Shamim Momin is the Director of Curatorial Affairs at the Henry Art Gallery in Seattle, Washington. In this role since 2018, she has overseen the Curatorial Department and organized numerous exhibitions, including the museum-wide group exhibition In Plain Sight, as well as major commissions by Tala Madani, Gary Simmons, Kelly Akashi, Donna Huanca, Diana Al-Hadid, and others. Prior to joining the Henry, she was director, curator, and co-founder of LAND (Los Angeles Nomadic Division), a nonprofit public art organization committed to curating site- and situation-specific contemporary art projects. In that role, Momin organized over 100 exhibitions, projects, and programs with more than 300 artists, presented across the United States and internationally. Previously, Momin served for more than ten years at the Whitney Museum of American Art (New York) co-curating the 2004 and 2008 Whitney Biennials and overseeing the Contemporary Projects series. In addition to her extensive publication history, she serves regularly as guest lecturer, panelist, and advisor for a wide array of organizations and events. Momin was Adjunct Professor of Contemporary Art for Williams College for the 2007 and 2008 Semester in New York program, and is currently Affiliate Professor of Art at the School of Art, Art History and Design, University of Washington.She and Zuckerman discuss life transformations, never not thinking about something, founder’s fatigue, regret, being useful, learning to listen,   accepting the world, personal responsibility, purpose driven work, humanity, being a mom, mentorship, what the next generation sees, and art as a means to be human!

California-based artist Ed Templeton is known for his interdisciplinary practice, most notably of photographs documenting people and street life of Huntington Beach, California, intimate portraits of his wife, and paintings depicting the psychological complexity of American suburbia. He first gained recognition as a teenage skateboard prodigy in the late 1980s and taught himself to photograph on the fly while actively touring for competitions. All of Templeton’s subjects come from his own life: “Everything I’ve ever shot has just been on the path that I’ve been on, be it skating or travel or street photography.” Blurring portraiture and landscape, Templeton works across photography, painting, and drawing to explore the ugliness, banality, and beauty of the familiar everyday world.   He and Zuckerman discuss permission, looking at ourselves, what’s weird about Orange County, finding skateboarding, the absence of free will, seeing things before they happen, managing fear, the flow state, mining his own archives, hyper reality, and collaborating with his wife!

This is the second “Ask Me Anything” episode with our founder and host Heidi Zuckerman, a globally recognized leader in contemporary art, a prolific content generator, and a fierce advocate for Why Art Matters! In addition to being the first woman to build two art museums and raising nearly $200M dollars for museums, she has had hundreds of courageously authentic conversations with artists and other people she finds interesting that are featured on five years and 150 podcasts and in four volumes of her Conversations with Artists book series. She also recently authored Why Art Matters: The Bearable Lightness of Being “your bed-side table masterclass in how to find a way towards understanding ourselves thru art.”In this episode she answers audience questions that range from those about the practices of the art world to who Heidi would love to have dinner with and on her podcast. It’s another deeply personal share from a woman who encourages us all to live our values and to connect with art to make our lives better!

Melissa Chiu is Director of the Smithsonian’s Hirshhorn Museum and Sculpture Garden, the National Museum of Modern and Contemporary art. Since her appointment in 2014, she has advocated for contemporary art through the Museum’s exhibitions, acquisitions, and public programs, with landmark exhibitions of work by some of today’s most important artists. A native of Australia, Chiu earned her bachelor’s degree in art history and criticism from the University of Western Sydney in 1992 and her master’s degree in arts administration in 1994 from the University of New South Wales. She completed her Ph.D. with a dissertation on contemporary Chinese art at the University of Western Sydney in 2005. Chiu has authored and edited several books and catalogues on contemporary art, and has lectured at Harvard, Yale, Columbia, the Museum of Modern Art, and other universities and museums.She and Zuckerman discuss radical accessibility, running our nation’s Museum of modern and contemporary art, the difference between TV and museums, the humility of motherhood, and learning from artists.

Art historian and curator Anne Radice. Radice previously served as Director of the Division of Public Programs at NEH. Prior to joining NEH in July 2018 she served as Executive Director of the American Folk Art Museum. From 2006 to 2010 Radice served as Director of the Institute of Museum and Library Services. Her previous government positions include Acting Deputy Chairman for Programs and Special Advisor to the Chairman of NEH, Chief of Staff for the U.S. Department of Education, Acting Chairman and Senior Deputy Chairman for the National Endowment for the Arts (NEA), Chief Arts Advisor for the U.S. Information Agency, and Curator for the Architect of the U.S. Capitol. Radice is a recipient of the Presidential Citizen’s Medal, the Forbes Medal, and the NEA’s Chairman’s Medal. She holds an MBA from American University, a PhD in art and architectural history from the University of North Carolina, Chapel Hill, an MA from Villa Schifanoia School of Fine Arts in Florence, Italy, and an AB from Wheaton College.She and Zuckerman engage here in a deeply personal conversation about living a life of service, “the general public,” true leadership, listening, and leading with your heart.

Los-Angeles based artist Diedrick Brackens is best known for his woven tapestries that explore allegory and narrative through the artist’s autobiography, broader themes of African American and queer identity, as well as American history. Brackens employs techniques from West African weaving, quilting from the American South and European tapestry-making to create both abstract and figurative works. Bracken’s work the reasoning beast (2021)—currently installed in OCMA’s exhibition Color is the First Revelation of the World—exemplifies Bracken’s intimate use of color and material, where washed in hues of black, blue, and purple, a figure embraces a goat to soar through the night sky.He and Zuckerman discuss his relationship to craft, weaving, and storytelling, how he starts, breaking rules, why cotton matters, Texas, his titles, abstraction and figuration, and what role hope and empathy play!

Los Angeles-based artist Andrea Bowers has made art that activates for more than 30 years. Bowers works in a variety of mediums, from video to colored pencil to installation art, and explores pressing national and international issues. Her work combines an artistic practice with activism and advocacy, operating as chronicler of contemporary history. A passionate ecofeminist, the symbiotic relationship between women and ecology is a recurring theme in her work, central in Femme Trans-Corporeal Fantasy (Victory to the Goddess) (2023), a monumental work on cardboard that entered OCMA’s collection in 2023.She and Zuckerman discuss her relationship to craft and how it impacts her relationship to activism, feminism, her drawing practice, engaging with the public, what she most values, aging, doing less, And what questions art should be asking!

Tony Marsh is an artist and educator who earned his BFA in Ceramic Art at California State University Long Beach in 1978. After graduating he spent three years in Mashiko, Japan at the workshop of Tatsuzo Shimaoka. Marsh completed his MFA at Alfred University in 1988. He teaches in the Ceramic Arts Program at California State University Long Beach where he was the Program Chair for over 20 years. He is currently the first Director of the Center for Contemporary Ceramics at CSULB. He was named a United States Artists Fellow in 2018, an honor awarded to outstanding contributors in American Arts and Letters. His work is the collections of museums across the globe including the Metropolitan Museum of Art, NY; Museum of Art and Design, NY; Los Angeles County Museum of Art; Oakland Museum of Art; Gardiner Museum of Art, Toronto; Museum of Fine Arts, Houston; San Jose Museum of Art; ASU Art Museum Tempe; the Foshan Museum of Contemporary Art, Foshan, China; and the Orange County Museum of Art.He and Zuckerman discuss being a teacher, making art, making a real impact, doing things with your whole heart, the influence of his mom, living and training in Japan, things that are encoded with success, how simple things are hard to make, marriage vessels, fertility vessels, and appropriate shapes, suspending time, magic, failure, craft, notions of taste, and taking no out of your vocabulary!

Stephen Reily is the Founding Director of Remuseum, an independent research project housed at Crystal Bridges Museum of American Art, which seeks to promote innovation among art museums across the United States. An attorney and entrepreneur, Reily served as Director of the Speed Art Museum in Louisville, Kentucky from 2017 to 2021 where he invigorated a newly renovated museum with a mission of public service and dramatically increased both contributed revenue and accessibility. Under his leadership, the Speed introduced a new “Speed for All” free family membership for anyone for whom cost is a barrier to entry; initiated its first paid internships; issued its first annual Racial Equity Report, specifying the museum’s standing and commitments on staffing, acquisitions and exhibitions, programming, and more. During his tenure, the Speed worked with Guest Curator Allison Glenn and Community Engagement Strategist Toya Northington to present the exhibition “Promise, Witness, Remembrance,” cited as a model of relevance and innovation as the museum responded in real time to the killing of Breonna Taylor and a year of protests in Louisville. A longtime supporter of museums and the arts, Reily currently serves on the Boards of the Creative Capital Foundation and the American Federation of Arts.He and Zuckerman discuss museums as legacy businesses, the unsustainable nature of the current economic model of museums, innovation, the Director’s role, artists and what we can learn from them, new ideas and initiatives, what’s working, and of course why art matters!

Mehak Vieira is the Director and Founder of Jahmek Contemporary Art, a dynamic platform promoting a critical and provocative dialogue about artistic and visual expression in Luanda, Angola. Raised in Luanda, Viera founded the gallery alongside Jardel Vieira in 2018 with the vision of strengthening the artistic infrastructure in Angola for the next generation. Over the past five years, she has worked with emerging and established artists with ties to the country to build an ambitious program of exhibitions, events, fair presentations and more. Her leadership has gained international recognition of Jahmek Contemporary Art, building its reputation as a prominent player in the African contemporary art scene by exhibiting at major events including the Venice Biennale 2024, Art Basel 2022, Art Dubai 2022 and Arco Madrid 2021, among others. She and Zuckerman discuss not coming from an art background, the Angola art scene, being entrepreneurial, why their program matters for the country, elitism, access to information, archiving the narrative, legacy, love, art fairs, how things come together, courage, and why art matters!

British sculptor Antony Gormley’s (Sir Antony Mark David Gormley OBE RA) work has been widely exhibited throughout the UK and internationally with recent exhibitions at Musée Rodin, Paris (2023); Lehmbruck Museum, Duisburg, Germany (2022); Museum Voorlinden, Wassenaar, Netherlands (2022); National Gallery Singapore, Singapore (2021); Schauwerk Sindelfingen, Germany (2021); Royal Academy of Arts, London (2019); Delos, Greece (2019); Uffizi Gallery, Florence, Italy (2019); Philadelphia Museum of Art, Pennsylvania (2019); Long Museum, Shanghai (2017); and Forte di Belvedere, Florence, Italy (2015) among others! Some permanent public works include the Angel of the North (Gateshead, UK), Another Place (Crosby Beach, UK), and Inside Australia (Lake Ballard, Western Australia). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999, the Bernhard Heiliger Award for Sculpture in 2007, the Obayashi Prize in 2012 and the Praemium Imperiale in 2013. In 1997 he was made an Officer of the British Empire (OBE) and was made a knight in the New Year’s Honors list in 2014. He is an Honorary Fellow of the Royal Institute of British Architects, an Honorary Doctor of the University of Cambridge and a Fellow of Trinity and Jesus Colleges, Cambridge. Gormley has been a Royal Academician since 2003.He and Zuckerman discuss the state of the world, art as a form of witnessing, what can sculpture do, being in the world but not of it, moving through space with awareness, active meditation, what art is for, recognizing our own vitality, discovering ourselves as strangers, and the urgency and hopefulness of being alive right now!

Tess Lukey is co-curator of the inaugural Boston Triennial and Associate Curator of Native American Art at The Trustees of Reservations (The Trustees), the nation’s first and state’s largest land conservation nonprofit. Lukey, an Aquinnah Wampanoag tribal member and lifelong New Englander, previously worked for the Museum of Fine Arts and the Society of Arts and Crafts in Boston, and the John Sommers Gallery in Albuquerque, New Mexico. She has also completed fellowships at the Peabody Essex Museum in Salem, Massachusetts, and the Hibben Center for Archaeology Study and the Maxwell Museum of Anthropology in Albuquerque. Lukey is also a traditional potter and basket weaver practicing the techniques of her own Indigenous community.She and Zuckerman discuss reciprocity, pairing artists and experts, how artists can address things in ways that no one else can, teaching people about making, her relation with clay, finger weaving, physically working with a place, being an artist, a maker, and a member, how art needs people, gaining family and realizing who she is, working with the land, guiding museums about respecting tribal sovereignty, her studio visit strategy, magical moments, making ceramics sing, and what can contain all the knowledge in the world!

American artist Charles Gaines’ body of work engages formulas and systems that interrogate relationships between the objective and the subjective realms. In his drawings, works on paper and photographs he investigates how rule-based processes and systems construct the experiences of aesthetics, politics, and language. By employing multi-layered practices, including images, texts, and grids, as well as working in a serial character, Gaines examines image structures while critically questioning forms of representation.   He recently retired from the CalArts School of Art, where he was on faculty for over 30 years and established a fellowship to provide critical scholarship support for Black students in the M.F.A. program. His work has been the subject of numerous exhibitions in the United States and around the world, most notably at Dia:Beacon, San Francisco Museum of Modern Art, The Studio Museum, Harlem NY, and Hammer Museum, Los Angeles CA. His work has also been presented at the 1975 Whitney Biennial and the Venice Biennale in 2007 and 2015. In addition to his artistic practice, Gaines has published several essays on contemporary art, including Theater of Refusal: Black Art and Mainstream Criticism (University of California, Irvine, 1993) and The New Cosmopolitanism (California State University, Fullerton, 2008). In 2019, Gaines received the 60th Edward MacDowell Medal. He was inducted into the National Academy of Design’s 2020 class of National Academicians and the American Academy of Arts and Letters in May 2022. In 2023, he received an honorary doctorate from his alma mater, the Rochester Institute of Technology in New York. He and I spoke about legacy, continuous learning, creating context and systems, paradoxes of perception, feeling versus intellectual exercises in art, the language of art and what is possible, tantric Buddhist art, chance as a method, philosophy of aesthetics, trees, and AI!

Nicholas Baume is the Artistic & Executive Director at Public Art Fund in New York City since 2009. A native of Australia, his career began in Sydney with Kaldor Public Art Projects and later the Museum of Contemporary Art. He was Contemporary Curator at the Wadsworth Atheneum in Hartford, Connecticut, before moving to Boston to join the Institute of Contemporary Art as Chief Curator. He and I discuss being artist centric, the American museum industry, the moment his eyes opened to contemporary art, how art can catalyze feelings you don’t know you have, creating moments of access, sharing art with the world and serving the public, what defines success, what public art needs, authentic experiences, fundamental values, civic scale projects, the importance of diplomacy, and risk taking!

Bjorn Geldhof is Director of the PinchukArtCentre. Founded in September 2006 by businessman and philanthropist Victor Pinchuk, the PinchukArtCentre is an international hub for contemporary art committed to developing the Ukrainian art scene while generating critical public discourse as a whole. Since war broke out in Ukraine in 2022 they have held important exhibitions including When Faith Moves Mountains, a major group exhibition with over 45 artists opening 143 days after the beginning of the full-scale Russian invasion, focused on Ukraine as a country open to the world and celebrating its deep roots and relation to Europe. The PinchukArtCentre invests in the next generation though the Future Generation Art Prize and the PinchukArtCentre Prize, awards for young contemporary artists aged 35 or younger. Their collateral Venice Biennale project this year, Daring to Dream in a World of Constant Fear, will be held at the Palazzo Contarini Polignac from April 20th until August 1st, 2024. The exhibition weaves a tapestry of stories and dreams gathered from artists affected by war globally.He and Zuckerman discuss sharing risk, how art saves lives, art not as leisure but also essential part of living life, cultivating a next generation of artists, changing the way people think, the urgency of making art, offering the opportunity to speak, think and feel, knowing that today can be your last day, the urgency of having great thoughts, the role of hope, and the opportunity to dare to dream!

