “Fortress L.A.” Check out Dan Kois’ New York Magazine article about his exploits, “Sitting Is Bad for You. So I Stopped. For a Whole Month.”  If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Slate Plus members get to listen to Decoder Ring and every other Slate podcast without any ads. You also get unlimited access to Slate’s website. Member support is crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lawn ornaments are everywhere—but for something so ubiquitous, they’re also mysterious. What’s the person with the flamingo or the gargoyle in their yard trying to say—and why do they want to say it so publicly? From the garden-variety to the not so common, the adorable to the odious—lawn ornaments speak volumes, without saying a word. In this episode, we travel from Germany to England and back home to look at the history and meaning behind three specific lawn ornaments: the garden gnome, the lawn jockey, and the 18th century ornamental hermit. You’ll hear from historian Twigs Way, Sven Berrar of the Zwergstatt Gräfenroda, David Pilgrim of the Jim Crow Museum, Kenneth Goings who is an emeritus professor at the Ohio State University, and art historian Ned Harwood. This episode was written by Evan Chung and Willa Paskin. It was produced by Evan Chung. We produce Decoder Ring with Katie Shepherd and Max Freedman. We had additional production from Cheyna Roth and Martina Weber. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to Friedemann Brenneis, Heather Joseph-Witham, and Elise Gramza. If you have any cultural mysteries you want us to decode, email us at [email protected]. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Axolotls. Narwhals. Llamas. Sloths. Every few years, it seems like American kids and parents collectively decide they cannot get enough of a creature that makes teddy bears seem impossibly quaint. In today’s episode we’re going to swim after the axolotl, as it takes us to some far-flung and unexpected places, to understand how it came to rule the stuffed animal kingdom. Though the answer absolutely has to do with parents eager to please their children at the gift shop, it's bigger than that. The insatiable hunger for novelty that is bound up with the axolotl — well, that has to do with all of us.  This episode was written by Willa Paskin. It was produced by Katie Shepherd. It was edited by Evan Chung. We produce Decoder Ring with Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode you’ll hear from Elaine Kollias who works with Folkmanis Puppets, Diana Laura Vasquez Mendoza who is a biologist at the National Autonomous University of Mexico, Dr. Jessica Whited who is a professor at Harvard, Gerhard Runken who is the executive vice president of global brand and marketing for Jazwares, and Laura Wattenberg who is a baby name expert. Thank you to our translator Ezequiel Andino, as well as Luis Zambrano, Kelley Garnier, and Alejandra Escobar. And if you’d like to help the wild Axolotl, here is the conservation project where Diana works and they accept donations.  If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

30 years ago, the Stanley Cup playoffs ignited a rumor that has been messing with Jane Macdougall’s life ever since.  In 1994, the Vancouver Canucks had made it all the way to Game 7 of the Stanley Cup Finals against the New York Rangers. When they barely lost, fans expected the team to come back blazing the next year. Instead, 1995 was a total letdown. Team chemistry disappeared and fans started looking for an explanation. Quickly, a rumor took hold: a defensive player had been having an affair with the goalie’s wife, which destroyed team morale and left the franchise flailing.  In this episode of Decoder Ring, Acey Rowe from the Canadian Broadcasting Corporation traces the Canucks rumor from locker rooms to chat rooms. And she talks to NHL players Kirk McLean and Jeff Brown to figure out how a story like this can snowball and survive for 30 years. This episode was reported and produced by Acey Rowe. Story editing by Willa Paskin and Evan Chung. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A longer version of this story was published on CBC’s Storylines, part of the CBC Audio Doc Unit. Julia Pagel is the Senior Producer of Audio Docs and Anna Lazowski is the Senior Producer of Special Programming at the CBC.  If you have a cultural mystery you’d like us to decode send us an email at [email protected]. Please subscribe and rate our feed in Apple Podcasts or wherever you listen. And even better, tell your friends. If you’re a fan of the show, you should sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1990, the cartoon superhero Captain Planet swooped onto TV screens all over the world. He was the brainchild of media mogul Ted Turner, and in the face of impending ecological catastrophe, he had the lofty goal of turning kids into environmental warriors.  In this episode, we’re going to look at how Captain Planet came to be, what he aspired to do, and how much he really got done. Captain Planet’s mission was noble, but was it also naive? How much of an impact can even the most well-meaning fictional superhero have on very real environmental disasters? And can we really entertain ourselves and our children into solving our hardest problems? This episode was reported and produced by Olivia Briley. It was edited by Evan Chung. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode you’ll hear from Nick Boxer, David Coburn, Marsha Goodman, and  Illac Diaz. Thank you to Eugene Linden, Dr. Juliette Rooney-Varga, Mary DeMocker, Claire Reynolds, and Kelly Jones. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

A fat suit is a custom-made costume with one goal: to make an actor appear fat without them actually having to be fat. It’s typically a unitard filled with mattress foam and other wiggly, jiggly bits—but it’s also so much more than that, an embodiment of all our cultural hang-ups about fatness. In today’s episode we’re going to consider the fat suit from all angles: how it’s made, how it’s changed, and why it continues to exist. You’ll hear from Dawn Dininger, Royce Best, Amy Farrell, Hazel Cills, Mia Mask, and Matthew Mungle. This episode was written and produced by Katie Shepherd. It was edited by Willa Paskin. Decoder Ring is also produced by Evan Chung and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. We had mixing help from Kevin Bendis. Special thank you to: Mike Marino, Jacqui Lucey, Gina Tonic, Kate Young, Barbara Miller and The Museum of the Moving Image. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The jalapeño is the workhorse of hot peppers. They’re sold fresh, canned, pickled, in hot sauces, salsas, smoked into chipotles, and they outsell all other hot peppers in the United States. These everyday chilies are a scientific and sociological marvel, and tell a complicated story about Mexican food and American palates. In today’s episode, we meet Dallas-based food critic Brian Reinhart, who fell in love with spicy Mexican cuisine as a teenager. Recently, Brian started to notice that the jalapeños he’d buy in the grocery store were less and less hot. So he called up an expert: Dr. Stephanie Walker, who studies chili pepper genetics at New Mexico State University. She explains that the food industry has been breeding milder jalapeños for decades – a project led by “Dr. Pepper” himself, Benigno Villalon.  Finally, Los Angeles Times columnist Gustavo Arellano puts the jalapeño in context, as part of an age-old cycle in Americans’ obsession with Mexican food: one more ingredient that’s been “discovered,” celebrated, then domesticated. Brian Reinhart’s article about the jalapeño ran in D Magazine. Gustavo Arellano’s book is called Taco USA: How Mexican Food Conquered America.  This episode was produced by Evan Chung, who produces the show with Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re bringing you an episode of The Last Archive from our friends at Pushkin Industries. In this episode: an exploration of early artificial intelligence, the story of the composer Raymond Scott’s lifelong quest to build an automatic songwriting machine, and what it means for our own AI-addled, ChatGPT. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pop culture is full of fictional bands singing songs purpose-made to capture a moment, a sound. This music doesn’t organically emerge from a scene or genre, hoping to find an audience. Instead it fulfills an assignment: it needs to be 1960s folk music, 1970s guitar rock, 80s hair metal, 90s gangsta rap, and on and on. In this episode, we’re going to use ‘Stereophonic,’ which just opened on Broadway, as a kind of case study in how to construct songs like this. The playwright David Adjmi and his collaborator, Will Butler formerly of the band Arcade Fire, will walk us through how they did it. How they made music that needs to capture the past, but wants to speak to the present; that has to work dramatically but hopes to stand on its own; that must be plausible, but aspires to be something even more.  The band in Stereophonic includes Sarah Pidgeon, Tom Pecinka, Juliana Canfield, Will Brill, and Chris Stack. Stereophonic is now playing on Broadway—and the cast album will be out May 10. Thank you to Daniel Aukin, Marie Bshara, and Blake Zidell and Nate Sloan.  This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Magazines have fallen on hard times – especially the weekly news, fashion, and celebrity mags that once dominated newsstands. The revenue from magazine racks has plummeted in recent years, and many magazines have stopped appearing in print or shut down altogether. And yet, there is something growing in the checkout aisle: one-off publications, each devoted to a single topic, known as “bookazines.” Last year, over 1,200 different bookazines went on sale across the country. They cover topics ranging from Taylor Swift, Star Wars, the Kennedy assassination, K-Pop, the British royal family, and as host Willa Paskin recently observed, the career of retired movie star Robert Redford. In today’s episode, Willa looks behind the racks to investigate this new-ish format. Who is writing, publishing, and reading all these one-off magazines – and why? Is the bookazine a way forward for magazines, or their last gasp? Voices you’ll hear in this episode include Caragh Donley, longtime magazine journalist turned prolific writer of bookazines; Eric Szegda, executive at bookazine publisher a360 media; and Erik Radvon, comic book creator and bookazine fan. This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely?  