Read More 👉🏽 ⁠https://detroit.imaginesharder.com Can you imagine your idea of the future of work, beyond Zoom calls from the beach? What is the Onboarding Guide for the Future of Work? What is the Resumé from the Future of Work? What does the equivalent of the ‘org chart’ look like? Want to help create a reinvigorated future imaginary of what work could be? Want to try your hand at Design Fiction Worldbuilding? Join me for Detroit Imagines Harder: Futures of Work, a 3-day Design Fiction Summit & Workshop held in real life in real Detroit. Just a few spots left! October 16-18, 2024. Read More 👉🏽 https://detroit.imaginesharder.com

In this episode, I chat with the fun, creative, thoughtful Ruth Guerra, a design researcher with a knack for amplifying the questions about design, creativity, research and futures through a wonderful social media presence. We dive into her journey from a theater undergrad to mastering future design, where she champions participatory design with a twist. Ruth shares her passion for storytelling, not just any storytelling, but the kind that shapes our future. She's also getting busy hosting innovative workshops to help people get a sense of how design research and design fiction legible to normal humans. So buckle up, we're exploring how design, values, and a sprinkle of theater can make the world a more engaging place. Spoiler alert: there are no spoilers in here even though we talk for a moment about 'Leave the World Behind.' This is a fun one that just might have you thinking about joining the Near Future Laboratory Discord and supporting this podcast over on patreon.com/nearfuturelaboratory Check out Ruth's Linktree: ⁠https://linktr.ee/ridguerra⁠ And definitely her Instagram: ⁠https://instagram.com/ridguerra⁠ Check out the episode's sponsored book, Androids Dream of Electric Sheep, the book that came from an adjacent future in which the Sony Walkman failed: https://shop.nearfuturelaboratory.com/products/androids-dream-of-electric-sheep

Some things that happened at the Near Future Laboratory the last weeks of 2023 including a day trip to SFO using a travel voucher that was going to expire at the end of the year, meeting with the NFL gang for an awesome lunch and chat, hanging with Will Carey from https://formation.eco to continue working on the meaning, purpose, and offering of this reinvigorated evolution of Near Future Laboratory. There were also a bunch of (other people's) podcasts that dropped (links below). And it was the 9 year anniversary of OMATA which had me go back and reflect on how I used Design Fiction to help me create a future vision of the company and share that vision with investors who were so enthralled with this vision that they ended up buying the whole company. Links https://formation.eco https://medium.com/design-fictions/why-did-i-write-an-annual-report-from-the-future-849cf12b0687 Reality Plus https://podcasts.apple.com/us/podcast/realitypl-us/id1722133066?i=1000639248112 https://youtu.be/ld6FLoCH3Vw?si=NYJEXdD3jLDIybdg Expedition Works' Journey with Purpose https://podcasts.apple.com/us/podcast/julian-bleecker-a-little-bit-more-curious/id1697389263?i=1000638677720 In Clear Focus / Design Fiction https://bigeyeagency.com/design-fiction-with-julian-bleecker/

Episode 082 of the Near Future Laboratory Podcast with Julian Bleecker in conversation with Shashwatch Santosh. https://shashwathsantosh.com/ https://www.instagram.com/shash.wt/ https://www.instagram.com/kinkykashayam/ Please support this work and join the Near Future Laboratory Discord through Patreon: https://patreon.com/nearfuturelaboratory You can also support the work by buying something from the Near Future Laboratory Shop of Futures Artifacts: https://shop.nearfuturelaboratory.com In Episode 082, Shash and I dance around the world of design education from Shash’s experiences at Parsons School of Design. He describes the challenging norms and his explorations around the boundaries of speculative design and Design Fiction. Shash reveals that he is a proponent of creative confusion, and shares his journey through design school, emphasizing the importance of breaking away from traditional labels and constraints. We get a candid discussion of the struggle to define his work, moving beyond conventional roles like industrial designer or object maker, and embracing the ambiguous realm of speculative design. Shashwatch's insights are insightful and profound, particularly useful for those in or considering design education. I was especially intrigued by his critique of how the term 'speculative design' can inadvertently create aesthetic stereotypes and limit the scope of design projects. He advocates for a design approach that transcends labels, allowing work to speak for itself without being confined by preconceived notions of discipline. This approach, he believes, fosters creativity and opens up a world of possibilities beyond the conventional boundaries of design. I somewhat echo Shashwatch’s sentiments, and we wonder together and probe the practical aspects of translating expansive and imaginative thinking into viable career paths — where viable means an exchange of value (insight/imagination/creativity for $$$). Shashwatch responds with examples from his own life, discussing the challenges of job hunting and the importance of presenting work effectively to various audiences. He highlights the significance of maintaining technical rigor in projects, which helps in navigating the murky waters of creative industries. Shashwatch also shares his experience of struggling with familial expectations and the pressures of justifying his unconventional career path. He stresses the importance of finding a balance between creative freedom and economic viability, a dilemma faced by many in creative fields. His journey underscores the need for designers to possess not just creative skills but also the ability to articulate and market their ideas effectively in a commercial context. You can find Shash’s thesis project 'The Public Library of Usables', a concept born from his exploration of object-oriented ontology. This project challenges traditional object functions, inviting a re-imagination of how objects are used and interact with each other, reflecting his deep engagement with speculative design principles. Hopefully this Episode provides a compelling narrative on the complexities of design education and practice, highlighting the importance of breaking conventions, embracing ambiguity, and balancing creative aspirations with practical realities. I’d say that Shash's journey and optimism is a testament to the transformative power of speculative design and the value of creative exploration in shaping a unique design identity.