Digital content creator Amanda McCreight specializes in digital storytelling, utilizing photography and filmmaking as her medium to challenge conventional norms, guide discourse, and foster meaningful connections. McCreight started the brand Aytuhzee noting that she “wanted to create a persona around feeling free to try everything from A to Z. Aytuhzee is many things…the Full Expression of whatever medium I’m feeling called to!” Additionally, she is the Co-Founder and Creative Director of All Day Running Co. where she collaborates with entrepreneur Jesse Itzler to curate immersive wellness and running experiences. Together they craft unforgettable events that leave participants not only with memories, but also with a newfound sense of empowerment. McCreight is a self-described lover, dreamer, and existential thinker dedicated to living the full spectrum of life’s color and emotions in art and in business.She and Zuckerman discuss course correcting your life, saying yes, living a life full of color, finding middle ground, creating brands, giving things your all, flow state, balancing consumption and creation, what we deserve, a vision board coming to life, the first yes, speaking things into existence, public pitching ideas, practicing looking, and why art matters!

Since the early 1990’s, Charles Long has explored the possibilities of sculpture through a rich vocabulary of materials, colors, images and shapes. Incorporating references to art history, popular culture, nature and his own experiences, Long’s work embraces modernist convention as a means of connecting inner and outer realities, forming pathways between one’s mental and bodily experiences and the surrounding environment. Through his many bodies of work over the years, the artist has consistently confronted formal parameters associated with sculpture as obstacles to push beyond, seeing modernism’s trajectory as unfinished and full of possibility.He and Zuckerman spoke about metaphysical research, why things are happening, the secret of teaching, refinding art on his own terms, psychedelics, Donald D. Hoffman of UC Irvine, “wisdoms of the masters” and access to pure being, what it’s like to die, what he has to offer, wanting everything he makes to be sacred, not finishing anything, and making art that you don’t have to talk about!

New York-based writer LJ Rader is the person behind the social media account ArtButMakeItSports, which features images of sports compared to fine art. He works full-time in the sports world as a Director of Product at a sports data and technology company.He and Zuckerman discuss his curatorial choices, unique moments, a sports related lens, sports equality, feedback he gets, his favorite artists, his image filing system, feelings on AI, meme fuel, the legacy of art, and of course why art matters!

American artist Rodney McMillian’s paintings, sculptures, videos, and performances address the African-American experience while examining race, gender, and class in a broader political context. Aspects of his work negotiates between the body of a political nature and the politic of a bodily nature. McMillian modifies familiar and found objects into new – he offers an alternative reality that reveals how past ideas relate to the present. He is now a professor of sculpture at the School of Arts and Architecture at UCLA. McMillian’s work can be found in the permanent collections of the Los Angeles County Museum of Art, UCLA Hammer Museum, and the Museum of Contemporary Art Los Angeles, The Orange County Museum of Art, among others.He and Zuckerman discuss the role of chance in his paintings, intimacy and residue, what landscape can mean, issues of class and taste, retitling, existing within uncomfortable contexts, “hitting it on the one,” napping, the physicality of making art, the present moment, working with a voice coach, and the thrill of accomplishing hard things!

Art historian and curator Stephanie Stebich is the Margaret and Terry Stent Director of the Smithsonian American Art Museum. She was named director of the Smithsonian American Art Museum in January 2017. Stebich serves on the Smithsonian’s Capital Board as well as the Smithsonian-London Strategic Advisory Board. In May 2018, she was named co-chair of the Smithsonian American Women’s History Initiative. Before coming to Washington, D.C., Stebich was executive director of the Tacoma Art Museum for 12 years. Under her leadership, the museum underwent a major renovation that doubled its exhibition space, and secured major collection gifts, including the Haub Family Collection of Western American Art, 300 masterworks from the 1790s to the present by Charles Bird King, Thomas Moran, Frederick Remington, Georgia O’Keeffe and others. She was assistant director of the Minneapolis Institute of Arts from 2001 to 2004 and assistant director at the Cleveland Museum of Art from 1995 to 2001.She and Zuckerman discuss feeling at home in museums, taking risks, making a museum free, house favorites, why museums buy certain things, finding the optimal location for an artwork, having a broad definition of art to include craft, mentorship, how to get a job, speaking up while active listening, America as a hopeful experiment, artists as makers of hope!

Art historian and curator Stephanie Stebich is the Margaret and Terry Stent Director of the Smithsonian American Art Museum. She was named director of the Smithsonian American Art Museum in January 2017. Stebich serves on the Smithsonian’s Capital Board as well as the Smithsonian-London Strategic Advisory Board. In May 2018, she was named co-chair of the Smithsonian American Women’s History Initiative. Before coming to Washington, D.C., Stebich was executive director of the Tacoma Art Museum for 12 years. Under her leadership, the museum underwent a major renovation that doubled its exhibition space, and secured major collection gifts, including the Haub Family Collection of Western American Art, 300 masterworks from the 1790s to the present by Charles Bird King, Thomas Moran, Frederick Remington, Georgia O’Keeffe and others. She was assistant director of the Minneapolis Institute of Arts from 2001 to 2004 and assistant director at the Cleveland Museum of Art from 1995 to 2001.She and Zuckerman discuss feeling at home in museums, taking risks, making a museum free, house favorites, why museums buy certain things, finding the optimal location for an artwork, having a broad definition of art to include craft, mentorship, how to get a job, speaking up while active listening, America as a hopeful experiment, artists as makers of hope!

Cliff Einstein is the founding partner of Dailey Advertising with a noted history of creating positions for some of the world’s major brands. Throughout a career spanning a half century he has received a long list of industry honors, among them, the American Advertising Federation naming him their Leader of the West.  Cliff is Chair Emeritus of the Board of the Los Angeles Museum of Contemporary Art (MOCA)  and a Trustee of Otis College of Art and Design. He is a recipient of the California Governor’s Victims’ Service Award for his work with the Rape Foundation, and he is the Marketing Chair of the Jewish Community Foundation. Cliff and his late wife, Mandy, have been listed in Art and Antiques “100 Collectors of America,” and they have been featured in a wide range of international publications as noted collectors and patrons of contemporary art.He and Zuckerman discuss his collection of 100 knives, the difference between commercial and fine art, his rules for collecting including meeting the art before you meet the artist, what roles he and Mandy each play in forming their collection, asking people what they like, not to be missed sites to shop for art, what work he bought back after selling it, being philanthropic and what people want back for what they give, his relationship with MoCA and an analysis of the current Los Angeles museum environment, and buying things you don’t instantly like!

Mindy Shapero creates lively, meticulous sculptural and canvas works comprised of materials as various as studio scraps, spray paint, gold, copper, and silver leaf. Her works on canvas are formed by stencils sourced from discarded sculptural bits, and portions of those stencils eventually find their way back into the artist‘s sculptural work. In this process, Shapero transmutes negatives from past sculptural pieces into positive shapes that form the bedrock of her cosmic abstractions. Shapero’s repeating motifs—irregular rectangles and ovals that resemble “scars” or ruptures in the surface— are highlighted through the artist’s application of delicate gold leaf, an adornment dating back more than 8,000 years in the canon of art history. She is interested  in the combination of old and new techniques. Shapero’s techniques harken back to the artist’s personal history rooted in the DIY aesthetics of punk counterculture.She and Zuckerman discuss her approach to narrative, spirituality, alchemy and transformation, surprising herself, the responsibility of being climate aware, repurposing, being a hoarder, titling as poetry, duality, color as everything, how hard it is to talk about art, the process of making, rules, and making what you want to see!

Sotheby's Principal Auctioneer Oliver Barker joined Sotheby’s in 1994 moving to the Contemporary Art department in 2001, rising to Chairman, Sotheby’s Europe, Senior International Specialist in 2016. He is a key figure on the rostrum at the major auctions in both London and New York. Barker oversaw the iconic sale of Banksy's "Love is in the Bin," famously shredded by the artist moments after hammering for $1.04 million in 2018. Additionally, Barker participated in the livestream hybrid auctions – The Webby Awards introduced during the pandemic. Notable achievements include the sales of Francis Bacon's "Triptych Inspired by the Oresteia of Aeschylus'' for $84.6 million, Botticelli's "Portrait of a Young Man Holding a Roundel" for $92.2 million, and this year, the sales of Impressionist, Modern, and Contemporary art that brought  $597 million in a single night.He and Zuckerman discuss three decades in a career, representing the company and the vendors, relationships with objects, the aesthetic experience, how should one start a collection, art as a place of solace, long term relationships, the YBA and the London art world of the early 1990s, the work that happens outside of the sales, the profound influence of art, and little know aspects of how he spends his personal life!

Journalist Charlotte Burns is the founder of Studio Burns, which creates and commissions original editorials and provides strategic advice. She is also the co-founder of the Burns Halperin Report, which analyses equity in museums and the art market. She also produces the weekly podcast "The Art World: What If...?!" for Art& at the New York advisory, Schwartzman&. The second season of the show launches 18 January 2024. Previously the executive editor of In Other Words, a weekly newsletter and podcast (2016-20), she was the US news and Market editor for The Art Newspaper (2009-16) and has written for publications including The Guardian, Cultured and Monocle magazine. Before that she worked for galleries including Anthony d’Offay and Hauser & Wirth. She and Zuckerman discuss podcasting, grace in space, the imagined idea of America, not feeling at home, maternity, having ego leave, living life, how dreams need to evolve, hope and dread, an appetite for conversations, and talking about feelings!

Fred Tomaselli has shown his work in museums, biennials and galleries around the world, including MoMA, MoCA, the MET and SFMoMa. Biennials include the Whitney Biennial, Berlin Biennial, and the Lyon Biennial. Solo museum shows include the Whitney Museum at Philip Morris, The Aspen Art Museum, The Brooklyn Art Museum, and the Orange County Art Museum. Tomaselli is known for his intricate, engulfing images of earthly and cosmic realms made by suspending collage and painted imagery as well as an unorthodox array of real-world materials in thick layers of clear, epoxy resin. These works on wood panels mix snippets of botanical, ornithological and anatomical illustrations cut from books and magazines, prescription pills, medicinal herbs and psychoactive plants with the artist’s own designs. Tomaselli sees his mixture of psychedelic imagery and substances as windows into hallucinatory universes: “It is my ultimate aim to seduce and transport the viewer into the space of these pictures while simultaneously revealing the mechanics of that seduction.”He and Zuckerman discuss a shared love of nature, what art can do, what drugs and birding have in common, the shelf life of art, altering perception and dislocated, settling for oblivion, nocturnal experiences, community, a sample choir, and AI!

Tim Griffin is the Executive Director of the Industry. He joined the organization in June 2023 and continues the organization’s commitment to reimagining art’s relationship with its publics. Previously, Griffin was executive director and chief curator at The Kitchen (2011–2021) where he developed projects across disciplines with artists such as Chantal Akerman, ANOHNI, Charles Atlas, Abraham Cruzvillegas, Joan Jonas, Ralph Lemon, Aki Sasamoto, Wadada Leo Smith, Tyshawn Sorey, and Danh Vo, among others.  On the occasion of The Kitchen’s 50th anniversary, Griffin initiated a capital campaign to renovate its building as a platform for the next generation of artists, raising roughly $22 million. From 2003 to 2010, Griffin was editor of Artforum, organizing special issues on performance; the museum in a contemporary context; art and poetry; and art and commerce. His own writing has appeared in publications from Bomb to Vogue, including catalogue essays on choreographer Maria Hassabi (MoMA, 2016), artist Ralph Lemon (Guggenheim Museum, 2016), and John Baldessari (Tate Modern, 2009). Griffin also edited a volume of selected writings on Wade Guyton (JRP), and has a forthcoming book on artists’ changing engagement with site-specificity (Sternberg Press). In 2015, he was awarded the insignia of chevalier of the Order of Arts and Letters.He and Zuckerman discuss contemporary opera, popular audiences, how we know what we see, the luxury of clarity, art criticism, proximity, anxiety around popular culture, being in partnership in the art world and rethinking your own habits!

Writer and curator Ebony L. Haynes, originally from Canada, is a Director at David Zwirner gallery in New York and runs 52 Walker. Haynes was a recent visiting curator and critic for Yale School of Fine art in the Painting and Printmaking class of 2021. She also runs an online “school” where free professional practice classes are offered to Black students, world wide.  Prior to joining David Zwirner, Haynes served as director at Martos Gallery and Shoot The Lobster NY & LA, and was responsible for many critically acclaimed exhibitions including Invisible Man, epigenetic, EBSPLOITATION, and The Worst Witch. Haynes sits on the boards of the New Art Dealers Association, and Cassandra Press.She and Zuckerman discuss sliding door moments, the pitching of 52 Walker, good versus great curating, the importance of a true team, approaching studio visits, research based practices, writing by hand, and what she hopes for!

Chicago-based artist Tony Lewis’s practice focuses on the relationship between semiotics and language to confront social and political topics such as race, power, communication, and labor. Lewis creates drawings using graphite, pencil and paper, mediums the artist uses to trace and develop abstract narratives and reflections on the notion of the gestural. By pushing the boundaries of drawing and the possibilities of abstraction, he expands the use of the “material” of language. He currently has a solo exhibition at the Orange County Museum of Art/OCMA.He and Zuckerman discuss labor and work, changing the way you think about making art, saying yes, listening to music on repeat, “keep going,” things that exist outside of art, motivational language, caring enough, nicknames, and the precision of human nature!

American curator Lauren Haynes is Director of Curatorial Affairs and Programs at the Queens Museum. Prior to joining the Queens Museum, Haynes worked at museums across the United States including Crystal Bridges Museum of American Art and the Studio Museum in Harlem. Haynes is a specialist in contemporary art by artists of African descent – her curatorial vision aims to challenge traditional narratives and push boundaries within the art world, embracing both established artists and emerging talents, bridging the gap between tradition and innovation. Haynes was a 2018 Center for Curatorial Leadership fellow and a recipient of a 2020 ArtTable New Leadership Award. Since 2022, Haynes has been a member of the board of the Association of Art Museum Curators (AAMC) and AAMC Foundation.She and Zuckerman discuss having work study jobs at college museums, navigating artist interactions and needs, deliberate care, growing and developing a contemporary program, tv as a hobby, dreaming of rest and moments of pause, looking for patterns, and how kids confidently talk about art!

Shigeru Ban is a Pritzker Prize winning architect and humanitarian. Ban has developed a unique style known for its blend of traditional Japanese architecture with elements of American Modernism. One of Ban's notable achievements is his pioneering work in using recycled materials, particularly paper tubes, as building components. He believes that architecture should serve the needs of society, especially in times of crisis. Notable projects include the Paper Dome in Japan, which provided temporary housing after an earthquake, the Cardboard Cathedral in New Zealand, Centre Pompidou-Metz in France, the Japan Pavilion Expo 2000 in Germany, and the Aspen Art Museum. Ban’s architectural practice showcases a harmonious blend of functionality, aesthetics, and environmental consciousness.Ban and Zuckerman discuss humanitarian architecture, using wood, escaping from the influences of our teachers, inside and outside, experience sequencing, looking for problems to solve by design, form finding, not being about style, and humbleness!

Sumayya Vally is the founder and principal of Counterspace, a Johannesburg-based architecture and research studio. Counterspace is committed to developing a design language that acknowledges and resonates with the African continent. In 2019, Counterspace was invited to design the 20th Serpentine Pavilion in London, making Vally the youngest architect ever to win this internationally renowned commission. She recently curated the first Islamic Arts Biennale in Jeddah. Vally is currently collaborating on the design of the Ellen Johnson Sirleaf Presidential Center for Women and Development in Monrovia, Liberia, the first presidential library dedicated to a female head of state, where she will oversee the scenography, pavilions, and exhibition spaces. She and Zuckerman spoke about imagination, fear of design, metaphors of healing, dialogue with place, the first Islamic Arts Biennale, having a life in a city, ingredients of gathering, architecture of ritual, dynamic restoration, everyone is welcome, beauty, gathering and belonging, and having a practice of hope and optimism!

Pritzker Prize-winning American architect and educator Thom Mayne is the founder of Morphosis, an innovative architecture, urbanism, and design collective. Named after the Greek term for ‘to form or be in formation’ – Morphosis has gained recognition for its sustainable designs. Notable projects include the Perot Museum of Nature and Science in Dallas, Emerson College in Los Angeles, New York’s Cooper Union building, and the Orange County Museum of Art. Alongside his architectural practice, Mayne has been actively involved in education and academia, as he played a pivotal role in establishing the Southern California Institute of Architecture. He and Zuckerman spoke about how LA is a midwestern city, the museum as a cultured event, community making, formed architecture, American architects, having a voice, being what you are instead of what you do, license to dream, authentically seeing yourself, being a humanist, and the profound and enduring power of artistic activity!