Some of the voices you’ll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum. This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A very special thank you to Paula Scaire. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Like a manager or an agent or a publicist, a stylist has become a kind of must-have accessory for well-dressed, A-list celebrities. It’s just expected that they will have hired someone to select the clothes they’ll wear at public appearances. But this was not always the case.  In today’s episode, Avery Trufelman, host of Articles of Interest, will guide us through the collapse of a certain kind of Hollywood glamor; to the rise of a growing, financially rewarding relationship between fashion designers and celebrity culture; and then onto the explosion in red carpet events patrolled by fashion police that helped create this new occupation. This episode was produced by Avery Trufelman and Evan Chung, who produces Decoder Ring with Willa Paskin, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You’ll hear from Teri Agins, Dana Thomas, Melissa Rivers, and Jeanne Yang. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn’t cool. But what exactly was the punchline? In today’s episode, we’re going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You’ll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The eerie similarity of coffee shops all over the world was so confounding to Kyle Chayka that it led him to write the new book Filterworld: How Algorithms Are Flattening Culture. In today’s episode, Kyle’s going to walk us through the recent history of the cafe, to help us see how digital behavior is altering a physical space hundreds of years older than the internet itself, and how those changes are happening everywhere—it’s just easier to see them when they’re spelled out in latte art. This episode was written by Willa Paskin and produced by Katie Shepherd. Decoder Ring is produced by Willa Paskin, Katie Shepherd and Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Special thanks to Ben Frisch and Patrick Fort.  If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re back with a new batch of cultural mysteries! This year, we’re putting out more new episodes—like many more of them. We’ll be diving down a new rabbit hole every two weeks all year long. Starting with a question hiding in plain sight: why do so many coffee shops look the same? We’re also heading back to the early 1990s to ask if you can you successfully sell a soda by celebrating that it’s just… OK? You can hear these episodes and more on Decoder Ring — now in your feed every two weeks beginning Feb. 14. Make sure to follow us so you never miss an episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1992, a Minnesota-based software company known for its educational hit The Oregon Trail released another simulation-style game to school districts across the country. Freedom! took kids on a journey along the Underground Railroad, becoming the first American software program to use slavery as its subject matter. Less than four months later, it was pulled from the market. In this episode, we revisit this well-intentioned, but flawed foray into historical trauma that serves as a reminder that teaching Black history in America has always been fraught.  This episode was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Benjamin Frisch, and edited by Erica Morrison. Derek John is executive producer. Joel Meyer is senior editor-producer and Merritt Jacob is senior technical director. We’re grateful to Julian Lucas for his expertise, reporting, and generosity, without which this episode would not have been possible. His New Yorker article, “Can Slavery Reenactments Set Us Free?,” revisits the Freedom! story as part of an exploration of the live Underground Railroad re-enactments that Kamau Kambui pioneered. Thank you to Jesse Fuchs for suggesting this topic. Thanks also to Coventry Cowens, Brigitte Fielder, Bob Whitaker, Alan Whisman, Wayne Studer, Alicia Montgomery, Rebecca Onion, Luke Winkie, and Kamau Kambui’s children: Yamro Kambui Fields, Halim Fields, Mawusi Kambui Pierre, Nanyamka Salley, and Kamau Sababu Kambui Jr.  If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the moment it was released in 1995, The Rules was controversial.. Some people loved it—and swore that the dating manual’s throwback advice helped them land a husband. Others thought it was retrograde hogwash that flew in the face of decades of feminist progress. The resulting brouhaha turned the book into a cultural phenomenon. In this episode, Slate’s Heather Schwedel explores where The Rules came from, how it became so popular, and why its list of 35 commandments continue to be so sticky—whether we like it or not.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was edited by Willa Paskin. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director. We’d like to to thank Benjamin Frisch, Rachel O'Neill, Penny Love, Heather Fain, Elif Batuman, Laura Banks, Marlene Velasquez-Sedito, Leigh Anderson, Caroline Smith. We also want to mention two sources that were really helpful: Labour of Love by Moira Weigel, a paper called Shrinking Violets and Caspar Milquetoasts by Patricia McDaniel If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

We receive a lot of fantastic show ideas from our listeners—and we’re grateful for each and every one. For our latest mailbag episode, we’re tackling five of your questions, including “Why the hell do we teach kids to play the recorder?” (We’re paraphrasing a bit.) Also: We’ll explore the rise and fall of the stretch limo, the incredible versatility of the word “like,” the meaning of the “Baby on Board” sign, and why it took so long to develop luggage with wheels.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Rosemary Belson. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director. Thank you to every listener who has submitted a suggestion for an episode. We truly appreciate your ideas. We read them all, even if we don’t always respond. Thanks for being a listener and for thinking creatively about this show.  If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the mid-1990s, the prime time drama Melrose Place became a home to hundreds of pieces of contemporary art—and no one noticed. In this episode, Isaac Butler tells the story of the artist collective that smuggled subversive quilts, sperm-shaped pool floats, and dozens of other provocative works onto the set of the hit TV show. The project, In the Name of the Place, inspired a real-life exhibition and tested the ability of mass media to get us to see what’s right in front of our faces.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was written and reported by Isaac Butler and produced by Benjamin Frisch. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director. Thank you to Jamie Bennett, JJ Bersch, Mark Flood, and Cynthia Carr, whose book On Edge: Performance at the End of the 20th Century inspired this episode. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Judging from teen dramas on Netflix, the slow dance seems to be alive and well. But when you talk to actual teens, it’s clear this time-honored tradition is on life support. In this episode, we trace the history of slow dancing from its origins in partner dances like the waltz to the modern “zombie sway” seen at middle-school dances and high-school proms. Plus, former slow dancers offer up stiff-armed, nostalgia-soaked stories about a rite of passage that’s fading fast. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was edited by Zakiya Gibbons. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director. Thank you to Benjamin Frisch and Carlos Pareja. Special thanks to everyone who shared their slow dancing stories, including Ralph Giordano, Matt Baume, Meryl Bezrutczyk, Ari Feldman, Ava Canade, Eileen Zheng, and Harper Kois. Here’s the article by Kyle Denis that we mentioned in the episode: The Death of the Slow Dance? How the One-Time Rite of Passage Has Evolved for Gen Z.  If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re back with a new batch of cultural mysteries! This season, Decoder Ring explores the decline of an awkward yet unforgettable rite of passage: slow dancing. And, how did millions of TV viewers miss the experimental art installation that was embedded in the 1990s primetime drama Melrose Place? Plus, stories about stretch limos, an ill-fated video game from the makers of Oregon Trail, and the enduring appeal of a controversial dating manual. Launching October 18, 2023. Subscribe wherever you listen to podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Once you start listening for catchphrases in everyday life—you can’t stop hearing them. From the radio era’s “Holy mackerel!” to Fonzie’s “Ayyy!” to Urkel’s multiple go-to lines on Family Matters, we explore the irresistible quotables from sitcoms, movies and social media that have burrowed into our collective lexicon. Oh, just one more thing… bazinga! (Did I do that?) This episode was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Luke Winkie, Stephen Langford, Doug Dietzold and The Good, the Bad and the Sequel podcast, and Shawn Green for the suggestion and Urkel clips.  If you have any cultural mysteries you want us to decode, you can email us at [email protected] If you haven’t yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Slate’s Evan Chung was a kid, he was obsessed with a mysterious advertisement that ran for decades in the scouting magazine Boys’ Life. Under the enticing headline “You Can Float on Air,” the ad assured Evan—and generations of scouts—that a personal hovercraft could be theirs for just a few bucks.  In this episode, the adult version of Evan journeys halfway across the country to wield power tools, summon his latent scouting skills, and conscript his father into a quest three decades in the making.  Will Evan float on air? Scout’s honor: You’ll just have to listen.  This episode was written by Evan Chung, who produced this episode with Decoder Ring’s Willa Paskin and Katie Shepherd. It was edited by Willa Paskin and Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Kissing—the romantic, sexual, steamy kind—is so ingrained in us that it just seems like a fact of life. Like breathing or eating, we just do it. But what if it’s not like that at all?  In this episode, we’re going to look at passionate kissing, well, dispassionately, not as something instinctual and innate but as a cultural practice. We’re going to backtrack through history in search of the origins of the kiss, with some surprises along the way.  