1. Postcards from some possible futures, sent to me by Elliot P. Montgomery 2. A Magazine from the Future in which autonomous vehicles are about as normal, ordinary, and everyday as television remote controls, wheels on luggage, and laptop sleeves. 3. Androids Dream of Electric Sheep, our pulp pop-psychology paperback from some future in which Sony's Aibo became as popular as the Sony Walkman and now, well — they're just here, and about as ferocious as a cuddly cute robot dog. https://magazinefromthefuture.comhttps://shop.nearfuturelaboratory.com... * Exploration of Possible Futures through Artifacts: The use of creative artifacts like postcards, magazines, and books to explore and represent possible futures. These artifacts are designed to augment traditional, analytical approaches to future studies with imagination and sensory experiences. * Design Fiction as a Tool: The value of design fiction is that it’s a method that translates ideas and scenarios about the future into tangible, visual forms. You can think of Design Fiction’s translation of research analysis into something engaging as an analog to the way a screenplay becomes an immersive, engaging visual story when it is made into a film. Design fiction serves to make future concepts more relatable and understandable. * Some Examples of Artifacts I've Created * Magazine from a Future with Autonomous Vehicles: Created for a client, this magazine represents a world where autonomous vehicles are commonplace. It was developed through workshops with various researchers and designers, capturing collective hopes, fears, and expectations. * Book from a Future with Ho-Hum Androids: Imagine a world where androids are as common and non-threatening as a Sony Walkman. I created a book from that world — a pop-psychology analysis of the Android psyche. * Imagination and Speculation: It’s important to imagine and speculate about different futures, considering the wide-ranging implications of technological advancements. Design Fiction presents the useful challenge to think beyond the immediate and apparent effects of new technologies. * Cognitive and Sensory Engagement: Design Fiction is a way to create more immersive and sensory engagement with future scenarios, moving beyond traditional, data-driven methods. Design Fiction emphasizes the role of imagination and creativity - the making of artifacts from these futures — in making future studies more accessible and emotionally resonant.

Here it is. Another episode of 'Last Week from the Near Future'. This is Episode 007, for Week 49 of 2023. Please support the Near Future Laboratory Podcast and get access to our awesomely vibrant Near Future Laboratory Discord community over on Patreon. Here's what I covered. PDPal: A 20-Year Anniversary I'm taking you on a trip down memory lane as I reminisce about the PDPal project, an emotional GPS I worked on 20 years ago. Discover how it made its way to the Times Square Jumbotron and how this early exploration of technology was an art-led prototyping of the kinds of location-based experiences we now take for granted from mobile devices. What most resonates for me about this project, on reflection, is the critical role of imagination and imaginative art projects in driving innovation. And it occurred to me that this was as good a time as any to reflect on the two major mobile projects I've done in my career, that being PDPal and the OMATA App. Both were done on a bit of a shoestring and with fairly high personal stakes, and both are, I would say and have been told, beautiful and evocative instances of design and engineering. Archigram and Speculative Architecture Archigram! The renowned collective of architects known for their imaginative designs in the 1960s. Consider their speculative architectural practice in contrast to today's world of Generative AI + Architecture, a topic I invite you to join me to discuss in Super Seminar 005 (https://superseminar.school) Patreon and Near Future Laboratory I'm excited to announce our new Patreon, where you can join me and many others in the Near Future Laboratory Discord, along with our weekly office hours. We've had an incredible 190 sessions so far – that's 190 Friday's in a row, as of last week! (https://patreon.com/nearfuturelaboratory) Chris's Employee Handbook Project Chris Butler is the showrunner for this project in the Discord: creating an employee handbook as a Design Fiction archetype in order to explore possible futures of organizations. Book Haul Check out 'The Stray Shopping Carts of Eastern North America' by Julian Montague. This book cleverly treats shopping carts as natural phenomena within our world of stuff – it's a fascinating read. Very kinda Design Fiction-y. Magazine from the Future of AI Project I'm introducing a draft proposal for the 'AI Future Magazine' project. Our goal is to make the AI future more tangible and relatable. If you want to get involved and help create a magazine set in a future where AI is an everyday part of life, join us through Patreon!