Artist Sarah Cain creates playful, abstract paintings and installations that feature a bold use of color, improvisation, and a variety of perspectives. Cain redefines abstraction in feminist terms as an architecture for transformative, embodied, emotive experience – intentionally subverting male-dominated art historical traditions. Known for expansive, site-specific murals, often she makes decisions about the palette, gestures, and composition onsite. She and Zuckerman spoke about personal relationships with the past, site-specific projects, how color operates as a tool, physical space, engaging with art, the lineage of abstract painters, the relationship between titles and images, and how we can find awe in our daily lives!

Artist Narsiso Martinez details the vital, but often unseen, labor carried out by farmworkers in the United States in his mixed media installations, predominantly using discarded cardboard produce boxes. His work resonates with the spirit of social realism from the 1930s – drawing from his personal experiences as a former farmworker.  In 2023, Martinez was honored with the prestigious Frieze Impact prize for his exploration of the immigrant experience within the agriculture industry. He and Zuckerman spoke about how art saved his life, giving voice to unrepresented communities, freedom and responsibility, reducing fear, giving back, being a hero, and having tomorrow!

Allison Berg, Founder and Executive Director of the A&L Berg Foundation, is a lawyer turned arts and culture writer, philanthropist, museum trustee, art collector,  producer  and more. Her work is informed by the desire to ensure everyone has access to equity in career pathways along with inclusive platforms for their narratives. Allison is LALA Magazine’s former executive editor and has contributed to Design LA, Hamptons, Gotham, Cultured and C magazines. She was a Producer of “The Art of Making It” documentary and is a Trustee with the Boards of the Los Angeles County Museum of Art (LACMA,) American Friends of the Israel Museum (AFIM), The Mistake Room (TMR) and The Los Angeles Football Club Foundation. She and Zuckerman discuss getting to know art over time, being present, securing equity for under represented populations, why she serves as a museum trustee, making art accessible, connecting art and athletes, and how art creates understanding!

Simphiwe Ndzube stitches together a subjective account of the Black experience in past and present-day South Africa from a mythological perspective creating universes with his sculptures, paintings, and assemblages. Living and working between Los Angeles and Cape Town, South Africa, Ndzube’s work was recently on view in the California Biennial 2022: Pacific Gold exhibition at the Orange County Museum of Art/OCMA.  He and Zuckerman discuss the hero’s journey, magical realism,  mothers, play, love, community, opportunity, and apartheid. This conversation was recorded in front of a live audience at OCMA and includes some of their questions at the end of the episode.

Catherine Opie is an American photographer known for her portraits and landscapes that explore the complexities of contemporary life. Opie documents how individuals interact with the spaces they inhabit, expanding the dialogue on community, identity, and the marginalized subcultures of America. She was a recipient of The Guggenheim Fellowship in 2019, and The Smithsonian’s Archives of American Art Medal in 2016. Opie holds the Lynda and Stewart Resnick Endowed Chair in Art at UCLA where she is a professor of photography.She and Zuckerman discuss mapping humanity, writing in your head, the pain of losing a family, the healing that comes with motherhood, vastness, our intelligence as a species, the crisis of humanity, what makes a successful board experience, what it takes to be a good citizen, meditation within art practice, and how art is a the language of our culture!

Robert King “Bob” Wittman is a highly decorated former Federal Bureau of Investigation special agent who was assigned to the Philadelphia Field Division from 1988 to 2008. Having trained in art, antiques, jewelry and gem identification, Wittman served as the FBI's "top investigator and coordinator in cases involving art theft and art fraud". During his 20 years with the FBI, Wittman helped recover more than $300 million worth of stolen art and cultural property, resulting in the prosecution and conviction of numerous individuals. In 2005, he was instrumental in the creation of the FBI's rapid deployment Art Crime Team (ACT). He also was instrumental in the recovery of colonial North Carolina's copy of the original Bill of Rights in 2005, that had been stolen by a Union soldier in 1865. Wittman represented the United States around the world, conducting investigations and instructing international police and museums in recovery and security techniques. After 20 years with the FBI working against art theft, he worked as an art security consultant for the private sector. In 2010, Wittman published his memoir Priceless which recounts his career and activities while working for the FBI as an undercover agent. He and Zuckerman spoke about what he thought would be fun about joining the FBI, fake Basquiats, being scared, provenance and good title, the Dr. No theory, 89% of museum theft being an inside job, protecting cultural property, doing deals in the art market, and why museums and monuments get destroyed!

Mónica Manzutto and José Kuri founded the gallery that united their surnames in Mexico City in 1999, and soon became an international reference for Latin America and to the world: kurimanzutto. The gallery helped plant the seeds of Mexico City’s thriving art scene. Recently the husband-and-wife couple expanded their North American presence to a 622 sqm New York gallery that their artists helped design.We spoke about how they met, the Fridays workshop, Gabriel Orozco’s role in their founding the gallery, the original “rules” they set for the gallery, blurring the line between local and international, building artists’ careers, opening in a different era, staying close to artists, and the perspective that kids bring!

Neville Wakefield is a curator and writer interested in exploring the ways in which art behaves outside of institutional contexts. He offers that art is most successful, enlightening, and provocative when it goes beyond stereotypical labels and white spaces and is revealed in new spaces that suggest new paradigms. Previously MoMA PS1’s Senior Curatorial Advisor and Frieze Projects’ Curator, Wakefield is the co-founder of Elevation1049, a site-specific biennial in Gstaad, Switzerland, Artistic Director of Desert X, and the force behind Desert X AlUla in Saudi Arabia.He and Zuckerman spoke about starting as a writer, sailing, getting lost, no right or singular approach, embracing uncertainty, constructing your own narrative, the aesthetics of disappointment, lowering barriers of entry, and finding beauty in unexpected places!

Hilary Pecis makes paintings and drawings in which tableaus rich with interlocking fields of saturated color, geometric patterning, and bold linework provide views of sun-drenched domestic still lifes and landscape environments. Books crowding a coffee table, the remains of a dinner party, and terrains lush with Southern California succulents make frequent appearances in her work; these meticulously arranged interiors and vibrantly rendered exteriors amount to an overarching portrait of the self that identifies objects and locations as signifiers for human characteristics.She and Zuckerman spoke about the importance of questions, her use of photographs, how we know and show ourselves, running, active versus passive practice, in between spaces, choice, what she thinks about, and how things come together!

This episode is a rare, live conversation between Zuckerman and artist Mark Manders recorded as part of an exhibition opening walk through in Los Angeles! For more than three decades, Mark Manders has developed an endless self-portrait in the form of sculpture, still life, and architectural plans. Described by the artist as his ongoing “self-portrait as a building,” Manders’ works present mysterious and evocative tableaux that allow viewers to construct their own narrative conclusions and meanings. Initially inspired by an interest in writing and literature, Manders’ first conception of the self-portrait was more literal. He and Zuckerman spoke about magic, choosing a single word to describe your life, simultaneity, ways of understanding self and space, truth, freezing time, thinking machines, waiting, and how we understand God!

Derrick Adams is a multi-disciplinary artist living and working in Brooklyn, NY. Adams probes how the experiences and narratives of Black communities are reflected in and refracted by American history, entertainment, consumerism, iconography, and the dynamic relationship between personal identity and cultural environment. Expanding the dialogue around contemporary Black life and culture, through scenes of normalcy and perseverance, he developed and presents an iconography of joy, leisure, and the pursuit of happiness. He and Zuckerman spoke about confidence, formed language, times of invisibility, fun, artist friendships, celebrating yourself without explaining, and taking chances! is a multi-disciplinary artist living and working in Brooklyn, NY. Adams probes how the experiences and narratives of Black communities are reflected in and refracted by American history, entertainment, consumerism, iconography, and the dynamic relationship between personal identity and cultural environment. Expanding the dialogue around contemporary Black life and culture, through scenes of normalcy and perseverance, he developed and presents an iconography of joy, leisure, and the pursuit of happiness. He and Zuckerman spoke about confidence, formed language, times of invisibility, fun, artist friendships, celebrating yourself without explaining, and taking chances!

Kelly Crow is a staff reporter for the Wall Street Journal, covering the ever-changing contemporary art market since 2006. Her work includes reports on sales at auction houses such as Sotheby's and Christie's and analyses of the funding and buying practices of the world's leading arts institutions, artists, and collectors. Extending her expertise beyond the newsroom, Crow has assisted in teaching journalism courses at Columbia University’s Graduate School, where she earned her master’s degree in 2000. Crow has been the recipient of a Front Page Award from the Newswomen's Club of New York in 2009 for her profile on an FBI officer who reclaims stolen art and a Deadline Club Award for Arts Reporting in 2021 from the New York chapter of the Society of Professional Journalists for her coverage of the digital-art boom. Now residing in Texas, Crow's decades-long insight and expertise into the art world have solidified her place among our time's most influential arts journalists. She and I spoke about story telling,  the power of suggestion, the burden of telling a story, how to listen, story hunting, how she chooses what to focus on, people who have stuck with her, market maneuvering, the art world and the art market, the black market and the FBI, and how art is the story!

Jeffrey Deitch has been a prominent player in contemporary art for over fifty years. Born in 1952 and raised in Hartford, Connecticut, Deitch went on to study at Wesleyan University, turning his primary attention from economics to art history. As a college student, he opened his first gallery in 1972 in Lenox, Massachusetts. In 1978 Deitch received his MBA from Harvard Business School, where he authored his thesis on Andy Warhol as a business artist and sought to find synergy between aesthetics and economics. Such interest led him to Citibank, where he developed the art consultation division, the first professionally organized art advisory service attached to an international financial institution. Deitch has also contributed significantly to art criticism, becoming a regular columnist of Flash Art in 1980 and having his work published in Artforum, Garage, Interview magazine, and Paper magazine. In 1996, Deitch opened the Deitch Projects gallery in Soho, with shows including works from Vanessa Beecroft, Nari Ward, and Mariko Mori. Deitch has made a resounding impact on the art scene of Southern California. In 2010 he received the honor of being named the director of MOCA, relocating from New York to Los Angeles. As an early advocate of graffiti art in the 1980s, his first curated show, "Art in the Street," sold over 200,000 tickets- more than any previous show in MOCA history. In 2018 he opened a 15,000-square-foot space in Hollywood designed by Frank Gehry, where he presents museum-level exhibitions in a gallery setting. Further, in 2020, Deitch created the Gallery Association Los Angeles (GALA for short) to generate excitement about the LA gallery scene. He has also launched galleryplatform.la, an online program that serves the dynamic Los Angeles arts community with editorial content and rotating online viewing rooms. Deitch continues to operate galleries in New York and Los Angeles while advising private art collectors and institutions. As his number of shows, exhibition spaces, and artists exhibited surpass any art dealer in history, he has crafted a unique role that merges his curatorial profile with the business side of art. He and Zuckerman spoke about a daily practice of looking at art, the physicality of looking, feeling objects,  time with artists, seeking communities, running an art museum and why “All Surface. No Structure.” matters!

Angel Otero is an artist known for employing highly innovative techniques that challenge the parameters of his materials, revealing the intrinsic qualities of paint. His works are rooted in abstract image making and engage with ideas of memory through addressing art history, as well as his own lived experience. Otero is best known for the Oil Skin works he began in 2010, an ongoing series that demonstrates the inherently transformative nature of the artist’s practice as well as his dedication to expanding the visual field of abstract expressionism. The artist’s early childhood memories are brought to the forefront in his most recent series of paintings which see a return to figuration combined with his hallmark style of abstraction. Otero paints and collages dreamlike scenes upon his vibrant structured canvases, depicting objects and spaces that are loosely based on personal memories associated with the domestic sphere. Probing the boundaries of figuration and abstraction, Otero’s most recent works continue to expand the possibilities of painting and materiality. He and Zuckerman spoke about the ocean and inspiration, asking questions, personal and intimate subject matter, magical realism, giving space to space, humor as a tool, the energy surrounding his work, trust, the authentic conversation!

With Episode 106 we have changed a few things up! First, our name, we have dropped the word conversations from the podcast title.  The podcast is “About Art” so that’s what we’re now calling it! Simple and elegant. Second, we added a new photo! The previous one was when OCMA/Orange County Museum of Art was under construction, the new one is from the opening press conference. And, third, this is our first “Ask Me Anything” episode. Thank you so much to everyone who sent in your questions, we were overwhelmed by the number! We have enough to do many more episodes of this type if you’re interested! Please let us know in the comments below or via DM on Instagram. Some of the audience questions Heidi answers in this AMA episode include sacrifices she has made, critique she has received, the art where she sleeps, art that makes me laugh, and that causes a lump in her throat, her creative practice, what keeps her going, and if she ever forgets why art matters?

Dara Birnbaum is a groundbreaking figure in the emergence of media art. Among the earliest practitioners working in video, among the first women to adapt the medium, and the first to focus on TV specifically. Over the course of her nearly 50-year career, she has created a prescient body of work that in many ways prefigures our current digital realities, where anyone on social media can now “talk back” to media in ways similar to what Birnbaum has done throughout her artistic practice.  Her early works from the late 1970s took on American popular culture—Technology/Transformation: Wonder Woman being among her most famous—finding homes in exhibitions at nontraditional venues such as hair salons and nightclubs in the East Village. She and Zuckerman discuss joy, awakening to nature, Monet, how art saves lives, being a “video maker,” winning, and spiritual practice.

This week on my podcast “Conversations About Art” I spoke with Hoor Al Qasimi, President and Director of Sharjah Art Foundation, a curator who established the Foundation in 2009 as a catalyst and advocate for the arts, not only in Sharjah, UAE, but also in the region and across the world. With a passion for supporting experimentation and innovation in the arts, Al Qasimi has continuously expanded the scope of the Foundation to include major international touring exhibitions; artist and curator residencies in visual art, film and music; commissions and production grants for emerging artists; publications and publication grants; performance and film festivals; architectural research and restoration; and a wide range of educational programming in Sharjah for both children and adults. In 2003, Al Qasimi co-curated Sharjah Biennial 6 and has remained Biennial Director ever since. She is currently curating the upcoming Sharjah Biennial 15: Thinking Historically in the Present (2023). Under her leadership, Sharjah Biennial has become an internationally recognised platform for contemporary artists, curators and cultural producers. Her leadership in the field led to her election as President of the International Biennial Association (IBA) in 2017, an appointment that transferred IBA’s headquarters to Sharjah. In addition to her role at the Foundation, Al Qasimi also serves as the President of The Africa Institute and President and Director of the Sharjah Architectural Triennial, which inaugurated its first edition in November 2019. She and I spoke about chance moments, the history of the place, the Africa Institute, “thinking historically in the present”, not rushing, decentralizing, doing less, telling you own history, not pursuing things that don’t work, and counting experiences!

Dan Wood and Amale Andraos, co-founders of WORKac and principals of the firm. Wood has extensive experience leading large scale and complex US and international projects. Andraos is also the dean emeritus and professor at Columbia University’s Graduate School of Architecture Planning and Preservation. WORKac creates architecture and strategic planning concepts at the intersection of the urban, the rural and the natural. Embracing reinvention and collaboration with other fields, they strive to develop intelligent and shared infrastructures and to achieve a more careful integration between architecture, landscape and ecological systems. They hold unshakable lightness and polemical optimism as a means to move beyond the projected and towards the possible. WORKac was the #1 design firm in Architect magazine’s 2017 Architect 50 and the 2015 AIA NYS Firm of the Year. The firm has achieved international acclaim for projects such as the Edible Schoolyard at P.S. 216 in Brooklyn, the Kew Gardens Hills Library in Queens, and the Stealth Building in New York. Current projects include a masterplan for 60 villas on a waterfront site in Lebanon, a new library in Dumbo, Brooklyn, and a library in Boulder, CO. Wood, Andraos and Zuckerman discuss creativity and criticism, how nature is never just nature, off modern, favorite buildings, and taste!