This episode was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Andrea Bruce and Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Marcel Danesi. If you’re interested in the papers we mentioned, you can read about Justin Garcia and William Jankowiak’s research, Troels Pank Arbøll and Sophie Lund Rasmussen’s essay, Sabrina Imbler’s When Was the First Sexy Kiss? and the herpes study. (Here’s that bronze-age statue, too!) If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The mosh pit has a reputation as a violent place where (mostly) white guys vent their aggression. There’s some truth to that, but it’s also a place bound by camaraderie and—believe it or not—etiquette. In this episode, we explore the unwritten rules of this 50-year-old, live-music phenomenon with punks, concertgoers and a heavy metal physicist. Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Katie Shepherd. This episode was edited by Willa Paskin and Andrea Bruce, with help from Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Vivien Goldman, Paolo Ragusa, and Philip Moriarty whose insights and research on moshing were crucial to this episode. You can create your own mosh pit using this simulator developed by Jesse Silverberg and his colleagues. If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Parmesan is a food—but it’s not just a food. Italy’s beloved cheese is often paired with a deep craving for tradition and identity. But its history also involves intrepid immigrants, lucrative businesses and an American version that’s probably available in your local grocery store. After a notorious debunker of Italian-cuisine myths claims this Wisconsin-made product is the real deal, we embark on a quest to answer the question: Has an Italian delicacy been right under our noses this whole time? Decoder Ring is produced by Willa Paskin with Katie Shepherd. This episode was written by Willa Paskin and edited by Andrea Bruce. We had production help from Patrick Fort and editing help from Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Giacomo Stefanini for translating. Thank you to Fabio Parasecoli, Ken Kane, Thomas McNamee, Dan Weber, Irene Graziosi, James Norton, and Ian MacAllen, whose knowledge and book Red Sauce: How Italian Food Became American were very helpful.  You should also read Marianna Giusti’s article in the Financial Times. If you feel like really nerding out, we also recommend the 1948 academic study Italian Cheese Production in the American Dairy Region. We also included clips in this episode from David Rocco’s YouTube channel about how Parmigiano-Reggiano is made and from Gennaro Contaldo’s YouTube documentary on the same subject. If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. As a member, you’ll get to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Decoder Ring as we unlock a whole new season of cultural mysteries. First, we’ll sniff around Italy’s best-loved cheese to test an incredible claim: Is the most authentic parmesan being made not in Parma—but in Wisconsin? Next, a group of seasoned concertgoers, hardcore punks and one heavy metal physicist help explain what’s going on inside mosh pits. Plus: a brief history of super sexy, on-the-mouth kissing. Hear these episodes and more in the new season of Decoder Ring. Launching July 12, 2023. Subscribe wherever you listen to podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We pride ourselves on being grounded, rational beings, but flitting amongst us is a mystery: the Tooth Fairy. This flying piece of folklore is alive and well in the 21st century, handed down to kids in whatever way their parents see fit.  In this episode, with the help of Tinkerbell, Santa Claus, and some savvy humans who are trying to exploit this strange creature’s untapped intellectual property, we’ll explore the origins of this childhood ritual, its durability—and its remarkable resistance to commercialization.  This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Jamie York. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to Charles Duan, Jim Piddock, Purva Merchant, Hannah Morris, Laurie Leahy, Torie Bosch, and Rebecca Onion. Also, a big tip of the hat to Rosemary Wells, the dental school instructor who in the 1970s began exploring the Tooth Fairy’s, ahem, roots . Much of Wells’ work is out of print, but you can find one of her pieces in a collection called The Good People: New Fairylore Essays. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, sign up for Slate Plus. You’ll be able to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to www.slate.com/decoderplus to join Slate Plus today. Decoder Ring is now available on YouTube. Listen here: https://slate.trib.al/ucMyTst Learn more about your ad choices. Visit megaphone.fm/adchoices

Parking is one of the great paradoxes of American life. On the one hand, we have paved an ungodly amount of land to park our cars. On the other, it seems like it’s never enough.  Slate’s Henry Grabar has spent the last few years investigating how our pathological need for car storage determines the look, feel, and function of the places we live. It turns out our quest for parking has made some of our biggest problems worse. In this episode, we’re going to hunt for parking, from the mean streets of Brooklyn to the sandy lots of Florida. We’ll explore how parking has quietly damaged the American landscape—and see what might fix it. This episode was written by Henry Grabar, author of Paved Paradise: How Parking Explains the World. It was edited by Willa Paskin, who produces Decoder Ring with Katie Shepherd. We had extra production from Patrick Fort and editing help from Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Thank you to: Jane Wilberding, Rachel Weinberger, Donald Shoup, Andrés Duany, Robert Davis, Micah Davis, Christy Milliken, Fletcher Isacks, Victor Benhamou, and Nina Pareja.  If you have any cultural mysteries you want us to decode, you can email us at [email protected] If you haven’t yet, please subscribe and rate our feed in Apple Podcasts, Spotify or wherever you get your podcasts. (Even better, tell your friends.) If you’re a fan of the show, sign up for Slate Plus. You’ll be able to listen to Decoder Ring without any ads—and your support is crucial to our work. Go to www.slate.com/decoderplus to join Slate Plus today. Decoder Ring is now available on YouTube. Listen here: https://slate.trib.al/ucMyTst Learn more about your ad choices. Visit megaphone.fm/adchoices

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman.  Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance?  Sidedoor is produced by the Smithsonian with PRX.  This episode of Sidedoor was produced by Lizzie Peabody, Justin O’Neill, and James Morrison with help from Stefanie De Leon Tzic. The editorial team includes Ann Conanan, Caitlin Shaffer, Tami O’Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder. Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra.  If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices

Last week, we put on the proverbial raincoat and made like Columbo to investigate Peter Falk’s claim that he recorded a special Cold War message telling Romanians to “put down their guns.” This week, we’re back on the case, and what started out as a zany inquiry goes to some serious and surprising places. Part two of this caper, involves dubbers, propagandists, a couple of 90 year olds and the legacy of a brutal dictatorship. It’s a story about celebrity, diplomacy, memory, and the limitations of all three—and about the power of television not to get Romanians to put down their guns, as Falk would have it, but to pick them up. This podcast was written by Willa Paskin who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is senior technical director. Special thank you to Oana Godanu Kenworthy who was instrumental in figuring this all out as well as Andrada Lautaru who translated and worked with us from Romania. Thank you to: Andrei Codrescu, Cameron Gorman, Gabriel Roth, Ilinca Calugareanu, Harry Geisel, Elaine McDevitt, Michael Messenger, Gerald Krell, Ash Hawken, Tom Mullins, Jessica Leporin, Jerry Gruner and Marie Whalen. There’s a number of documentaries that were instrumental to reporting this episode: Videograms from a Revolution; Chuck Norris vs Communism; The Autobiography of Nicolae Ceausescu, The Rise and Fall of Ceausescu: and Whatever Happened to Blood Sweat and Tears.  If you can’t get enough Columbo, make sure to listen to our previous two-parter on McGruff the crime dog, who was directly inspired by Peter Falk’s detective, and features a wild soundtrack. If you haven’t yet, please subscribe and rate our feed on Spotify, Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, we'd love for you to sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Not too long ago an old clip surfaced of Peter Falk on David Letterman, in which he told an intriguing tale about recording a special Cold War message for Romanian state television. The clip went viral and got our attention — but was it actually true? Did a fictional American detective really help quell a communist revolt? We donned the proverbial raincoat and started sleuthing—at which point Falk’s late night anecdote cracked open into an intricate geopolitical saga that stretches from DC to Bucharest; from a Los Angeles hotel room to the palatial estate of a despot. It’s a story that involves dueling ideologies, dozens of diplomats, and millions of viewers. It’s an honest-to-goodness cold war caper about American soft power behind the iron curtain, and it’s so involved it’s going to take two episodes to solve.   This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Joel Meyer. Derek John is Slate’s executive producer of narrative podcasts. Merritt Jacob is senior technical director. A special thank you to Andrada Lautaru who translated and worked with me from Romania. Thank you to Carol and Joel Levy, Jonathan Rickert, Alan and Aury Fernandez, Katie Koob, Felix Rentschler, Richard Viets, Jock Shirley, Gabriel Roth, Cameron Gorman, Torie Bosch, Delia Marinescu, David Koenig, Don Giller, Forest Bachner, Corina Popa, David Langbart, William Burr, Asgeir Sigfusson, John Frankensteiner, Tom Hoban, and everyone else who helped with this episode. Thank you to Evan Chung.  