Last Week from the Near Future Laboratory - Week 48/2023 This is what I was thinking about. 1. Failure of Imagination: This concept is a common issue in organizations that struggle to envision anything beyond their current operations. Design Fiction can help with imagining and visualizing potential unexpected events and futures or even those that no one is able to grapple with or say out loud for fear of becoming a pariah. Design Fiction does this uniquely, behaving in a way like a court jester in some sense and thus help to avoid this pitfall. 2. AI Futures in Everyday Life: It is important that we imagine AI's impact on ordinary, everyday aspects of life, such as breakfast routines or sports, rather than just focusing on extreme dystopian or utopian scenarios. 3. Material Cultural Artifacts: Creating tangible representations of potential futures, like magazines from an imagined future, not only yield better, richer, more compelling and engaging visualizations of possible futures, the work required to create them is actual design work. Making to think and making to engage in conversations yields a richer way of 'ideating' and yields a deeper appreciation of possible outcomes. 4. Design Fiction: A brief description of the concept of Design Fiction as a tool to bring research to life, transforming dry, prose-based research into tangible, vivid, and relatable artifacts. 5. Importance of Vivid Representations: I try to underscore the value of creating vibrant, imaginative representations of the future, such as illustrations or fictional artifacts, to make future scenarios more relatable and understandable. 6. Near Future Laboratory’s Approach: We here at Near Future Laboratory uses Design Fiction to create artifacts and representations that help people envision and understand potential futures. 7. Future Seminar and Community Platform: We've got SuperSeminar (https://superseminar.school) coming up on Generative AI. 8. Discord: The Near Future Laboratory has a Discord community, now about 3 years old and with over 1000 members. To join, go to https://patreon.com/nearfuturelaboratory

SuperSeminar 005 is our second session on Speculative Architecture and Generative AI. Here's a sneak peek with Hassan Ragab where we get some insights into how GenAI is shaping what architecture is becoming. Do you want to know more? Sign up for SuperSeminar 005 at https://www.superseminar.school/ss005/genai-architecture our platform for learning from the key individuals who are at the vanguard of the transformational potential of new practices, tools, mindsets and approaches. Save 50% on all 3 of our upcoming Generative AI sessions! https://ti.to/near-future-laboratory/super-seminar-004/with/super-seminar-bundle-max

Episode N°005, Week Ending Nov 24, 2023 Promotion of Design Fiction for AI Policy Visualization: In this Last Week from the Near Future episode, I emphasize the importance of design fiction as a tool for visualizing and materializing the potential impacts of policies like the AI Bill of Rights. I suggest that design fiction can make complex ideas more tangible and understandable for the general public. Analysis of the Blueprint for an AI Bill of Rights: I have questions about the current form of the AI Bill of Rights. If it had vivid, illustrative content it could make its implications more relatable to everyday people. I would suggest that this document, while essential, needs to be more accessible and engaging to truly resonate with its audience. Reference to NASA’s “Space Settlements” Report as an Inspirational Model: It's worth drawing a parallel between the AI Bill of Rights and NASA's 1973 report on space settlements. The NASA report used vivid illustrations to effectively communicate complex engineering concepts to the public, suggesting a similar approach could be beneficial for the AI Bill of Rights to make it make sense and also assert an implied policy as to what the world looks and feels like, what the experience of it would be, and what the Administration imagines this world to become should it adhere to the AI Bill of Rights. Need for Engaging and Accessible Communication in Technology Policy: I try to highlight the gaps that exist between complex technological policies and public understanding. I argue for the use of more engaging mediums, like design fiction, to bridge these gaps and thereby make policies more accessible and understandable. Call for Collaborative Effort in Translating AI Policies into Tangible Artifacts: Here's the proposal: A collaborative project to translate the AI Bill of Rights into tangible artifacts like, for example, newspapers and magazines. This approach aims to create a more concrete and relatable representation of what a future shaped by AI policies might look like. Thanks for watching, enduring, supporting and subscribing! Please support this work over on Patreon: https://patreon.com/nearfuturelaboratory or pick something up in the shop! https://shop.nearfuturelaboratory.com Blueprint for an A.I. Bill of Rights: https://www.whitehouse.gov/ostp/ai-bill-of-rights/ Space Settlements: https://www.goodreads.com/book/show/198275204-space-settlements Ezra Klein and Alondra Nelson: https://www.youtube.com/watch?v=BFdLxDgFjkk&ab_channel=NewYorkTimesPodcasts More with Rick Guidice, the 'Space Settlements' Illustrator: https://www.youtube.com/watch?v=G7UuWRTyx9U&ab_channel=TheWorld%27sFairCo