Ella Fontanals-Cisneros is a philanthropist, entrepreneur and collector of contemporary art. She began collecting art in the 1970s and her collection, which today has more than 2500 works, has an international profile with emblematic figures of modern and contemporary art with a focus on Latin American art. She is also cofounder of CIFO, a non-profit organization that fosters cultural exchange and enrichment of the arts. In this position, she recently worked to launch the CIFO-Ars Electronica Awards (in partnership with Ars Electronica) to advance the work of Latin American artists working with new media and technology, an underfunded area of production. She and Zuckerman discuss spirituality, humanity, crying in front of works of art, the importance of silence, her legacy, museum decision making, how personal decision making is!!

Dr. Salah M. Hassan is founding Director of The Africa Institute. Hassan concurrently holds positions at Cornell University as the Distinguished Professor of Arts & Sciences in African and African Diaspora Art History and Visual Culture in the Department of Africana Studies and Research Center; in the Department of History of Art and Visual Studies; and as Director of the Institute for Comparative Modernities (ICM). Hassan also served as Professor of History of Art in African and African American Studies and Fine Art at Brandeis University, where he was previously awarded the Madeleine Haas Russell Professorship in the Departments of African and Afro-American Studies and Fine Art. Hassan is an editor and co-founder of Nka: Journal of Contemporary African Art and author, editor, and contributor to numerous other books, journals, anthologies, and exhibition catalogues. Hassan has also curated international exhibitions and Biennials including Authentic/Ex- Centric (49th Venice Biennale, 2001); and 3x3: Three Artists/Three: David Hammons, Maria Magdalena Campos-Pons, Pamela Z (Dak'Art, 2004); among others. He and Zuckerman discussed African Modernism, family preferences, not seeing yourself, resistance, walking, revenge, and loving beauty and humor in art!

Cristina Iglesias is a Spanish born artist who studied Chemical Sciences at the University of the Basque Country and Ceramics and Sculpture at the Chelsea College of Art in London. Her museum exhibitions include Centro Botín, Santander, Spain; Museo Reina Sofía, Madrid; Ludwig Museum, Cologne; Whitechapel Art Gallery, London; and Solomon R. Guggenheim Museum, New York. She additionally has been commissioned to create major projects and installations at Bloomberg headquarters, London; Mexican Foundation of Environmental Education, Baja, California; Museo del Prado, Madrid; and Royal Museum of Fine Art, Antwerp, among many others. She and Zuckerman discuss studio spaces, collaboration, being with ourselves, dreaming, constructing landscape, memory and imagination, transiting, and remembering!

This week on my podcast “Conversations About Art” I spoke with Kate MccGwire, a British sculptor who spent her childhood growing up on the Norfolk Broads. Taking feathers as her primary medium, MccGwire goes through labour-intensive processes of collecting, sorting and cleaning her materials to create muscular, writhing forms reminiscent of Classical sculpture and creatures from mythology. Through her practice, MccGwire celebrates feathers, which are commonly shed or discarded, as the medium through which she articulates enigmatic anatomies that explore physical and introspective space. She and I discuss swimming in the river, unexpected and long term collaborations, the notion of place, tracing the practice of time, being lost, looking again at what you think you know, meditative processes, what she listens to in the studio, flow, flux, patterning and energy, the power of art, and having a weird life! Royal Salute, the master of exceptionally aged Scotch whisky, has unveiled a new platform, The Art of Wonder in partnership with celebrated British sculptor, Kate MccGwire. The Art of Wonder will invite some of the most provocative artists of today to take inspiration from the craft of whisky blending to create a lasting tribute to the transformative power of creativity. For its inaugural release, Royal Salute has partnered with British sculptor, Kate MccGwire, who has created three beautifully sculpted and sensuous pieces; Paragon, Plethora, and Protean, under a body of work named Forces of Nature. Paragon is one of 21 bespoke sculptures, that sits with a remarkable 53 Year Old blended Scotch whisky, one of the highest ages ever released by Royal Salute. Plethora, which features sustainably sourced pheasant feathers flowing through the curves of copper repurposed from silent whisky stills, will be unveiled for the first time in Shanghai, China, in November 2022. Protean, the largest installation of the three, continues the theme of Plethora and will be revealed at Frieze, London on the 12th of October 2022. For more information, visit royalsalute.com or follow @royalsalute on social media. @kate_mccgwire

Sandra Jackson-Dumont is the Director and CEO of the Lucas Museum of Narrative Art. Tasked with leading the institution through its opening and beyond, she comes to the museum from the Metropolitan Museum of Art in New York City, where she has served as the Frederick P. and Sandra P. Rose Chairman of Education and Public Programs since 2014. Throughout her career, Jackson-Dumont has developed programming around museum collections and special exhibitions to engage a broad range of audiences. She also served for eight years as the deputy director for education and public programs and adjunct curator in modern and contemporary art at the Seattle Art Museum. Prior to that, Jackson-Dumont held positions at the Studio Museum and the Whitney Museum of American Art in New York City. She and Zuckerman discuss misbehaving, seeing God, being in and of the world, museums as social spaces, going where you want to be, ambiguity, what’s missing from the syllabus of work, an integrated life, and for us by us!

Moshe Safdie is an architect, urban planner, educator, theorist, and author. In 1964 he established his own firm to realize Habitat ’67, an adaptation of his undergraduate thesis and a turning point in modern architecture. Embracing a comprehensive and humane design philosophy, Safdie is committed to architecture that is informed by the geographic, social, and cultural elements that define a place; and that responds to human needs and aspirations. Over a celebrated 50-year career, Safdie has explored the essential principles of socially responsible design with a distinct visual language. His wide range of completed projects include cultural, educational, and civic institutions; neighborhoods and public parks; housing; mixed-use urban centers and airports; and master plans for existing communities and entirely new cities. Safdie’s projects can be found in North and South America, and throughout Asia. Recent projects of note include the Jewel Changi Airport in Singapore, the Albert Einstein Education and Research Center in Brazil, as well as residences in Colombo, Quito, and China that build on and expand his original vision for Habitat ’67, presenting a new vision for urban living rooted in the rediscover of the interdependence between nature and society. Safdie’s new memoir, “If Walls Could Speak,” will be released this fall. He and Zuckerman discuss starting a firm, abstract memorials, how sites generate design, the role of light in art museums, iconic buildings, the drama of the end, and having conviction!

KAWS engages audiences beyond the museums and galleries in which he regularly exhibits. His prolific body of work straddles the worlds of art and design to include paintings, murals, graphic and product design, street art, and large-scale sculptures. Over the last two decades KAWS’ work shows formal agility, underlying wit, irreverence, and affection for our times. His refined graphic language revitalizes figuration with both big, bold gestures and playful intricacies. KAWS often appropriates and draws inspiration from pop culture animations, forming a unique artistic vocabulary across mediums. Admired for his larger-than-life sculptures and hardedge paintings that emphasize line and color, KAWS’ cast of hybrid cartoon characters are the strongest examples of his exploration of humanity. As seen in his collaborations with global brands, KAWS’ imagery possesses a sophisticated humor and reveals a thoughtful interplay with consumer products. He and I discuss how works of art can exist in the public realm, his start, who his characters are and what they mean to him, what it feels like to see your work in the local grocery store, how he spends his time in the studio and who visits him there, and what he cares about and why!

Jérôme Sans began his career in the early 1980s as one of the first independent curators in Europe. His mission has been to rethink contemporary art exhibition making through an engagement with emerging artists. He is the former director of the Ullens Center for Contemporary Art in Beijing, co-founder of the Palais de Tokyo in Paris, and creator, and former creative director and editor-in-chief of the French cultural magazine L’Officiel Art, former artistic director of Rives de Saône-River Movie, former co-artistic director to the Grand Paris Express project, France's largest urban redefinition through culture initiative since Haussmann, among many other accomplishments and appointments. He recently joined LAGO/ALGO, a cultural hub that blends Contemporary Art and modernist architecture in Mexico City, as artistic director. He and Zuckerman discuss why art matters, institution building and how to make people feel welcome, what we’ve forgotten how to do in the last few years, and what he tells doubters!

Marianne Boesky established her eponymous gallery in New York in 1996. Since its inception, the gallery has represented and supported the work of emerging and established contemporary artists of all media and genres. In its first decade, the gallery was instrumental in launching the careers of major artists including Barnaby Furnas, Takashi Murakami, Yoshitomo Nara, Sarah Sze, and Lisa Yuskavage. The gallery currently represents many significant international artists, including Ghada Amer, Jennifer Bartlett, Sanford Biggers, Pier Paolo Calzolari, Donald Moffett, and Frank Stella. Boesky relocated her flagship gallery from SoHo to Chelsea in 2001, and in 2016, the gallery expanded its flagship location to include its adjacent space on West 24th Street. In 2017, Boesky opened a location in Aspen, Colorado; she has organized temporary exhibition spaces in Europe and in cities across the United States. She and Zuckerman discuss family legacy, audacity, learning from artists, bank loans, consiglieres, vision,  looking at everything, being a mom in the artworld, mentoring, and not rushing!

Hebru Brantley was born and raised in Chicago. A product of the 80's, Brantley's early inspiration to create visual art derived from the cinematic Blaxploitation and science fiction depicted in the previous decade. His affinity for mythological comic book heroes, Japanimation, and graffiti has strongly influenced his work, and eventually, he began fusing elements of urban society with pop culture. From that, he developed his own unique approach to visual art, layering youthful expression with human emotion, history, and the complexities and challenges of urban life. Brantley creates his work spontaneously and uses an array of mediums such as wood, found objects, spray paint, coffee and tea. He has designed and illustrated for media production and clothing companies and transitioned from graffiti to canvas. He and Zuckerman discuss heroes, why it’s harder to access art than music or film, hope, Chance The Rapper, incantation, Adidas and acceptance!

Fred Eversley’s lenses and mirrored forms reflect and refract the world, and our place within it. Eversley hit his stride with his primary mode of working at the same time the Light and Space movement gained momentum in Southern California. Yet unlike his Light and Space and Finish Fetish peers who often collaborated with scientists and outsourced fabrication of their work, Eversley’s firsthand technical understanding as a scientist himself (Eversley came to Southern California in the 1960s to work as a consulting engineer for NASA and his early career was spent with United States’ largest aerospace company during that period–Wyle Labs in Los Angeles) enabled him to utilize materials in ways that uniquely position his practice. Eversley is the subject of a major show at The Orange County Museum of Art / OCMA when the museum opens on October 8. He and Zuckerman discuss science, how his work is about energy, failure, infinite possibility, climate change, working in New York, the importance of his groundbreaking 1978 exhibition at OCMA (then known as the Newport Harbor Art Museum), black holes, and proximity to other artists and thinkers!

Teresita Fernández’s work is characterized by an interest in self-reflection and conceptual wayfinding. Her immersive, monumental works are inspired by a rethinking of landscape and place, as well as by diverse historical and cultural references. Often drawing inspiration from the natural world, Fernández’s practice unravels the intimacies between matter, places, and human beings. Her work questions power, visibility, and erasure in ways that prompt reflective engagement for individual viewers. Fernández is a 2005 MacArthur Foundation Fellow, the recipient of numerous awards, and was appointed by President Obama as the first Latina to serve on the U.S. Commission of Fine Arts, a 100-year-old federal panel that advises the president and Congress on national matters of design and aesthetics. She and I discuss not being a specialist, emptiness, sustainability, what lives inside of us, landscapes, vulnerability, indigenous thought, silence, not needing to hide the story, trusting your instincts, mothering, and seeing yourself in something that is not you.

Sanford Biggers creates hybridized forms that transpose, combine and juxtapose classical and historical subjects to create alternative meanings and produce what he calls “future ethnographies.”   His work is an interplay of narrative, perspective, and history that speaks to current social, political, and economic happenings while also examining the contexts that bore them. His diverse practice positions him as a collaborator with the past through explorations of often-overlooked cultural and political narratives from American history. Zuckerman curated his first one-person museum exhibition 20 years ago this year and will open the new Orange County Museum of Art with a new site specific commission. He and she discuss where ideas come from, making space, trees, transcendent moments, Buddhists and break dancers, the symphony of silence, new iconographies, where we are from, and power objects!

Leo Villareal works with pixels and binary code to create complex, rhythmic compositions in light. His goal is to create a rich environment in which emergent behavior can occur without a preconceived outcome. His work is focused on stripping systems down to their essence to better understand the underlying structures and rules that govern how they work. He is interested in lowest common denominators such as pixels or the zeros and ones in binary code. The resulting forms move, change, interact and ultimately grow into complex organisms that are inspired by mathematician John Conway's work with cellular automata and the Game of Life. On March 5, 2013 Villareal inaugurated The Bay Lights, a 1.8-mile-long installation of 25,000 white LED lights on San Francisco’s Bay Bridge which has since become a permanent installation. In April 2021, Villareal completed Illuminated River, which unites 9 bridges in central London into a single, monumental work of public art. He and Zuckerman discuss different types of public art, connecting the flow state and creativity, circularity, being a beacon, personal and family history, NFTs, and yoga!

Fred Tomaselli’s work reveals a uniquely American vision. Growing up in Southern California, he was influenced by both the manufactured unreality of theme parks and the music and drug countercultures of Los Angeles during the 1970s and 80s. His distinctive melding of these traditions coalesces in an updated, personalized, folk-driven vision of the American West. Tomaselli amasses pills, herbs and other drugs, along with images of plants, flowers, birds, and anatomical illustrations carefully cut from books. Pulling from this visual archive, Tomaselli creates baroque paintings that draw upon a range of art historical sources and decorative traditions—like quilts and mosaics. Combining these unusual materials and paint under layers of clear epoxy resin, Tomaselli’s paintings explode in mesmerizing patterns that appear to grow organically across his compositions in a multilayered coexistence of the real, the photographic, and the painterly. Friends for nearly three decades, in 2009 Zuckerman organized a major exhibition of Tomaselli’s work that traveled to two venues including the Brooklyn Museum. In this episode he and she talk about being shaped by cars, surfing, Disneyland and Orange County in general, their shared love of nature, losing yourself in music, mind altering substances and experiences, The New York Times and current events!

Robert Nava draws inspiration from sources ranging from prehistoric cave paintings to Egyptian art and cartoons to create hybrid monsters populating a mythical contemporary world. Rendered through a raw, energetic mixing of spray paint, acrylics, and grease pencil, his large-scale paintings of fantastical beasts exude a playful candidness that defies the pretensions of high art. An MFA graduate from Yale University, Nava builds on the gesturalism of Cy Twombly and Jean-Michel Basquiat. He and Zuckerman discuss the energy he utilizes and creates, what different people see in the same imagery, the importance of heart, how he describes his own work, and of course why art matters!

This week on my podcast “Conversations About Art” we are reissuing one of our earliest—recorded in October 2019–when I spoke with artist Seth Price. Price in addition to making paintings has designed a fashion line, written a novel, and made music. He and I talk about the allure of being unavailable, the power of defocused thinking, creating a sound track for artists, #menswear, and skin.

Mike Kaplan is President and CEO of Aspen Skiing Company for the last 17 years. He recently announced that after 30 years with the company, that the 2022-23 winter season would be his last at the helm of the organization. Together he and Zuckerman in a completely unprecedented, brave, and innovative way collaborated to place art by world renowned contemporary artists on all lift ticket products and to integrate art into the company in unexpected places and ways. He and Zuckerman discuss powder days, flow state, focusing on paths to success, being taken out of your place, noble pursuits, not just skiing, a life worth living, family, and the beauty in the ordinary!

Tamar Zagursky was born in Beer-Sheva, Israel in 1975 to an Israeli born Engineer father and an American born English teacher and translator mother. She grew up in a small town in the Negev desert and Zagursky served as a tank driver in the Israel army. From 2002 to 2020 she was the Director of Sommer Contemporary Art in Tel-Aviv, one of top galleries in Israel, curating exhibitions and representing the gallery at art fairs all over Europe and the United States. In 2029 she began to manage the studio of Guy Zagursky, a renowned Israeli sculptor and her husband. She also launched SIDDUR, an innovative line of Contemporary Judaica, all designed and produced by Guy. She and Zuckerman discuss Judaica (ceremonial objects used in Jewish rituals), working with your life partner, organizing a table, female entrepreneurs, courage, contemporary spirituality, the value of awkwardness, and being a working mom in the art world. 