For research into Romanian T.V., Willa relied heavily on the scholarly work of Dana Mustata, Alexandru Matei, Annemarie Sorescu‐Marinković, and the screening socialism project from the University of Loughborough. She also relied on the work of Dennis Deletant and Timothy W Ryback’s Rock Around the Bloc, a history of rock music in Eastern Europe and the Soviet Union You also heard a song in this episode from the Romanian band Phoenix.  If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to www.slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is back with a new season of cultural mysteries to crack. We'll kick things off with a proper Cold War caper....did Peter Falk, star of the old TV show Columbo, really team up with the U.S. Government to help quell a communist revolution in Romania? Next, we'll get behind the wheel to investigate why it's so hard to park our cars—even though we’ve built so much parking. Finally, with an assist from my kids, we'll take a closer look at a magical being that remains surprisingly free from commercialization: the Tooth Fairy. You can hear these episodes and more on the new season of Decoder Ring. Launching April 12, 2023. Subscribe wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Willa Paskin and producer Katie Shepherd discuss how this season of Decoder Ring came together. Slate Plus members have access to this whole interview. Sign up for Slate Plus to access this exclusive episode and support the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re really lucky to get a lot of listener emails, suggesting topics for the show. In this episode, we’re going to dig into a handful of the most fascinating ones that we’ve yet to tackle on the show. We’re taking on five listener questions that run the gamut—from kids menus to succulents to the chicken that crossed the road. It’s an eclectic assortment of subjects that come to us thanks to you. So let’s jump into our mailbag. Thank you to Mark Liberman and Susan Schulten. This podcast was written by Willa Paskin who produces the show with Katie Shepherd. This episode was also produced by Sam Kim. Derek John is Slate’s Executive Producer of Narrative Podcasts. Merritt Jacob is Senior Technical Director. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus.   Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

(This episode originally aired in March 2020.) The 1998 romantic comedy You’ve Got Mail, starring Tom Hanks and Meg Ryan, is about the brutal fight between a beloved indie bookstore, the Shop Around the Corner, and Fox Books, an obvious Barnes & Noble stand-in. On this episode of Decoder Ring we revisit the real-life conflict that inspired the movie and displaced independent booksellers on the Upper West Side of Manhattan. This conflict illustrates how, for a brief time, Barnes & Noble was a symbol of predatory capitalism, only to be usurped by the uniting force at the heart of the film: the internet. Some of the voices in this episode include Delia Ephron, the co-screenwriter of You’ve Got Mail, the illustrator Brian Selznick, Laura J. Miller, author of Reluctant Capitalists: Bookselling and the Culture of Consumption, Joel Fram, founder of Eeyore’s Books for Children, and Boris Kachka, book editor for the Los Angeles Times. This podcast was written by Willa Paskin and produced by Benjamin Frisch and Cleo Levin was research assistant.  Thanks to Steve Geck, Maris Kreizman, Emma Straub, Jacob Bernstein, Gary Hoover, Peter Glassman and June Thomas.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Slate’s Executive Producer of Narrative Podcasts. Merritt Jacob is Senior Technical Director. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus.   Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Sponsored by Saks.com. Check out the Holiday Gift Guide on saks.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Ross Cellino and Steve Barnes were two Buffalo-based lawyers who became the literal poster-men for personal injury advertising. They poured millions of dollars into ads that did more than just bring in clients: it turned the duo into household names and faces—at least in New York. In this episode, we’re going to look at their rise and everything that happened after. It’s a bumpy ride full of ambition, accidents and tragedy and at its center are two men who, for 25 years, wanted to be at the front of our minds when we got hurt, but who we didn’t really notice until it all fell apart.  We hear from Ross Cellino, Rich Barnes, Jeremy Kutner, John Fabian Witt, Trish Rich, Ken Kaufman, Mike Breen, and David Rafailedes.   This podcast was written by Katie Shepherd. It was edited by Andrea Bruce and Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Slate’s Executive Producer of narrative podcasts. Merritt Jacob is Senior Technical Director. Thank you to Rachel Strom and Meryl Scheinman, host of Prank You.  If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus.   Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

We bring you a special episode from the Articles of Interest podcast hosted by Avery Trufelman about the incredible reach and adaptability of preppy clothes. It’s a story about the great modernizer of Ivy style, Ralph Lauren, and how he and his label, Polo, were themselves modernized by customers who helped push preppy in a whole new direction, from the runway to the streets.  We encourage you to listen to the entire American Ivy series from Radiotopia. Articles of Interest is created by Avery Trufelman. It’s edited by Kelly Prime, mixed and mastered by Ian Coss, fact checked by Jessia Siriano, with music by Avery, Rhae Royal, Sasami, and the Beazlebubs, the Tufts University Acapella Group.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. We had mixing help on this episode from Sam Kim. Derek John is Slate’s Executive Producer of narrative podcasts. Merritt Jacob is Senior Technical Director. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode, a story from Slate senior producer Evan Chung about how Yanni, John Tesh and a number of other surprising acts made it big in the 1990s. It’s a throwback to a simpler time—when musicians struggled to find their big break, but discovered it could be possible with a telephone, a television, and our undivided attention. This story originally aired in 2019 on Studio 360 from PRX. We hear from George Veras, Pat Callahan, and John Tesh.  This Episode was written and produced by Slate’s Evan Chung. Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Slate’s Executive Producer of narrative podcasts. Merritt Jacob is Senior Technical Director. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show and want to support us, consider signing up for Slate Plus. Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

For about two decades towards the end of the Victorian era, in the 1870s and 1880s, a large bustle-enhanced bottom was the height of fashion. In this episode we explore how it’s connected to today’s big booty craze. We look at the bustle’s history with a curator fascinated by old undergarments; consider the various theories about its popularity with the author Heather Radke; and then hone in the tragic story of Sarah Baartman. The bustle may be old-fashioned, but it still has a lot to tell us about race, sex, power and how much people know, or let themselves know, about what they put on everyday. We hear from Heather Radke, author of Butts: A Backstory, as well as Kristina Haughland, Janell Hobson, Pamela Scully, and Maria Garcia.  Special thanks to Wesley Stevens and Daisy Rosario. This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Andrea Bruce. Derek John is Slate’s Executive Producer of Narrative Podcasts. Merritt Jacob is Senior Technical Director. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, I’d love for you to sign up for Slate Plus.   Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the history of viral images, #TheDress has got to be in the top 10. This unassuming photo of a party dress kicked off a global debate when people realized they were seeing it completely differently. Is it black and blue, or white and gold? In today’s episode, we’ll talk to someone who was there when the photo was first taken, and the BuzzFeed writer whose post briefly broke the internet. Then we go down the optical rabbit hole with a neuroscientist who’s been studying the The Dress for years. What does it reveal about the nature of truth? This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Andrew Adam Newman. Derek John is Slate’s senior supervising producer of narrative podcasts. Merritt Jacob is senior technical director. We’ll hear from Paul Jinks, Cates Holderness, Pascal Wallisch, and David McRaney author of the book How Minds Change. Here’s the optical illusion of the strawberries mentioned in the episode and created by Professor Akiyoshi Kitaoka. If you haven’t please yet, subscribe and rate our feed in Apple, Spotify or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, I’d love for you to sign up for Slate Plus.    Slate Plus members get to listen to Decoder Ring — and every other Slate podcast — ad-free. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Check out Remote Works here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is back with a new season of juicy topics, like.... Remember the viral phenomenon and optical mind-blower known as “The Dress”? What does another peculiar piece of clothing from the past—the bustle—tell us about fashion trends today? And, what can we learn from the rise and fall of one of the most notorious personal injury law firms in America? You can hear these episodes and more on the new season of Decoder Ring. Launching Nov. 15, 2022. Subscribe wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn’t always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the second episode of our two-part series on the weird world of PSAs and very special episodes, we look at how the McGruff Smart Kids Album influenced everything from straight-edge hardcore to a couple’s wedding playlist. We’ll hear from Sarah Hubbard, Dan Danger, Joseph Cappella, David Farber, Mike Hawes, Robin Nelson, Daisy Rosario, and Tatiana Peralta. This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Jamie York. Derek John is Slate’s Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Tatiana Peralta, Ari Merkin, Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Dave Bledsoe, Larre Johnson, Duane Poole, Eric Greenberg, Charles and Karen Rosen, and Jennifer Holland, Orla Mejia,  Andres Martinez and everyone else at the Rutgers library who helped me listen to some old cassette tapes.  