SuperSeminar 004 is our session on practical uses for Generative AI within the enterprise. Here's a sneak peek with Drew Wiberg where we hear that he increased efficiency and productivity 40x with Generative AI, and how he used Generative AI to create the actual tooling he needed to bring about those efficiencies. Do you want to know more? Sign up to learn more about SuperSeminar at https://superseminar.school SuperSeminar is our platform for learning from the key individuals who are at the vanguard of the transformational potential of new practices, tools, mindsets and approaches. Drew Wiberg is a master knowledge navigator, helping Arup, one of the best known design, engineering, and construction services firm with over 18,000 employees — and gigabytes of knowledge data it has to manage.

Scott and Susan's new book, Future Cultures, focuses on integrating futures thinking into existing organizational contexts rather than forcing entirely new practices. They emphasize understanding and mapping current networks, language, and processes first and identifying and cultivating diverse champions at multiple levels to spread ideas. In the book, they recommend starting small with regular gatherings to share signals of change. They also provide tactics like writing future scenarios to envision desired cultures. Their framework layers in complexity to meet an organization's specific readiness. We had a great conversation, discussing the way Future Cultures reveals a practical approach for integrating strategic futures thinking into organizations. It includes case studies and a layered framework, providing leadership with a methodical guide to adopt prospective practices tailored to their existing culture. By starting small to build demand and embedding foresight into operations, executives can complement planning with futures-oriented capacity vital for innovation and resilience. Please remember to support the podcast over on https://patreon.com/nearfuturelaboratory, and please share with your colleagues, write a review and rate. https://a.co/d/9xVgJ2N https://a.co/d/czEDb8j

A conversation with Gemma Jones from School of Critical Design. Check out the Near Future Laboratory's latest drop - 'Androids Dream of Electric Sheep' - the definitive handbook for understanding the psyche, motivations, desires, fears, and existential quandaries of machine & artificially intelligent intelligences from a slightly adjacent world where AI and their embodiments are about as fearsome, frustrating, and perplexing as a television remote control. Just don't antagonize them, okay? Some of them are well-armed and more than capable of handling themselves if in a rough spot. Suggestions for folks to come on the podcast? Send me your thoughts. Want to say thanks? Buy me the equivalent of a coffee and bacon sandwich or just say thanks and give a follow on IG. https://julianbleecker.com/contact https://www.linkedin.com/in/gemma-jones-93b48742/ https://critical.design https://shop.nearfuturelaboratory.com/products/androids-dream-of-electric-sheep

A new show. Last Week from the Near Future — a summary of some interesting things that came through and around the Near Future Laboratory Discord. 1. The Imagine Harder Summit (Detroit, Sept. 22/23, 2023) 2. Dave Eggers is outraged by AI on the Ingenious Podcast https://open.spotify.com/episode/3Ngt80qNlrtDMH3j5jBf3p?si=1e27914d58544887 3. Donna Harawy & Bruno Latour (RIP) at ZKM's "Critical Zones" exhibition https://zkm.de/en/media/video/storytelling-for-earthly-survival-discussion-on-the-film-with-donna-haraway-bruno-latour-and-peter https://www.icarusfilms.com/if-donna 4. Thomas Euyang drops off Green Pages - our magazine from the future of filmed entertainment / Hollywood 5. Androids? They Dream of Electric Sheep? https://shop.nearfuturelaboratory.com/products/androids-dream-of-electric-sheep 6. Evan Raskob shared a link to a podcast he was on, the Ludogogy Podcast (good luck pronouncing that into a microphone.) https://ludogogy.co.uk/evan-raskob-on-speculation/ 7. Don't forget — Office Hours is a great way to get some perspective on Design Fiction, Speculative Design, and all that kind of stuff, and learn more about what we're doing in the Discord! https://www.youtube.com/watch?v=6Tbqg4S7EDM&list=PLLeCmAPS7v1ll9SxykBfosFGju_IihvEU 8. Go pick up something in The Shop — support all the things on Patreon! Do it now! https://shop.nearfuturelaboratory.com https://patreon.com/nearfuturelaboratory 9. Ursula K. Le Guin's Carrier Bag Theory of Fiction — a reflection I had while on a walk. https://otherfutures.nl/uploads/documents/le-guin-the-carrier-bag-theory-of-fiction.pdf