Christopher Y. Lew is Chief Artistic Director at Horizon Art Foundation and Outland Art. He has over fifteen years of experience working at American museums and arts nonprofits. He is a former curator at the Whitney Museum of American Art where he oversaw the emerging artist program and was co-curator of the 2017 Whitney Biennial. At the Whitney, he organized Pope.L: Choir (2019), Kevin Beasley: A view of a landscape (2018), and mounted the first US solo exhibitions for several artists. Prior to joining the Whitney, he was assistant curator at MoMA PS1. Lew has contributed to publications including Art AsiaPacific, Art Journal, Bomb, Huffington Post, and Mousse. He and Zuckerman discuss art as a window into another world, spending time with things we don’t yet understand, being entrepreneurial, doing curatorial work in museums, being a parent, NFTs, transformational invitations, slowing down, and why should anyone care.

Following studies in Paris, Paula Cooper (b. 1938, MA) entered the New York art world aged 21 working at the World House Galleries on the Upper East Side. In 1964 she opened the Paula Johnson Gallery, where she showed work by Walter de Maria and Bob Thompson, among others. From 1965 to 1967 Cooper served as the Director of the artist’s cooperative Park Place, whose members included Mark di Suvero, Robert Grosvenor and David Novros––artists she continues to work with today. Paula Cooper opened the first art gallery in SoHo at 96-100 Prince Street in 1968 with a benefit for the Student Mobilization Committee to End the War in Vietnam, showing works by Carl Andre, Dan Flavin, Donald Judd, Robert Mangold and Robert Ryman, as well as Sol LeWitt’s first wall drawing. Paula Cooper Gallery moved to Wooster Street in 1973 and then to Chelsea in 1996, and has consistently shown art that is conceptually unique and visually challenging. In addition to the artistic program, the gallery has regularly hosted concerts, music symposia, dance performances, book receptions, poetry readings, as well as art exhibitions and special events to benefit various national and community organizations. Of particular note was a series of New Year’s Eve readings of Gertrude Stein’s The Making of Americans and James Joyce’s Finnegans Wake for twenty-five years until 2000, a ten-year series of concerts by The Chamber Music Society of Lincoln Center that began in the early 1970s, and an annual concert by the S.E.M. Ensemble that continued until 2019. Cooper was awarded an Honorary Degree of Doctor of Fine Arts from the Rhode Island School of Design (1995) and the order of Chevalier des Arts et des Lettres by the French Ministre de la Culture et de la Communication (2002) followed by the order of Officier des Arts et des Lettres (2014). In 2003 Cooper and her husband, the publisher Jack Macrae, opened the independent bookstore 192 Books. Cooper continues to run Paula Cooper Gallery. She and Zuckerman discuss the end of life, bad and good, how art revives, relationships, the New York artworld, the line between art and business, art as a language, visceral connections, celebrating messiness, art as true expression, not taking anything for granted, and the importance of encouragement!

Katie Geminder, Co-founder & Chief of Strategy at Cent, has held senior-level strategy, product, and design roles at Amazon, Apple, Facebook, and Zynga and has advised some of the most successful startup founders in history, guiding business-critical decisions that shape company branding, messaging, user experience, product strategy, and design. She has consulted with C-suite executives at startups in a variety of verticals, including e-commerce, social media, entertainment, cyber, and blockchain. She and Zuckerman discuss empathy, ubiquity and simultaneity, being a creator, meeting the unmet need, pattern matching, not being technical, NFT “crap,” explaining crypto, block chain and NFTs, scarcity, subjectivity and value, love of the untrained, leveling the playing field, the choice technology offers, and thinking differently.

On episode 79 we close out our second year of programming the “Conversations About Art” podcast! If you listen in you know that Heidi Zuckerman loves art and artists. And that she really enjoys impactful conversations with interesting people about things that matter. This episode is a compilation of excerpts from 10 guests featured in 2021. Part II offers the words and wisdom of Sonja Perkins, Matty Mo, Glenn Kaino, Kemi Ilensami, and Adam Pendleton. We know you will enjoy what you hear! Thank you so much for being part of our community! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/...

The last two episodes of 2021 celebrate two solid years of the Conversations About Art podcast with compilations of excerpts from 10 guests featured in 2021. Part I offers the words and wisdom of Nicole Perlroth, Brad Cloepfil, Lily Stockman, Allison Glenn, and Beth Pickens. In another life defining year Zuckerman expresses her profound gratitude for the time, generous conversation, and community this podcast and these conversations have afforded and created! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/...

Jerry Garcia is a principal at Olson Kundig since 2006. Throughout his tenure in Seattle, he has been an active instigator in the dialogue between architecture, art and the community at large. Working across a broad range of project types and scales, from 200 square-foot cabins on wheels to high-rises around the world, Jerry’s work has received numerous design awards and appeared in publications such as Architecture, Architectural Record, and Art+Auction. For Jerry, “Good architecture rewards inspection – the deeper you look, the more you see.” He and Zuckerman discuss work being fun, the reach out, professional rebellion, not wanting to be complacent, being better, what we carry, getting to pick everyone around you, hiring people who scare you, knowing what to do, bird watching, knowing where to look, art that is barely art, not being complacent, and living different a life! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Lily Stockman’s paintings are arrangements of biomorphic shapes, planes, and borders that draw from her affinity for the natural world and interest in the organizing principles of structure, from poetry meter to musical form. Building her linen surfaces up in layers of luminous oil, she references and borrows from influences ranging from the palette of Fra Angelico’s 15th-century frescoes, to the line work of 18th-century Rajput miniature paintings, and the compositions of 19th-century “gift drawings” made by Shaker women. Her passion for the landscapes that so deeply inform her work connects her to a lineage of American abstractionists devoted to their chosen geographic and spiritual terrain, from Agnes Martin’s Desert Southwest, to Forrest Bess’s Gulf Coast, and Myron Stout’s New England coastline.   She and I discuss a soft structure, poetry, jock rock, the mystery and comfort of painting, Shaker society, translation of the divine, keeping company, being a color shape painter, the space between things, love letters, the corner of doom, an exuberance of color, fellowship, who you do things for, and understanding the world! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Lucy Bull makes visceral paintings that appeal directly to the senses. Synesthetic fields of shape and color, the paintings are described in sonic, tactile, or even emotional terms that evade rational logic and are unique to each viewer. Worlds take shape across their varied surfaces and just as quickly fall away again; similarly, just when the act of looking generates optical overload or disruptive dissonance, Bull’s accumulations of marks reveal discernible traces of planning and hard-fought negotiations with her materials, leading the viewer back toward the concrete realities of pigment, medium, and surface. As she engages in these open-ended painterly experiments, Bull makes room for both precision and abandon, inviting viewers to participate in ever-unfinished processes of creation that she choreographs but never fully controls. Born in New York in 1990, Bull now lives and works in Los Angeles. She and I discuss planning to be late, being seated next to each other at a gallery dinner, having your preferences taken into consideration, care and curiosity, talking AT artwork, what photography misses, short circuiting someone else’s perspective, the speed of looking at art, being a graveyard shift worker, stolen time, loving doing what you love, what is foolish, the importance of fun and experimentation, a tabletop exhibition space, weird intimacy, hermit crabs, easing into working, wandering through paintings, and transferring the experiencing of making them! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Joost Bosland is one of the thirteen owners of Stevenson, a gallery with spaces in Cape Town and Johannesburg, and an office in Amsterdam. He has been with the gallery since a three-month internship in 2005. Among the artists Bosland works closely with at the gallery are Moshekwa Langa, Zanele Muholi, Robin Rhode, and Viviane Sassen. Stevenson opened in 2003, and currently represents 31 artists and employs 34 people. In the absence of local institutions dedicated to contemporary art, from 2005 to 2015 the gallery was instrumental in bringing international artists to South Africa, often for the first time. He and Zuckerman discuss unrealized projects, being at it for a long time, the art world as a way of imagining a better world, making 2+2=5, existing outside of traditional centers, collective ownership, changing power dynamics, the art of being a gallerist, the A word, the nuance of representing the complex geography of Africa, soaking in people, Art Basel, finding people who need your skill set, mentors, and making the world a better place! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Sophie Chahinian is a filmmaker and the founder of the The Artist Profile Archive (TAPA). TAPA produces short artist documentary profiles on contemporary artists to create an archive thereby making contemporary art more accessible to wider audiences. All the films are  available for free on TAPA’s website and social media channels. Her recent documentary profiles include Alexandra Grant and Robert Longo. Growing up in Los Angeles, Chahinian became interested in independent film production through her work with Light and Space artist Eric Orr in the late 1990s. She and Zuckerman discuss the creativity of the kitchen, the effortful and effortless, commitments, discipline and schedules, changing perspectives, “just fine,” the types of questions we ask, democratizing access to art, transcendence found in art, becoming an expert, understanding who we are, the concept of the oneness, art as seduction, and defining the parameters of our own humanity! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Shlomi Rabi is a twenty-year veteran of the auction world.  Most recently he held the position of Vice President, Head of the Photographs Department for the Americas at Christie’s, where he oversaw a record number of single-owner auctions.  During his tenure in the auction industry, Shlomi closely worked on multiple institutional collaborations, which included the Museum of Modern Art, New York; Art Institute of Chicago; Aperture Foundation, and Elton John AIDS Foundation. As an immigrant from the Middle East raised in Central America, Shlomi’s passion for the arts is informed by his desire to champion and empower creatives whose vision and voices are too often marginalized. He and Zuckerman discuss decompressing, magical places, recommendations, a vision of safe spaces, being comfortable in your own head, meditation, doing pull-ups, doing something for yourself in complete silence, mental intimacy, the privilege of making plans, manifesting emotions, patience, building a green auction house, being motivated to change the cannon, empowering artists individually, and scholarships for art history students! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Casey Reitz is President of the Segerstrom Center of the Arts, a multi-disciplinary cultural institution in Costa Mesa, CA, appointed in 2019. Since 2010, Reitz served as Executive Director of Second Stage Theater in New York City, winning a Tony Award as Best Musical Producer of Dear Evan Hansen in 2017, and where he successfully led the acquisition, renovation and re-opening of Broadway’s Helen Hayes Theater. With the launching of the Hayes, Second Stage became only the 4th non-profit with a permanent home on Broadway. Prior to Second Stage, Reitz was the Director of Development at The Public Theater. He holds an MFA in Theater Management from Yale University and a BA in Theatre from the University of Alabama. He and I discuss watching the audience, experiencing the great works, suspension of disbelief, the draw of Southern California, the town square, having broad and vast ambition, being afraid to leave New York, how every detail matters, taking your work seriously, being an artist, bringing people joy, not maintaining the status quo, fabulous failures, letting things be quiet, and the beauty and courage of creativity! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Cathy Kimball served as Executive Director and Chief Curator of the San Jose Institute of Contemporary Art (ICA) for twenty years and planned her retirement as the ICA turned 40 in 2020. She is curating the Marcus Lyon project, "De.Coded: A Human Atlas of Silicon Valley" by the Packard Foundation, scheduled for 2022 at the ICA. Previously she held curatorial roles at the San Jose Museum of Art and the New Jersey Center for the Arts. She and I discuss defining a curatorial legacy, knowing who to listen to, balancing a career and a life, prioritizing family, graceful exits, mentoring a team, serving a community, and how good it feels to create a space for artists! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Aparajita Jain is the co-director of Nature Morte Art Limited since 2012, when she bought a controlling interest in the leading contemporary art gallery. She is also the Founder of terrain.art, India’s first blockchain powered art platform and co-founder of India’s first international sculpture park with the Government of Rajasthan, in Jaipur. She was listed as one among eight influential women in the Indian art world by ARTSY, one of 30 influential women in the art world by ELLE magazine, amongst the 51 art people changing the art world by Observer and amongst the top 100 creatives in India by Harper's Bazaar. She and Zuckerman discuss working in the arts in India, different realities, whether all artists should be judged by the same standards, taking chances, artists as activists, NFTs as social equalizers, developing a virtual eco system for the arts and democratizing art in India, that it is ok to upset people, being at the edge of the past and the future, the art scene in Delhi, dialogues, whether there is a separate Indian paradigm, the gift of art, how to attract the most amount of people to art, the power of art to change people, art and transcendence, how to experience the infinite and feel connected to life, our souls, what is the worst that can happen in the presence of art, what is next, twenty-two minute meditation, and the importance of context! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Sonja Hoel Perkins invests in people and companies that matter.  She is the founder of The Perkins Fund, Project Glimmer and Broadway Angels.  Project Glimmer inspires every girl to envision and realize her empowered future.  Broadway Angels is a network of top female venture capitalists and entrepreneurs.  Sonja has been a venture capitalist for over 30 years and was named one of the “Top Most Powerful People in Global Finance”.  Sonja serves on the boards of Mercy BioAnalytics, Project Glimmer, The Pristine Mind Foundation and The Center for Politics at The University of Virginia. She and Zuckerman discuss being included, letting your mind rest, happiness as a choice, being honorable, trusting your gut, buying art that hurts a little bit, not needing to be the expert, how hard work is a habit, a sense of connected decisions, paying attention, being kind to yourself, and how your number one advocate is yourself!! Please check out: https://www.projectglimmer.org/ *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Kemi Ilesanmi has been a DMV clerk, receptionist, business school dropout, Minnesota State Fair ribbon winner, museum curator, foundation officer, and now Executive Director of The Laundromat Project, a NYC arts nonprofit that advances artists and neighbors as change agents in their own communities. She cares about cultural and community care, #BlackLivesMatter, and all things Obama. She and Zuckerman discuss issues of well-being and taking a sabbatical, what makes you a happier person, actual and false urgency, bringing people together, purpose and what makes sense, showing ourselves to ourselves, defining what love means, the superpower of being vulnerable, what questions we ask, naming, allowing emotion to be part of the work, and love as a radical place of power! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Jeanne Greenberg Rohatyn is a gallerist, art advisor, and independent curator. A fierce activist, she is committed to feminist and progressive ideas and a belief in art’s power to bring about social change. Greenberg Rohatyn founded her first gallery space in 2002, later adding venues on the Bowery in 2007 and 2010. Known for breaking hierarchies between design and high art, in 2017, she founded Salon 94 Design. She has championed artists such as Huma Bhabha, Judy Chicago, Katy Grannan, David Hammons, Lyle Ashton Harris, and Betty Woodman among many others. She and Zuckerman discuss a shared love of architecture, growing up in a house of art, being a practicing feminist, hiding in the bathroom with Andy Warhol, the goal and impact of “see better”, the relationship of art and justice, how we want story tellers now, loving looking at art, being elegant in transitions, exhibition making, being a business partner to artists, how she chooses artists, learning from her father, how art needs a lot of help! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Magnus Resch is an art-market economist, serial entrepreneur, and bestselling author, as well as a Professor for art management, lecturing at Yale University. He holds a Ph.D. in economics and studied at Harvard, the LSE and University of St. Gallen. His career has been portrayed in a Harvard Business School case study and in various articles with the New York Times, Wall Street Journal, Vanity Fair, and the Financial Times. He and I discuss the difference between the art world and the art market, why artists should spend less time in their studios, finding a niche, how to make money, talent not mattering, the subjectiveness of art, collecting art at the age of 16, 100 secrets of the art world, that 90% of all artwork costs less than $10,000, and at what value art can be considered an investment! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Beth Pickens is a Los Angeles-based consultant for artists and arts organizations. Since 2010 she has provided career consultation, grant writing, fundraising, and financial, project, and strategic planning services for artists and arts organizations throughout the U.S. She understands artists as people who are deeply, profoundly compelled to be creatively engaged. She is the author of Make Your Art No Matter What: Moving Beyond Creative Hurdles, published in 2021, and Your Art Will Save Your Life, published in 2018. She and I discuss working with artists, how life is hard, having an extra soul, returning to yourself, death, God wrestling, spiritual practice, soul traits: patience, silence and responsibility, awesome fear, durations projects, zero room for regret, and a guide for living! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Nicole Perlroth covers cybersecurity and digital espionage for The New York Times. She has covered Russian hacks of nuclear plants, airports, and elections, North Korea's cyberattacks against movie studios, banks and hospitals, Iranian attacks on oil companies, banks and the Trump campaign and hundreds of Chinese cyberattacks, including a months-long  hack of The Times. Her first book, “This Is How They Tell Me The World Ends,” about the global cyber arms race, was published in February 2021. The book, and several of her Times articles, have been optioned for television. A Bay Area native, Ms. Perlroth is a guest lecturer at the Stanford Graduate School of Business and a graduate of Princeton University and Stanford University. She and Zuckerman discuss moving to California, choosing to leave an enviable position, naming and shaming, Chinese and Russian hackers and hackers for hire, vulnerabilities, being a story teller, zero days, spy agencies, being a target, managing paranoia, election threats, being a mom and a female journalist, acting on what you most care about, the humans that are involved, and what “they” tell us! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Allison M. Glenn is a curator and writer deeply invested in working closely with artists to develop ideas, artworks, and exhibitions that respond to and transform our understanding of the world. She is an Associate Curator, Contemporary Art at Crystal Bridges Museum of American Art, and she curates exhibitions across the contemporary program at Crystal Bridges and the Momentary, a new contemporary art space and satellite of Crystal Bridges. Prior to working at Crystal Bridges, she was the Manager of Publications and Curatorial Associate for Prospect New Orleans’ international art triennial Prospect.4. She and Zuckerman discussed regionalism, the center becoming the periphery, cultural exchange, being stewards of the institutions we work for, ambitious projects, identifying key stakeholders first, Amy Sherald’s portrait of Breonna Taylor, the limits to what exhibitions can do, not yet having actually seen things we think we have, not knowing what we think we know, roles and responsibilities, and her curation of Promise Witness Remembrance at the Speed Museum, permission, accessible freedoms, and how people can act in museums! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Glenn Kaino is an American conceptual artist based in Los Angeles. By integrating innovative methodologies with established art historical traditions, Kaino orchestrates spectacular aesthetic phenomena that engage with, and offer critical commentary on the collective contemporary consciousness. His oeuvre is omnidisciplinary. It predominantly includes sculpture, painting, filmmaking, performance, installation, and large scale public work. His practice is fundamentally idea based. As an art student in the 1990s at UC Irvine and UC San Diego, Kaino adopted a layered, philosophical approach to art making. Simultaneously, he also immersed him self in the study of computers and digital technology. His practice includes mesmerizing and substantial creations and collaborations within the internet, entertainment and communications industries. He and Zuckerman discuss putting together things that would otherwise be irreconcilable, Jerry Adams and the spirit of the resistance, John Lewis and bloody Sundays, civil rights movements, constellation of intentions and concerns, the membrane between knowing and not knowing, that no one will believe more than you, fish tanks and post colonial politics, progressive hobbyists, where humanity lies, the natural state of war, being an art maker, creating a space for things to be considered, magic, and doing impossible things! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Alia Ali works between photography, video, and installation, addressing the politicization of the body, histories of colonization, imperialism, sexism, and racism through projects that take pattern and textile as their primary motif. Textile has been a constant in her practice, and she has recently begun making her own patterns and prints. Her work is also informed by discourses of criminality, Yemeni Futurism, and feminist theory, drawing upon stories including the nostalgic past of the Queen of Sheba. She and Zuckerman discuss indigenous symbolism, what is threatening, how to use beauty, vanishing countries, shifts of allegiance, abduction of stories, the weight of a job, self imposed responsibilities, language and truth, being seen the way you want to be seen, inclusion and exclusion and the power of photography, having an actual tribe, ancestral knowledge, who owns the red star, the occupying of myths, and radically imagined possibilities for the future! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Matty Mo is a conceptual artist and technology entrepreneur best known for creating, "The Most Famous Artist." Through this platform, Matty Mo and his global community of multidisciplinary creators make installations, stunts, and exhibitions that drive culture and penetrate the mainstream media. He and Zuckerman discuss the most famous artist community, $ART coin, performance versus conceptual versus stunt art, NFTs, monoliths, and what happens to people who apologize! Links: themostfamousartist.com/community - about the community rally.io/creator/art - buy $ART coin to support the community themostfamousartist.com/nft - about NFT projects *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Rebecca Anne Proctor is a journalist, presenter, and consultant who writes on culture, cultural policy, contemporary affairs, international relations, the art market, art exhibitions, luxury, fashion, food, hotels and travel for Arab News, Artnet, The Forward, Frieze, Vogue Arabia, Wallpaper, ArtNews, The National, Galerie Magazine, T Emirates: The New York Times Style Magazine, Bloomberg Businessweek Middle East, the BBC, and many others. In April 2018 she moderated a panel at the Culture Summit in Abu Dhabi on Emerging Trends in the Arts and Media Worldwide. And in March 2018 she appeared as a judge on Fashion Star Season 3, Reem Acra’s hit reality TV series for emerging Arab fashion designers in Beirut. She has also advised numerous artists, galleries, architects and art collectors, in the MENA and African regions. She and Zuckerman discuss having a “glamorous” life, not knowing what to call yourself, art as a means to know what is going to happen, cultural cross roads, the creativity of the edge, trying to find order, the work of Marwan Sahmarani, how trauma impacts artwork, art as documentation, trusting your gut, how to work things out, the beauty of being imperfect, the role of empathy, what we took for granted, and how art cannot lie! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Sarah Sutton is Principal of Sustainable Museums. For three decades she has worked in the museum field with a specific focus on climate awareness in the cultural sector. Sutton works with the leadership of individual institutions as they prepare and launch mission-specific climate initiatives, or plan more strategic engagement with initiatives around environmental sustainability and climate resilience. She and Zuckerman discuss museums and the climate crisis, Helen Frankenthaler and her values, LEED certification and the early aught building boom, climate, Covid, economics and equity, “just” doing what we do, how to surface answers you don’t know, how art documents climate change, opening the science-based discussion on climatization of museum collections, the push that funding allows, the risk of action but also non-action, carbon offsets, and how a single person can make major things happen at an institution! http://www.frankenthalerclimateinitiative.org/ *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Lynn Goldsmith is more than the “Rock and Roll photographer” of Bruce Springsteen, Bob Dylan, Keith Richards, and so many others. She has made kind, collaborative, and keenly perceptive portraits of world leaders like John Lewis, John McCain, and Jane Goodall. She is an artist who works in photography, painting, performance, spoken word and released “Will Powers” on Island Records in 1983. Goldsmith and Zuckerman discuss learning instead of judging, seeing more than what other people can see, the camera as a tool for answers, portrait photographers as psychologists, control, pattern interrupts, having a limited amount of time, breaking limitations, having a platform, taking pictures of beloved musical icons, the power of dress, confronting and utilizing our fears, making life lighter, and why hard work matters! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