A few things that were helpful in working on this piece: How McGruff and the Crying Indian Changed America: A History of Iconic Ad Council Campaigns by Wendy Melillo, Taking a Bite out of Crime: the Impact of the National Citizens Crime Prevention Media Campaign by Garrett J O’keefe and others, and “This McGruff Drug Album Might As Well Be By Weird Al,” by Dan McQuade for Defector Media. You can hear Daniel Danger’s McGruff cover album in it’s entirety or you can purchase it here. And lastly, if you are interested in hearing the full McGruff educational program or any of Puppet Productions productions they are available for purchase at puppetsinc.com, part of a company that Rob Nelson still runs. If you have any cultural mysteries you want us to decode, email us at [email protected] If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Check out Remote Works here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn’t always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the first of two episodes, we take a look at PSAs and their strange afterlife through the lens of a trench-coat wearing bloodhound and his bizarre, yet catchy anti-drug songs. We’ll talk to Dan Danger, Sherry Nemmers, Joseph Cappella, David Farber, Mike Hawes and Robin Nelson to discover how the McGruff Smart Kids Album came to exist in the first place. This podcast was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. We had production help from Sam Kim.  Editing by Jamie York and Derek John, Slate’s Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Daisy Rosario, Drew Bledsoe, Larre Johnson, Duane Poole, Ari Merkin, Charles and Karen Rosen and Eric Greenberg.  If you have any cultural mysteries you want us to decode, email us at [email protected] If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Check out Remote Works here Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Willa Paskin talks about topics versus narratives, translating fabulists, and creating a sound landscape for the world of Mae West. Slate Plus members have access to this whole interview. Sign up for Slate Plus to access this exclusive episode and support the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 1930s, Mae West’s dirty talk and hip swiveling walk made her one of the biggest movie stars in America. But before West hit the big-screen, she was prosecuted for staging not one, but two scandalous plays. In this episode, we look at how West honed her persona when she was under the bright lights of Broadway and the flashbulbs of the tabloids — and briefly behind bars. More than a century later, her career arc offers a blueprint on how to survive a scandal…and maybe even come out ahead. This episode relied heavily on a lot of archival material and innumerable books: When I’m Bad, I’m Better: Mae West, Sex and American Entertainment by Marybeth Hamilton; When Brooklyn was Queer by Hugh Ryan; Lillian Schlissel’s introduction to Three Plays by Mae West,  Mae West: a biography by George Eells and Stanley Musgrove; Mae West: An Icon in Black and White by Jill Watts;  Becoming May West by Emily Wortis Leider; Gay New York by George Chauncey;  Mae West, She Who Laughs Last, by June Sochen: Goodness Has Nothing to Do with It by Mae West; and Linda Ann Losciavo’s play “Courting Mae West” and her blog, which you can find at Maewest.blogspot.com.  This episode of Decoder Ring was written by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Thank you to Benjamin Frisch for this topic.  If you have any cultural mysteries you want us to decode, email us at [email protected] If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think of an alien abduction, what do you picture? Humanoid creatures, medical experiments, lost memories retrieved through hypnosis? That narrative was largely unknown until Betty and Barney Hill went public about their own alien abduction in the 1960s. Betty Hill’s niece, Kathleen Marden, recounts how the story went viral and her aunt and uncle became unwitting celebrities. Then professors Susan Lepselter, Chris Bader, Joseph O. Baker and Stephanie Kelley-Romano explain how the Hills’ alien abduction changed science fiction forever. Thanks to Eric Molinsky for bringing us this story that originally aired on his terrific podcast Imaginary Worlds. Eric’s got a lot more stories like this one so subscribe wherever you listen.  Decoder Ring is written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at [email protected] If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKuen sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today’s episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn’t so famous anymore. We’ll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod’s biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen’s flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at [email protected]. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do we lose if we lose the mall? 70 years into their existence, these hulking temples to commerce are surprisingly resilient and filled with contradictions. In this episode, Alexandra Lange, the author of the new book Meet Me at the Fountain: an Inside History of the Mall walks us through the atriums, escalators, and food courts of this singular suburban space. We also hear from mall-goers whose personal experiences help us make sense of this disdained yet beloved, disappearing yet surviving place. This episode of Decoder Ring was written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at [email protected] If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is coming back with a new season featuring a whole new set of questions.... Like, is the shopping mall really dying? How did a poet who sold millions of books and records 50 years ago, come to be completely forgotten? And what does a century old Broadway scandal involving Mae West have to tell us about the creation of celebrity? You can hear these episodes and more on the new season of Decoder Ring. Launching July 26, 2022. Subscribe wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

When did everyone become a storyteller? Decades after George Lucas and Steve Jobs made storytelling a big business, every company now wants to tell “Our Story.” Instagram and TikTok let everyone else tell their “stories,” and the number of people calling themselves storytellers on LinkedIn is now more than half a million. Something we have done for the entirety of our existence as a species has become just another fad.  In this episode of Decoder Ring, we’re going to look at where this trend came from and where it’s going. What Willa discovered changed the way she now thinks about stories—and it might do the same for you.  Some of the voices you’ll hear in this episode include Margaret O’Mara, historian and author of The Code: Silicon Valley and the Remaking of America; Michael Simon, director and producer; Francesca Polletta, sociologist at University of California, Irvine; Steve Clayton, Chief Storyteller at Microsoft; Seth Godin, entrepreneur and author of All Marketers Tell Stories; Everett Cook, Associate Editor at Axios Local; and David Paskin, Willa’s father.  Decoder Ring is written and produced by Willa Paskin. This episode was edited by Dan Kois and produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at [email protected]. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, a song about protesting truckers topped the music charts in multiple countries, and kicked off a pop culture craze for CB radios. In early 2022, that same song became an anthem for a new trucker-led protest movement in Canada and the US. How did C.W. McCall’s “Convoy” come to exist, and what had it been trying to say?  For this episode, which was inspired by a listener’s question, we’ve updated a story that originally aired in 2017, but that could not be more relevant today. Slate producer Evan Chung is going to take us through the history of this bizarre number-one smash, an artifact from a time when truckers were also at the center of the culture. It touches on advertising, hamburger buns, and speed limits but also global conflict, sky-rocketing gas prices, and aggrieved, protesting truck drivers.  Some of the voices you’ll hear in this episode include Bill Fries, advertising executive; Chip Davis, singer and songwriter; and Meg Jacobs, historian and author of Panic at the Pump. This episode of Decoder Ring was written and produced by Evan Chung and Willa Paskin with help from Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at [email protected]. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2004, the indie flick Sideways was released in just four theaters, but it had a big impact, earning five Oscar nominations and $110 million worldwide. “I thought it was just going to be a nice little comedy,” filmmaker Alexander Payne tells us. Instead, the movie became known for something else so notable that it has a name: The Sideways Effect.  In this episode, we explore all the outsized effects of this one little movie on the huge wine industry. Did a single line of dialogue really tank merlot sales for decades? Did an ode to pinot noir jumpstart demand for this expensive grape? Did Paul Giamatti’s sad sack character change our relationship to yet another wine, one that was barely mentioned in the film? Today on Decoder Ring, all of these questions and this one: Is it long past time to start drinking merlot? Some of the voices in this episode include Laura Lippmann, crime novelist; Tim Farrell, wine buyer for Brooklyn Wine Exchange; Rex Pickett, novelist and author of ‘Sideways,’ Alexander Payne, director, screenwriter, and producer; Jeff Bundschu, owner of Gundlach Bundschu; Steve Cuellar, professor of economics at Sonoma State University; and Kathy Joseph, owner of Fiddlehead Cellars. We also mention Travis Lybbert’s paper corroborating the “Sideways Effect,” which you can find here. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at [email protected]. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When we think of method acting, we tend to think of actors going a little over the top for a role – like Jared Leto, who allegedly sent his colleagues dead rats when he was preparing to be The Joker, or Robert De Niro refusing to break character on the set of the movie Raging Bull. But that’s not how method acting began. On this episode of Decoder Ring: we look at how “The Method” came to be so well-known and yet so widely misunderstood. It’s a saga that spans three centuries and involves scores of famous actors, directors and teachers. And it altered how we think about realism, authenticity, and a good performance. Our guest today is Isaac Butler, who wrote The Method: How The 20th Century Learned to Act. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at [email protected]. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 2000s, an arms race broke out in the world of men’s shaving. After decades with razors that had only one blade and then decades with razors that had only two, the number of blades rapidly spiraled up and up and up. It’s a skirmish sometimes referred to as The Razor Blade Wars, and it was a face-off about innovation, competition, capitalism, masculinity, and most of all, how strange things can become after you’ve created something that’s the best a consumer can get — and then you have to keep going. Some of the voices you’ll hear in this episode include Rebecca Herzig, author of Plucked: A History of Hair Removal; Tim Dowling, Guardian columnist and author of Inventor of the Disposable Culture: King Camp Gillette 1855-1932; Dan Koeppel, razor blade zelig; and Kaitlyn Tiffany, writer for the Atlantic.  If you want to read more about razor blades, check out: Cutting edge : Gillette's journey to global leadership King C. Gillette, the man and his wonderful shaving device Satisfaction Guaranteed: The Making of the American Mass Market Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at [email protected] If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is coming back with a new season featuring a whole new set of questions…and some good surprising answers. Like, how did razors come to have such a ridiculous amount of blades on them? Did one line from Paul Giammati in the movie Sideways really change Americans’ wine buying habits? And why is our understanding of method acting wrong? You can hear these episodes and more on the new season of Decoder Ring. Launching April 19, 2022. Subscribe wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Custer's Revenge is widely considered one of the worst video games ever made. Originally released as part of a series of Swedish Erotica-branded adult games for the Atari 2600, Custer's Revenge involves moving a pixelated General Custer across the screen to rape an Indigenous woman tied to a post. It's unfathomably racist, sexist, and un-fun to play. Today on Decoder Ring we tell the story of how Custer's Revenge came to be, the people who protested it, and the even stranger story of how the whole thing became a considered trolling operation. This is the final episode of our current season, but we'll be back in 2022. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can get ad free podcasts, bonus episodes, and much more. Note: This episode has been edited to correct a misstatement about Women Against Pornography's aims. The group did not advocate the banning of pornography. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Decoder Ring: Three stories about fame, and one about monkeys. Are primates susceptible to celebrity endorsements? What does fame do to the mind of a famous person? Who were the famous tattooed ladies of the 1880s? And what's it like to be in a rising rock band, only to see everything fall apart over a beer commercial? If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can get ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Note: This episode is about offensive material, and so contains explicit and offensive language. Truly Tasteless Jokes were a series of joke books that dominated the bestsellers list during the 1980s. An equal opportunity joke book: Truly Tasteless Jokes were collections of jokes ranging from Helen Keller, to dead babies, to sexist and racist jokes that from the vantage of 2021, seem entirely abject. For readers in the 1980’s though, these books were ubiquitous. On this episode we dig into the history of these books and their author Ashton Applewhite. It’s a story that involves the tangled history of 1960’s free speech politics, conservative backlash, and the strange moment in the 1980’s when left and right wing speech politics converged to help make these books mainstream.  If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can get ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In literature, the choice to become a vampire is a metaphor for transformative experiences. On this episode, we bring you a story from Slate's Hi-Phi Nation podcast, which explores problems in contemporary philosophy through story. From real-life blood suckers, to Lord Byron, to Twilight, vampires are a tool for philosophers to think about otherness, sexuality, and the transformative experiences we all go through in life. To listen to more Hi-Phi Nation, subscribe wherever you get your podcasts. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can get ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think about the game, you lose the game. When you lose the game you must declare that you have lost the game, causing all others in your vicinity to also lose the game. That’s it, that’s the game.  The game is mind game that trades on a quirk of human psychology, and is so intensely viral that it went from a college science fiction club in-joke to an endemic mind virus in only a few decades. If you’re a bit older and already know about the game, you likely learned about it in the aughts, but the game continues to spread through social media, most recently on TikTok, where the game became a meme over lockdown. On this episode, we examine the game to figure out how it works, where it came from, and the curious psychology that powers its viral nature.  Note: A version of this episode was originally released as a secret bonus to our 2018 episode “The Incunabula Papers”, but this is its official public release. The episode has been updated with new voice over, sound design, and minor story changes to bring it up to date in 2021. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can get ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rats live wherever people live, with one exception: the Canadian province of Alberta. A rat sighting in Alberta is a major local event that mobilizes the local government to identify and eliminate any hint of infestation. Rat sightings makes the local news. Alberta prides itself on being the sole rat-free territory in the world, but in order to achieve this feat, it had to go to war with the rat. On this episode of Decoder Ring we recount the story of how Alberta won this war, through accidents of history and geography, advances in poison technology, interventionist government policy, mass education programs, rat patrols, killing zones and more. The explanation tells us a lot about rats and a lot about humans, two species that are more alike than we like to think.   If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can get ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the summer of 1986, both Time Magazine and Newsweek ran blockbuster cover stories on the same subject: a secret cache of provocative, intimate paintings by Andrew Wyeth, one of America's most famous artists. These paintings were completed over fifteen years and all featured the same, often-nude model named Helga, and had been hidden from his wife and the public for 15 years. The implication was obvious: Wyeth had been having an affair with this woman. But just as the story was breaking in Time and Newsweek, it began to unravel, and something even stranger and more complex emerged. On this episode we examine the story of these secret paintings, the backlash to that story, and question if, maybe, that backlash was itself overdrawn. This is the first episode of our winter season. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can get ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2001, Oprah Winfrey invited Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already— crashed and burned in public, barely to be seen again. So today on Decoder Ring, what happened to selling out? This is the last episode of our current season. See you in a few months! If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can binge the whole season of Decoder Ring right now, plus ad free podcasts, bonus episodes, and much more. For a behind-the-scenes look into some of the articles we read when we create the show, check out our Pocket collection at http://getpocket.com/slate . Learn more about your ad choices. Visit megaphone.fm/adchoices

Time does funny thing to everything, but especially to tattoos. Today, four stories about tattoos whose meanings have shifted with the passage of years, decades, or centuries: first, a look into an archive of 300 preserved tattooed skins, then a personal investigation into into the Tasmanian Devil tattoo, the story of the Zune tattoo guy, and finally mistranslated Chinese character tattoos. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can binge the whole season of Decoder Ring right now, plus ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

You know the Tootsie Shot. It’s that shot from the movies: a really busy midtown street, protagonist smack in the middle of it all, everyone going somewhere. It’s one of the most recognizable shots in film. It can be found in Working Girl, Midnight Cowboy, Wall Street, Heartburn, Elf, Bridget Jones’s Diary, The Devil Wears Prada, The Wolf of Wall Street, and so many more. This is a short, transitional moment that often comes in the middle of a montage and takes up 30 seconds max, and sometimes just two or three. It’s just someone walking down a crowded street. So why is it so sticky? If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can binge the whole season of Decoder Ring right now, plus ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the year 2000, Dan Kois was a junior book agent working on selling a secretive book proposal called IT, a codename for what would eventually be revealed as the Segway personal scooter. This is the story of the invention and development of a potentially revolutionary device, how Dan may or may not have doomed it, how the hype got out of control, and how that speculation helped birth the modern internet. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can binge the whole season of Decoder Ring right now, plus ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ilona Granet was a New York art-scene fixture who won the praise of the art world when she put up anti-harassment street signs in lower Manhattan in the mid- 1980s. Her career seemed like a sure thing, but three decades on, and so much more art later, it still hasn’t materialized, even as her contemporaries are now hanging in museums. This episode is not about the familiar myth of making it, but the mystery of not making it. What happens, to an artist—to anyone—when they’re good enough, but that’s not enough? If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can binge the whole season of Decoder Ring right now, plus ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can binge the whole season of Decoder Ring right now, plus ad free podcasts, bonus episodes, and much more. On this episode, we explore the misunderstood history of Muzak, formerly the world’s foremost producers of elevator music. Out of the technological innovations of World War I, Muzak emerged as one of the most significant musical institutions of the 20th century, only to become a punching bag as the 1960’s began to turn public perceptions of popular music on its head. By the 80’s and 90’s, Muzak was still the butt of jokes, and was trying to figure out a new direction as they happened to employ many players in Seattle's burgeoning grunge scene. This is the story of how different ideas about pop music butted heads throughout the 20th century, including inside Muzak’s offices.  Learn more about your ad choices. Visit megaphone.fm/adchoices