A discussion about the social futures and social dynamics inherent in NFTs and Blockchain, with Sean Bonner. See his https://nftart.lol which compares various NFT platforms. And his blog: http://blog.seanbonner.com/nft/ He also publishes a semi-weekly email newsletter that I can highly recommend, called The Crowd https://tinyletter.com/seanbonner.

A long, ranging, technically challenged conversation with two participants in PizzaDAO which formed spontaneously on Clubhouse based on the idea to have a global pizza party. On March 15th, 2021 they opened Rare Pizzas Box NFT reservations to the public and raised $1.3 Million for real, cheese-y pizza. What is a DAO anyway, and what's it got to do with the future, let alone pizza? https://www.rarepizzas.com/ https://www.linkedin.com/in/daniel-van-de-ghinste-46663937 http://cargocollective.com/jedberk

In this episode I move to the otherside of the Q&A table. Jonas Schmidt had contacted me to do a Q&A for his master's program research, specifically on the Near Future Laboratory and our own approach to design and creative work. It was good fun — so I asked Jonas if he wouldn't mind if we made it into a mirrorworld podcast episode and he happily agreed. Please support this podcast on Patreon - https://patreon.com/nearfuturelaboratory — Thank you!

Devon Powers is an Associate Professor of Advertising at the Department of Advertising and PR in the Klein College of Media and Communication at Temple University. Devon studies consumer culture, cultural history, and cultural circulation/intermediation, with a focus on trends, branding, and popular music. We discuss her book "On Trend: The Business of Forecasting the Future".

Alexis Lloyd is a product design and innovation leader who has spent her career designing experiences for how we read, write, and share information on the internet. She is currently the VP of Product Design at Medium and has previously led design and innovation work at The New York Times R&D Lab, Axios, and Automattic. She co-leads the Ethical Futures Lab and has a deep curiosity about how humans and machines co-evolve with one another.

This is Part 2 of my conversation with Madeline Ashby who is an American-Canadian science fiction writer and futurist, best known for her 2016 novel Company Town. She is a graduate of OCAD University's Master of Design in Strategic Foresight & Innovation. If you found this episode a worthy use of your time and is helping your futures brain bulk up, consider become a patron over at our Patreon — or you can offer a tip which is easy to do nowadays over at ko-fi.org/bleecker

Madeline Ashby is an American-Canadian science fiction writer and futurist, best known for her 2016 novel Company Town. She is a graduate of OCAD University's Master of Design in Strategic Foresight & Innovation. If you found this episode a worthy use of your time and is helping your futures brain bulk up, consider become a patron over at our Patreon https://patreon.com/nearfuturelaboratory — or you can offer a tip which is easy to do nowadays over at https://ko-fi.org/bleecker

Anab Jain is co-founder, along with Jon Arden, of Superflux which is a design studio based in London that create worlds, stories, and tools that provoke and inspire us to engage with the precarity of our rapidly changing world. If you found this episode a worthy use of your time and attention consider become a patron. You can do that at patreon.com/nearfuturelaboratory — or you can offer a tip which is easy to do nowadays over at ko-fi.org/bleecker

This episode is with Professor David Kirby. David coined the term ‘diegetic prototype’ to describe an important component of Design Fiction. He describes this and much more in his important book "Lab Coats in Hollywood: Science, Scientists and Cinema”.

This episode is a discussion with Liam Young. Liam is an Australian born archtect and film maker who uses design fiction and film in a really provocative and thoughtful and entertaining fashion. He also runs the MA in Fiction and Entertainment at the Southern California Institute of Archtecture (or SCI-ARC). Help support the Podcast by becoming a Patron at https://patreon.com/nearfuturelaboratory The Near Future Laboratory podcast is a series of discussions on Design Fiction.

This episode is a conversation with Scott Smtih, also known as Changeist on the social medias. In this chat with Scott, we cover most all of that territory. We talk about what makes Design Fiction Design Fiction and not Science Fiction or Literary Fiction. We discuss David Kirby, who will be featured in a forthcoming episode, and the diegetic prototype. And a big discussion about ‘what Design Fiction is good for.’

We discuss the role of the generalist in discovery-based creative, design, future-oriented explorations.