David Glasser is the two decade Chairman & CEO of the Ben Uri Gallery and Museum in the U.K. and oversaw its recreation as the first full-scale virtual art museum and research center. Ben Uri Gallery and Museum was founded in 1915 in Whitechapel's Jewish ghetto in the East End of London, by émigré Russian artist Lazar Berson who previously exhibited with Chagall in Paris. In 2000, a new strategic direction was built around scholarship and expanding the remit from solely Jewish artists by incorporating the wider, diverse immigrant artist experience in Britain since 1900. Glasser and Zuckerman discuss the Bezalel Academy of Art and Design and the founding goal, museum relevancy in the 21st century, defining distinctive strength, doing a collections audit, being a public benefit, women refugees to the UK post WWII, a safe house for artists, a 24% female artist collection, mainstreaming a museum strategy, how few people actually visit some physical museums, why a digital museum is so compelling, global as the new local, deaccessioning, and being brave enough! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Thenjiwe Niki Nkosi is a South African-American painter and multi-media artist. Her work investigates power and its structures – political, social, architectural. Implicit in her examination of these structures is an interrogation of the invisible forces that create them, and an imagining of alternatives. She sees her subject choices as monuments to ideologies, referring to her architecture painting as “portraits” and her human portraits as “figures.” Nkosi and Zuckerman discuss the practice of being a parent, making things, going “back” places, the narrative of the return home, the faces on money, the struggle for freedom, doing work that matters, who gets celebrated and why, remembering people aloud, gymnastics and exactness, different definitions of blackness, the tender space of art, the risk of creating art, behavior, movement, and allowing ourselves to be an evolving being! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Erica Keswin is a workplace strategist who has worked for the past twenty years with some of the most iconic brands in the world as a consultant, speaker, author, and professional dot-connector. Her first book, Bring Your Human to Work: Ten Sure-Fire Ways to Design a Workplace That’s Good for People, Great for Business, and Just Might Change the World, published in 2018 was a best-seller. Her next book, Rituals Roadmap: The Human Way to Transform Everyday Routines Into Workplace Magic is out now. Keswin and Zuckerman discuss tasting coffee, routines versus rituals, reflecting our values, family dinner, working moms, being a connector, personal missions, looking into each other’s personal spaces, bringing your whole self to work, things that make you feel most like you, a sense of purpose, priorities, being open, doing without a known return, and honoring relationships! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Brad Cloepfil founded Allied Works in 1994 in Portland, Oregon. Since 2000, the practice has grown steadily through the completion of major museum projects, innovative educational facilities, residences and workplaces of diverse scale, purpose and character. Allied Works was established to engage artists, builders, and thinkers in a collective pursuit of new expression. Their ethic is boundless curiosity and uncommon commitment to creating beautiful, moving, and meaningful work. Cloepfil and Zuckerman discuss architecture, the impact of geography on creativity, ritual practice, “the Robert Frost of architects,” the role of the room, finding an architecture you don’t yet know, that the building is never subject nor the answer, the truth and possibilities of beauty, making contemporary relevant spiritual space,     the need for God, where ethical conversations can occur, the discipline of listening, the transcendent, hell yeses! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Pulling from a wide range of mediums including collage, painting, writing, printmaking, video, and publishing, Adam Pendleton utilizes language as his primary tool, recontextualizing appropriated imagery to shed light on underrepresented historical narratives. He is particularly interested in social resistance and avant-garde artistic movements and has synthesized a variety of practices under the rubric of "Black Dada,” a term borrowed from the poet Amiri Baraka. This year Pendleton will present Who Is Queen, a major new project in the atrium of The Museum of Modern Art, New York. Pendleton and Zuckerman discuss preventing unnecessary distraction, the fact and shape of time, the urgency of art, being a curious being, chaos as a means of meaning making, historical mashups, the regression of social interaction, the responsibility of living, what do you do with your life, art in America, and what he feels good about! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

In Episode 50 of  “Conversations About Art,” Heidi Zuckerman introduces excerpts from 14 episodes featured in the second half of 2020. We hear the words and wisdom of Sam Falls, Jen Guidi,  Bharti Kher, Christopher Bedford, Guerilla Girls, Noah Horowitz, Michelle Maccarone, Christian Lutien, Daniel Arsham, Sean Green, Ricky Gates, Patrick Steel and Pete McBride! As stated previously, in what was indisputably the wildest, most unexpected, isolating, surprising, and also strangely hopeful year, Zuckerman expresses her profound gratitude for the time, generous conversation, and community this podcast and these conversations have afforded and created! This is part two of a two part extended episode of “Conversations About Art.” *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