To say that hydration is an invention is only a slight exaggeration. Back in the 1970’s and ‘80s, no one carried bottled water with them, but by the ‘90s it was a genuine status object. How did bottled water transform itself from a small, European luxury item to the single largest beverage category in America? It took both technological innovation, but even more importantly it took savvy marketing from brands like Gatorade and Perrier to turn the concept of hydration, and dehydration into problem they could solve via their wares. Today, hydration has branched out from athletics to wellness to skincare, but the actual science behind all of it is pretty sketchy. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can binge the whole season of Decoder Ring right now, plus ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to a brand new season of Decoder Ring! On this episode, we investigate the wild world of soap operas through the lens of one legendary, decades-long, ripped-from-the-headlines storyline. The rape of Marty Seabrook dared to combine the melodrama of soaps with a serious examination of sexual assault, and over time morphed from an award-winning story about believing victims into a redemption arc for the rapist at its heart. This is the story of those who made it happen: the producers, actors, writers, and the soap opera machine itself: the perpetually moving, forever-churning, complex system that create the miracle that is the daily soap opera.  If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can binge the whole season of Decoder Ring right now, plus ad free podcasts, bonus episodes, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Right now Decoder Ring is working on a full season of new episodes coming this June, but in the meantime we wanted to share this episode from our friends over at The Sporkful. Each week on The Sporkful Dan Pashman and his guests obsess about food to learn more about people. This episode is the first in a five-part series called Mission: ImPASTAble. The series follows Dan as he embarks on an epic quest: to invent a new pasta shape, get it made, and actually sell it. It's great! To hear the rest of the series, go subscribe to The Sporkful on Apple Podcasts, Spotify, Stitcher, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

What took blue food so long to catch on? Today it’s all over the freezer aisle, in candies for kids, in tortilla chips, and novelty foods, but it wasn’t very long ago that food experts agreed: blue food was an impossible sell. Their best evidence was a study from the 1970’s in which subjects were served blue steaks to sickening effect. On this episode, we uncover the strange, misinformation-stuffed history of blue food, the rise of blue raspberry, and what to make of the blue food experiment that made those people sick. It may have something to do with Alfred Hitchcock. This episode was produced in collaboration with Proof, from America's Test Kitchen. Proof is a podcast that investigates the food we love. Subscribe to Proof on Apple Podcasts, Stitcher, or Spotify. Special programming note: Decoder Ring is going seasonal! That means you won’t hear from us for a while, but we’ll be back in 2021 with a bunch of new stories released week-by-week. Thanks for sticking with us, we’re excited to try something new, and we’ll see you soon.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1983, the Cabbage Patch Kids were released, causing widespread pandemonium in toy stores and in the media. How did a children'a toy inspire such bad adult behavior? On this episode of Decoder Ring we explore the strange world of the Cabbage Patch Kids to figure out why they hit it so big. The answer involves butt tattoos, slightly grotesque faces, industrial innovations, an origin story in a cabbage patch, and serious accusations of copyright theft. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did Hanoi Jane become Exercise Jane? This is the second part of our two-parter on Jane Fonda's Workout. If you haven't yet, listen to the previous episode "Jane and Leni" first, it will give you the full context for this episode. This time around we explore how an academy award winning actor and controversial political activist managed to transform herself into a category defining fitness icon. It's a story involving a persistent VHS entrepreneur, dozens of bizarre celebrity workout tapes, and Tricky Dick, himself. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Jane Fonda granted us an interview to talk about her famous workout tape, things didn't go as planned. On part one of a special two-part Decoder Ring, we explore the decades-long friendship of Jane Fonda and Leni Cazden, the relationship that birthed the workout that changed the world. It's a story of creation, regret, fame, forgiveness, trauma, survival, politics, and exercise. In two weeks, we return with part two: the story of the bestselling VHS tape of all time. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mullet, the love-to-hate-it hairstyle is as associated with the 1980's as Ronald Reagan, junk bonds, and break dancing. But in at least one major way, we are suffering from a collective case of false memory syndrome. In this episode we track the rise and fall of the mullet, and also the lexical quandary at its heart: who named the mullet? Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Karen, a white woman who surveys, inconveniences, and terrorizes, service workers and people of color is a relatively new term in the culture, but her character type has been with us for centuries. In this episode of Decoder Ring we explore the history of this type, from the code-names used during enslavement, to the contemporary menace of the COVID age. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2003, the word "metrosexual", meaning a well-groomed heterosexual man, exploded all over the English lexicon. It invaded the news, TV, and even American politics. On this episode of Decoder Ring we explore the origins of the metrosexual, and how trend forecasters, marketers, David Beckham, Sex and the City, and Queer Eye for the Straight Guy helped make the metrosexual possible. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca Black's music video for Friday was Youtube's most watched video of 2011, thrusting the thirteen-year-old Rebecca into a very harsh spotlight. Dubbed "The Worst Music Video Ever Made" Friday was an almost universal object of derision. This is the story of how Friday came to be, and how nearly a decade after it went viral, it sounds so different than it did back then. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did poop get cute? On this episode of Decoder Ring we trace the rise of cute poop from the original Japanese poop emoji to more modern poop toys which rely on the Youtube algorithm to get seen and sold. Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. How did the humble rubber duck become an icon of bath time? On this episode of Decoder Ring we talk to rubber duck experts, enthusiasts, and manufacturers to find out how the rubber duck evolved, why it's so appealing, and why there are thousands of them lost at sea. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. The 1998 romantic comedy You've Got Mail starring Tom Hanks and Meg Ryan is about the brutal fight between an independent bookstore, The Shop Around the Corner, and Fox Books, an obvious Barnes & Noble stand-in. On this episode of Decoder Ring we explore the real life conflict that inspired the movie and displaced independent booksellers on the upper west side of Manhattan. This conflict illustrates how, for a brief time, Barnes & Noble was a symbol of predatory capitalism, only to be usurped by the uniting force at the heart of the film: the internet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. When Peter Mac was young, he found solace from his troubles in the voice of Judy Garland. He's now been a Judy Garland impersonator for 17 years. On this episode of Decoder Ring we explore the special valence that Judy Garland has for queer people, the history of female impersonation on stage, and what the future might hold for Judy as an icon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. When Harriet Beecher Stowe wrote an exposé of Lord Byron's incestuous affair in 1869, it nearly destroyed The Atlantic Monthly, and threw the reputations of two literary icons into chaos. This is a story about 18th century scandal, cancel culture, and Bad Literary Men, that isn't so different from how these stories play out in our own time. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Nick Spark fell down a rabbit hole tracking down the origins of Murphy’s Law, the ubiquitous phrase that says “If it can go wrong, it will go wrong”. On this episode of Decoder Ring, we follow Nick on his journey while taking a few detours of our own to find out how Murphy’s Law was [maybe] born out of the rocket sled experiments of the dawning jet age. We talk to Nick, hear some of the recordings he collected during his own research, plus talk to researchers who are skeptical of Nick’s hypothesis, all to try and find out how an obscure engineering aphorism spread to world-conquering philosophical observation.