This final episode of 2020 pulls together excerpts from 15 episodes featured in the first half of 2020. We listen to the words and wisdom of Rich Roll, Mary Weatherford, Seth Price, Christina Quarles, Hank Willis Thomas, Tom Sachs, Richard Phillips, Helen Molesworth, Lance Armstrong, Amy Cappellazzo, JiaJia Fei, John Hickenlooper, Dennis Scholl, Richard Betts, and Kara Goldin.  In what was indisputably the wildest, most unexpected, isolating, surprising, and also strangely hopeful year, Zuckerman expresses her profound gratitude for the time, generous conversation, and community this podcast and these conversations have afforded and created! This is part one of a two part extended episode of “Conversations About Art.” *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Ralph Steadman is a UK satirist, artist, cartoonist, illustrator, and writer whose work is synonymous with the counterculture of the 1970s. Renowned for his collaborations with iconic American writer Hunter S. Thompson, he formed an unlikely duo that created "Gonzo" journalism. This lifelong collaboration included the now-legendary Fear and Loathing in Las Vegas, originally published in Rolling Stone magazine, which has since become a cult classic. The subject of numerous books and documentaries, at 84 he still turns his keen and critical eye to politicians and popular culture. He and I discuss nude models, the British tradition of cartooning, his first meeting with Hunter S. Thompson, American Presidential politics, suicide,  pre-planning memorials, the Gonzo fist, fax machines, Travis Scott, dirty water drawings, animals, passing over and God, Sigmund Freud, Leonardo da Vinci, Johnny Depp, learning to draw, and cremation. A bonus of this podcast is not only hearing him recite texts he has written, but also describing some of his iconic friends in their accents! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Melissa Cowley Wolf is the Founder of MCW Projects. With 20 years of experience in philanthropy and programming for cultural institutions across the United States, she is dedicated to re-imagining and democratizing cultural philanthropy to better engage diverse generations and audiences as well as to expanding the next generation of cultural philanthropists, advocates, and audiences. Melissa is also the Director of the Arts Funders Forum, an advocacy, media, convening, and research platform designed to increase private support for arts and culture. Melissa was recently named to the Artnet 2020 Innovators List as one of 51 global innovators transforming the art industry. She and I discuss creating intimacy through technology, building communities, increasing private giving to the arts, telling stories about what matters, political art, trust, relevancy, urgency, and the essentiality of art and artists, generational shifts in understanding philanthropy, impact giving, optimism and positivity, nomadism, practice, synchronicity, and how freedom and justice are at the essence of a life well lived! *** MCW Projects https://www.mcw-projects.com Art Funders Forum https://www.artsfundersforum.com Artnet 2020 Innovators List https://storage.googleapis.com/artnet-interim-static-assets-repository/intelligence-reports/2020/fall_2020_intelligence_report.pdf OpEd on Arts Funding https://news.artnet.com/opinion/arts-funding-op-ed-melissa-cowley-wolf-1929365 *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Bharti Kher’s art gives form to quotidian life and its daily rituals in a way that reassesses and transforms their meaning to yield an air of magical realism. Living and working in Delhi, India and born and raised in the U.K., her use of found objects is informed by her own position as an artist located between geographic and social milieus. Her way of working is exploratory: surveying, looking, collecting, and transforming. Her chimeras, mythical monsters, and allegorical tales combine references that are at once topical and traditional, political and poetic. She and I discuss geeky science stuff, markers of time, the beauty of imperfection, freeing things from themselves, the interest of difference, neither/nor, following intuition, how to see, the intrinsic intelligence of our bodies, Joseph Campbell, being a teacher to yourself, two things that are actually one thing, motherhood, and the most profound parts of ourselves! References: Joseph Campbell - https://www.jcf.org (referenced The Hero's Journey”, “The Hero With a Thousand Faces,” and his quote “The cave you fear to enter holds the treasures you seek”) Kazimir Malevich - https://www.kazimir-malevich.org Sol LeWitt - https://massmoca.org/sol-lewitt/ Constantin Brancusi - https://www.guggenheim.org/artwork/artist/constantin-brancusi Giuseppe Arcimboldo - https://www.giuseppe-arcimboldo.org William Blake - https://www.tate.org.uk/art/artists/william-blake-39 (referenced “Dante’s Divine Comedy”) John Berger - https://lannan.org/bios/john-berger *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Alison Sokol Blosser is Co-President, CEO & Second Generation Winegrower of Sokol Blosser. Sokol Blosser was founded in 1971 when her parents Susan Sokol and Bill Blosser planted their first vines in the Dundee Hills AVA (American Viticultural Area) of the Willamette Valley. At the time, there was no wine industry in Oregon. Today, with over 700 wineries and more than 30,000 acres of planted vineyards, Oregon has grown exponentially and its wines are available throughout the world. Sokol Blosser has survived, grown and prospered as a family-owned and run operation, and has been a key part of developing and shaping Oregon’s now prominent wine industry. She and Zuckerman discuss the pull of a family business, being a farmer, the reality of a glamorous profession, picking the grapes at the exact right time, hand versus land, the definition of an estate wine, the magic to being on site, connecting wine and memory, loving bubbles, taking care of and nurturing the third generation, some tips on how to order wine, adaptability, and the importance of saying what you like and don’t like! References: https://sokolblosser.com/ Evolution wines - https://shop.sokolblosser.com/Shop-Our-Wine/Evolution-Wine Richard Betts - http://yobetts.com Pinot in a box - https://www.reversewinesnob.com/sokol-blosser-evolution-oregon-pinot-noir *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Sam Falls is contemporary American artist whose boundary-defying work applies artistic processes to natural phenomena. The resulting paintings, prints, sculptures, and videos, often insert organic structures into art and man-made objects into nature. "We change the work by being present, and the work changes us by being present,” the artist has said. “We are breaking down and being built up, just like every moment." Falls works intimately with the fundamentals of nature and the transience of life that art best addresses. He and I discussed the intimacy of nature, the best part of making art, the ambiguous space between the inside and outside worlds, what artists he looks to for solace (we love the same ones!), his rain works, place, extended time, and the hand of nature, the challenges of choosing, anxiety, the parental bond, listening to music on repeat, and what helps with the darkness. References: Julia Kristeva - https://www.britannica.com/biography/Julia-Kristeva Collier Schorr - https://www.303gallery.com/artists/collier-schorr Wolfgang Tillmans - https://tillmans.co.uk Bruce Nauman - https://www.moma.org/artists/4243 (referenced his work that was digging a hole by his ranch “Setting a Good Corner”) Gillian Welch “Back in Time” https://music.apple.com/us/album/wayside-back-in-time/79759147?i=79759085 Salem “Capulets” https://music.apple.com/us/album/capulets/1535710389?i=1535710390 Salem “Not Much of a Life” https://music.apple.com/us/album/not-much-of-a-life/1535710389?i=1535710400 Stevie Nicks Wild Heart backstage https://youtu.be/ikMahqHWQXY *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Christopher Bedford is the Director of the Baltimore Museum of Art, appointed in May 2016. Prior to joining the BMA, Bedford led the Rose Art Museum at Brandeis University in Massachusetts for four years. In November 2019, it was announced that the Baltimore Museum of Art would only purchase works made by female-identifying artists in 2020 as part of an effort to work towards “re-correcting the canon.” He and I discuss what putting art in the basement means, the decency and care of John Waters, reliance on attendance as revenue, living our principles in museums, philosophies of deaccessioning, the Sotheby’s auction on October 28, 2020, the urgency of caring for museum staff, having too much art while being undercapitalized, how museums can be relevant today, the importance of close listening, what a civic museum could look like, and  art that gives you an otherwise impossible idea! References: Lisa Yuskavage x Aspen Art Museum - https://www.aspenartmuseum.org/exhibitions/233-lisa-yuskavage-wilderness Baltimore Museum of Art - https://artbma.org Mickalene Thomas - https://www.mickalenethomas.com/about John Waters - could not find appropriate link Cindy Sherman - https://www.moma.org/calendar/exhibitions/1154 Starns - http://www.dmstarn.com Wolfgang Tillmans - https://tillmans.co.uk (referenced portrait of John Waters) Mark Bradford - https://www.hauserwirth.com/artists/2838-mark-bradford Venice Biennale - https://www.labiennale.org/en Rose Museum - https://www.brandeis.edu/rose/ Brice Marden - https://gagosian.com/artists/brice-marden/ *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Noah Horowitz is Director Americas for Art Basel since 2015. He is based in New York and is in charge of Art Basel’s show in Miami Beach. Horowitz holds a PhD in art history from the  Courtauld Institute of Art, London. His doctoral thesis, Art of the Deal: Contemporary Art in a Global Financial Market, was published by the Princeton University Press in 2011. Previously he was managing director of The Armory Show in New York from 2011 until 2015. And prior to this, in 2009 he became Director of VIP Art Fair, a first-ever virtual international art fair. We discuss the intimacies of zoom, living with a blanket of uncertainty, positive intelligence, the first online art fair, the rhythm and consistency of the art world calendar, details of the art market report, what is good and great in the contemporary art, being cultural explorers and speaking the global language of art, and with gratitude for it—the continuous ability to be moved by art. References: Cory Muscara - https://corymuscara.com Positive Intelligence - https://www.positiveintelligence.com Art Basel - https://www.artbasel.com The Armory - https://www.thearmoryshow.com Marc Spiegler - Art Basel global director OVR 2020 - https://www.artbasel.com/ovr Peter Doig - https://www.moma.org/artists/8087 Michael Werner - https://www.michaelwerner.com Francois Ghebaly - http://ghebaly.com Peter Saul x New Museum - https://www.newmuseum.org/exhibitions/view/peter-saul-crime-and-punishment Meriem Bennani’s 2 Lizzards works on Instagram: https://www.instagram.com/p/CCRSrRWDOW3/?igshid=1y1wnj1ywq601 *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Pete McBride is a Native Coloradan who has spent two decades studying the world with a camera. A self-taught photographer, filmmaker, writer, and public speaker, he has traveled on assignment to over 75 countries for the National Geographic Society, Smithsonian, Google, The Nature Conservancy, and others. After a decade documenting remote expeditions from Everest to Antarctica, McBride decided to focus his cameras closer to home on a subject closer to his heart—his backyard river, the Colorado. His latest project replaced rafting with walking—a lot of it. Over the course of a year, McBride hiked the entire length of Grand Canyon National Park — over 750 miles without a trail — to highlight development challenges facing this iconic landscape. After completing the journey, National Geographic named him and his hiking companion “Adventurers of the Year.” He and Zuckerman discuss solitude, silence as the think tank of the soul, his decibel reading hobby, meditation as a way to control fear, a recent heart surgery, using photography to teach about health — our own and that of nature, achieving seemingly impossible things, the hooks of stories, the lessons in imperfection, and only doing things that make you nervous! References: Lao Tzu - “As long as you care what other people think you will always be their prisoner” Smithsonian Mag article - https://www.smithsonianmag.com/travel/photographs-last-quiet-places-180975765/ Gordon Hempton - https://www.soundtracker.com/about-gordon-hempton/ Oura Ring - https://ouraring.com National Geographic - https://www.nationalgeographic.com/contributors/m/photographer-pete-mcbride/ *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Sean Green is the CEO and Founder of Arternal. Arternal helps art dealers better monetize their relationships. Born in Jamaica and raised in Toronto, Green has cultivated his entrepreneurialism since watching his mom run the family maid service. With a background in computer science, his previous start up connected homeowners to quality contractors. He and Zuckerman discuss the business of art from the collector’s perspective, the Wayfair ruling, caring about art surviving and thriving, entrepreneurial passion, his mom as a mentor, being a black founder in the artworld, focusing on data, David Leggett and Ebecho Muslimova, Clubhouse, their shared love of warm water, and how is art like medicine for your mind! References: Arternal - https://www.arternal.com The Social Dilemma - film Steve Miller - co founder David Leggett - https://davidleggettart.com/home.html Various Small Fires - http://www.vsf.la Shane Campbell Gallery - https://www.shanecampbellgallery.com Ebecho Muslimova - http://magentaplains.com/artists/ebecho-muslimova Incubator Program at The New Museum - https://www.newmuseum.org/pages/view/new-inc-1 Clubhouse - https://clubhouse.io *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Patrick Steel is the CEO of POLITICO, which strives to be the dominant source for politics and policy in power centers across every continent where access to reliable information, non-partisan journalism and real-time tools creates, informs, and engages a global citizenry. Previously Steel spent 16 years as an investment banker and before that served in the Clinton White House. He and Zuckerman discuss seeing America through a political campaign, the importance of relationships in building careers, Hilary Clinton’s emails as art, being an extrovert, what transformational leadership looks like, go to questions, the profound impact of the technological revolution, taking strategic bets, compromise, and his predictions for the US Presidential election on November 3, 2020! This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. References: Kyle Richards - referenced IG live Kenny Goldsmith “Hillary: The Hillary Clinton Emails”  - https://www.neroeditions.com/product/hillary/ Venice Biennale - https://www.labiennale.org/en Politico - https://www.politico.com/ Jerome Powell - https://www.federalreservehistory.org/people/jerome-h-powell Playbook newsletter - https://www.politico.com/playbook *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

The Guerrilla Girls is an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. The group formed in New York City in 1985 with the mission of bringing gender and racial inequality into focus within the greater arts community. The group employs cultural jamming in the form of posters, books, billboards, and public appearances to expose discrimination and corruption. To remain anonymous, members don gorilla masks and use pseudonyms that refer to deceased female artists. Their identities are concealed because issues matter more than individual identities, they want the focus to be on the issues, not on their personalities or their own work. Guerrilla Girls member Käthe Kollwitz and Zuckerman discuss facts, writing museum wall labels, the power of killer statistics, how Guerrilla Girls get added, changing people’s minds, being intersectional feminists, broadening museum collections, and how the further you get from New York the representation of women and artists of color in museums improves! References: Guerilla Girls: The Art of Behaving Badly - https://www.guerrillagirls.com/books Kynaston McShine - https://ccs.bard.edu/people/2318-kynaston-mc-shine Alma Thomas - https://americanart.si.edu/artist/alma-thomas-4778 Mary Cassat - https://www.marycassatt.org Georgia O’keeffe - https://www.okeeffemuseum.org/about-georgia-okeeffe/ Meret Oppenheim - https://m.theartstory.org/artist/oppenheim-meret/ Helen Frankenthaler - https://www.frankenthalerfoundation.org/artworks/paintings The Met - https://www.metmuseum.org/ Poster - https://www.tate.org.uk/art/artworks/guerrilla-girls-do-women-have-to-be-naked-to-get-into-the-met-museum-p78793 *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Paul Becker is the Founder and CEO of Art Money. He is an art entrepreneur passionate about empowering people to engage with art through building a sustainable creative economy. Art Money is a global fin-tech helping buy and sell art through a win-win business model, partnering with over 1,000 galleries globally, in the US, Australia, and New Zealand. He and Zuckerman talked about his business model, the current state of the art world, where there are opportunities, collecting art as an addiction, and how an experience with a work of art can change your life! This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Michelle Maccarone is the founder of eponymous gallery Maccarone. Shortly after 9/11 Maccarone opened in an unorthodox space in a remote neighborhood with no other galleries around. From the beginning, the gallery was an outlier in every way. It was artist-driven and grew out of conversations. It was more of a concept, or a laboratory for experimentation, that didn’t quite fit the traditional model of an art gallery. Recently the gallery's focus is beyond IRL exhibitions as a creative brand that not only manages artists and produces special projects, but also collaborates with venues and corporate partners to create experiences outside of the physical gallery space. She and Zuckerman talked about art collecting as hoarding, the unlimited possibilities of working digitally, art as a world practice instead of a studio practice,  the grand idea, the conceptual gesture of putting art on Ebay and Pornhub, upending artworld protocols, art in transition, fear of art, and freedom! References: Maccarone Gallery - http://maccarone.net/ Malcolm Gladwell podcast “Revisionist History” - http://revisionisthistory.com Richard Tuttle - https://www.pacegallery.com/artists/richard-tuttle/ “Dislocations” MOMA - https://www.moma.org/calendar/exhibitions/350 David Hammons - https://www.moma.org/artists/2486 Ilya Kabakov - http://www.kabakov.net/ Louise Bourgeois - https://www.tate.org.uk/art/artists/louise-bourgeois-2351 Chris Burden - https://gagosian.com/artists/chris-burden/ Sophie Calle - https://www.guggenheim.org/artwork/artist/sophie-calle *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Jennifer Guidi is an artist known for her radiant, mandala-like paintings that incorporate sand, oil, and acrylic paint. Her work is an exploration of color, light, and texture, finding symmetry in opposition. The result of Guidi's compositions is both contemporary and timeless. She and Zuckerman talked about the attitude needed to make art, finding the perfect place, TikTok and home ec, meditation as a creative resource, how to empty everything out, the input and output of energy, mark making, and the courage and patience of finding your voice. References: Massimo de Carlo “Virtual Space” -  https://www.massimodecarlo.com/gallery/10/vspace The Jewish Museum - https://thejewishmuseum.org Peter Doig - https://www.moma.org/artists/8087 Magdalena Frimkess - https://hammer.ucla.edu/made-in-la-2014/magdalena-suarez-frimkess-michael-frimkess Dan McCarthy - https://www.antonkerngallery.com/artists/dan_mccarthy Shio Kusaka - https://gagosian.com/artists/shio-kusaka/ David Hockney - https://www.hockney.com/home Georgia O’keeffe - https://www.okeeffemuseum.org/about-georgia-okeeffe/ Alexander Tovborg - https://www.blumandpoe.com/artists/alexander_tovborg Sayre Gomez - https://www.sayregomez.com Yogic Path Oracle Cards - https://selenestone.com/products/a-yogic-path-oracle-deck Gagosian Hong Kong - https://gagosian.com/locations/hong-kong/ *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Rickey Gates has been described as a “conceptual runner” combining the practice of endurance running with the artistic mediums of photography and writing. After nearly a decade competing on a national and international mountain, trail and ultra running circuit, he took his love for ultra-endurance, storytelling and photography to his project-based runs that have included a run across America, every single street in San Francisco and currently the 50 classic trails of North America. His debut book Cross Country and feature-length film TransAmericana chronicle his 3,700 mile journey across the United States. He and Zuckerman discuss forced meditation, the poetry of the untaken URL, running to find a clean and safe mental state, why there is never too much, and how it is a luxury to suffer! References: Tom Simpson - https://www.rapha.cc/us/en_US/stories/discovering-the-real-tom-simpson Hunter Thompson - https://www.rollingstone.com/culture/culture-news/rolling-stone-at-50-how-hunter-s-thompson-became-a-legend-115371/ Gretchen Bleiler - https://www.gretchenbleiler.com Transamericana - http://www.rickeygates.com Rich Roll - https://www.richroll.com Every Single Street - https://www.everysinglestreet.com Hamish Fulton - https://www.tate.org.uk/art/artists/hamish-fulton-1133 Helen Mirra - http://hmirra.net *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Katherine Metz is one of the most visible spokespersons of the art of Feng Shui in the United States, introducing Feng Shui into mainstream western culture with her lucid and practical conveyance of its sometimes esoteric philosophies. Her focus is the art and science of creating a healthy home and workplace.  Metz created Feng Shui Storyboard, an interactive membership where she shares one compelling Feng Shui mystery every month. She explains the tools and techniques used to solve these mysteries; honed from her 30 years of experience as a floor plan detective and 25 years of mastering the teachings of H. H. Grandmaster Professor Lin Yun. She and Zuckerman discuss being a rule breaker, which houses lead to divorce, the five types of people, how inspiration is knowing beyond logic, and the courage to ask the right question. This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Kulapat Yantrasast is a thought-leader and practitioner in the fields of architecture, art, and design. Originially from Thailand and now based in Los Angeles, he is the founding partner and Creative Director of wHY, a multidisciplinary design practice organized into dedicated workshops: Buildings, Landscape, Museums, Objects, and Ideas. His museum projects include the Grand Rapids Art Museum, the expansion of the Speed Art Museum in Louisville, KT, gallery design and planning for Harvard Art Museums and the Art Institute of Chicago, and currently a major gallery renovation of the Rockefeller Wing of the Metropolitan Museum of Art. He and Zuckerman discuss museums as a place where time stands still, the sexiness and honesty of parking structures, the ease and seduction of digital solutions, loving cities, redefining everything, and what “missing your own self” feels like! This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Philip Tinari is a notable writer, critic, art curator, and expert in Chinese contemporary art. Based in Beijing since 2001, Tinari is currently director and CEO of the UCCA Center for Contemporary Art (UCCA) in Beijing. In an emotional and raw conversation he and Zuckerman discussed the realities of living in China and the deteriorating relations between our countries, radical precarity, key rituals of the art world, objects crossing borders that people no longer can, what translation enables, whether globalization is actually inevitable, fragility and gratitude. This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Christian Luiten is a founder in 2015 of Avant Arte, an online platform for the next generation of collectors, which has 2M followers on Instagram. Their goal is to help make great art radically more accessible for their generation. International media reports refer to Avant Arte as "one of the most influential online art blogs” and Christian was named to the Forbes 30 under 30 list last year. He and Zuckerman discuss finding art through hip-hop, mashing together artists and others, building a business on Instagram, Doug Aitken, and how to make art more popular! References: Avant Arte - https://avantarte.com/ Kanye West album cover collabs - https://garage.vice.com/en_us/article/d3kxxz/a-brief-history-of-kanye-west-album-artwork Jay Z “Picasso Baby” - https://www.universal-music.de/jayz/videos/picasso-baby-a-performance-art-film-326307 Rothko at Kunstmuseum Den Haag - https://www.kunstmuseum.nl/en/exhibitions/mark-rothko Nate Lowman- http://natelowman.net George Condo - https://www.hauserwirth.com/artists/26942-george-condo Hank Willis Thomas - https://www.hankwillisthomas.com/ The Hanukkah Project - https://thejewishmuseum.org/press/press-release/hanukkah-2010-release The Jewish Museum - https://thejewishmuseum.org Ricky Swallow - https://www.rickyswallow.com/portfolio/work/ Arnolfini Portrait - https://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait Superblue - https://www.superblue.com/ Kusama infinity rooms - https://hirshhorn.si.edu/kusama/infinity-rooms/ *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Michael Chow is a Chinese-born  British-American restaurateur, interior designer, former actor, art collector, father, and artist. He is the co-founder and owner of the Mr. Chow restaurant chain. His father was one of China's most famous actors of his time and the leading figure at the Peking Opera. His mother came from a wealthy family whose fortune had been made in tea. He was sent to a British boarding school when he was 12 and spent his adolescence in Europe; after arriving in London in 1952, he was never able to speak to nor see his father again. He has been married four times, and he has four children. M, Mr. Chow, and Zuckerman discuss the theater of restaurants, being a permanent refugee, painting, other artists including Jean Michel Basquiat, Leonardo Da Vinci and Jeff Koons, being humble in front of God, falling in love, and his 10 Commandments of art. This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Patricia Miller is a visionary manufacturing leader, driving growth and innovation at M4. Under her leadership, M4 was named an Inc 5000 Fastest Growing Company two years in a row. In 2018, Patricia was named to Crain’s Chicago 40 under 40 honoree. Four years ago, Patricia left a successful career in the biotech space to return to her manufacturing roots. She decided to buy her grandpa’s failing business and run it like a start-up, using everything she had learned from her Fortune 500 career in marketing, her passion for entrepreneurship and her creative eye for design to turn M4 into a new kind of maker. She and Zuckerman discuss both morning and evening rituals and how to bookend a work day, her practice of “dating” each new city that she moves to, introducing the importance of art and design to people definitely not originally open to it, and all the things she loves! This episode is brought to you by Kelly Klee private insurance. Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 or use the link https://bestandcoaspen.com/discount/HEIDI2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.   Follow Heidi:  Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Alisha B. Wormsley is an interdisciplinary artist and cultural producer based in Pittsburgh, PA, USA. Her work is about collective memory and the synchronicity of time, specifically through the stories of women of color. She states her work is "the future, and the past, and the present, simultaneously. Wormsley has an MFA in Film and Video from Bard College and was awarded  the Postdoctoral Research fellowship in art at Carnegie Mellon University.  She and Zuckerman discuss motherhood, artist moms, and how to help; matriarchal mystery spaces, reciprocity and agreements, and the release found in spirituality. This episode is brought to you by Kelly Klee private insurance. Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 or use the link https://bestandcoaspen.com/discount/HEIDI2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/ 

Paul Laster is a writer, editor, curator, artist and lecturer. He is a contributing editor at ArtAsiaPacific and Whitehot Magazine of Contemporary Art and writer for Time Out New York, Harper’s Bazaar Arabia, Galerie Magazine, Sculpture, Cultured, Architectural Digest, Surface, and others. He started The Daily Beast’s art section, and was art editor of Russell Simmons’ OneWorld Magazine. We discuss the punk movement, MoMA’s film program, the business of being an artist, the global art scene, how to pitch story ideas, trust, and things we don’t like. This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to an art charity I’ve recommended per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. Follow Heidi: Instagram: @heidizuckerman Twitter: @heidizuckerman LinkedIn: Heidi Zuckerman

Esther Kim Varet is the founder of Various Small Fires, a gallery established in 2012 with locations in Los Angeles, California and Seoul, South Korea. VSF focuses primarily on emerging and established American artists, in particular those with practices relating to social justice, climate activism, identity politics, and alternative modalities of visual art production and consumption. She and Zuckerman discuss innovative strategies for the new now, not having her name on the door, Inclusivity, her idea for a crate library, and being a working mom in the art world.  *Episode removed at the request of the guest.

Daniel Arsham straddles the line between art, architecture, and performance. He makes architecture do things that it’s not supposed to. From casting contemporary objects in volcanic ash as if found on some future archaeological site to collaborating with Merce Cunningham, Robert Wilson, and Pharrell Williams to founding Snarkitecture, Arsham brings experimentation, historical inquiry, playfulness, and wit to everything he does. He and Zuckerman discuss the dislocation of time, geological forms of growth, allowing for chance, the relationship between collaboration and expanding audience, and doing things that are hard! References: Camera sculpture “Future Relic 02” - https://www.danielarsham.com/shop/camera MOCA Miami - https://mocanomi.org Merce Cunningham - https://www.mercecunningham.org Adidas x Daniel Arsham - https://www.adidas.com/com/apps/danielarshamnew/ Bruce Nauman - https://www.guggenheim.org/artwork/artist/bruce-nauman *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Yves Béhar, Founder and Principal Designer of fuseproject, is a designer, educator, and entrepreneur who believes that integrated product, brand, and experience design are the cornerstones of any business. He is also the two-time recipient of the INDEX Award, making him the only designer to have received the prestigious award twice. Yves is an industry veteran at the forefront of entrepreneurial venture design, co-founding August, FORME Life, and Canopy. He and Zuckerman discuss opportunity, how we can change the way we live, the importance of meaning in life, the generosity and humanity of design, creating memorable moments, and his love of dreamers! References: Fuseproject - https://www.fuseproject.com/ One Laptop Per Child - https://fuseproject.com/work/olpc-xo-laptop See Better To Learn Better - https://www.fuseproject.com/blog/see-better-to-learn-better-2 Mary O’Malley - “What’s in the way is the way” *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Ezinma first picked up the violin when she was three-years old. Born in Lincoln, Nebraska to a Guyanese father and a German-American mother, Ezinma's mixed cultural and ethnic background influenced her musical upbringing and helped mold her into the versatile artist she is today. She has performed at Carnegie Hall, Lincoln Center, and Madison Square Garden. She was inspired to create a new sound with her classical violin. Her music is a blend of virtuosic melodies and orchestral soundscapes with hard hitting beats. She has collaborated with artists such as Beyoncé, Stevie Wonder, Mac Miller, and Clean Bandit. She and Zuckerman discussed her morning practice routine, using beauty as a form of self-care, the sculpting of the spaces between things, how she never had a squeaky stage, the stories found within classical music, manifesting working with Beyoncé, and why we must never apologize! References: Oura Ring - https://ouraring.com Bryson Tiller - https://www.billboard.com/music/bryson-tiller Todd Reynolds - http://www.toddreynolds.com DIY box violin - https://www.youtube.com/watch?v=cOHsJEAGmcA Heartstrings Foundation - https://www.ezinma.com/heartstrings Derek Dixie - https://genius.com/artists/Derek-dixie Beyoncé - https://www.beyonce.com *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website.  If you are interested in creating a custom piece please email [email protected] and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email [email protected] *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Kara Goldin is the founder and CEO of hint inc., the San Francisco-based healthy lifestyle company, best known for hint water and most recently, hint sunscreen. Kara is an operating-entrepreneur and has grown hint to a brand worth hundreds of millions of dollars. In this episode she and Zuckerman talked about how our skin is our largest organ, products that solve problems, the productive aspects of anger, her art educator mom, and happiness as both a business and personal guiding practice.

Jean Jullien is a French graphic artist living and working in Paris. His practice ranges from painting and illustration to photography, video, costume, installations, books, posters and clothing to create a coherent yet eclectic body of work. In this episode he and Zuckerman talk about his clan and his mother’s iconic hairstyle, describing versus telling, what is enough, how to judge cultural impact, clusters, and saying “yes, but.”

Hank Willis Thomas is a conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture. His work is included in numerous public collections including the Museum of Modern Art in New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art. His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), Writing on the Wall, and the artist-run initiative for art and civic engagement For Freedoms. He and Zuckerman discussed anxiety, infinite wisdom, positivity bias, infinite possibility, God, the quality of the question, and the remaining opportunities for freedom.

Tom Sachs’s sculptures, often recreations of modern icons using everyday materials, are conspicuously handmade; lovingly cobbled together from plywood, resin, steel, and ceramic. The scars and imperfections in the sculptures tell the story of how it came into being and remove it from the realm of miraculous conception. His studio team of ten, functions like a teaching hospital or cult, that worships plywood and an ethos of transparency. Friends for over two decades, he and Zuckerman discuss making as meditation, making the best of limited resources, output before input, what surprises him, the existential abyss, and his secret weapon to being an artist.

JiaJia Fei is a digital strategist and founder of the first digital agency for art. She and Zuckerman discussed being an evening person, access to free art museums, how to find your own information, the future of funding and philanthropy and access to techpreneurs, how art can exist for the screen, and what could be their shared Kurt Vonnegut epitaph.

Richard Betts passed the Court of Master Sommeliers’ Masters Exam on the first attempt, the ninth person ever to do so. He co-founded the wine labels Betts & Scholl in 2003 and Scarpetta in 2006 and founded Sombra Mezcal in 2006. Today, Richard spends his time guiding Astral Tequila, and his newest wine project “An Approach To Relaxation.” Richard is the New York Times best-selling author of “The Essential Scratch & Sniff Guide to Becoming a Wine Expert.” He and Zuckerman discussed the long term effects of nurture, a deep-seated fear of failure, when he proposed to his wife, how it feels to give back, and working at the intersection of enthusiasm and opportunity!

Amy Cappellazzo is Chairman of the Fine Art division of Sotheby’s. Prior to accepting the position, Cappellazzo founded Art Agency, Partners with Allan Schwartzman, which in January of 2016 Sotheby’s acquired in a groundbreaking deal. Cappellazzo previously served as a market leader in the field of contemporary art at Christie’s, where she rose to the post of Chairman of Post-War & Contemporary Development over thirteen years. She and Zuckerman discussed adult social behavior around art and the future of Not for Profit galas, the pace of museum curating, the highest and best use of anything, a sexy painting by Patricia Cronin, and being an attentive and attuned mother in this episode.

Dennis Scholl is a filmmaker, winemaker, collector, entrepreneur, and artist advocate. In this episode he and Zuckerman talk about him being an obsessive guy, “ going country” and sacred Aboriginal lands, the mistake of not valuing artists, how it feels to live with art placed by other people, and why opening the aperture is key to a meaningful and joyful life!

Gary Simmons uses chalk as his main medium, utilizing the traces and ghost like effects of the chalk to portray compelling messages involving racial stereotypes. Throughout his conversation with Zuckerman, they touch on his athletic past, the intricacies of his 50 foot mural at the Dallas Cowboys Stadium, and why he helped dig a trench for Robert Irwin, along with other compelling tales of his youth!

Kathy DeMarco VanCleve is the author of books Never Caught, The Difference Between You and Me, and Drizzle, numerous screen plays, and on the faculty of the University of Pennsylvania. In this episode, she and Zuckerman speak about poetry, where glory is found, the importance of being kind, death, cancer, and parenting.

With his paintings, Richard Phillips is a master of seduction – he plays upon the complex web of human obsessions with sexuality, politics, power, and death.   He uses classical painterly techniques to make things and people you have seen before look and feel unfamiliar and mean something different. We discussed the first art car to win at Le Mans, what it feels like to unintentionally make a lot of people really mad, Gossip Girl, and what can stand in the way of love.

Sarah Thornton is a sociologist who writes about art, design and people. Formerly the chief art market correspondent for The Economist, Thornton is the author of three critically acclaimed books and many influential articles. A Canadian who went to the UK on a prestigious Commonwealth Scholarship, Thornton was hailed as “Britain’s hippest academic.” Now based in San Francisco, Thornton is better known as “the Jane Goodall of the art world.” Zuckerman sat with Thornton in the office in her apartment in San Francisco where they talked about hierarchies within the artworld, our super powers, the truth about being polite, ceramics, and more than 30 reasons art matters!

Musically Rufus Wainwright has collaborated with artists including Elton John, David Byrne, Boy George, Joni Mitchell, Pet Shop Boys and producer Mark Ronson among others. In addition to being a celebrated contemporary pop singer, Rufus has made a name for himself in the classical world. Heidi visited Rufus at his LA home and they talked about what soothes his soul, a cultural movement to turn off our devices, rhyming, why reading matters, and the why and how of being an active conduit for ideas!

Over a 25 year period Tim Blum and Jeff Poe have fostered the careers of artists such as Takashi Murakami, Mark Grotjahn, Henry Taylor, and so many others. In this episode Zuckerman and Blum talk about the first work of art they each bought—in the same year for the same price! —Ram Das, death, and how we all are just walking each other home.

Rich Roll is a dad, athlete, and author of Finding Ultra. He also hosts the long running, super interesting, and widely popular Rich Roll podcast. In this episode he and Zuckerman talk about existential crises, alcoholism and ambition, the value of solitude, wisdom, and what art is.

Zuckerman describes Seth Price as “undeniably one of the coolest people I have ever met!“ She curated his solo museum exhibition, No Technique, which closes at the Aspen Art Museum on March 1, 2020. In this episode they converse about the allure of being unavailable, the power of defocused thinking, creating a sound track for artists, #menswear, and skin. Price in addition to making paintings has designed a fashion line, written a novel, and made music.

Christina Quarles engages with the world from a position that is multiply situated.  As a Queer, cis-woman born to a black father and a white mother, her project is informed by her daily experience with ambiguity and seeks to dismantle assumptions.  We talked about finding beauty where others might not notice, the impact of our ancestors, and the importance of slowing down and doing less.

John Hickenlooper recently spent six months running for President of the United States of America.  He served two terms as Mayor of Denver, followed by two terms as Governor of Colorado.  He is a craft brewer and occasional banjo player and is currently running for U.S. Senate in Colorado.  In this episode, he and Heidi talk about the importance of silence in holding a space for other’s grief,  how art, music, and culture builds community, transcendental meditation, and world peace.

Helen Molesworth is a Los Angeles-based writer and curator. She recently released “Recording Artists,” a podcast series in conjunction with the Getty and she is the curator-in-residence at the Anderson Ranch Arts Center. We talked about why it’s a great thing when works of art make you cry, personal and institutional legacy, and where the divine or faith shows up in art.

In this episode, Heidi speaks with painter Mary Weatherford known for radical, elusive paintings where her canvases are affixed and sometimes juxtaposed with working neon light. They talk about the most annoying questions Mary repeatedly gets asked as well as why making her paintings involves getting her feet dirty, their mutual admiration for artist Alan Shields, scoliosis, and what it means to trust someone. This episode was recorded live at, and in partnership with, Spring Place Beverly Hills.

In this inaugural episode, Heidi speaks with long-time friend Lance Armstrong about his support of, and friendships with, a wide variety of contemporary artists from Raymond Pettibone to Ed Ruscha, and how art made his life better during times of widely-publicized, great duress. They also talk about humor, decision-making, and the best idea that Lance ever had!