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Jenna Karvunidis invented the gender reveal party, but now she has regrets. On this episode of Decoder Ring, we explore the pink and blue world of the gender reveal party, and how Jenna's small barbecue celebration turned into a global phenomenon that's gotten way out of control. We talk to psychologists, historians, critics, and business owners, to figure out why the gender reveal is having such a big, bizarre moment right now, and how we can best understand the strange power they hold over social media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. In the early 1990's Bart Simpson became a breakout star while also becoming a target in the culture war, culminating in president George HW Bush speaking out against The Simpsons as an example of a degenerate American family. Today on Decoder Ring we try and figure out why the H-E double hockey sticks people were so worked up about Bart Simpson by examining the great underachiever t-shirt controversy, bootleg Bart merchandise, the rise of the religious right, and more.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Why is the ice cream truck business so bananas? On this episode of Decoder Ring we find out via three seperate stories about the strange world of ice cream trucks—about the first ever ice cream trucks in China, the ongoing ice cream wars of Manhattan, and the life of an ice cream family in Brooklyn. Slate Plus members get bonus segments and ad-free podcast feeds. Sign up now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Over the last half century the decorative pillow has been crowding out our sitting and sleeping spaces, multiplying across our beds and couches decade by decade. For some, decorative pillows are a fun design accent, for others a symbol of useless overconsumption. Today on Decoder Ring we explore the world of the decorative pillow to try and figure out why they've become so ubiquitous and what they tell us about our homes, interior design, and the way we develop our tastes.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. The King was an animatronic lounge singer who performed in Chuck E. Cheese locations in the 1980's and early 90's, but then he disappeared. The King was a victim of a conflict known as the pizza wars, when Chuck E. Cheese faced off against its rival, Showbiz Pizza for pizza arcade supremacy. The foot soldiers in the pizza war were the animatronic bands that staffed each location—including The King. This episode is a chronicle of the pizza war, with the founder of Chuck E. Cheese, Nolan Bushnell, it's rival, Showbiz Pizza's Aaron Fechter, the people who designed the characters and animatronics, and the people who continue loving these characters, like Jared Sanchez, who continue to create work with these once discarded creatures. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Videomate: Men is a VHS tape released in 1987 featuring 60 single men pitching themselves as dates to women on the other side of the TV screen, who could connect to these eligible bachelors from the comfort of their homes. In retrospect, Videomate: Men is bizarre and hilarious, but at the time it was one of many manifestations of what was known as video dating. To find out how anyone thought this was a good idea, Decoder Ring examines the weird and forgotten world of video dating in the 1970's, 80's, and 90's to find out why video dating once seemed like the future, and if that future is still yet to come.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Truck Nutz are a brand name for the dangling plastic testicles some people affix to the bumper or hitch of their vehicle. Also known as Bull’s Balls, Your Nutz, and other brand names, these plastic novelties have a powerful symbolic charge and are often associated with a crass, macho, red state audience. But Truck Nutz are a surprisingly complicated signifier, one whose symbolic power is increasingly divorced from their real-world usage. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Baby Shark is an megaviral YouTube video, an unstoppable earworm, a top 40 hit, a Eurodance smash, a decades old campfire song, and the center of an international copyright dispute. This month on Decoder Ring we explore the strange history and conflicted future of the song, what makes it so catchy, and how it came to be.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Brett Johnson was a career criminal: a fraudster, a con man, a cyber criminal, but now he’s a legal person operating on the right side of the law, helping companies stop people like he used to be. His story is the stuff of a movie like Catch Me iI You Can, it involves wild scams, narrow escapes, redemption, and even a trip to Disney World. Throughout his criminal career he defrauded people on the street, on eBay, on criminal web forums, within the justice system, and even inside the United States Secret Service. There’s great entertainment value in Brett’s story, but there’s also a great deal of complication to it, too. Real life isn’t as neat and tidy as a movie, and the ending is yet to be written.  Today we explore Brett’s story, first by letting you enjoy it, and then we deconstruct it, to decide if we should.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Jennifer Aniston’s story had it all: Heartbreak, secrecy, sex, betrayal. But what it also had was a new kind of tabloid: Us Weekly and its copycats. Brad Pitt leaving Jennifer Aniston for Angelina Jolie would have been a huge Hollywood scandal no matter when it happened, but it became an even bigger one because it was turbocharged by these tabloids. Almost 15 years later, the tabloid In Touch ran an issue with the headline “Brad Stuns Jen! Marry Me again!” What is going on? How is it still going on? Why is it still going on?  This is the last episode of Decoder Ring for 2018. See you in the new year.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Ong's Hat, or The Incunabula Papers, is a conspiracy theory that arose on the early internet. Combining cutting edge science, mysticism, and obvious hokum, it intrigued thousands of people who tried to find out what it all meant. Today we uncover the secrets of Ong's Hat, the man behind it, and the new art form it inadvertently birthed. Check out our showpage at slate.com/culture/decoder-ring This episode is brought to you by the following advertisers: Aleph Mattresses, a handmade mattress experience: TrustAleph.com ② Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Hotel Art used to be one of the ultimate symbols of bad taste, it was often ugly, kitschy, and strange. Today, the art you find in a hotel is far less likely to be the result of one individual's poor taste, and much more likely to have passed through an entire industry designed to help place art into hotels. Hotel art is now almost universally pleasant, if anodyne. How did this happen? Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Paper dolls were a ubiquitous part of children’s lives for decades, and then mostly disappeared. David Wolfe was a boy growing up in the 1950’s, with paper dolls as his primary means of accessing a world of glamour and beauty that he didn’t see at home in Ohio. He’d go on to a career in fashion, guided by his paper dolls, just as paper dolls were falling out of fashion themselves, replaced by Barbies and other plastic dolls. This episode is about paper dolls, and their surprising connections to fashion, nostalgia, queerness, and David’s extraordinary career. Producer Benjamin Frisch co-hosts the show to explore the story.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. What are the real reasons people go on reality TV? This episode follows the story of Ann Hirsch and Cathy Nardone, two women cast on VH1’s “Frank the Entertainer...In a Basement Affair”, a show about an adult man looking for love—while living in his parent’s basement. How did one performance artist and one accidental performance artist make it onto the show? And how did they behave once they made it there? Their story highlights the ways that reality television distorts narratives, obscures intentions and stereotypes women, yet is still irresistible to audiences and performers alike.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Decoder Ring is a podcast about cracking cultural mysteries. Every month host Willa Paskin,Slate’s TV critic, takes on a cultural question, object, idea, or habit and speak with experts,historians and obsessives to try and figure out where it comes from, what it means and why it Matters. Today: The clown has existed in various forms for thousands of years, what changed and made us suspect and fear them? The modern birthday clown is a very recent invention, by going back into the history of clowns and clowning we see that clowns are far more complex and capable of far more expression than the kids entertainment of Bozo and Ronald McDonald. How those complex figures transformed into obligatorily sunny commercial mascots may also explain why they are increasingly seen as sinister today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Who gets to decide if Sherlock Holmes is gay? For over a century, fans of Sherlock Holmes have been analyzing, debating, and creating new texts with Arthur Conan Doyle’s characters. Decoder Ring explores the Johnlock Conspiracy, a fan theory about the BBC TV show Sherlock, positing the inevitability of a gay romance between Sherlock Holmes and Dr. John Watson. With interviews from historians, journalists, and fans at the heart of this controversial idea, this episode explores this theory, how it played out in the real world, and whether this kind of fandom is a meaningful way of interacting with fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work. Welcome to Decoder Ring! Decoder Ring is a monthly podcast about cracking cultural mysteries. Every episode we’ll take on a cultural object, idea, or habit and speak with experts, historians and obsessives to try to figure out where it comes from, what it means and why it matters. Why do we get so invested in fictional romances? What does it mean to wear a baseball hat backwards? Why do we clap? What do people think about all day? Decoder Ring explores questions and topics you didn't know you were curious about. In our first episode, we ask: What happened to the laugh track? For nearly five decades, it was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from Beverly Hillbillies to 30 Rock? We meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology’s fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, we wonder if the laugh track was about something bigger than laughter. Learn more about your ad choices. Visit megaphone.fm/adchoices